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	<title>Comments on: Carter Ticket Giveaway deadline extended to Monday</title>
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		<title>By: Sparky P.</title>
		<link>http://www.sequenza21.com/2011/12/carter-ticket-giveaway-deadline-extended-to-monday/comment-page-1/#comment-26453</link>
		<dc:creator>Sparky P.</dc:creator>
		<pubDate>Mon, 05 Dec 2011 19:30:32 +0000</pubDate>
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		<description><![CDATA[There is always a certain freshness when I hear a new work by Carter.  A tension, but not persistant, then release.  The constant sense of playfulness, a &quot;zippiness&quot; (different than, say, Ferneyhough).]]></description>
		<content:encoded><![CDATA[<p>There is always a certain freshness when I hear a new work by Carter.  A tension, but not persistant, then release.  The constant sense of playfulness, a &#8220;zippiness&#8221; (different than, say, Ferneyhough).</p>
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		<title>By: Ben Rosenzweig</title>
		<link>http://www.sequenza21.com/2011/12/carter-ticket-giveaway-deadline-extended-to-monday/comment-page-1/#comment-26447</link>
		<dc:creator>Ben Rosenzweig</dc:creator>
		<pubDate>Mon, 05 Dec 2011 03:14:01 +0000</pubDate>
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		<description><![CDATA[Elliott Carter is one of the foremost composers of the century (and he has been composing for almost all of it!).  His mature work has been an exploration of rhythmic and harmonic complexity, taking atonal composition far beyond the innovations of serial composition.  Carter has been an influence on many contemporary composers.]]></description>
		<content:encoded><![CDATA[<p>Elliott Carter is one of the foremost composers of the century (and he has been composing for almost all of it!).  His mature work has been an exploration of rhythmic and harmonic complexity, taking atonal composition far beyond the innovations of serial composition.  Carter has been an influence on many contemporary composers.</p>
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