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- Photo by Scott Wall.
Opera awakens all the senses with super-human singing, spectacular visuals, dramatic character portrayals, and the thrill of an orchestra all on one stage. These interactive workshops won’t just deepen your appreciation of the art form; they will take you through the journey of creating an opera. From words to music, sets and costumes to staging, newcomers and seasoned opera-goers alike will learn the process from the ground up and experience San Francisco Opera behind the scenes.
The series includes 4 sessions:
September 8: Opera is a Story: From Text to Dialogue to Music
September 15: Performing: What’s It Like to be a Musician?
September 22: Production Elements: What Does It Look Like?
September 29: Putting it All Together: The Director’s Vision
For more information, please visit the San Francisco Opera Overture website.
In this informal panel discussion, renowned artists and personalities from the world of opera will share their insights and experiences about the San Francisco Opera’s upcoming production of Susannah. Panelists will include Susannah‘s composer Carlisle Floyd and SFO General Director David Gockley.
Susannah takes place in the backwoods of Tennessee when a beautiful young woman is accused of indecent behavior after she is discovered bathing naked in a stream. Will the charismatic traveling preacher who sets his sights on her soul be her salvation, or her downfall?
August 28th, 2014
Concert Hall, San Francisco Conservatory of Music
50 Oak Street, San Francisco
(between Franklin St. and Van Ness Ave.)
Insight panels are free for Opera members, Opera subscribers and students with student ID. Insights are $5 for the general public. Tickets can be purchased at the door 30 minutes prior to discussions.
- Photo by Erhard Rom.
Posted by s21concerts in Concert Announcement, Steve Reich, Uncategorized, tags: Armenia, Beethoven, Brahms, C.P.E. Bach, classical music, Corigliano, dreams, Free, imagination, Liszt, new york city, Performing Arts Library, piano
The New Public York Library for the Performing Arts at Lincoln Center is pleased to present American-Armenian award winning pianist Sofya Melikyan in a solo concert titled “Fantasies” on Saturday, January 25th at 2:30 pm at the Bruno Walter Auditorium in the Dorothy and Lewis B. Cullman Center located at 40 Lincoln Center Plaza, New York (map and directions). The concert, which represents the American debut of Ms. Melikyan’s Fantasies program, is free and open to the public.
Featuring some of the most inspired pages of the Fantasy and reflecting the different esthetics of this genre starting with the 18th century and through the present day, the concert program includes works by C.P.E. Bach, Brahms, Beethoven, Corigliano, and Liszt. The term “Fantasy” was first used in the 16th century to describe an instrumental piece that was improvisatory and spontaneous in character, free of any formal rules or restrictions. This musical journey invites listeners to dive into a universe full of colors and mystery, and in turn, to explore the fascinating world of dreams and the imagination.
Pianist Sofya Melikyan
…”The Armenian pianist Sofya Melikyan literally abducted her audience into the land of fantasy… She offered a fascinating panorama of different approaches – baroque, classic, romantic – to the genre of the fantasy, which in its quality and in the pervasion of the compositions would have been worthy of her home town New York”… Frederik Wittenberg in Westfälische Nachrichten (Germany)
Ms. Melikyan possesses this transcendental force to take the listener to her world of deep poetic intuition and her homeland is the source of the wideness and the depth of her artistic work: she grew up in Armenia, a country characterized by a strong relationship to nature, to the mystical, surrounded by mountains, which lead for centuries the way to Europe, Asia and the Middle East.
Now a resident of Brooklyn, New York, Ms. Melikyan completed her studies at the Royal Conservatory of Madrid with Joaquin Soriano, École Normale de Musique de Paris with Ramzi Yassa and the Manhattan School of Music in New York where she was a scholarship student of Solomon Mikowsky. Other pianists who have mentored her are Brigitte Engerer, Galina Eguiazarova and Elena Tatulyan. Ms. Melikyan has toured throughout Europe, Australia, Canada, Japan and the United States. More information is available here.
