Los Angeles Master Chorale
For the LA Master Chorale’s 2015-16 Season at Disney Hall, Artistic Director Grant Gershon conducts the US premiere of Sofia Gubaidulina’s Canticle of the Sun featuring cellist Robert deMaine, and other Russian works in September. “Made in L.A.” spotlights four world premieres by LA composers in November. Four holiday programs ring in the season in December. The Chorale presents Verdi’s Requiem with soprano Amber Wagner, mezzo soprano Michelle DeYoung, tenor Joshua Guerrero and bass Morris Robinson in January. Bang On A Can All-Stars joins the Chorale for the West Coast Premiere of Julia Wolfe’s Anthracite Fields in March. A semi-staged production of Handel’s Alexander’s Feast created by Trevore Ross is set for April. A cappella gems cap the season in June. For further information about the Los Angeles Master Chorale’s 2015-16 season at the Walt Disney Concert Hall or a free brochure, call 213-972-7282 or visit www.lamc.org
Posted by s21concerts in Concert Announcement, tags: Christa Robinson, Christa Van Alstine, Concert of New Music, David Picton, Esther Noh, Eugene Marlow, Gayther Myers, Hannah Levinson, John Popham, Keve Wilson, Living composers, Margaret Lancaster, Matt Marks, Max Giteck Duykers, Nanci Belmont, New Music for Winds and Piano, New York Composers Circle, Oren Fader, Orlando Legname, Peri Mauer, Richard Brooks, Roberta Michel, St. Peter's Lutheran Church NYC, Stephen Gosling, Susan J. Fisher, Virginia Chang Chien
NEW YORK COMPOSERS CIRCLE CONCERT OF NEW MUSIC FOR WINDS AND PIANO
APRIL 21, 2015 7:30pm
St. Peter’s Church 619 Lexington Ave. at 54th St., NYC
Richard Brooks, Into the Twilight for flute, violin, viola, bassoon, and piano
Peri Mauer, Journey for oboe
Max Giteck Duykers, Dark Body for flute, violin, cello, and piano
Susan J. Fischer, Intermezzo for oboe, violin, cello, and piano
Orlando Legname, Vortici D’etere for flute, clarinet, violin, cello, and piano
Eugene Marlow, Trois Chansons Pour une Poetesse for flute and alto flute
Gayther Myers, The Workday for flute, oboe, clarinet, horn, and piano
David Picton, Turning Leaves for Sandy for oboe and guitar
Performers include Margaret Lancaster and Roberta Michel, flute; Christa Van Alstine, clarinet; Christa Robinson, Keve Wilson, and Virginia Chang Chien, oboe; Nanci Belmont, bassoon; Matt Marks, horn; Esther Noh, violin; Hannah Levinson, viola; John Popham, cello; Oren Fader, guitar; Stephen Gosling, piano; and Tamara Cashour, conductor.
$20 suggested donation payable at the door; students FREE
For more information, call 212-787-8309
All NYCC concerts are ADA- accessible.
The New York Composers Circle is a 501(c)(3) tax-exempt artistic and educational organization dedicated to new music — its creation, its performance, and the development of new audiences. Its members and supporters are composers, performers, and music lovers. Its activities include concerts of new music (currently six each season), monthly salons at which composers play and discuss new works and works in progress for fellow members and guests and hear talks by various members of the new-music community, an annual competition open only to nonmembers, and a program of outreach concerts designed to benefit the broader community and to attract new concert audiences.
Two profoundly gifted 27-year-old classical music artists make their highly anticipated Los Angeles Chamber Orchestra debuts when New York Philharmonic Assistant Conductor Joshua Weilerstein, “one of the most promising podium presences of his generation” (Los Angeles Times), conducts Saint-Saëns’ Cello Concerto No. 1 featuring International Tchaikovsky Competition winner Narek Hakhnazaryan, a “phenomenal cellist (who) produces a powerful and colorful sound… and flashes virtuoso tricks with insolent ease” (The Washington Post), on Saturday, April 18, 2015, 8 pm, at Glendale’s Alex Theatre, and Sunday, April 19, 2015, 7 pm, at UCLA’s Royce Hall. Weilerstein, who won the prestigious 2009 Malko Competition for Young Conductors in Copenhagen, Denmark, at age 21, also conducts Mozart’s Symphony No. 41, “Jupiter,” and the West Coast premiere of imagined landscapes: six Lovecraftian elsewheres, inspired by the horror fiction of H. P. Lovecraft, by composer Joseph Hallman, named one of the top composers under 40 by National Public Radio.
