Lou Bunk bows cardboard this weekend!

To many, Memorial Day weekend means the kickoff of the summer season: getaways, barbecues, traffic, and more traffic …

But the New York new music scene doesn’t seem to be on holiday from its Spring season yet. indeed, we’ll be talking a number of events in coming weeks, extending well into June.

Performers and, one hopes, audiences, aren’t even taking the weekend off. Tonight is an all Milton Babbitt concert at CUNY Grad Center. It features several pieces done by the performers who’ve made them part of their core repertoires. But any chance to hear Judith Bettina sing Philomel again or William Anderson and Oren Fader play Soli e Duettini is most welcome. Less often heard but featured here is the early “Composition for Four Instruments” and the piano duo Envoi from 1990. Though it’s bittersweet to go to hear Babbitt’s music without his convivial presence and sepulchral commentary, it is good to see that the Composers Alliance and CUNY are making every effort to keep his music alive.

Milton Babbitt Retrospective

Friday, May 25, 2012, 7:30pm at CUNY Graduate Center

Elebash Recital Hall (365 Fifth Ave, New York) Free Admission

Program

None but the Lonely Flute (1991) Patricia Spencer, flute

Envoi (1990) Steven Beck and Zachary Bernstein, piano

Soli e Duettini (1989) Oren Fader, guitar, William Anderson, guitar

Melismata (1982) Karen Rostron, violin

Philomel (1964) Judith Bettina, soprano

Composition for Four Instruments (1948) Patricia Spencer, flute; Charles Neidich, clarinet; Joshua Modney, violin; Christopher Gross, cello

My Ends are My Beginnings (1978)Charles Neidich, clarinet

More Melismata (2006) Christopher Gross, Cello

Swan Song no. 1 (2003) Barry Cooper, flute; Robert Ingliss, oboe; William Anderson, mandolin
Oren Fader, guitar; Calvin Wiersma, violin; Susannah Chapman, cello; James Baker, conductor

Music Programs The Graduate Center, CUNY
365 Fifth Avenue • New York, New York 10016-4309
(212) 817-8590 • music@gc.cuny.edu

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On Saturday, Collide-O-Scope Music is presenting a varied program, including a Babbitt work as well, but mostly featuring music by emerging and mid-career composers. As is often the case, CoSM programs both works for conventional instrumentation and for sound objects that are decidedly unconventional. Here, the latter is represented by Lou Bunk’s “scratch-o-lin,” a cardboard contraption that he fervently attacks with a violin bow!

Collide-O-Scope Music presents “The Medium is the Music”
Alexandra GardnerNew Skin (2002)
James RomigWalls Like These (2012)
Lou BunkShreds of New Walls (2012) *
Christopher BaileyFantasy-Passacaglia After Hall and Oates II (2012) *
Lou Bunk: Study for Bowed Cardboard (2010)
Christopher BaileyOutlying Afterward (2012) *
Michael Klingbeil: Vers La Courbe (2012) *
Milton BabbittPreludes, Interludes, and Postlude (1991)

* World Premieres

Saturday, May 26 at 8:00 PM
The Cell Theater
338 West 23rd St., New York City
Tickets: $15/$10 (students)
For tickets and more info:
http://www.thecelltheatre.org/
3 Responses to “This Weekend: Babbitt and Collide-O-Scope”
  1. zeno says:

    No Judith Bettina singing The Head of the Bed?

  2. Casey says:

    Sorry if this is the wrong place to post, but can anyone recommend a good place to keep informed about these kind of contemporary music concerts in NYC? I almost always find out about great concerts the day after…

  3. Christian says:

    Casey,

    We have lots of listings on the Sequenza 21 Calendar page.

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