Contents

How to Post

Our concert calendar is available for listing all performances of contemporary classical music. Bach and Mozart would not be appropriate. If you are a performer or handle PR for a performer or organization and already have direct access to post your notices here, login under "Meta" with the same user name and password you're using now. If you don't have a user name and password, send a note here and we'll fix you up.

 


Google


Search WWW
Search www.sequenza21.com

Meta

Sponsors

 

 

Recent Posts

Archives

Composers Young & Younger — Sunday, October 12 at 3 PM!

   North/South Consonance, Inc. will inaugurate its 29th consecutive season  with a special event scheduled for Sunday, October 12 at 3 PM.

The concert will feature members of the acclaimed North/South Consonance Ensemble performing music by three generations of American composers. It  will be held at the auditorium of Christ & St. Stephen’s Church (120 West 69th St) in Manhattan. Admission is free.

Two extremely talented teen-age composers will participate in the concert: Daniel Haldar –- the 17 year old composer from Cleveland, OH –  and Stephen Feigenbaum — the 19 year old composer born in Boston and now and undergraduate at Yale University.

Mr. Haldar’s recently completed four movement Sonata for Piano will be heard in New York City for the first time. An ambitious and virtuosic work, its music is both somewhat dissonant and highly evocative. Haldar has studied piano and composition at the Preparatory Division of the Cleveland Institute of Music. A high-school, his other interests include mathematics, science and languages. He also serves as captain of his school’s Lincoln-Douglas debate team.

Stephen Feigenbaum  will be represented on the program by his Trap for solo viola, a composition that explores the paradox of being trapped by a sense of freedom. Born in 1989, Feigenbaum was recently commissioned to write a work for the Palo Alto Chamber Orchestra in California. He has also appeared on the popular NPR show “From the Top.”

The concert will mark the 80th birthday of Elizabeth Bell (b. 1928, Cincinnatti, OH) whose River Fantasy for flute, violin, viola and cello will open the second half of the program. A graduate of  Wellesley College and The Juilliard School, Ms. Bell resides in Westchester County with her husband and their Siamese cat. The American Record Guide called her “one of our country’s leading composers.” And Fanfare Magazine referred to her as “a fine composer with a vivid, highly entertaining sense of instrumental color.”  Ms. Bell is one of the founders of New York Women Composers, Inc. and also served on the Board of Governors of the American Composers Alliance for several years. Her works have been performed throughout the US as well as Armenia, Brazil and Russia.  River Fantasy was premiered by the North/South Consonance Ensemble as part of an all Elizabeth Bell concert presented at Merkin Hall in 1993 and eventually recorded on a CD featuring some of her vocal and instrumental works (North/South Recordings 1042).

The music of long time Cape Cod, MA resident Canary Burton (b.1943) will open the concert. Her recently completed piano piece The Broken Record  will be heard for the first time. Ms. Burton found inspiration for the work in one of her old jazz tunes as well as quotes from We Shall Overcome. In a manner somewhat similar to Charles Ives’ musical collages,  Burton also employs quotes from military tunes and childhood songs. Burton studied jazz at the University of Idaho. Her work has progressed through jazz, pop and sound art into post-modern classical music.

The program will also include some works by  Max Lifchitz, the Mexican-born composer and conductor who founded North/South Consonance, Inc. in 1980. A New York City resident since 1966, Mr. Lifchitz studied at Juilliard and Harvard and has taught at Columbia University, the Manhattan School of Music, New School University, Columbus State University and the University at Albany, SUNY. A tireless advocate of today’s composers, Lifchitz appears as conductor or pianist on more than 40 critically acclaimed albums.

Commissioned by the Organization of American States, Lifchitz’s Yellow Ribbons No. 22 (1982) for viola and piano belongs to a series of compositions being written as homage to the former American hostages in Iran. His Transformations No. 2 for solo violin was commissioned by the late Mexican virtuoso Manuel Enriquez. And his Mosaico Latinoamericano for flute and piano is built around folk-tunes from Mexico, the Caribbean and Central America. The work was written at the request of flutist Lisa Hansen for a concert that took place in Zurich, Switzerland.

Flutist Lisa Hansen graduated from The Juilliard School before accepting the position of principal flutist with the Mexico City Philharmonia. She has performed and recorded with North/South Consonance since her return to New York in 1988. Ms. Hansen is the featured soloist in the recording of Harold Schiffman’s Concertino for Flute and Chamber Orchestra recently released on the North/South Recordings label (N/S R 1045).

Violinist Mioi Takeda studied with Itzhak Perlman at The Juilliard School and Brooklyn College. Much in demand as chamber and orchestral musician throughout the tri-state area, she performs regularly with The American Symphony Orchestra and the St Luke’s Orchestra.

