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	<title>Comments on: Rite of Spring for Big Band.  Solid.</title>
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	<link>http://www.sequenza21.com/2010/05/rite-of-spring-for-big-band-solid/</link>
	<description>The Contemporary Classical Music Community</description>
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		<title>By: bgn</title>
		<link>http://www.sequenza21.com/2010/05/rite-of-spring-for-big-band-solid/comment-page-1/#comment-24036</link>
		<dc:creator>bgn</dc:creator>
		<pubDate>Mon, 17 May 2010 12:36:59 +0000</pubDate>
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		<description><![CDATA[Well, you must admit, a big band arrangement would be more practical for a ballet company than Stravinsky&#039;s original humongous orchestra...]]></description>
		<content:encoded><![CDATA[<p>Well, you must admit, a big band arrangement would be more practical for a ballet company than Stravinsky&#8217;s original humongous orchestra&#8230;</p>
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		<title>By: Chris Becker</title>
		<link>http://www.sequenza21.com/2010/05/rite-of-spring-for-big-band-solid/comment-page-1/#comment-24019</link>
		<dc:creator>Chris Becker</dc:creator>
		<pubDate>Sat, 15 May 2010 23:34:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=3009#comment-24019</guid>
		<description><![CDATA[I think they both transcended any and all labels (especially &quot;jazz&quot;) that are put upon what is just great music.]]></description>
		<content:encoded><![CDATA[<p>I think they both transcended any and all labels (especially &#8220;jazz&#8221;) that are put upon what is just great music.</p>
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		<title>By: paul bailey</title>
		<link>http://www.sequenza21.com/2010/05/rite-of-spring-for-big-band-solid/comment-page-1/#comment-24018</link>
		<dc:creator>paul bailey</dc:creator>
		<pubDate>Sat, 15 May 2010 23:13:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=3009#comment-24018</guid>
		<description><![CDATA[of course... 

i think it&#039;s safe to say that ellington and stravinsky each made better works in their own art and jazz mediums]]></description>
		<content:encoded><![CDATA[<p>of course&#8230; </p>
<p>i think it&#8217;s safe to say that ellington and stravinsky each made better works in their own art and jazz mediums</p>
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		<title>By: Chris Becker</title>
		<link>http://www.sequenza21.com/2010/05/rite-of-spring-for-big-band-solid/comment-page-1/#comment-24016</link>
		<dc:creator>Chris Becker</dc:creator>
		<pubDate>Sat, 15 May 2010 22:38:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=3009#comment-24016</guid>
		<description><![CDATA[&quot;...which interestingly enough he was cribbing from Stravinsky.&quot;

And Stravinsky wasn&#039;t &quot;cribbing&quot; anything from jazz?  You&#039;ve heard Ebony Concerto, right?]]></description>
		<content:encoded><![CDATA[<p>&#8220;&#8230;which interestingly enough he was cribbing from Stravinsky.&#8221;</p>
<p>And Stravinsky wasn&#8217;t &#8220;cribbing&#8221; anything from jazz?  You&#8217;ve heard Ebony Concerto, right?</p>
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	<item>
		<title>By: paul bailey</title>
		<link>http://www.sequenza21.com/2010/05/rite-of-spring-for-big-band-solid/comment-page-1/#comment-23970</link>
		<dc:creator>paul bailey</dc:creator>
		<pubDate>Fri, 14 May 2010 16:21:26 +0000</pubDate>
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		<description><![CDATA[as an arrangement, i&#039;m not sure you add anything by having a ride symbol behind it, it reminds me of the 4/4 arrangement of dave brubek&#039;s &quot;take 5&quot; and having solos makes it sound more like a parody of one of ellington&#039;s chamber works (which interestingly enough he was cribbing from stravinsky)

on one hand music shouldn&#039;t be painstakingly preserved in an airless glass tomb, but listening to a big band play stravinsky is like watching monty python putting on the coronation of poppea. 

