Blogger Updates

RSS Christian Carey

RSS Jay C. Batzner

RSS Lawrence Dillon

CD Reviews


Cast and Crew

Editor:
Steve Layton

Managing Editor

Christian Carey

Contributing Editors:
Galen H. Brown

Chris Becker
Armando Bayolo
Garrett Schumann
Wes Flinn
Rob Deemer
Paul Bailey
Polly Moller
Ilona Oltuski
Elliot Cole
Ed Lawes
Scott Unrein
Iván Sparrow
James Holt
Lanier Sammons
Rodney Lister
Jerry Zinser

Zookeeper:   
Jerry Bowles
(212) 582-3791

Founding Publisher:
Duane Harper Grant

Send Review CDs to:
Chrisitan Carey
218 Augusta Street
South Amboy NJ 08879




Featured Release


BRIDGE
3 Disks
For Christian Wolff
Morton Feldman
California Ear Unit

Recent Comments

Recent Posts

Music Blogs

.............................


Listen Online:

RSS Scott Unrein’s Nonpop Podcast


Kalvos & Damian!
& Noizepunk and Das Krooner

The longest-running New & Nonpop music program on the web.

Counterstream Radio
Streaming radio from New Music USA.

Q2 Music - WQXR
New York-based online station devoted to the music of living composers.

Admin

Tanglewood FCM Highlights Part Two

David Fulmer plays his Violin Concerto at FCM. Photo: Hilary Scott

David Fulmer, Violin Concerto: Written in 2010, Fulmer’s chamber concerto revels in complexity. Those who have heard his performances of the music of Brian Ferneyhough or that of his teacher Milton Babbitt, which sizzle with hyper-virtuosic playing, can readily understand such predilections. Fulmer’s performance as soloist on the Sunday morning FCM concert (on 8/7) was imbued with similar intensity.

Compositionally, it’s an abundantly promising work: but it isn’t perfect. Occasionally, one feels that a bit of crowd control might be brought to bear on the thickly scored busyness of the orchestration, to better clarify the angular counterpoint that propels the proceedings. Also, the inclusion of three keyboard instruments for one player – piano, harpsichord, and celesta – (without terribly extended parts for either of the latter two) seems an impractical choice that may limit the number of ensembles who will mount the piece. That said, Fulmer’s compositional language and performance demeanor exemplify an edginess and gutsiness notably in short supply among many of his contemporaries in the emerging composer realm.

Marie Tachouet plays the solo part in Felder's Inner Sky. Photo: Hilary Scott

David Felder, Inner Sky: Tanglewood is blessed with excellent student performers. And while there were a number of fellows who distinguished themselves on the festival, the standout for me was flutist Marie Tachouet. A member of the New Fromm Players, Tanglewood’s SEAL Team Six equivalent for contemporary music, Tachouet played on several FCM concerts. But she took her solo turn on its finale, an orchestra concert held in the evening on Sunday, August 7th.

The flutist was featured in David Felder’s Inner Sky. Composed in 1994 and substantially revised in ’99, this piece requires the soloist to perform on four flutes: piccolo, concert, alto, and bass flute. The trajectory of the piece is charted by the move from high to low flutes, which is registrally mimicked by a supporting quadraphonic electronics part that features both distressed flute samples and synthetic sounds. An “analog” surround effect is also created by an even distribution of strings and percussion across the stage.

Inner Sky is an immersive listening experience. It’s also a highly sophisticated colloquy between soloist, ensemble, and electronics; one that achieves a carefully choreographed balance of elements, both acoustic and musical: a balance that is all too rarely found in works for orchestra plus electronics. It certainly helped to have Tachouet’s sensitive performance and Robert Treviño’s fine direction of the Tanglewood Music Center Orchestra.

Later this year, Inner Sky sees release in both stereophonic and surround-sound formats. I’m looking forward to checking it out again (hopefully in both versions!).