   John Pickford Richards studied at the Eastman School and has performed throughout the US and Europe. He collaborated with Pierre Boulez on a recent performance of Luciano Berio’s Chemins for viola and chamber ensemble at the Luzerne Festival in Switzerland.

Cellist Bruce Wang is a graduate of The Curtis Institute of Music and  The Juilliard School. He has performed as soloist and chamber musician throughout the country, Asia, Europe and Australia. He has also recorded music for many feature films,  theater  and media projects.

The composers will be on hand to introduce their works and meet with the audience during intermission and after the concert. All participants in the event are available to the press for interviews and may be contacted through our office via e-mail at ns.concerts@att.net

North/South Consonance’s 2008-09 season is made possible in part with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs. Additional support comes from the Alice M. Ditson Fund at Columbia University in the City of NY; the Music Performance Funds of Local 802 of the American Federation of Musicians; and contributions from many generous individuals.

For further information about its activities, including concerts and recordings, please visit http://www.northsouthmusic.org/

The American Chamber Ensemble Presents Music Old And New Concert On October 12 At Hofstra University

The American Chamber Ensemble’s “Music Old and New 2008-2009 season-opening concert will take place on Sunday, October 12 at 3 p.m. when the Music Department of Hofstra University presents them at the University’s Monroe Lecture Center Theater on California Avenue in Hempstead, New York.

Featured pieces will include Vally Weigl’s New England Suite for clarinet, cello and piano, the World Premieres of Julie Mandel’s Central Park for clarinet, viola and piano and Edward Thomas’s Reflections for violin and piano, as well as Elliott Carter’s Pastorale for clarinet and piano (in honor of the composer’s 100th Birthday) and Gabriel Faurè’s Quartet for piano, violin, viola and cello No. 1 in C Minor, Op. 15.

Performers for this concert will be the Directors of the American Chamber Ensemble, pianist Blanche Abram and clarinetist Naomi Drucker, who will be joined by other members of ACE.

This performance is part of Daniel Pearl World Music Days, an annual global concert affirming the ideals of tolerance, friendship and our shared humanity. World Music Days is inspired by the life and work of journalist and musician Daniel Pearl, who would have celebrated his birthday on October 10th.

Tickets for the October 12 concert are available at the Hofstra University Box Office for $15 ($12 senior citizens 65+ and non-Hofstra students). One free ticket with current Hofstra Card. For ticket information, call (516) 463-6644.

For the latest American Chamber Ensemble concert listings, updates and information, log on to http://www.jamesarts.com/ace/home.html.

DEEP LISTENING BAND: Pauline Oliveros, Stuart Dempster, David Gamper @ ROULETTE

“Through Pauline Oliveros and Deep Listening I now know what harmony is. It’s about the pleasure of making music.”
John Cage
Deep Listening Band
DEEP LISTENING BAND
October 24th, 8:30pm @ ROULETTE

Seminal new music ensemble Deep Listening Band was founded in 1988 by Pauline Oliveros (accordionist, electronics) and Stuart Dempster (trombonist, didjeridu) as a “collaborative exploration of sound and of social interaction between musicians and others”.  Now with David Gamper (keyboards, electronics), the Deep Listening Band explore music through an interaction with space, performing and recording in resonant or reverberant spaces such as cathedrals and huge underground cisterns - including the two million gallon Fort Worden Cistern which has a 45 second reverberation time.

“Deep Listening Band worships in a cistern chapel (and) explores the mysterious spaces between notes, where all is sweet dissonance and beading microtones…”
Marc Weidenbaum - Pulse!

“One of the loveliest, most restorative concerts I’ve heard in a long time.”
Tim Page - NY Newsday

ROULETTE presents
20 Greene St (between Canal and Grand St)
Admission $15 Students $10 MEMBERS FREE
TICKETS/RSVP: 212.219.8242
http://www.roulette.org/

ETHEL Premieres TruckStop: The Beginning at BAM’s Next Wave Festival

ETHEL’s TruckStop™: The Beginning celebrates the diversity of regional American music
 Directed by Annie Dorsen and presented in its New York premiere

An exploration of the American musical melting pot, ETHEL’s TruckStop™: The Beginning pairs the string quartet’s bold signature style with that of four unique artists—a leading Tejano conjunto accordionist (Eva Ybarra), a Grammy Award-winning Native American flutist from New Mexico (Robert Mirabal), a Grammy Award-winning Hawaiian slack-key guitarist (Jeff Peterson), and a bluegrass banjo legend from Kentucky (Dean Osborne). These dynamic performances are a distillation of ETHEL’s recent TruckStop™ residencies—collaborations with local musicians in ten cities over the course of eleven months.

