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	<title>Comments on: Ahem, Mr. Wakin, Death awaits a retraction&#8230;.</title>
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	<link>http://www.sequenza21.com/2010/05/ahem-mr-wakin-death-awaits-a-retraction/</link>
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		<title>By: Christian</title>
		<link>http://www.sequenza21.com/2010/05/ahem-mr-wakin-death-awaits-a-retraction/comment-page-1/#comment-24060</link>
		<dc:creator>Christian</dc:creator>
		<pubDate>Sat, 29 May 2010 17:38:09 +0000</pubDate>
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		<description><![CDATA[Good enough for me!  Nice review by Anthony Tommasini: http://www.nytimes.com/2010/05/29/arts/music/29macabre.html?ref=arts]]></description>
		<content:encoded><![CDATA[<p>Good enough for me!  Nice review by Anthony Tommasini: <a href="http://www.nytimes.com/2010/05/29/arts/music/29macabre.html?ref=arts" rel="nofollow">http://www.nytimes.com/2010/05/29/arts/music/29macabre.html?ref=arts</a></p>
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		<title>By: smooke</title>
		<link>http://www.sequenza21.com/2010/05/ahem-mr-wakin-death-awaits-a-retraction/comment-page-1/#comment-24058</link>
		<dc:creator>smooke</dc:creator>
		<pubDate>Fri, 28 May 2010 21:02:37 +0000</pubDate>
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		<description><![CDATA[Fortunately the review makes prominent mention of the &quot;sold out&quot; signs and declares Gilbert&#039;s experiment a success. It even talks about how the audience trended younger than the usual NYPhil audience and that they seemed to be having fun. That&#039;s as close as we&#039;ll come to a retraction/correction.]]></description>
		<content:encoded><![CDATA[<p>Fortunately the review makes prominent mention of the &#8220;sold out&#8221; signs and declares Gilbert&#8217;s experiment a success. It even talks about how the audience trended younger than the usual NYPhil audience and that they seemed to be having fun. That&#8217;s as close as we&#8217;ll come to a retraction/correction.</p>
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		<title>By: Armando Bayolo</title>
		<link>http://www.sequenza21.com/2010/05/ahem-mr-wakin-death-awaits-a-retraction/comment-page-1/#comment-24057</link>
		<dc:creator>Armando Bayolo</dc:creator>
		<pubDate>Fri, 28 May 2010 01:23:26 +0000</pubDate>
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		<description><![CDATA[I think that what we have here is a failure to communicate.  Or, rather (to be less snarky), the old media meeting the new head on and not knowing exactly what to do with this new paradigm.  While not a New Yorker, I have been watching Maestro Gilbert&#039;s moves at the NY Phil with interest precisely because they embrace new media and, more importantly, seek to expand, grow and develop the philharmonic&#039;s audience (and with a heavier than usual amount of new music to boot.  It&#039;s almost like Gilbert has learned a lesson from Essa Pekka Salonen!).  I wouldn&#039;t hold your breath on that retraction/correction, Christian, just be glad that Gilbert and the NY Phil are having the last laugh.]]></description>
		<content:encoded><![CDATA[<p>I think that what we have here is a failure to communicate.  Or, rather (to be less snarky), the old media meeting the new head on and not knowing exactly what to do with this new paradigm.  While not a New Yorker, I have been watching Maestro Gilbert&#8217;s moves at the NY Phil with interest precisely because they embrace new media and, more importantly, seek to expand, grow and develop the philharmonic&#8217;s audience (and with a heavier than usual amount of new music to boot.  It&#8217;s almost like Gilbert has learned a lesson from Essa Pekka Salonen!).  I wouldn&#8217;t hold your breath on that retraction/correction, Christian, just be glad that Gilbert and the NY Phil are having the last laugh.</p>
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