The full concert program follows:
Carl Phillip Emmanuel Bach (1714-1788)
Fantasy in f sharp minor H300
Johannes Brahms (1836-1897)
Ludwig van Beethoven (1770-1827)
Fantasy in g minor Op. 77
John Corigliano (1938- )
For the left hand
Fifths to thirds
Franz Liszt (1811-1886)
Après une lecture du Dante, fantasia quasi sonata S 161,
de Anées de Pèlegrinage.
Deuxième année: Italia
Dan Locklair’s Hodie Christus Natus est, performed by the BBC Singers and conducted by David Hill, will be broadcast on Monday, December 23 as part of the BBC Radio 3’s Breakfast program. Listen online at http://www.bbc.co.uk/programmes/b006tmr6.
The piece is also featured on a new BBC Singers’ A Babe is Born CD that accompanies the current issue of BBC Music magazine.
Recordings of Locklair’s works are available on Naxos, Ondine, Koch, Albany, Loft, Priory (UK) and other labels. His primary publishers are Ricordi and Subito. Dan Locklair is Composer-in-Residence and Professor of Music at Wake Forest University in Winston-Salem, North Carolina.
More information about him, including a bio, list of works, discography and much more, at http://www.locklair.com.
Steven R. Gerber’s Symphony No. 1 will be featured on the Saturday, December 21 – 9:00 PM EST broadcast of WRTI Radio’s Now is the Time, hosted by Kile Smith. This edition of the show will also present music by Katherine Hoover, Fred Frith, Adrienne Albert and others. Listen online at http://wrti.org/programs/now-time.
Symphony No. 1 has been recorded by the Russian Philharmonic Orchestra, Thomas Sanderling, conductor, for the Chandos label. More about it, including sound samples, at http://www.stevengerber.com/disc_chandos.htm.
More about Now is the Time at http://kilesmith.com/on-the-radio/now-is-the-time-2013/.
New York-based composer Steven R. Gerber’s music has gained international attention as a result of Chandos, Koch and Arabesque CD releases featuring several of his major orchestral works, including Symphony No. 1, Kurt Nikkanen’s performance of the Violin Concerto and Jon Manasse’s performance of the Clarinet Concerto. His orchestral work Music in Dark Times was commissioned by Vladimir Ashkenazy and the four World Premiere performances took place in March, 2009, with Maestro Ashkenazy conducting the San Francisco Symphony.
Visit his website at http://www.stevengerber.com.
Judith Lang Zaimont is the subject of a major cover story in the current issue of the Journal of the International Alliance of Women in Music.
The article, by Susan Cohn Lackman, a Professor at Florida’s Rollins College, is a survey of Ms. Zaimont’s distinguished career as a composer, as well an interview with her about her creative philosophy. It is Part I of a two-part profile of the composer; Part II will deal with a critical overview, and will be published later in 2014. Read the complete Part I at http://www.jamesarts.com/%5Czaimont%5Czaimont-iawm.pdf.
The Journal of the IAWM is published twice a year and is read world-wide. It includes articles about women musicians, both contemporary and historic, interviews, reports on major conferences, congresses, and festivals, information on current research, IAWM news and members’ news, and reviews of books, concerts, CDs, and scores.
Judith Zaimont’s music is widely performed throughout the U.S. and Europe and has been recorded for MSR Classics, Naxos, Navona, Harmonia Mundi, Arabesque, Milken Family Foundation, Albany, Jeanne, Leonarda, Northeastern, and 4Tay labels. Her principal publishers are Subito Music (http://www.subitomusic.com/), Galaxy/ ECS, Jeanné, Lauren Keiser Music Publishing and Vivace. She is creator and editor-in-chief of the critically acclaimed book series The Musical Woman: An International Perspective. More information about Ms. Zaimont, including sound clips of many of her compositions, is available at http://www.jzaimont.com/.
Posted by s21concerts in Concert Announcement, Uncategorized, tags: choral music, christopher bono, classical, contemporary, contemporary music, harold rosenbaum, new choral music, new music, New York, new york city, new york virtuoso singers, silas brown
Digital Download & 7” Vinyl Release Date: October 15, 2013
Vinyl Available Exclusively at: www.christopherbono.com
VIDEO: The Inspiration Behind Unity & The Unexcelled Mantra
On October 15, 2013, composer Christopher Bono releases two new singles, Unity and The Unexcelled Mantra, performed by The New York Virtuoso Singers led by music director Harold Rosenbaum. These choral works will be available on Bono’s label Our Silent Canvas, distributed digitally by Naxos and released on limited edition 7” vinyl. The recordings were made at the American Academy of Arts and Letters in New York by Grammy-winning producer Silas Brown.
