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Not-So-Secret Society

You can only keep a secret society secret so long, and with our old S21 pal Darcy James Argue‘s new CD release that time has come.  Infernal Machines is out now on New Amsterdam Records, and to celebrate the kick-off DJA’s Secret Society will be performing the music from the CD Friday at Galapagos Arts Space (16 Main St. @ Water St., Brooklyn / Door – 9pm, Show – 10pm, $10).

Troy Collins advance-reviewed it at AllAboutJazz.com:

Drawing inspiration from classic stalwarts like the Thad Jones-Mel Lewis Orchestra as well as pioneering post-rock bands like Explosions In The Sky and Tortoise, Argue tastefully incorporates electric guitars, Fender Rhodes and electric bass into traditional big band instrumentation, extending the innovations of such visionaries as Don Ellis, Gil Evans and George Russell.
Straddling the pastoral opulence of Maria Schneider’s Orchestra and the visceral brio of Adam Lane’s Full Throttle Orchestra and Satoko Fujii’s various big bands, Argue has succeeded at creating a magnificent chimera. His harmonically rich blend of contrapuntal horn voicings, atmospheric electronic textures and post-minimalist rhythms surpass the early fusion experiments of his predecessors, yielding a fully integrated sound world as current as it is timeless.
A masterful tunesmith, his dramatic sense of pacing borders on the cinematic, and his instinct for arranging multiple voices into colorful pitch sets exudes kaleidoscopic detail worthy of Ellington.

Drawing inspiration from classic stalwarts like the Thad Jones-Mel Lewis Orchestra as well as pioneering post-rock bands like Explosions In The Sky and Tortoise, Argue tastefully incorporates electric guitars, Fender Rhodes and electric bass into traditional big band instrumentation, extending the innovations of such visionaries as Don Ellis, Gil Evans and George Russell [….] Straddling the pastoral opulence of Maria Schneider’s Orchestra and the visceral brio of Adam Lane’s Full Throttle Orchestra and Satoko Fujii’s various big bands, Argue has succeeded at creating a magnificent chimera. His harmonically rich blend of contrapuntal horn voicings, atmospheric electronic textures and post-minimalist rhythms surpass the early fusion experiments of his predecessors, yielding a fully integrated sound world as current as it is timeless.

If you want to get primed and pumped beforehand, New Amsterdam is letting you stream the whole CD online. The musical cast is stellar, the pieces are grand, the recording immaculate. Way to go Darcy; here’s to many more words like those above, now and in all the Machines to come.

Comments

Comment from Jerry Bowles
Time: May 8, 2009, 6:47 pm

Hey, Darcy. Break a leg.