Concert Preludes, pre-concert talks providing insights into the program’s music and artists held one hour before curtain and free for ticket holders, feature Weilerstein and Hakhnazaryan in conversation with LACO director of artistic administration Daren Fuster.
Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a pacesetter in presenting wide-ranging repertoire and adventurous commissions. Its 2014-15 season, the Orchestra’s 46th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 18th season as LACO’s music director.
Tickets, starting at $26, are on sale now and may be purchased online at laco.org or by calling LACO at 213 622 7001. Discounted tickets are also available by phone for seniors 65 years of age and older and groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert.
The famed Los Angeles Children’s Chorus (LACC) Concert Choir, led by Artistic Director Anne Tomlinson, tours to Northern California to make its debut at Stanford University’s newly opened Bing Concert Hall with a program entitled “Celebrating American Song,” featuring the world premiere of The Plentiful Peach by composer/sound engineer Mark Grey and librettist Niloufar Talebi, on Sunday, April 19, 2015. The work, based on the beloved Persian children’s story Yek Hulou, Yek Hezar Hulou, was commissioned by LACC. Grey’s music has been called “addictive” (Los Angeles Times), “revelatory” (All Music) and “full of energy” (Sequenza 21). LACC also presents the Cherokee hymn Sgwa ti’ni se sdi Yi Howa; Henry Mollicone’s Spanish Ave Maria; Let Us Sing! arranged by Linda Tutas Haugen; and Meir Finkelstein’s L’dor vador arranged by Rebecca Thompson and featuring soloist Madeleine Lew. In addition, the Stanford Chamber Chorale, under the direction of Stephen M. Sano, makes a guest appearance performing separately as well as combining forces with LACC to perform Randall Thompson’s Pueri Hebraeorum and the American folk song Shenandoah arranged by James Erb.
“Los Angeles Children’s Chorus is honored to bring its artistry to the Bing Concert Hall and further expand our valued relationship with Stanford University,” says LACC Artistic Director Anne Tomlinson. She notes that the chorus has long enjoyed a fruitful relationship with the institution. In 2008, LACC joined the Stanford Symphony Orchestra, under the direction of Beijing native Jindong Cai, for a highly successful tour to China that included performances in Shanghai and Beijing.
Described by critics as one of the region’s most “intimate” and “exciting” new venues, the 842-seat, $112 million Bing Concert Hall, named after Los Angeles-based philanthropists Peter and Helen Bing who provided the lead gift for the hall’s construction, opened in January 2013.
Concert tickets are $30-$60. Bing Concert Hall is located at 327 Lasuen Street, Stanford University, Stanford, CA 94305. For tickets and information, please call (650) 724-2464 or visit http://live.stanford.edu.
LACC President/Vice Chair Edward J. Nowak
It promises to be an evening of musical magic, touching accolades and tremendous excitement when the Los Angeles Children’s Chorus (LACC) honors at its annual Gala Bel Canto the Oscar and Grammy Award-winning songwriters behind Disney’s “Frozen,” Kristen Anderson-Lopez and Robert Lopez, and LACC President and Vice Chair Edward J. Nowak (La Canada), Deputy General Counsel of The Walt Disney Company, on Tuesday, April 14, 2015, 6 p.m., at the Dorothy Chandler Pavilion’s Grand Hall in downtown Los Angeles. The distinguished honorees are being recognized for their vast contributions to the arts and entertainment worlds. The gala includes heartfelt tributes and compelling performances by esteemed special guests and LACC choristers, led by Artistic Director Anne Tomlinson, as well as a sumptuous three-course sit-down dinner by Patina, exquisite wines and a dazzling live auction. Proceeds benefit Los Angeles Children’s Chorus’s artistic, educational and scholarship programs.
“Kristen Anderson-Lopez and Robert Lopez have touched countless lives around the globe with their incredible artistry, as has Ed Nowak through his visionary behind-the-scenes leadership at The Walt Disney Company over the past two decades,” says Gala Bel Canto Chair Cheryl R. Scheidemantle (Pasadena). “LACC is proud to recognize their remarkable achievements. We are also deeply grateful to Ed for his longtime support of LACC and its mission to provide quality choral music training to children.”
