The recent deaths of both George Perle and Lukas Foss are part of the sad but expected passing, of composers who came of age in the 1940s and 50s. But a slight shock went through me with Douglas Britt’s surprising news in the Houston Chronicle blogs that pioneering composer, percussionist, visual and sound artist Max Neuhaus (b. 1939) has just died as well. Neuhaus is from the generation that gives us Lucier, Ashley, Young, Reich, Glass and Riley.
He semi-retired some time ago from pure composition and performance, preferring to focus on sound art and installations (one of which quietly hums day and night just down the street from me here in Houston, a few steps from Rothko Chapel). Neuhaus’ own website gives a good overview of where his imagination took him these past years, and you can pay homage to his earlier self — percussion iconclast and champion of the likes of Stockhausen, Brown, Feldman, Cage — by revisiting his seminal 1960s recordings courtesy of UbuWeb.