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	<title>Comments on: Can David Foster Save Symphony Orchestras?</title>
	<atom:link href="http://www.sequenza21.com/2008/06/can-david-foster-save-symphony-orchestras/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.sequenza21.com/2008/06/can-david-foster-save-symphony-orchestras/</link>
	<description>The Contemporary Classical Music Community</description>
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		<title>By: lawrencedillon</title>
		<link>http://www.sequenza21.com/2008/06/can-david-foster-save-symphony-orchestras/comment-page-1/#comment-14447</link>
		<dc:creator>lawrencedillon</dc:creator>
		<pubDate>Sun, 29 Jun 2008 02:10:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=832#comment-14447</guid>
		<description><![CDATA[I&#039;d never bet on the likelihood of interesting artistic experiences under any circumstances --  but that doesn&#039;t mean I would dismiss anyone&#039;s efforts to bring them about.  I still say Mr. Foster&#039;s efforts are commendable, even if they don&#039;t completely pan out.  That&#039;s how I feel about composers who try to do things a little differently -- kudos to them, even if the results aren&#039;t always what they might have hoped.]]></description>
		<content:encoded><![CDATA[<p>I&#8217;d never bet on the likelihood of interesting artistic experiences under any circumstances &#8212;  but that doesn&#8217;t mean I would dismiss anyone&#8217;s efforts to bring them about.  I still say Mr. Foster&#8217;s efforts are commendable, even if they don&#8217;t completely pan out.  That&#8217;s how I feel about composers who try to do things a little differently &#8212; kudos to them, even if the results aren&#8217;t always what they might have hoped.</p>
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		<title>By: john Mclaughlin Williams</title>
		<link>http://www.sequenza21.com/2008/06/can-david-foster-save-symphony-orchestras/comment-page-1/#comment-14446</link>
		<dc:creator>john Mclaughlin Williams</dc:creator>
		<pubDate>Sat, 28 Jun 2008 18:54:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=832#comment-14446</guid>
		<description><![CDATA[You&#039;re right, Lawrence, it&#039;s possible for them to create an interesting artistic experience, but how likely is that? I wouldn&#039;t buy a ticket and attend to hear the same old shit. I suspect that in holding this point of view I have plentiful company.]]></description>
		<content:encoded><![CDATA[<p>You&#8217;re right, Lawrence, it&#8217;s possible for them to create an interesting artistic experience, but how likely is that? I wouldn&#8217;t buy a ticket and attend to hear the same old shit. I suspect that in holding this point of view I have plentiful company.</p>
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		<title>By: lawrencedillon</title>
		<link>http://www.sequenza21.com/2008/06/can-david-foster-save-symphony-orchestras/comment-page-1/#comment-14445</link>
		<dc:creator>lawrencedillon</dc:creator>
		<pubDate>Thu, 26 Jun 2008 20:29:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=832#comment-14445</guid>
		<description><![CDATA[Can he save Symphony Orchestras isn&#039;t the question  --  Nobody can.  Can he help them create interesting artistic experiences?  Absolutely.  Cue applause.]]></description>
		<content:encoded><![CDATA[<p>Can he save Symphony Orchestras isn&#8217;t the question  &#8212;  Nobody can.  Can he help them create interesting artistic experiences?  Absolutely.  Cue applause.</p>
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		<title>By: Eric Lin</title>
		<link>http://www.sequenza21.com/2008/06/can-david-foster-save-symphony-orchestras/comment-page-1/#comment-14441</link>
		<dc:creator>Eric Lin</dc:creator>
		<pubDate>Wed, 25 Jun 2008 23:32:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=832#comment-14441</guid>
		<description><![CDATA[Hmm...about a million each year...I guess it&#039;s possible. Doesn&#039;t sound like a remarkably interesting idea though. Let&#039;s see what the orchestras come up with.]]></description>
		<content:encoded><![CDATA[<p>Hmm&#8230;about a million each year&#8230;I guess it&#8217;s possible. Doesn&#8217;t sound like a remarkably interesting idea though. Let&#8217;s see what the orchestras come up with.</p>
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		<title>By: Eric Lin</title>
		<link>http://www.sequenza21.com/2008/06/can-david-foster-save-symphony-orchestras/comment-page-1/#comment-14440</link>
		<dc:creator>Eric Lin</dc:creator>
		<pubDate>Wed, 25 Jun 2008 23:29:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=832#comment-14440</guid>
		<description><![CDATA[Look, the capacity of Stern is less than 3000 (I think its about 2700?). If they are guaranteeing $50,000 to each orchestra that performs, they need to at least sell (50000/25 per ticket=) 2000, which is over 2/3 capacity. And that&#039;s just to make 50000. Plus, part of the proceeds go to composer royalties, esp. if part of the &#039;new and adventurous programing&#039; is to include new works...or even simply works written after 1920 (or sometime around that). 

Seems like a losing prospect. But then again, this is only an initial reaction. I&#039;ll read the article before I post something else again.]]></description>
		<content:encoded><![CDATA[<p>Look, the capacity of Stern is less than 3000 (I think its about 2700?). If they are guaranteeing $50,000 to each orchestra that performs, they need to at least sell (50000/25 per ticket=) 2000, which is over 2/3 capacity. And that&#8217;s just to make 50000. Plus, part of the proceeds go to composer royalties, esp. if part of the &#8216;new and adventurous programing&#8217; is to include new works&#8230;or even simply works written after 1920 (or sometime around that). </p>
<p>Seems like a losing prospect. But then again, this is only an initial reaction. I&#8217;ll read the article before I post something else again.</p>
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		<title>By: CD</title>
		<link>http://www.sequenza21.com/2008/06/can-david-foster-save-symphony-orchestras/comment-page-1/#comment-14439</link>
		<dc:creator>CD</dc:creator>
		<pubDate>Wed, 25 Jun 2008 21:34:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=832#comment-14439</guid>
		<description><![CDATA[With $166K financing per show, plus the box, against $80-100K in expenses it shouldn&#039;t be too hard.

And their definition of &#039;creative programming&#039; is very vague.]]></description>
		<content:encoded><![CDATA[<p>With $166K financing per show, plus the box, against $80-100K in expenses it shouldn&#8217;t be too hard.</p>
<p>And their definition of &#8216;creative programming&#8217; is very vague.</p>
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