Jack called (surprisingly) on May 15th. We talked for a quarter hour, during which time he mentioned his recent group of recent CDs released by Albany. Not really knowing his choral music, I ordered the Gregg Smith disc, which arrived 5 days later – in the same mail with a hand-written letter from Jack (another surprise).
After listening I wrote directly to Jack about my renewed pleasure in the clarity and immediacy of his music, its fineness of craft, and such refreshing surprise in how he shaped the harmonic rhythm. Because we both had set the same poem, I sent him a CD with that setting, plus the 2 discs of orchestra music he’d asked to hear.
The final surprise came on June 1st : another long letter from Jack – he’d really listened to everything (and wrote many kind comments), and concluded the letter with his “pleasure at our re-meeting”.
Understandingly, the shock of his death was almost overwhelming. I immediately sat down and as a tribute wrote Cortège for Jack; it was almost like automatic writing – the music was done inside 2 hours. Only after finishing did I recognize that “Beeson” is the governing rhythm.
Jack Beeson was really memorable. Laconic at times, careful and caring with words – as with notes. The joy, exuberance and passion in his music come forward fully because of his innate discretion and artistic good taste. In some respects he was a musical ‘father’ to me – certainly one of only two composers with whom I ever had formal study in composition. As a model, as a thinking musician and a citizen of the musical world, he was significant and important to me. I will miss him.