it all sounds interesting on paper, but...]]></description>
		<content:encoded><![CDATA[<p>as an arrangement, i&#8217;m not sure you add anything by having a ride symbol behind it, it reminds me of the 4/4 arrangement of dave brubek&#8217;s &#8220;take 5&#8243; and having solos makes it sound more like a parody of one of ellington&#8217;s chamber works (which interestingly enough he was cribbing from stravinsky)</p>
<p>on one hand music shouldn&#8217;t be painstakingly preserved in an airless glass tomb, but listening to a big band play stravinsky is like watching monty python putting on the coronation of poppea. </p>
<p>it all sounds interesting on paper, but&#8230;</p>
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		<title>By: Steve Layton</title>
		<link>http://www.sequenza21.com/2010/05/rite-of-spring-for-big-band-solid/comment-page-1/#comment-23964</link>
		<dc:creator>Steve Layton</dc:creator>
		<pubDate>Fri, 14 May 2010 15:48:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=3009#comment-23964</guid>
		<description><![CDATA[Interesting point, Mark (though you sound a little like you got up on the wrong side of the bed today...). Just how sacrosant are the composer&#039;s &quot;intentions&quot; anyway, and for how long? Seems there&#039;s a point where other people&#039;s intentions can come into play as well, often to interesting effect. The tradition of re-arranging and even re-styling composers&#039; works has a pretty long and respected tradition, too. The idea of the composer&#039;s score being &quot;set in stone&quot; is fairly recent.]]></description>
		<content:encoded><![CDATA[<p>Interesting point, Mark (though you sound a little like you got up on the wrong side of the bed today&#8230;). Just how sacrosant are the composer&#8217;s &#8220;intentions&#8221; anyway, and for how long? Seems there&#8217;s a point where other people&#8217;s intentions can come into play as well, often to interesting effect. The tradition of re-arranging and even re-styling composers&#8217; works has a pretty long and respected tradition, too. The idea of the composer&#8217;s score being &#8220;set in stone&#8221; is fairly recent.</p>
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		<title>By: Mark B</title>
		<link>http://www.sequenza21.com/2010/05/rite-of-spring-for-big-band-solid/comment-page-1/#comment-23961</link>
		<dc:creator>Mark B</dc:creator>
		<pubDate>Fri, 14 May 2010 14:13:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=3009#comment-23961</guid>
		<description><![CDATA[What a pointless activity. Stravinksy would be turning in his grave. I&#039;m sure if  it was intended for a &quot;big band&quot; he would have arranged it so. More like the &quot;Shite&quot; of Spring]]></description>
		<content:encoded><![CDATA[<p>What a pointless activity. Stravinksy would be turning in his grave. I&#8217;m sure if  it was intended for a &#8220;big band&#8221; he would have arranged it so. More like the &#8220;Shite&#8221; of Spring</p>
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		<title>By: Armando Bayolo</title>
		<link>http://www.sequenza21.com/2010/05/rite-of-spring-for-big-band-solid/comment-page-1/#comment-23959</link>
		<dc:creator>Armando Bayolo</dc:creator>
		<pubDate>Thu, 13 May 2010 01:54:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=3009#comment-23959</guid>
		<description><![CDATA[Man, Brian, I am kicking myself for not being able to make this concert.  I&#039;ve been meaning to make a Mobtown Modern event for some time but I&#039;m in Baltimore in the mornings, primarily, and don&#039;t stay or head back.  Next season I&#039;ll have to come check you guys out.  I hope the concert rocked tonight.]]></description>
		<content:encoded><![CDATA[<p>Man, Brian, I am kicking myself for not being able to make this concert.  I&#8217;ve been meaning to make a Mobtown Modern event for some time but I&#8217;m in Baltimore in the mornings, primarily, and don&#8217;t stay or head back.  Next season I&#8217;ll have to come check you guys out.  I hope the concert rocked tonight.</p>
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		<title>By: Steve Layton</title>
		<link>http://www.sequenza21.com/2010/05/rite-of-spring-for-big-band-solid/comment-page-1/#comment-23957</link>
		<dc:creator>Steve Layton</dc:creator>
		<pubDate>Wed, 12 May 2010 17:17:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=3009#comment-23957</guid>
		<description><![CDATA[Of course for a couple other takes on it, there&#039;s Fireworks:

http://www.cdbaby.com/cd/fireworksmusic04

And the even more daunting version by John Ringer, for basically a power trio:

http://www.cdbaby.com/cd/stravinsky]]></description>
		<content:encoded><![CDATA[<p>Of course for a couple other takes on it, there&#8217;s Fireworks:</p>
<p><a href="http://www.cdbaby.com/cd/fireworksmusic04" rel="nofollow">http://www.cdbaby.com/cd/fireworksmusic04</a></p>
<p>And the even more daunting version by John Ringer, for basically a power trio:</p>
<p><a href="http://www.cdbaby.com/cd/stravinsky" rel="nofollow">http://www.cdbaby.com/cd/stravinsky</a></p>
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		<title>By: Chris Becker</title>
		<link>http://www.sequenza21.com/2010/05/rite-of-spring-for-big-band-solid/comment-page-1/#comment-23956</link>
		<dc:creator>Chris Becker</dc:creator>
		<pubDate>Wed, 12 May 2010 15:55:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.sequenza21.com/?p=3009#comment-23956</guid>
		<description><![CDATA[I&#039;ll listen and follow along with my Dover score!  That&#039;s a bear of a piece to try and arrange for alternate instrumentation!

P.S.  Burnt Sugar has a CD called the Rites with Butch Morris conducting that also uses themes from The Rite to realize a conduction for a large band of electric guitars, strings, piano, turntables, etc.]]></description>
		<content:encoded><![CDATA[<p>I&#8217;ll listen and follow along with my Dover score!  That&#8217;s a bear of a piece to try and arrange for alternate instrumentation!</p>
<p>P.S.  Burnt Sugar has a CD called the Rites with Butch Morris conducting that also uses themes from The Rite to realize a conduction for a large band of electric guitars, strings, piano, turntables, etc.</p>
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