So What Will a Sequenza21 Concert Sound Like Anyhow?
I know I haven’t contributed much to the intellectual discourse on these pages since the new format of the site went live, but–believe me–it hasn’t been that I’ve lost interest. In one of life’s strange convergences, the reformat of Sequenza21 occurred almost simultaneous with my return from China at which point I have plunged myself into a torrent of freelance writing assignments in order to pay for the 82 CDs and suitcase of books I brought back. I’m only now starting to get unburied. Plus, of course, the NewMusicBox deadlines never go away but that’s the same no matter what so it’s no excuse.
Anyway, I wish I could have written that I haven’t had a chance to write in because I’ve been so crazed on a deadline to complete a musical composition. We all know how much spending time on S21 takes away from composing! Ironically, as luck would have it, Sequenza21 is actually contributing to my work as a composer this month since a piece of my music will be featured on their debut concert next Monday night at the CUNY Graduate Center.
And while I can think of fewer honors greater than having a soloist of the caliber of David Starobin performing a work of mine, part of me wonders if a real “Sequenza 21″ concert ought instead be a group composition that one of us starts (pretending to write a solo work in the Berio tradition), perhaps followed by everyone in the audience sequentially creating variations on it in turn for the rest of the evening. But who knows what else everyone else is cooking up for next week. You’ll just have to show up to find out!