The Los Angeles Chamber Orchestra’s (LACO) acclaimed Westside Connections series, which has paired LACO’s virtuosic musicians with leading artists to explore connections between music and architecture this season, presents the West Coast premiere of Gabriel Kahane’s Bradbury Studies and Schubert’s Octet in F major, D. 803, with insights from special guest Christopher Hawthorne, Los Angeles Times architecture critic, on Thursday, April 30, 2015, 7:30 pm, at the Moss Theater in Santa Monica. Kahane’s work for string quartet is performed by LACO artists Principal Violin II Josefina Vergara, Violin Carrie Kennedy, Principal Viola Roland Kato and Cello Giovanna M. Clayton. Inspired by downtown Los Angeles’ iconic Bradbury Building, Bradbury Studies is an extended one-movement piece that takes its musical spirit from Schubert and Mahler, according to Kahane. To open the program and introduce the work, Kahane performs from the piano his song, “Bradbury (304 Broadway),” upon which he based the string quartet. Schubert’s magnificent Octet, a work in six movements, features Assistant Concertmaster Tereza Stanislav, Violin Jacqueline Brand, Viola Robert Brophy, Associate Principal Cello Armen Ksajikian, Principal Bass Nico Abondolo, Principal Clarinet Joshua Ranz, Principal Bassoon Kenneth Munday and Horn Kristy McArthur Morrell.
LACO Concertmaster Margaret Batjer, who curates and hosts the series, concludes the evening with an opportunity for the audience to ask questions of Hawthorne, Kahane and musicians. The Moss Theater is located at The Herb Alpert Educational Village at New Roads School.
Hawthorne, who joined the Los Angeles Times in 2004, was previously the architecture critic for Slate and a frequent contributor to The New York Times. He is the author, with Alanna Stang, of The Green House: New Directions in Sustainable Architecture. Hawthorne also wrote liner notes for Kahane’s 2014 album, The Ambassador (Sony Music Masterworks), which was hailed by Rolling Stone as “one of the year’s very best albums, and features Kahane’s “Bradbury (304 Broadway).”
Gabriel Kahane, son of LACO Music Director Jeffrey Kahane and a highly accomplished artist in his own right, notes that Bradbury Studies and the song it is based on were inspired by the Bradbury Building, which is among LA’s oldest architectural landmarks and has been used as a backdrop for countless films, television shows and works of fiction, including the motion picture Blade Runner.
The three-part Westside Connections series, which concludes its seventh season with this performance, includes conversations with special guests as well as musical offerings connecting form, structure and line. Previous programs this season featured architects Frank Gehry and Frederick Fisher as special guests.
Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions. Its 2014-15 season, the Orchestra’s 46th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 18th season as LACO’s music director.
Tickets (beginning at $60) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Student rush tickets ($12), based on availability, may be purchased at the box office one hour before the concert. The Moss Theater at New Roads School is located at 3131 Olympic Boulevard, Santa Monica, CA, 90404.
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“Silencio en Juárez” CD Release Concert: Juan Pablo Contreras
Exploring the Metropolis and the Turtle Bay Music School present Juan Pablo Contreras’ Silencio en Juárez CD Release Concert. Kristi Shade (harp), Sergio Sandí (piano), Tema Watstein (violin), and Adrían Sandí (clarinet) will perform selections from Contreras’ award-winning works Silencio en Juárez, La más Remota Prehistoria, and Ángel Mestizo.
About the CD:
Silencio en Juárez features Contreras’ award-winning works Silencio en Juárez, La más Remota Prehistoria, and Ángel Mestizo. The New York City-based Claremont Avenue Chamber Orchestra, conducted by Kyle Ritenauer, and harpist Kristi Shade perform on this album. An Albany Records release, Silencio en Juárez was recorded at the Greenfield Hall of the Manhattan School of Music, and mixed and mastered by GRAMMY Award-winning engineer Adam Abeshouse.
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On April 30th, 8:00pm, at South Oxford Space in Brooklyn
Cadillac Moon Ensemble presents: Reworking the Canon
Cadillac Moon Ensemble’s Reworking the Canon is a concert of newly commissioned pieces that view canonical masterworks through a modern lens. The performance will feature the world premieres of works by Osnat Netzer, Ryan Francis, Peyman Farzinpour, and Kyle Tieman-Strauss – the winner of CME’s first Young Composers Competition, as well as highlight recent commissions by Viet Cuong and Caleb Burhans.
