A Bonsai Garden

New Trios New to New York

NorSou April 18 2016

The North/South Trio

Claudia Schaer, violin                              Tomoko Fujita, cello
Max Lifchitz, piano

premieres by

Brian Banks, Ofer Ben-Amots, Allan Crossman

 

 

 

Monday, April 18 at 8 PM

 

 

Christ & St Stephen’s Church
120 West 69th Street (bet Bway & Columbus)
New York City

Free Admission (no tickets necessary)

http://www.northsouthmusic.org

 


ABOUT THE COMPOSERS AND THEIR MUSIC

Brian R. Banks has resided in Puebla, Mexico since 1996 where he
serves as composer-in-residence for the Universidad de las Americas.
The Seattle native studied at Peabody Conservatory and the University
of California, Berkeley. His compositions explore the boundaries
among the popular, world and classical music traditions.  His A
Bonsai Garden comprises eight contrasting movements inspired by four
mythical creatures from Japanese fairy tales known as the Yokai. The
four creatures are: Kitsune–a shape shifting creature most often
represented as a fox-woman; Kappa–a water goblin, a cross between a
giant salamander and a tortoise; the Tanuki-based on Japan’s “raccoon
dogs,” are somewhat playful troublemakers; and finally Nekomata–a
sly, two-tailed cat.

Ofer Ben-Amots began his musical journey as a pianist in his native
Israel before coming to the US to earn a doctorate in composition at
the University of Pennsylvania under the guidance of George Crumb. A
member of the Colorado College faculty, his works have been performed
throughout Europe, Japan and the US and have garnered many awards
including the Aaron Copland Award and the Music Composition Artist
Fellowship from the Colorado Council on the Arts. A member of the
Advisory Board of the Milken Foundation American-Jewish Music
Archive, he is a Jerusalem Fellow of the Center for Jewish Culture
and Creativity and its Artistic Director for North America. Written
in 2013, The Odessa Trio is dedicated to the memory of the composer’s
mentor Joseph Dorman (1940-2006), the Russian-Israeli pianist and
composer who taught at Tel Aviv University. The highly eclectic
composition combines elements found in Jewish liturgical music —
including Shofar-like calls — with Chopinesque mannerisms and tango
motifes. A haunting dynamic tension permeates the virtuosic work.

A native New Yorker, Allan Crossman resided in Montreal where he
taught at Concordia University before moving to the Bay area to join
the faculty of the San Francisco Conservatory. His work as composer
has been supported by grants from the Canada Council for the Arts,
the American Composers Forum, and Meet the Composer. The Log of the
Skipper’s Wife — his musical drawn from Irish/Scottish shanties —
was produced by the Royal Shakespeare Company at Stratford and the
Kennedy Center. Crossman’s piano trio Icarus is based on the mythical
story in which Icarus flies too close to the sun and falls into the
sea. In this new musical version, the sea revives Icarus, and he
ascends once again, now fully-formed, harmonizing both youthful and
mature qualities of desire, physicality, caution, impetuosity,
innocence, hope. The piece uses traditional and modern musical
language to reflect the timeless and the new.

 


For the complete Winter/Spring concert series schedule please visit

http://www.northsouthmusic.org/calendar.asp

To stream, download and/or purchase the more than 60 compact discs
released under the North/South Recordings label please go to

http://www.classicsonline.com/North_South_Recordings/

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Jason Vieaux by GMD Three

Grammy-Winning Guitarist Jason Vieaux performs with Chamber Music Society of Lincoln Center

featuring pianist Gloria Chien, violinist Kristin Lee,
violist Richard O’Neill, bassist Donald Palma, and
cellist Nicholas Canellakis

New Music Series
Works by Mario Davidovsky, William Bolcom,
Thomas Larcher, Vivian Fung, and John Harbison

Thursday, April 28, 2016 at 7:30pm
The Stanley H. Kaplan Penthouse
Samuel B. & David Rose Building
70 Lincoln Center Plaza (165 W 65th St.) | NYC
Tickets: $35 at www.chambermusicsociety.org

Grammy-winning guitar virtuoso Jason Vieaux performs with the Chamber Music Society of Lincoln Center in a New Music Series concert at the Kaplan Penthouse at Lincoln Center. The concert also features pianist Gloria Chien, violinist Kristin Lee, violist Richard O’Neill, bassist Donald Palma, and cellist Nicholas Canellakis in works by Mario Davidovsky, William Bolcom, Thomas Larcher, Vivian Fung, and John Harbison. The evening includes an intermission wine reception sponsored by Millbrook Vineyards & Winery and a post-concert discussion with musicians and composers.

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ECCE in performanceWHAT: KINETICS | A Performance by Ecce Ensemble
WHEN: Friday, May 6th at 7:00 p.m.
WHERE: Le Laboratoire, 650 East Kendall Street, Cambridge, MA, 02142 T: Red to Kendall Square
TICKETS: $22/$11 Students. To purchase, contact Le Laboratoire at 617.945.7515 or visit LeLaboratoireCambridge.com.

