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	<title>Comments on: Sampling sound worlds</title>
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	<description>The Contemporary Classical Music Community</description>
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		<title>By: mclaren</title>
		<link>http://www.sequenza21.com/2011/03/sampling-sound-worlds/comment-page-1/#comment-25733</link>
		<dc:creator>mclaren</dc:creator>
		<pubDate>Thu, 31 Mar 2011 17:51:38 +0000</pubDate>
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		<description><![CDATA[How are we defining &quot;pop-music surface&quot; this week?  As music with perceptible melody, functional harmonies, a discernible rhythmic pulse and audible musical organization?

If so, here&#039;s a quick fact check -- that&#039;s what defined serious music for several thousand years.  Up until some masterminds in the 1950s decided that perceptible melodies and functional harmonies and a discernible rhythmic pulse and audible musical organization were backwards-looking outworn remnants of a dead musical past.

Fortunately, contemporary music advances one funeral at a time and these masterminds have departed this mortal veil for whatever realms await people with zero musical talent. Their legacy, alas, lingers on, like a bad case of mold in the shower.]]></description>
		<content:encoded><![CDATA[<p>How are we defining &#8220;pop-music surface&#8221; this week?  As music with perceptible melody, functional harmonies, a discernible rhythmic pulse and audible musical organization?</p>
<p>If so, here&#8217;s a quick fact check &#8212; that&#8217;s what defined serious music for several thousand years.  Up until some masterminds in the 1950s decided that perceptible melodies and functional harmonies and a discernible rhythmic pulse and audible musical organization were backwards-looking outworn remnants of a dead musical past.</p>
<p>Fortunately, contemporary music advances one funeral at a time and these masterminds have departed this mortal veil for whatever realms await people with zero musical talent. Their legacy, alas, lingers on, like a bad case of mold in the shower.</p>
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