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Christian Carey

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Your MoM

Last Wednesday, February 28, I had the pleasure of seeing two superb up-and-coming chamber ensembles on a double bill at Music On MacDougal in downtown Manhattan.    The Moët Trio (Yuri Namkung, violin; Yves Dharamraj, cello; Michael Mizrahi, piano) had the first half of the program, and they opened with John Zorn’s Amour fou.  The […]

Three-way PR/Marketing Convergence

Yesterday I got an e-mail from a PR person at The Rebel Media Group.  One of her clients, John Wesley Harding, has a new album and it’s being promoted with a somewhat unorthodox tiered pricing scheme which ranges from CD plus download plus live disc for $15.98 to a package which includes the aforementioned plus […]

Downbeat Ready?

If you’ve been following the stimulus bill, you probably know two things: It includes $50 million for the NEA, and on Tuesday the Senate Democrats announced that they don’t have the votes to pass it and they’re looking a ways to cut it down.  John Gizzi at the conservative publication Human Events reported tuesday that, in a […]

Minimalist Standup

Check out this video from the 2008 Comedy Festival Gala in Melbourne.  Make sure you watch all the way to the end of the bit, where it goes all “I Am Sitting In A Room.” [youtube]http://www.youtube.com/watch?v=i69Xb2ZMgGI[/youtube]

Reattached, for a limited time only

Corey Dargel’s remarkable “theatrical song cycle” Removable Parts is being reprised at the HERE Arts Center.  The run started yesterday and goes through Sunday (Jan 7-11).  The show, which is performed by Corey Dargel (voice) and Kathleen Supové (piano), is a sort of cabaret show about Body Integrity Identity Disorder which, in a strange and […]

Let’s Call the Whole Thing Orff

Interesting piece by Martin Kettle in Friday’s Guardian, but one very strange line: “The musical establishment may continue to agonise over the important question of whether a bad man can produce a great piece of work. . .”  Are there really people who ask that question, or is it simply a rhetorical flourish?  My sense […]

A Visit From J.S. Bach (Repost)

I first wrote and posted this two years ago, but maybe it will lighten the mood as everybody in the Northeast freaks out about their travel plans and the current and impending meteorological conditions.  Stay safe out there. A Visit From J.S. Bach By Galen H. Brown, with apologies to Henry Livingston, Jr. ‘Twas the […]

Checking Up on MOM

Such is my devotion to you, dear reader, that last Wednesday in spite of a bad cold I went to the latest installment of the Music On MacDougal series at the Players Theatre in downtown Manhattan.  Music on MacDougal, as you may recall, is the concert series that S21 helped kick off with our M50 […]

Some Technical Aspects of Translocation: George Brecht (1926-2008)

Composer, artist, Fluxus member, Scratch Orchestra member, John Cage associate, and chemist George Brecht died in a nursing home in Cologne, Germany, on Friday, December 5th.  Brecht, who was born George MacDiarmid but took Bertolt Brecht’s name in homage,  was one of the most significant and influential avant garde artists of the 1960s.  The title […]

Turning and turning in the widening gyre

Those of you who were at the first Sequenza21 concert two years ago may remember that pianist Hugh Sung played my piece Systems of Preference or Restraint.  What you may not have noticed was the technology he used to do it.  That technology is now considerably more accessible to the average performer, and I encourage […]