Windmill by Viet Cuong
l’Histoire de quatre musiciens by Osnat Netzer
Until the Sunset Knows No Morrow by Caleb Burhans
Sospeso in memoriam… by Peyman Farzinpour
Record Keeping by Kyle Tieman-Strauss
Sequences-1 by Ryan Francis
Cadillac Moon Ensemble
Roberta Michel, flute ✴ Sean Statser, percussion ✴ Karen Kim, violin ✴ Aminda Asher, cello
The “commission-crazed” (Time Out NY) Cadillac Moon Ensemble is one of New York’s most visible new music groups, performing not just in traditional venues such as Roulette and the DiMenna Center, but in non-traditional spaces such as the High Line as well as in collaborations with dance, theater, origami, and cabaret artists. The group strives to present a cross-section of contemporary music styles, tying together both uptown and downtown aesthetics with the creative use of thematic programming. Recent commissions have included works by Timothy Andres, Caleb Burhans, Shawn Allison, Nicholas Deyoe, Rick Burkhardt, Osnat Netzer, Matt Marks, Alex Temple, Melody Loveless, and Viet Cuong. Cadillac Moon Ensemble’s first full CD, Atlas, released on the New Dynamic Records label in September 2012, was hailed as “an auspicious collection of new compositions by contemporary composers that combines the fun and wit of rock and film music with the intensity and challenging sonics that have come to define the best of the New York indie classical scene.” (Lucid Culture). CME was featured on the critically acclaimed release of Zack Browning’s “Secret Pulse” on Innova Records in 2012 and has also been featured on John Shaefer’s New Sounds program on WNYC, Jackson Parodi’s Classical Lunch program on WVUM, the University of Rhode Island’s WRIU Music for Internets, and WQXR.
CME’s recent season includes a California tour, performances at the MuSE Sounds of Arts Festival, SUNY-Plattsburg, and in NYC. CME strives to illuminate the collaborative process between composers and performers through open rehearsals and live-streamed workshops. Planned commissions include works by Shawn Allison, Lainie Fefferman, Levy Lorenzo, and Jacob Cooper. Cadillac Moon Ensemble has performed on Kathleen Supové’s Music With a View series, Ear Heart Music, the Lark Society Chamber Series of Portland, ME, the Trinity Church Wall Street Concerts at One, the Vox Novus Composer’s Voice series, and at numerous non-traditional venues. The quartet has also collaborated with Ethos Percussion Group, TRANSIT, Sospiro Winds, Circles and Lines Composers’ Collective, Random Access Music, KDNY Dance, and Iktus Percussion.
Reworking the Canon
April 30th, 2015, 8:00pm
South Oxford Space
138 South Oxford St.
Brooklyn, NY 11217
Caleb Burhans: http://www.calebburhans.com
Viet Cuong: http://vietcuongmusic.com/
Peyman Farzinpour: http://peymanfarzinpour.com
Ryan Francis: http://www.ryananthonyfrancis.com/
Osnat Netzer: http://osnatnetzer.com
Kyle Tieman-Strauss: http://tiemanstrauss.com
For press inquiries please contact:
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“TOKYO TO NEW YORK”
Thomas Piercy, Clarinet/Bass Clarinet & Hichiriki
Taka Kigawa, Piano
Pablo Aslan, Bass
James Nyoraku Schlefer, Shakuhachi
Sunday | April 19, 2015 | 4pm
Tenri Cultural Institute
43 W. 13th St., NY, NY 10011
Tickets: $25 ($15 Students/Seniors)
Reservations: firstname.lastname@example.org | 212-645-2800
クラリネット / バスクラリネット ＆篳篥
ジェイムス 如楽 シュレファー
New Music by Tokyo & NYC Composers
Yoshihiko Banno, Gilbert Galindo, Masatora Goya, Tomo Hirayama, Miyuki Ito
Paul Yeon Lee, David Loeb, Joshua Banks Mailman, Jun Nagao, Fernando Otero
Gene Pritsker, Chatori Shimizu, Hifumi Shimoyama
Nina Siniakova, Tomoko Uzawa, Atsushi Yoshinaka
The April 19th “Tokyo to New York” concert features world premiers and United States premiers composed for critically acclaimed clarinetist and hichiriki player Thomas Piercy by Tokyo- and NYC-based composers. Mr. Piercy will be joined in the concert by one of NYC’s leading proponents of new music, pianist Taka Kigawa; Latin Grammy nominee bassist Pablo Aslan; and a Grand Master of the Shakuhachi, James Nyoraku Schlefer. The music – in a wide variety of styles – features premiers by Fernando Otero (Latin Grammy Award); Gilbert Galindo (Meet the Composer Van Lier Fellow); Nina Siniakova (current ConEd Composer Resident); and works by Jun Nagao (Takemitsu Award), and Hifumi Shimoya (leading Japanese avant-garde composer). Other world premiers on the program are by NYC composers Paul Yeon Lee, David Loeb, and Joshua Banks Mailman; and United Stated premiers by Japanese composers by Yoshihiko Banno, Tomo Hirayama, Miyuki Ito, Chatori Shimizu, Tomoko Uzawa, and Atsushi Yoshinaka.