 

Directed by Annie Dorsen (Broadway’s Passing Strange), TruckStop™: The Beginning also features video footage of ETHEL’s wide-ranging travels (shot by Kate Howard), projected as a virtual set.
Four performances of TruckStop™: The Beginning will take place in the BAM Harvey Theater on Oct 14, 16–18 at 7:30pm. Tickets, priced at $20, 30, and 40, are available by calling BAM Ticket Services at 718.636.4100 or online at BAM.org.
 

http://www.bam.org

http://www.ethelcentral.com

 

 

 

Phoenix Park - Second Screening of Op on Screen 2008 Festival on October 11 at Hamilton Fish Park Library in Manhattan

Lower East Side Performing Arts, Inc., Elodie Lauten, Director, presents Phoenix Park, composed by David Strickland from a libretto by Ilsa Gilbert, the second screening of the 2008 Op on Screen Festival of Neo-Opera and Multi-Media Theater Video on Saturday, October 11 - 2 PM at the Hamilton Fish Park Branch of the New York Public Library, 415 Houston Street (near Ave D) in Manhattan.

Phoenix Park is a neo-classic chamber opera setting and one of the last stagings by Tom O’Horgan (whom we know as the creator of the musical Hair!), produced by Downtown Music Productions. Phoenix Park is the life story of an Irish poet, Sean, who drinks himself to death. He is mourned by his family and suddenly rises from his coffin and relives his struggles with writing and brings back the characters of his former life, friends, family, wife, and his strained relations with them.David Grant Strickland, composer, is the Director of Music at the Church of the Epiphany in Gramercy Park.

Ilsa Gilbert, librettist is a poet, playwright and lyricist who has had over 60 productions. An award-winning poet, her poems have been published nationally and internationally in literary magazines, chapbooks and anthologies.

This screening is free and open to the public. For more information, please call 212-388-0202 or visit http://www.geocities.com/lesperformingarts for complete schedule and program information.

Visit  LESPA Director Elodie Lauten at http://www.elodielauten.net.

Destructions / Rebuildings

New London Chamber Choir
directed by James Weeks

Dallapiccola    Tempus Destruendi, Tempus Aedificandi
Lassus    from Lamentations
Lachenmann    Consolation II
Sciarrino    Tutti i miraggi delle acque
Monteverdi    Nisi Dominus, Lauda Jerusalem
Xenakis    Serment

St Marylebone Church, 17 Marylebone Road, London NW1 5LT
Wed 29 October 2008 at 7.00pm

Admission free (voluntary collection)
www.nlcc.org.uk

A concert to mark James Weeks¹s appointment as Musical Director

‘Taking the Dallapiccola work as a motto, the programme brings together
images and musics of destruction and rebuilding. After Dallapiccola’s
fierce, blazing piece (both lamenting and exhorting), a set of verses from
Lassus’ great five-voice Lamentations mourns the fall and destruction of
Jerusalem. Lachenmann’s Consolation II, a fragmentary patchwork of syllables
and vocal sounds, sung, spoken and whispered, builds itself as if from the
rubble of civilisation’s music and language. The second half begins with a
magical piece of Sciarrino that blossoms mysteriously out of a single note,
then two Monteverdi Psalms from the Vespers ­ ‘Except the Lord build the
house’ and ‘Praise, o Jerusalem’ erect marvellous contrapuntal architectures
in eight and ten parts. Xenakis’ music, often celebrated for its
architectural quality (and directly informed by architectural calculations)
seems as if wrought from new materials, building into bright futures.
Serment is a joyful work setting the Hippocratic oath, an image of inner
rebuilding and healing for the scars of humanity’s destructions.’

MEPHISTA

ROULETTE BENEFIT with:Mephista

MEPHISTA (Susie Ibarra, Sylvie Courvoisier,  Ikue Mori)
Tuesday, October 21st at 8:30pm

Three of downtown’s most dynamic performers join forces to form Mephista—one of the first all women supergroups (Susie Ibarra, Sylvie Courvoisier, and Ikue Mori). Separately these three have worked with some of the most important musicians in new music (Derek Bailey, Wadada Leo Smith, Pauline Oliveros, William Parker, John Zorn, Fred Frith, Mike Patton, Dave Douglas, etc.)—together they have created a whole new kind of music spanning the worlds of rock, classical, jazz and electronica.  Come down and support Roulette during our 30th anniversary with this rare performance!!

www.ROULETTE.org
20 Greene St (between Canal and Grand St)
ALL TICKETS $20
RSVP: 212.219.8242

Piano Music of Judith Lang Zaimont to Be Performed by Young Ah Tak at Dame Myra Hess Concert Series in Chicago on October 8

New York, NY - American composer Judith Lang Zaimont’s Wizards – Three Magic Masters will be performed by pianist Young-Ah Tak as part of her Dame Myra Hess Memorial Concert on Wednesday, October 8 – 12:15 PM at Preston Bradley Hall of the Chicago Cultural Center on Michigan Avenue between Randolph and Washington Streets in Chicago, Illinois. She will also present Clementi’s Sonata in B-flat Major, Op.24 No.2 and Liszt’s Sonetto 104 del Petrarca, Paganini Etude No.2 and Rigoletto Paraphrase.

