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	<title>Comments on: With Conductors Like This&#8230;</title>
	<atom:link href="http://www.sequenza21.com/2008/05/with-conductors-like-this/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.sequenza21.com/2008/05/with-conductors-like-this/</link>
	<description>The Contemporary Classical Music Community</description>
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		<title>By: Eric Shanfield</title>
		<link>http://www.sequenza21.com/2008/05/with-conductors-like-this/comment-page-1/#comment-14233</link>
		<dc:creator>Eric Shanfield</dc:creator>
		<pubDate>Fri, 02 May 2008 10:56:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=792#comment-14233</guid>
		<description><![CDATA[Well, that part of Tehillim explains the maracas, at least, although I wonder why the conductor has them--shouldn&#039;t he be beating the little triangle 3s and trying to coordinate all those ridiculously close canons at that point in the movement?]]></description>
		<content:encoded><![CDATA[<p>Well, that part of Tehillim explains the maracas, at least, although I wonder why the conductor has them&#8211;shouldn&#8217;t he be beating the little triangle 3s and trying to coordinate all those ridiculously close canons at that point in the movement?</p>
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		<title>By: david toub</title>
		<link>http://www.sequenza21.com/2008/05/with-conductors-like-this/comment-page-1/#comment-14232</link>
		<dc:creator>david toub</dc:creator>
		<pubDate>Thu, 01 May 2008 20:22:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=792#comment-14232</guid>
		<description><![CDATA[Yup, definitely Tehillim, but I&#039;ve never heard it sound...quite...like...this

Oy!]]></description>
		<content:encoded><![CDATA[<p>Yup, definitely Tehillim, but I&#8217;ve never heard it sound&#8230;quite&#8230;like&#8230;this</p>
<p>Oy!</p>
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		<title>By: James Combs</title>
		<link>http://www.sequenza21.com/2008/05/with-conductors-like-this/comment-page-1/#comment-14231</link>
		<dc:creator>James Combs</dc:creator>
		<pubDate>Thu, 01 May 2008 19:13:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=792#comment-14231</guid>
		<description><![CDATA[Thats pretty cool.  That conductor really knew what he was after!]]></description>
		<content:encoded><![CDATA[<p>Thats pretty cool.  That conductor really knew what he was after!</p>
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		<title>By: Steve Layton</title>
		<link>http://www.sequenza21.com/2008/05/with-conductors-like-this/comment-page-1/#comment-14230</link>
		<dc:creator>Steve Layton</dc:creator>
		<pubDate>Thu, 01 May 2008 18:47:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=792#comment-14230</guid>
		<description><![CDATA[That&#039;s what I was thinking, but just wasn&#039;t sure without the other parts surrounding it. Thanks!]]></description>
		<content:encoded><![CDATA[<p>That&#8217;s what I was thinking, but just wasn&#8217;t sure without the other parts surrounding it. Thanks!</p>
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		<title>By: Eric SHanfield</title>
		<link>http://www.sequenza21.com/2008/05/with-conductors-like-this/comment-page-1/#comment-14229</link>
		<dc:creator>Eric SHanfield</dc:creator>
		<pubDate>Thu, 01 May 2008 18:43:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=792#comment-14229</guid>
		<description><![CDATA[It&#039;s Tehillim, isn&#039;t it? First movement, I think, second section, where the organs come in with the voices.]]></description>
		<content:encoded><![CDATA[<p>It&#8217;s Tehillim, isn&#8217;t it? First movement, I think, second section, where the organs come in with the voices.</p>
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