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	<title>Comments on: Non Classical Showcase at LPR on 7/21</title>
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		<title>By: Christian</title>
		<link>http://www.sequenza21.com/2010/07/non-classical-showcase-at-lpr-on-721/comment-page-1/#comment-24853</link>
		<dc:creator>Christian</dc:creator>
		<pubDate>Sun, 18 Jul 2010 18:35:01 +0000</pubDate>
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		<description><![CDATA[I think a combination of studying the greats, studying the literature, and communicating with your performers is necessary. I am work on a piece for Peter Jarvis now, and his assistance has been indispensable.]]></description>
		<content:encoded><![CDATA[<p>I think a combination of studying the greats, studying the literature, and communicating with your performers is necessary. I am work on a piece for Peter Jarvis now, and his assistance has been indispensable.</p>
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		<title>By: Joseph Holbrooke</title>
		<link>http://www.sequenza21.com/2010/07/non-classical-showcase-at-lpr-on-721/comment-page-1/#comment-24852</link>
		<dc:creator>Joseph Holbrooke</dc:creator>
		<pubDate>Sun, 18 Jul 2010 18:26:13 +0000</pubDate>
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		<description><![CDATA[Question for composers: When attempting to write solo percussion music do you study the great drummers first? It seems to me like most composers are writing percussion music without really understanding how far the field has been developed by the greats like Han Bennink, Elvin Jones, Milford Graves, etc.]]></description>
		<content:encoded><![CDATA[<p>Question for composers: When attempting to write solo percussion music do you study the great drummers first? It seems to me like most composers are writing percussion music without really understanding how far the field has been developed by the greats like Han Bennink, Elvin Jones, Milford Graves, etc.</p>
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