Comments on: A Tale of Two Riffs and Two Rituals

By: Richard

Richard — Mon, 12 Jan 2009 16:37:17 +0000

Man alive. Thanks so much for posting this. Any attention for WK is good. I only had the occasion to hear his music live once: his Missa Pro Pace with the Wroclw Phil at St. Patrick’s Cathedral a couple of years ago when John Paul II died.
Recently, Antoni Wit and the Warsaw Phil toured America and they played Orawa, but not on their stop in NYC much to my chagrin.
Of interest and in fact, Kilar has spent most of his life almost exclusively composing film music and not just dabbling as the post suggests. It was a permanent detour. He still had the discipline to put out a concert piece every couple years.
However, since 2003 with his September Symphony, he’s done almost nothing but concert works, or “music of a singular authorship” as he puts it. He wrote two symphonies in his youth, but he had to wait 50 years to write another…now he’s done 3 in the last five years. For fans, we’re thrilled. Not to mention more large scale liturgical pieces like a Te Deum and Magnificat have come out.
For more, there’s a good interview link at the bottom of his Wiki page.

Richard

By: zeno

zeno — Thu, 08 Jan 2009 16:22:34 +0000

You are welcome, Mary Jane.

Kilar also worked with Wajda, Agnieszka Holland, and Robby Müller on the very powerful 1990 film Dr. Korczak (not to be confused with the opera Dr. Atomic).

I don’t know the international business/political/theological back story on why a DVD of the film has not been released.

http://www.wajda.pl/en/filmy/film29.html

[Wesele (The Wedding), based on Stanisław Wyspiański and music of Szymanowski, is perhaps Wajda’s most operatic film; and, for your information, we were recently rather disappointed by Wajda's Landscape After Battle despite exquisit cinematography.]

By: Mary Jane Leach

Mary Jane Leach — Thu, 08 Jan 2009 00:51:02 +0000

Steve and Zeno – thank you both. I’d never (knowingly) heard Kilar before. Just listened to Totus Tuus – beautiful. Wajda is one of my all-time favorite film directors, but I”ve never seen “The Promised Land” – nice to know there are wonderful things left to see/hear.

By: zeno

zeno — Mon, 05 Jan 2009 14:57:55 +0000

“Wojciech Kilar is a Polish composer from the same 60’s group that gave us Penderecki and Gorecki, but is notable for his detour into film music (Like Coppola’s Dracula)”

Steve, I thought that you were going to say … (Like Andrzej Wajda’s “The Promised Land” [1975]) … perhas Kilar’s finest film score — or at least arguably Wajda’s finest film (in color …).

[The more I watch the three-hour "The Promised Land", the less I think about Penderecki's "The Devils" ...]

By: J.C. Combs

J.C. Combs — Fri, 02 Jan 2009 01:10:44 +0000

actually, the neo-baroque-ness starts at 5:58.

By: J.C. Combs

J.C. Combs — Fri, 02 Jan 2009 01:05:23 +0000

is it just me or does “orawa” sound very Vivaldi-ish? Neo-baroque? I dig it. Major jam session.

By: Richard Mitnick

Richard Mitnick — Thu, 01 Jan 2009 23:07:05 +0000

So, I just hopped over to Amazon and bought the Kilar “Requiem Father Kolbe”, which has the ‘Orawa’.

Very nice.

By: Steve Layton

Steve Layton — Thu, 01 Jan 2009 18:09:40 +0000

In “Orawa”, check just before the 7’40″ mark, when the bassist has his instrument slip on the floor. Great recovery, and if anything gets him even more into it!

By: jamescombs

jamescombs — Thu, 01 Jan 2009 17:57:15 +0000

Sun Ra is one of the greatest composers, not only here on Earth, but I suspect in relation to composers on other planets as well.

By: Tom Myron

Tom Myron — Thu, 01 Jan 2009 17:44:33 +0000

Thanks for posting these. That conductor on the Kilar is stellar.