In addition to Scheidemantle, Gala Bel Canto committee members are Dianna Lau Beggs (San Marino), Andrea Bland (Pasadena), Mary Blodgett (San Marino), Lynn Boberg (Sierra Madre), Rachel Fine (Pasadena), Michele Hemmings (Pasadena), Allison Merryman (Pasadena), Andrea Patzakis (San Marino) and Ann Sunshine (Pasadena).
KRISTEN ANDERSON-LOPEZ and ROBERT LOPEZ, who receive LACC’s “Bel Canto Award,” wrote the original songs in Walt Disney Animation Studios’ 2013 blockbuster “Frozen,” the highest-grossing animated feature ever released. The Oscar®- and Golden Globe®-winning film’s soundtrack was Billboard’s top-selling album of 2014, spending 33 weeks in the top 5 on the Billboard 200 chart, including 13 weeks at No. 1. It is certified triple Platinum, selling more than 3.9 million units. Anderson-Lopez and Lopez won an Oscar® for the movie’s signature song “Let It Go,” which was also nominated for a Golden Globe® and earned the duo a Grammy® for best song written for visual media. Anderson-Lopez, Lopez, Tom MacDougall and Chris Montan share a Grammy for best compilation soundtrack for visual media. The Lopezes reunite with Elsa, Anna, Olaf and the rest of the “Frozen” favorites with a new original song in the all-new short “Frozen Fever,” which debuted March 13, 2015, in front of Disney’s live-action feature “Cinderella.” The Lopez’s original musical “Up Here,” directed by two-time Tony® nominee Alex Timbers, will be featured in the La Jolla Playhouse’s 2015-16 season. They live in Brooklyn with their two daughters.
Anderson-Lopez made her off-Broadway debut at Primary Stages with “In Transit,” a musical performed entirely without accompaniment, inspired by the rhythms and sounds of life on the subway. The show earned her Drama Desk, Drama League, Outer Critics Circle and Lucile Lortel nominations. Together with her husband and collaborator Robert Lopez, she wrote the Annie Award- nominated songs for the 2011 feature film “Winnie the Pooh,” as well as “Finding Nemo: The Musical,” a popular live show currently in its eighth year at Disney’s Animal Kingdom. Her work has appeared on “Dawson’s Creek,” Nickelodeon’s “The Wonder Pets” and nationally in Theatreworks/USA’s stage adaptations of the children’s classics “The Tell Tale Heart,” “Fancy Nancy” and “Diary of a Worm.” She is the recipient of the BMI Harrington Award and the Dramatists Guild Fellowship, and a frequent guest moderator of the prestigious BMI Lehman Engel Musical Theater Workshop. Also an actress, Anderson-Lopez was featured in the original cast of “Urinetown,” as well as the voice of Kanga in Disney’s “Winnie the Pooh.” Anderson-Lopez, a graduate of Williams College.
Lopez is the Tony®-, Grammy®-, and Emmy®- winning co-creator of the worldwide smash hit Broadway musicals “Avenue Q” and “The Book of Mormon.” He shared two Emmy® Awards for his music for Nickelodeon’s “The Wonder Pets” and an Emmy nomination for his work on the musical episode of “Scrubs.” His work has been featured on “South Park,” “The Simpsons” and “Phineas and Ferb,” as well as “Bear in the Big Blue House,” “Third and Bird” and “Johnny and the Sprites.” He has won Drama Desk, Outer Critics Circle, Drama League, Lucile Lortel, Frederick Loewe and Edward Kleban awards. None of his musicals have ever closed. Lopez is a graduate of Yale College.
EDWARD J. NOWAK, who receives LACC’s Rebecca Thompson Founder’s Award, joined The Walt Disney Company in 1985 as senior counsel in charge of litigation worldwide and today manages several of the company’s legal groups: litigation and employment, employee benefits, environmental affairs, product integrity and safety, immigration, and minors’ employment. He is involved as both a lawyer and an executive in dispute prevention and the resolution of complex business issues throughout the company. Before joining Disney, Nowak was associated with the law firm of Simpson Thacher & Bartlett in New York. He graduated from Columbia College of Columbia University, where he majored in music, and from Columbia Law School, where he was a Harlan Fiske Stone Scholar. In addition to his work at Disney, he is Chairman Emeritus and a member of the advisory board of the Los Angeles Chamber Orchestra; a member of the board of directors of Ryman Arts, a non-profit organization that offers an advanced studio art program for talented but underserved public and private high school students; and was Secretary and a member of the board of directors of the New York Eye and Ear Infirmary, which in 2006 honored him with its Margaret Loeb Kempner Humanitarian Award for that year. Nowak has served on the LACC board since 2012. Both of his daughters have sung with LACC – Julia has been a chorister since 2008, and Caroline from 2008-2009.