Co-Presented with “Arts at Tenri”
“Tokyo to New York” – under the direction of Thomas Piercy – celebrates connections between Tokyo and New York City with a series of concerts in Tokyo and New York. The concerts feature new works composed for Western classical instruments as well as traditional Japanese instruments. They include a wide variety of styles of music, from Japanese avant-garde to American contemporary classical, abstract to minimalism, neo-Romantic to tango nuevo, J-pop to jazz-influenced pieces. The composers range from 19 to 91 years of age. They come from all walks of life and experience: from university students to university professors; from self-taught composers to composers with Ph.Ds; from emerging composers to composers that have won such prominent awards as the Takemitsu Prize, Grammy Award, Latin Grammy Award, and the Pulitzer Prize. The musicians of “Tokyo to New York” have had the opportunity to work with many of the Japanese and American composers programmed in these concerts. Since 2012, “Tokyo to New York” has performed over 60 world premiers and numerous Japan and United States Premiers.
More details at: http://www.tonadaproductions.com/tokyo-to-new-york-2015-tenri.html
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Los Angeles Master Chorale
For the LA Master Chorale’s 2015-16 Season at Disney Hall, Artistic Director Grant Gershon conducts the US premiere of Sofia Gubaidulina’s Canticle of the Sun featuring cellist Robert deMaine, and other Russian works in September. “Made in L.A.” spotlights four world premieres by LA composers in November. Four holiday programs ring in the season in December. The Chorale presents Verdi’s Requiem with soprano Amber Wagner, mezzo soprano Michelle DeYoung, tenor Joshua Guerrero and bass Morris Robinson in January. Bang On A Can All-Stars joins the Chorale for the West Coast Premiere of Julia Wolfe’s Anthracite Fields in March. A semi-staged production of Handel’s Alexander’s Feast created by Trevore Ross is set for April. A cappella gems cap the season in June. For further information about the Los Angeles Master Chorale’s 2015-16 season at the Walt Disney Concert Hall or a free brochure, call 213-972-7282 or visit www.lamc.org
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Posted by s21concerts in Concert Announcement, tags: Christa Robinson, Christa Van Alstine, Concert of New Music, David Picton, Esther Noh, Eugene Marlow, Gayther Myers, Hannah Levinson, John Popham, Keve Wilson, Living composers, Margaret Lancaster, Matt Marks, Max Giteck Duykers, Nanci Belmont, New Music for Winds and Piano, New York Composers Circle, Oren Fader, Orlando Legname, Peri Mauer, Richard Brooks, Roberta Michel, St. Peter's Lutheran Church NYC, Stephen Gosling, Susan J. Fisher, Virginia Chang Chien
NEW YORK COMPOSERS CIRCLE CONCERT OF NEW MUSIC FOR WINDS AND PIANO
APRIL 21, 2015 7:30pm
St. Peter’s Church 619 Lexington Ave. at 54th St., NYC
Richard Brooks, Into the Twilight for flute, violin, viola, bassoon, and piano
Peri Mauer, Journey for oboe
Max Giteck Duykers, Dark Body for flute, violin, cello, and piano
Susan J. Fischer, Intermezzo for oboe, violin, cello, and piano
Orlando Legname, Vortici D’etere for flute, clarinet, violin, cello, and piano
Eugene Marlow, Trois Chansons Pour une Poetesse for flute and alto flute
Gayther Myers, The Workday for flute, oboe, clarinet, horn, and piano
David Picton, Turning Leaves for Sandy for oboe and guitar
Performers include Margaret Lancaster and Roberta Michel, flute; Christa Van Alstine, clarinet; Christa Robinson, Keve Wilson, and Virginia Chang Chien, oboe; Nanci Belmont, bassoon; Matt Marks, horn; Esther Noh, violin; Hannah Levinson, viola; John Popham, cello; Oren Fader, guitar; Stephen Gosling, piano; and Tamara Cashour, conductor.