Visual artist DZO Olivier has created original illustrations for the cover art for Unity and The Unexcelled Mantra recordings, intimately influenced by Bono’s music and the concepts it explores. Videos inspired by these works created by film artists Tobias Stretch (Radiohead, Deftones) and Ingibjörg Birgisdóttir (Sigur Rós) will be released on November 5, 2013.
Bono describes Unity and The Unexcelled Mantra as contemplating the search for a modern form of spirituality. He says, “Both works explore a path to transcendence or ‘true being’ through union with the cosmos – The Unexcelled Mantra from a Mahayana Buddhist point of view and Unity from the Western philosophical tradition of Plato.”
Unity is a choral piece based on some of the musical and philosophical concepts of Plato’s Republic. The chosen text was taken from a section of the Republic in which Plato discusses the power of mathematics, but Bono immediately saw it could also be viewed as a metaphor for the phenomenon of meditation. He says, “This multi-dimensional observation was a key inspiration for me when writing the work, both considering the mathematical qualities of music and the esoteric concepts of achieving union with the All.” In addition, Bono experimented with the power Plato claimed existed in the Dorian and Phrygian modes. According to Plato, the Dorian would “fittingly imitate the utterances and accents of a brave man who is engaged in warfare,” while the Phrygian was suitable “for a man engaged in works of peace.”
The Unexcelled Mantra is a setting of text from the Heart Sutra, a sacred text in Mahayana Buddhism on understanding Shunyata, or Emptiness, in order to realize Nirvana. The mantra reads “gaté gaté paragaté parasamgaté bodhi svaha,” which can be translated as “Go, go, go beyond, go totally beyond, be rooted in the ground of enlightenment.”
The release of Unity and The Unexcelled Mantra follows Bono’s first classical album, Invocations, a chamber music collection released in fall 2012 and on vinyl in August 2013. The originality and inventiveness of Invocations was noted by composer and writer Frank Oteri in NewMusicBox, who wrote, “While much of 21st-century contemporary composition is not beholden to any rules, to the extent that I could probably claim everyone to be an ‘outsider’ in some ways, Bono’s music sounds as though everything he writes is something he is discovering for the very first time, even if there are clear reference points throughout to the sound worlds of other composers from both our own time and other eras.”
Christopher Bono entered the world of classical music much later than most of his contemporaries. He spent his childhood and teenage years devoted to baseball; in 1999 he was drafted by the Seattle Mariners but an injury kept him from playing. Filling the void left by the end of his athletic endeavors, Bono began playing the guitar when he was 21, and for several years he toured, recorded, and performed in an alternative roots-rock style. In his mid-20s, he made the choice to learn classical composition techniques in order to more fully realize his music. For seven years, in nearly hermetic isolation, he taught himself to read music, and studied composition independently with Juilliard professor Kendall Briggs and at La Scola Cantorum in Paris.
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Photo by Christian Steiner
November 8, 2013
7:00 – 8;30 pm
Turtle Bay Music School
244 East 52nd Street
New York, NY 10022
Composer and lecturer Joelle Wallach discusses “Dvorak in New York City” in a free public program as part of her EtM Con Edison Composers Residency at Turtle Bay Music School.
Dr. Wallach, a popular pre-concert lecturer for the New York Philharmonic, explores how composer Antonin Dvorak’s three years in New York City changed his music – and ours – as he crafted his impressions of Native- and African-American folk music into music “for the new world.”
Admission is free.
Joelle Wallach, winner of a 2013 Copland Foundation Grant, composes music for orchestra, chamber ensembles, choruses and solo voice. Her String Quartet 1995 was the American Composers Alliance nominee for the 1997 Pulitzer Prize in Music. The New York Philharmonic Ensembles premiered her octet, From the Forest of Chimneys, written to celebrate their 10th anniversary; and the New York Choral Society commissioned her secular oratorio,
Toward a Time of Renewal, for 200 voices and orchestra to commemorate their 35th Anniversary Season in Carnegie Hall.
