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	<title>Comments on: Brother, Can You Spare a Dime?</title>
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	<description>The Contemporary Classical Music Community</description>
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		<title>By: zeno</title>
		<link>http://www.sequenza21.com/2007/12/brother-can-you-spare-a-dime/comment-page-1/#comment-13503</link>
		<dc:creator>zeno</dc:creator>
		<pubDate>Tue, 18 Dec 2007 19:52:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/index.php/646#comment-13503</guid>
		<description><![CDATA[Since the San Francisco Opera and PBS apparently won&#039;t be broadcasting “Appomattox” by Philip Glass and Christopher Hampton, it looks like the hoi polloi will have now to trudge out to their local mall multiplex and plop down 9 quid. [I also wonder whether the BBC will be broadcasting the world premiere of Harrison Birtwistle and David Harsent&#039;s &quot;The Minotaur&quot; next spring, from London&#039;s Royal Opera House.  I recall that Birtwistle and Zinovieff&#039;s &quot;Mask of Orpheus&quot;, in 1986 at ENO,  was supposed to be broadcast on a delayed basis; but that the plan was aborted due to technical problems.]]]></description>
		<content:encoded><![CDATA[<p>Since the San Francisco Opera and PBS apparently won&#8217;t be broadcasting “Appomattox” by Philip Glass and Christopher Hampton, it looks like the hoi polloi will have now to trudge out to their local mall multiplex and plop down 9 quid. [I also wonder whether the BBC will be broadcasting the world premiere of Harrison Birtwistle and David Harsent's "The Minotaur" next spring, from London's Royal Opera House.  I recall that Birtwistle and Zinovieff's "Mask of Orpheus", in 1986 at ENO,  was supposed to be broadcast on a delayed basis; but that the plan was aborted due to technical problems.]</p>
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		<title>By: Elaine Fine</title>
		<link>http://www.sequenza21.com/2007/12/brother-can-you-spare-a-dime/comment-page-1/#comment-13502</link>
		<dc:creator>Elaine Fine</dc:creator>
		<pubDate>Tue, 18 Dec 2007 13:44:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/index.php/646#comment-13502</guid>
		<description><![CDATA[It was odd.  Griffey&#039;s perfect English diction wrapping itself around that translation somehow made his character seem false.  I too love this piece, but I found the production rather cold.  Maybe it was the fact that it was on TV, maybe it was that oddly amplified piano, maybe it was the &quot;in your faceness&quot; of the staging.]]></description>
		<content:encoded><![CDATA[<p>It was odd.  Griffey&#8217;s perfect English diction wrapping itself around that translation somehow made his character seem false.  I too love this piece, but I found the production rather cold.  Maybe it was the fact that it was on TV, maybe it was that oddly amplified piano, maybe it was the &#8220;in your faceness&#8221; of the staging.</p>
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		<title>By: Steve Layton</title>
		<link>http://www.sequenza21.com/2007/12/brother-can-you-spare-a-dime/comment-page-1/#comment-13501</link>
		<dc:creator>Steve Layton</dc:creator>
		<pubDate>Mon, 17 Dec 2007 22:47:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/index.php/646#comment-13501</guid>
		<description><![CDATA[The first act looks great, but the other two worry me. And, like most works I love-love-love (and this is definitely one of those), I know the english translation will pain me to no end. Like the greatest musicals, so much that&#039;s critically beautiful happens in the precise, almost syllable-by-syllable interplay between the original text and music.]]></description>
		<content:encoded><![CDATA[<p>The first act looks great, but the other two worry me. And, like most works I love-love-love (and this is definitely one of those), I know the english translation will pain me to no end. Like the greatest musicals, so much that&#8217;s critically beautiful happens in the precise, almost syllable-by-syllable interplay between the original text and music.</p>
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