$20 suggested donation payable at the door; students FREE
For more information, call 212-787-8309
All NYCC concerts are ADA- accessible.
The New York Composers Circle is a 501(c)(3) tax-exempt artistic and educational organization dedicated to new music — its creation, its performance, and the development of new audiences. Its members and supporters are composers, performers, and music lovers. Its activities include concerts of new music (currently six each season), monthly salons at which composers play and discuss new works and works in progress for fellow members and guests and hear talks by various members of the new-music community, an annual competition open only to nonmembers, and a program of outreach concerts designed to benefit the broader community and to attract new concert audiences.
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Two profoundly gifted 27-year-old classical music artists make their highly anticipated Los Angeles Chamber Orchestra debuts when New York Philharmonic Assistant Conductor Joshua Weilerstein, “one of the most promising podium presences of his generation” (Los Angeles Times), conducts Saint-Saëns’ Cello Concerto No. 1 featuring International Tchaikovsky Competition winner Narek Hakhnazaryan, a “phenomenal cellist (who) produces a powerful and colorful sound… and flashes virtuoso tricks with insolent ease” (The Washington Post), on Saturday, April 18, 2015, 8 pm, at Glendale’s Alex Theatre, and Sunday, April 19, 2015, 7 pm, at UCLA’s Royce Hall. Weilerstein, who won the prestigious 2009 Malko Competition for Young Conductors in Copenhagen, Denmark, at age 21, also conducts Mozart’s Symphony No. 41, “Jupiter,” and the West Coast premiere of imagined landscapes: six Lovecraftian elsewheres, inspired by the horror fiction of H. P. Lovecraft, by composer Joseph Hallman, named one of the top composers under 40 by National Public Radio.
Concert Preludes, pre-concert talks providing insights into the program’s music and artists held one hour before curtain and free for ticket holders, feature Weilerstein and Hakhnazaryan in conversation with LACO director of artistic administration Daren Fuster.
Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a pacesetter in presenting wide-ranging repertoire and adventurous commissions. Its 2014-15 season, the Orchestra’s 46th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 18th season as LACO’s music director.
Tickets, starting at $26, are on sale now and may be purchased online at laco.org or by calling LACO at 213 622 7001. Discounted tickets are also available by phone for seniors 65 years of age and older and groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert.
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The famed Los Angeles Children’s Chorus (LACC) Concert Choir, led by Artistic Director Anne Tomlinson, tours to Northern California to make its debut at Stanford University’s newly opened Bing Concert Hall with a program entitled “Celebrating American Song,” featuring the world premiere of The Plentiful Peach by composer/sound engineer Mark Grey and librettist Niloufar Talebi, on Sunday, April 19, 2015. The work, based on the beloved Persian children’s story Yek Hulou, Yek Hezar Hulou, was commissioned by LACC. Grey’s music has been called “addictive” (Los Angeles Times), “revelatory” (All Music) and “full of energy” (Sequenza 21). LACC also presents the Cherokee hymn Sgwa ti’ni se sdi Yi Howa; Henry Mollicone’s Spanish Ave Maria; Let Us Sing! arranged by Linda Tutas Haugen; and Meir Finkelstein’s L’dor vador arranged by Rebecca Thompson and featuring soloist Madeleine Lew. In addition, the Stanford Chamber Chorale, under the direction of Stephen M. Sano, makes a guest appearance performing separately as well as combining forces with LACC to perform Randall Thompson’s Pueri Hebraeorum and the American folk song Shenandoah arranged by James Erb.