This follows her September 27 performance of Wizards as part of the South Nyack, New York Recital Series presented by the Soiree Society of the Arts.

Wizards, for solo piano in three movements, was commissioned for the November 2003 San Antonio International Piano Competition and was a required work for that competition, where it was given 12 premiere performances. It was recorded by Young-Ah Tak for Albany Records - http://www.albanyrecords.com/index.html.

For more information about the October 8 performance, visit the Dame Myra Hess Concert Series online at http://www.imfchicago.org/hessmain.html.

More about Young-Ah Tak at http://www.youngahtak.com/.

More information about Judith Zaimont, including sound clips of many of her compositions, is available at her website http://www.jzaimont.com/ and at her MySpace page – http://www.myspace.com/judithlangzaimont.

Xanthos Ensemble: Boston University presents works by Martino, Donatoni, Berio, Schuller, and more Thursday, October 9th at 7:30 p.m.

Thursdsay, October 9th, 2008 at 7:30 p.m.
Boston University
College of Fine Arts
Concert Hall
855 Commonwealth Avenue
Boston, MA 02215
Suggested donation is $15 ($10 students and seniors), and the event is free to Boston University faculty, staff, and students.
The Xanthos Ensemble is a non-profit tax exempt 501(c)(3) organization, and all contributions to the organization are fully deductible to the extent allowed by law.

http://www.xanthosensemble.com

The complete program:

Franco Donatoni • Arpège
Gunther Schuller • Phantasmata
Lansing McLoskey • Yellow (written for the Xanthos Ensemble)
Luciano Berio • O King
Donald Martino • Notturno

The Xanthos Ensemble has joined in a collaboration at Boston University, presented by the Boston University College of Fine Arts School of Music Department of Composition and Theory for their 2008-2009 season.The first season concert on October 9th, 2008 will feature works by Franco Donatoni, Gunther Schuller, Lansing McLoskey, Luciano Berio, and Donald Martino’s classic Pulitzer-prize winning Notturno. Steve Smith of the New York Times has raved about the “virtuoso players” of the ensemble as “copiously skilled and confident” in the face of “undeniably challenging music.” Bruce Hodges of musicweb-international.com recounted their recent New York City performance of Charles Wuorinen’s New York Notes, noting “the ease with which these musicians played this blockbuster was instructive” and “Xanthos seemed to only gain in momentum as the evening progressed.”

Through a combination of internationally recognized repertoire and world premieres of works dedicated to the ensemble, the major focus of the ensemble’s mission is to bring new music to life, written for the ensemble in collaboration with living composers, and to that aim they have premiered dozens of works and have had several newly composed works dedicated to them since the group’s inception in 2005. From 2006 to 2008, they served as Ensemble in Residence at Boston Conservatory.

The Xanthos Ensemble is:

Jennifer Ashe, soprano
Jessi Rosinski, flute
Chi-Ju Juliet Lai, clarinet
Brenda van der Merwe, violin and viola
Eunyoung Kim, piano
George Nickson, percussion

Jeffrey Means, conductor

Please join us with special guest artists

Jessica Lizak, flute
Sebastian Bäverstam, cello
Daniel Zawodniak, percussion

Quintet of the Americas CD Release Celebration Concert on October 6 at Americas Society in Manhattan

New York, NY – The Quintet of the Americas presents a CD release celebration concert on Monday, October 6, 2008 - 7:30 PM at the Americas Society, 680 Park Avenue in Manhattan.

The concert program will include music from the Quintet’s new CD Sounds of Brazil (MSR Classics). Works include Chants for quintet and piano by Marcelo Zarvos (known for his film scores) and Ventos by emerging composer Ricardo Romaneiro, as well as many songs by Gaudencio Thiago de Mello and arrangements of music by Ernesto Nazareth and Pixinguinha.

Thiago de Mello (http://www.thiago-amazon.com/) will join the Quintet playing his organic percussion which includes such instruments as a box with many tones, the jaguar’s mouth, turtle back, claw rattles and whistles. Blair McMillen, pianist with Da Capo Chamber Players, will be the pianist in the Zarvos work and Scott Kuney will also perform on guitar.

The October 6 program is free and open to the public. For reservations or more information, please contact the Americas Society at 212-277-8359 or visit them at http://www.as-coa.org. More about the Quintet at http://www.quintet.org.