Gala tickets are $375 per person with special sponsorship packages available. The Dorothy Chandler Pavilion, which is one of the theatres at the Music Center, is located at 135 North Grand Avenue, Los Angeles, California, 90012. For tickets and information, please call (626) 793-4231 or visit www.lachildrenschorus.org.
Concerts on the Slope presents the world premiere of Composer-in-Residence Robert Sirota’s Spindrift. Sandbox Percussion, the visually and aurally stunning percussion quartet that commissioned Spindrift, will be performing the piece, as well as works by ensemble members Jonathan Allen and Victor Caccesse, plus works by David Crowell, Thomas Kotcheff, Natalie Dieterrich, Jason Treuting, and Lukas Ligeti. Concerts on the Slope performances are open to the public and no tickets are required; a free will donation is suggested. Sandbox Percussion is Jonathan Allen, Victor Caccese, Ian Rosenbaum, and Terry Sweeney.
Water becomes an extraordinary and transformative musical instrument taking center stage as it flows, drips, gurgles, splashes, bubbles and crashes to create a staggering array of percussive sounds when the Los Angeles Master Chorale, conducted by Artistic Director Grant Gershon, presents Oscar and Grammy® Award-winning composer Tan Dun’s riveting Water Passion After St. Matthew, “a masterpiece for the ages” (AllMusic), on Saturday, April 11, 2 pm, and Sunday, April 12, 2015, 7 pm, at Disney Hall. Written for choir, soprano and bass soloists, chamber ensemble and 10 illuminated water bowls, the piece features moments of shattering intensity and frenzy contrasted by silence and stillness. Whispers, shouts, chants, laughter, Mongolian overtone singing and the high-pitched Eastern Opera vocal traditions emerge from the chorus while the singers “play” Tibetan finger bells and river stones and rattle ominous thunder sheets. Featured guest artists include Delaram Kamareh, soprano; Stephen Bryant, bass; Shalini Vijayan, violin; Cécilia Tsan, cello; David Cossin, lead percussion; and Yuanlin Chen, digital sampler.
The Chorale gave the work’s LA premiere in 2005, which was praised as “splendid and adventurous” (Variety) and remains one of the most talked-about concerts in the choir’s history. Commissioned by Helmuth Rilling for the 250th Anniversary of the death of J.S. Bach, whose seminal works include the St. Matthew Passion, Dun’s piece “plays with watery symbols of baptism, creation and rebirth” (Newsday). It is also drenched with metaphysical metaphors for cleansing and renewal that recall ancient Chinese water rituals from the village where Tan Dun was raised.
Tickets range from $29 – $129. Group rates are available. For tickets and information, please call (213) 972-7282, or visit www.lamc.org. (Tickets cannot be purchased at the Walt Disney Concert Hall Box Office except on concert days starting 2 hours prior to the performance.) The Walt Disney Concert Hall is located at 111 South Grand Avenue at First Street in downtown Los Angeles.
ACO presents the NY premiere of jazzmaster Wynton Marsalis’ recently completed Blues Symphony. A rare work for purely orchestral forces by the jazz legend, Marsalis’ symphony celebrates blues through the prism of moments in American and African-American history and folklore (Marsalis does not perform in this work). The world premiere of Sanctum by Courtney Bryan, a New Orleans-based composer and alumna of ACO’s Jazz Composers Orchestra Institute, explores improvisation in Holiness-preaching traditions. Completing the program is a revised and expanded version of Uri Caine’s Double Trouble, a combination of fixed musical forms, freedom and spontaneity featuring the composer at the piano.
The North/South Consonance Ensemble celebrates spring on Monday evening March 16 performing nature-inspired works by composers from Israel, Hong Kong and the US.
Exploring the Metropolis presents Ian Ng‘s The Idea of Becoming, a new music and dance workshop, hosted by ABT Studios. Featuring students from the ABT/JKO School with choreography by Zhong-jing Fang, this event will comprise of a performance followed by a moderated Q&A session.
This event is free and open to the public. However seating is limited. An attendee list will be generated when you register for this event here: https://eventbrite.com/event/16097474981/
Ian is a 2014-15 EtM Con Edison Composer-in-Residence at The Filomen M. D’Agostino Greenberg Music School at Lighthouse Guild.