“Los Angeles Children’s Chorus is honored to bring its artistry to the Bing Concert Hall and further expand our valued relationship with Stanford University,” says LACC Artistic Director Anne Tomlinson. She notes that the chorus has long enjoyed a fruitful relationship with the institution. In 2008, LACC joined the Stanford Symphony Orchestra, under the direction of Beijing native Jindong Cai, for a highly successful tour to China that included performances in Shanghai and Beijing.
Described by critics as one of the region’s most “intimate” and “exciting” new venues, the 842-seat, $112 million Bing Concert Hall, named after Los Angeles-based philanthropists Peter and Helen Bing who provided the lead gift for the hall’s construction, opened in January 2013.
Concert tickets are $30-$60. Bing Concert Hall is located at 327 Lasuen Street, Stanford University, Stanford, CA 94305. For tickets and information, please call (650) 724-2464 or visit http://live.stanford.edu.
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LACC President/Vice Chair Edward J. Nowak
It promises to be an evening of musical magic, touching accolades and tremendous excitement when the Los Angeles Children’s Chorus (LACC) honors at its annual Gala Bel Canto the Oscar and Grammy Award-winning songwriters behind Disney’s “Frozen,” Kristen Anderson-Lopez and Robert Lopez, and LACC President and Vice Chair Edward J. Nowak (La Canada), Deputy General Counsel of The Walt Disney Company, on Tuesday, April 14, 2015, 6 p.m., at the Dorothy Chandler Pavilion’s Grand Hall in downtown Los Angeles. The distinguished honorees are being recognized for their vast contributions to the arts and entertainment worlds. The gala includes heartfelt tributes and compelling performances by esteemed special guests and LACC choristers, led by Artistic Director Anne Tomlinson, as well as a sumptuous three-course sit-down dinner by Patina, exquisite wines and a dazzling live auction. Proceeds benefit Los Angeles Children’s Chorus’s artistic, educational and scholarship programs.
“Kristen Anderson-Lopez and Robert Lopez have touched countless lives around the globe with their incredible artistry, as has Ed Nowak through his visionary behind-the-scenes leadership at The Walt Disney Company over the past two decades,” says Gala Bel Canto Chair Cheryl R. Scheidemantle (Pasadena). “LACC is proud to recognize their remarkable achievements. We are also deeply grateful to Ed for his longtime support of LACC and its mission to provide quality choral music training to children.”
In addition to Scheidemantle, Gala Bel Canto committee members are Dianna Lau Beggs (San Marino), Andrea Bland (Pasadena), Mary Blodgett (San Marino), Lynn Boberg (Sierra Madre), Rachel Fine (Pasadena), Michele Hemmings (Pasadena), Allison Merryman (Pasadena), Andrea Patzakis (San Marino) and Ann Sunshine (Pasadena).
KRISTEN ANDERSON-LOPEZ and ROBERT LOPEZ, who receive LACC’s “Bel Canto Award,” wrote the original songs in Walt Disney Animation Studios’ 2013 blockbuster “Frozen,” the highest-grossing animated feature ever released. The Oscar®- and Golden Globe®-winning film’s soundtrack was Billboard’s top-selling album of 2014, spending 33 weeks in the top 5 on the Billboard 200 chart, including 13 weeks at No. 1. It is certified triple Platinum, selling more than 3.9 million units. Anderson-Lopez and Lopez won an Oscar® for the movie’s signature song “Let It Go,” which was also nominated for a Golden Globe® and earned the duo a Grammy® for best song written for visual media. Anderson-Lopez, Lopez, Tom MacDougall and Chris Montan share a Grammy for best compilation soundtrack for visual media. The Lopezes reunite with Elsa, Anna, Olaf and the rest of the “Frozen” favorites with a new original song in the all-new short “Frozen Fever,” which debuted March 13, 2015, in front of Disney’s live-action feature “Cinderella.” The Lopez’s original musical “Up Here,” directed by two-time Tony® nominee Alex Timbers, will be featured in the La Jolla Playhouse’s 2015-16 season. They live in Brooklyn with their two daughters.
