Anders Koppel: Festivity back in the concert hall
How does it sound – a double concerto written by a musician weaned on Beethoven, salsa, Stravinsky and Bulgarian folk music? In short – like nothing else!
The Danish composer Anders Koppel (b. 1947) is himself. “My music consists of the life I have lived,” is as close as he gets to a definition of his style.
Anders Koppel grew up with music all day long. His father, Herman D. Koppel, was one of Denmark’s leading composers and pianists, and worked in the living room at home. Anders and his siblings were eye-witnesses to all aspects of the musical creative process and got to know about the smallest components of music. As adults all four became some of the most prominent Danish musicians.
The key words for Anders’ music are energy, collectivity and festivity. After one of the most versatile careers in Danish music, which still includes intense improvisations on Hammond organ, Anders Koppel is now concentrating on writing classical solo concertos. He has written over 20 since the mid-1990s, most recently also a couple of double concertos.
On two CDs from Dacapo you can hear Anders’ mixture of vital energy and classical forms. On one CD his son Benjamin is the soloist in his Saxophone Concertos 1 and 2, and on the other you can hear Anders Koppel’s double concertos: one is for violin and accordion with a definite touch of tango. The other is for saxophone and piano and drags Beethoven along to a nightclub. There are inserted improvisations that give the music freedom and personality – a good indication of the attitude of this congenial composer, who was one of Denmark’s best known hippies in the 1960s and is still a passionate representative of breadth of taste and a zest for life.