Hello to all music makers, guitar geeks, and film fanatics and welcome to the “behind the scenes” of how Cinema Verismo came to light!

You must all be wondering, why Cinema Verismo and how does the title relate to the funky cover picture of myself standing in a dusty old opera house? What is the roll of the guitar on the CD and what is the CD all about?

First thing’s first: just like many of you, I’m a young guy trying to figure out my role in music, classical music that is. You might roll your eyes right away when I say “classical music” and I agree, classical music can be to many uninviting, difficult, boring, uptight, for-old-people etc. (ask any person on the street what classical music means to them, and these will be the words popping out the most). Now why is that? Is it because we dress a certain way, because we act a certain way, because we care about things that are important only to us few classical musicians? Perhaps, but here’s probably the more general take on this: classical music is foreign to the majority because it poses something that is unfamiliar and strange to them. Just ask yourselves: what do you do when you go to a pop, rock, country or any concert of a more popular genre, and what do you notice? People singing along. Why? Because they are familiar with the tunes.

So here we have the issue of familiarity. What else? I was talking to a friend recently, about what he enjoys about music (in general) and he bluntly said: “you know… it’s good for the party.” Well, no kidding. I recall going to a concert of a classical pianist (for those who know pianists, it was Alfred Brendel) and it was in Vienna. Check this out: I shouted bravo after he finished and almost got kicked out of the hall for not being “respectful”. COME ON! What was happening 200 years ago at “classical concerts”? People were eating, drinking, having fun, partying, while the music was playing. So, let’s consider the entertainment factor of this. What else?

How can we compare dressing styles in popular music and classical music? Easy, there is no comparison. We, classical musicians dress like we have no idea about wardrobe, and everyone else dress like they know what they are doing. Yes, we are dull and uninspired. What else?

Compare the creative titles of your favorite albums (and even their covers) compared to most classical music albums.  Think about your own favorites.  How about the many top box office hits like Star Wars, ET, Superman, Batman, and many more.  Probably all cinema music is really orchestral music performed in a non-classical medium like film music.  We think Cinema Verismo breaks the classical music trend.  Cinema Verismo (deriving from the style of cinematography that popped out around 1970 – the veristic style – google it.) presents an idea that would counter all the classical music stereotypes, without losing its artsy touch!

What’s the content of the CD, you might ask, and how to cope with the familiarity factor? Easy: we chose tunes from popular movies, that everyone knows, but check this out: these tunes are in majority CLASSICAL tunes – but people know them! Why? Because everyone loves movies!! So, familiarity factor CHECK (interesting trivia: I was playing a concert in New Jersey and the audience started singing along while I was playing West Side Story).

What about the outfit on the cover? Well, what does it remind you of? Something Western, cowboy-like maybe? True! Guess which track is included on the album The Good, The Bad and The Ugly! Why the photo session in an abandoned opera house in the middle of the desert? Again, easy: to create the film of a cinematic setting. For all interested: the place is called Amargosa Opera House and it’s a haunted opera house in Death Valley Junction between Vegas and Los Angeles.

So, this was a project that was forming for a year and a half – we took our sweet time to come up with something that would be totally different than one usually expects in classical music – all you traditionalists out there – listen to the album, the playing is still pretty good, so we didn’t lose track of that! Quality art is important!

Music makers, guitar geeks and film fanatics all around the world, welcome to the world of Cinema Verismo and let me guide you through the creative process of the making of the album. Let this be an inspiration for all to come, so tune in next week for a video of me showing off some cool guitar tricks used during recording.

Mak out!

Listen to the solo CD, ‘Cinema Verismo’ on YouTube.

Tour dates:

April 12 – Solo Recital at Northwest Guitar Festival – Seattle / Spokane, 7:30 pm

April 13 – Masterclass at Northwest Guitar Festival – Seattle / Spokane, 10:00 am

April 16 – Performance w/  USC Thornton Edge Ensemble – Alfred Newman Recital Hall, USC, Los Angeles, 7:30pm

May 2 – Makrotonal Guitar at Microfest – All Saints Beverly Hills, 504 N Camden Dr., Beverly Hills, 8:00 pm

May 9 – Concert with the DC8 – Farmers & Merchants Bank, Downtown Los Angeles, 8:30 pm

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