Anderson-Lopez made her off-Broadway debut at Primary Stages with “In Transit,” a musical performed entirely without accompaniment, inspired by the rhythms and sounds of life on the subway. The show earned her Drama Desk, Drama League, Outer Critics Circle and Lucile Lortel nominations. Together with her husband and collaborator Robert Lopez, she wrote the Annie Award- nominated songs for the 2011 feature film “Winnie the Pooh,” as well as “Finding Nemo: The Musical,” a popular live show currently in its eighth year at Disney’s Animal Kingdom. Her work has appeared on “Dawson’s Creek,” Nickelodeon’s “The Wonder Pets” and nationally in Theatreworks/USA’s stage adaptations of the children’s classics “The Tell Tale Heart,” “Fancy Nancy” and “Diary of a Worm.” She is the recipient of the BMI Harrington Award and the Dramatists Guild Fellowship, and a frequent guest moderator of the prestigious BMI Lehman Engel Musical Theater Workshop. Also an actress, Anderson-Lopez was featured in the original cast of “Urinetown,” as well as the voice of Kanga in Disney’s “Winnie the Pooh.” Anderson-Lopez, a graduate of Williams College.
Lopez is the Tony®-, Grammy®-, and Emmy®- winning co-creator of the worldwide smash hit Broadway musicals “Avenue Q” and “The Book of Mormon.” He shared two Emmy® Awards for his music for Nickelodeon’s “The Wonder Pets” and an Emmy nomination for his work on the musical episode of “Scrubs.” His work has been featured on “South Park,” “The Simpsons” and “Phineas and Ferb,” as well as “Bear in the Big Blue House,” “Third and Bird” and “Johnny and the Sprites.” He has won Drama Desk, Outer Critics Circle, Drama League, Lucile Lortel, Frederick Loewe and Edward Kleban awards. None of his musicals have ever closed. Lopez is a graduate of Yale College.
EDWARD J. NOWAK, who receives LACC’s Rebecca Thompson Founder’s Award, joined The Walt Disney Company in 1985 as senior counsel in charge of litigation worldwide and today manages several of the company’s legal groups: litigation and employment, employee benefits, environmental affairs, product integrity and safety, immigration, and minors’ employment. He is involved as both a lawyer and an executive in dispute prevention and the resolution of complex business issues throughout the company. Before joining Disney, Nowak was associated with the law firm of Simpson Thacher & Bartlett in New York. He graduated from Columbia College of Columbia University, where he majored in music, and from Columbia Law School, where he was a Harlan Fiske Stone Scholar. In addition to his work at Disney, he is Chairman Emeritus and a member of the advisory board of the Los Angeles Chamber Orchestra; a member of the board of directors of Ryman Arts, a non-profit organization that offers an advanced studio art program for talented but underserved public and private high school students; and was Secretary and a member of the board of directors of the New York Eye and Ear Infirmary, which in 2006 honored him with its Margaret Loeb Kempner Humanitarian Award for that year. Nowak has served on the LACC board since 2012. Both of his daughters have sung with LACC – Julia has been a chorister since 2008, and Caroline from 2008-2009.
Gala tickets are $375 per person with special sponsorship packages available. The Dorothy Chandler Pavilion, which is one of the theatres at the Music Center, is located at 135 North Grand Avenue, Los Angeles, California, 90012. For tickets and information, please call (626) 793-4231 or visit www.lachildrenschorus.org.
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Concerts on the Slope presents the world premiere of Composer-in-Residence Robert Sirota’s Spindrift. Sandbox Percussion, the visually and aurally stunning percussion quartet that commissioned Spindrift, will be performing the piece, as well as works by ensemble members Jonathan Allen and Victor Caccesse, plus works by David Crowell, Thomas Kotcheff, Natalie Dieterrich, Jason Treuting, and Lukas Ligeti. Concerts on the Slope performances are open to the public and no tickets are required; a free will donation is suggested. Sandbox Percussion is Jonathan Allen, Victor Caccese, Ian Rosenbaum, and Terry Sweeney.
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