LoC Orchestra in 2010, conducted by Louis Karchin. Photo: Ron Gordon

League of Composers/ISCM has their season finale tonight at Miller Theatre. Louis Karchin conducts a program of five recently composed works.

True to form, the evening is chock-full of premieres, including the US debut of Elliott Carter’s Concertino for Bass Clarinet. How many concerts can boast a new orchestra piece written by a centenarian? The concertino features longtime Carter associate Virgil Blackwell as soloist.

David Rakowski is also represented by a new concerto. His Talking Points, written at the behest of the League of Composers, features the estimable soloist Fred Sherry as its protagonist.

Shulamit Ran’s Silent Voices, written for the Israel Contemporary Players, receives its US premiere. The work includes an optional part for reader, who declaims “Draft of a Reparation Agreement,” a poem by Holocaust survivor Dan Pagis.

New Yorker Missy Mazzoli contributes Violent Violent Sea, her first orchestra piece in five years. Connecticut’s Arthur Krieger rounds out the show with Sound Merger, a new piece for orchestra and electronic sound. Krieger, in my opinion, is one of the most persuasive exponents of melding live instruments and electronics. I’m intrigued to hear this new piece for a larger cohort than this medium is often afforded.

As usual, WNYC’s Jon Schaefer is kind enough to serve as master of ceremonies. Brief onstage interviews of the featured composers will accompany the musical proceedings.

Going to the show? Live tweet with the hashtag #fileunder?: we’ll run these microreviews next week on the File Under ? blog.

Tickets are $20/$10 for students (details here).

LoC Orchestra in 2010. Photo: Ron Gordon

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