A popular and profound pre-concert lecturer for the New York Philharmonic, Dr. Wallach speaks on a broad range of musical subjects, bringing fresh insights to familiar works and opening doors to modern ones and to those more infrequently heard.
Wallach grew up in Morocco, but makes her home in New York City, where she was born and to which she has recently returned after a two year visit as Professor of Composition at the University of North Texas’ College of Music. For more information and to hear samples of more of Wallach’s music, visit her website: www.joellewallach.com.
The organ music of Dan Locklair will be the focus of American Public Media’s Pipedreams radio program for the week of September 30.
The two-hour Unlocking Locklair program is hosted by Michael Barone and will present 7 of the composer’s major works, including the first national broadcast of his Concerto for Organ and Orchestra (2010) in a performance by the Eastern Festival Orchestra, Gerard Schwarz, conductor, with soloist Susan Bates.
Other works on the program are the broadcast Premieres of O Festive Day and Trumpets of Light, along with Sonata da Chiesa, Anthem: The Lone Wild Bird, Ayre for the Dance, In Mystery and Wonder and Phoenix Processional.
The program will be broadcast nationally on APM- affiliated stations beginning September 30. Check your local listings for broadcast times in your area.
The show will also be available for listening at the Pipedreams website after September 30. For more about Pipedreams – Unlocking Locklair,
More information about Dan Lockair, including a bio, list of works, discography and much more, at http://www.locklair.com.
Posted by s21concerts in Uncategorized, tags: chamber music, Chamber Music America, classical music, concert preparation, first tuesdays, Free, jazz, jazz forward coalition, leadership, manchester craftsmen's guild, marty ashby, miles weinstein, Music, Musicians, performance, peter gordon, presenter, professional development, publicity, Recording, seminar, strategies, thirsty ear, unlimited myles
Free Seminar: December 3, 2013, 3-5pm Eastern
Maximizing Your Concert Appearance
With Peter Gordon, Marty Ashby and Myles Weinstein
Attend: in person at Saint Peter’s Church in midtown Manhattan or via live-stream
A performance can be so much more than showing up at a gig and playing your heart out. Today’s successful concert is part of a living, breathing ecosystem—connecting artist, presenter, social/print media, radio/television, and fans. In the first hour, the panel will outline strategies, techniques and innovative approaches to making the most of your live appearances. In the second hour, they’ll review specific projects spotlighting real-world successes within the CMA community.
Peter Gordon is the founder of Jazz Forward Coalition and Thirsty Ear Recordings, a 36 year-old indie record label that has released over 300 records. Gordon is a founding board member of the American Association of Independent Music (A2IM) . He was the lead negotiator in the landmark FCC radio accord and was a founding VP of the World Independent Network—WIN, representing 20 international music trade organizations. Gordon recently co-founded the Jazz Forward Coalition, a leadership group advocating sustainability and cultural growth for the Jazz community. www.thirstyear.com
Marty Ashby is the Executive Producer and founder of MCG Jazz, a program of the Manchester Craftsmen’s Guild (MCG) in Pittsburgh, PA. He has produced over 2,000 concerts and 45 recordings on the MCG Jazz label, including three GRAMMY® Award and two Latin GRAMMY® Award winners and has raised over $25 million to support the MCG Jazz program. He was recently awarded a EPP Goldman-Sachs fellowship at the Smithsonian’s National Museum of American History.
Myles Weinstein’s Unlimited Myles, Inc. exclusively represents such leading artists Regina Carter, Kenny Barron, Stefon Harris, Luciana Souza and Vijay Iyer. From 1993-2001, Myles was the founding director of the jazz division at Herbert Barrett Management. He has played percussion, timpani and drums with Stefon Harris, Steve Turre, the Long Island Philharmonic and the Joffrey Ballet Orchestra. In the 90’s, he co-led with Chris Potter the ensemble, The Jazz Mentality.
First Tuesdays is a free professional development seminar series presented by Chamber Music America in partnership with Saint Peter’s Church and Midtown Arts Commons. Workshops are live-streamed and archived on the CMA website.