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As the 2015-16 contemporary music ensemble-in-residence at Cambridge’s Le Laboratoire, the Ecce Ensemble completes its season with a diverse program of new chamber works by six emerging compositional voices. Inspired by Le Lab’s current Random International installation, 150 Millisecondsthe concert’s repertoire evokes a panoply of physical and psychological states both human and seemingly otherworldly. Performed by seven-member Ecce Ensemble and special guest vocalist Amanda DeBoer Bartlett, the program includes the world premiere of Already Root by Maxwell Dulaney, New England premieres by Erin Gee, Hillary Zipper, and Anna-Louise Walton, as well as works by Ecce’s executive director John Aylward, and the winner of Ecce’s 2016 International Call for Scores, Nuno Costa. 

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Van Cliburn Competition Gold Medalist Stanislav Iodenitch

Van Cliburn Competition Gold Medalist Stanislav Iodenitch

Van Cliburn Competition Gold Medalist Stanislav Iodenitch, a piano virtuoso hailed for playing with “laserlike clarity” (The Boston Globe), performs Tchaikovsky’s iconic Piano Concerto No. 1 with the Young Artists Symphony Orchestra, led by Artistic Director Alexander Treger, in a free concert capping the orchestra’s highly successful inaugural season on Sunday, May 1, 2016, 6 pm, at UCLA’s Royce Hall. The all-Russian program also includes Tchaikovsky’s enthralling Suite from Swan Lake and Lyadov’s Kikimora, a tone poem about a malicious spirit from Russian folklore. Additionally, to celebrate the conclusion of its first season, YASO is hosting a separate ticketed post-concert soiree, featuring a buffet dinner and jazz performances by Nigel Armstrong, former concertmaster under Treger, Julian Zheng, YASO principal horn, and other YASO artists.

“Stanislav Iodenitch is a remarkable artist,” says Treger. “We are thrilled to present him as a guest soloist with the Young Artists Symphony Orchestra to close our first season. To see one of the world’s leading pianists perform one of his signature works live in a free concert is a rare opportunity. We encourage people of all ages to attend since it promises to be a very special musical evening.”

Ioudenitch is widely regarded for his strong individuality and musical conviction. His artistry won him the Gold Medal at the 11th Van Cliburn International Piano Competition, where he also took home the Steven De Groote Memorial Award for Best Performance of Chamber Music. Born in Tashkent, Uzbekistan, Ioudenitch has netted prizes at the Busoni, Kapell, Maria Callas and New Orleans competitions, among others. A former student of Dmitri Bashkirov, he also studied with Leon Fleisher, Murray Perahia, Karl Ulrich Schnabel, William Grant Naboré and Rosalyn Tureck at the International Piano Foundation in Como, Italy, the current International Piano Academy Lake Como. He subsequently became the youngest teacher ever invited to give master classes at the academy. Ioudenitch has collaborated with James Conlon, James DePreist, Günther Herbig, Asher Fisch, Stefan Sanderling, Michael Stern, Carl St. Clair and Justus Franz, and with such orchestras as the Munich Philharmonic, the National Symphony, the Rochester Philharmonic, the Honolulu Symphony and the National Philharmonic of Russia. He has also performed with the Takács, Prazák, Borromeo and Accorda quartets and is a founding member of the Park Piano Trio. He has appeared at Carnegie Hall, the Kennedy Center and the Forbidden City Concert Hall in Beijing and the Aspen Music Festival, among other venues and festivals. Ioudenitch’s recordings include Stanislav Ioudenitch, Gold Medalist, 11th Van Cliburn International Piano Competition for Harmonia Mundi and Trois Mouvements de Petrouchka produced by Thomas Frost. He also appeared in Playing on the Edge, Peter Rosen’s Peabody Award-winning PBS documentary about the 2001 Van Cliburn Competition and in the PBS Concerto series. In addition to Lake Como, he has led masterclasses at the Cliburn-TCU Piano Institute in Fort Worth, Stanford University, Cornell University, the National University in Seoul and Miami’s International Institute for Young Musicians.
Treger, former concertmaster of the Los Angeles Philharmonic, is “an icon of the Los Angeles musical scene” (LA Opus) whose conducting has been described as “vivid” (The New York Times), “uplifting” (Musical America) and “expertly finessed” (Examiner). He has guest-conducted the Turku Philharmonic in Finland and stepped in at the last minute to conduct the Los Angeles Philharmonic, replacing the indisposed Franz Welser-Möst. He has also appeared as guest conductor with the Santa Barbara Chamber Orchestra, the New World Symphony, the Guangzhou Symphony Orchestra and the Russian State Academic Symphony Orchestra. As a soloist, he has performed with the San Francisco, Denver, Dallas and Houston symphonies, among many others. An avid chamber performer, Treger has collaborated with such well-known artists as Radu Lupu, Yefim Bronfman, André Previn, Bernard Greenhouse and Emanuel Ax. In addition to serving as YASO Artistic Director, the noted violinist, accomplished conductor and gifted educator also serves as the Music Director/Conductor of the Crossroads Chamber Orchestra.

YASO, hailed as a “glorious” (Out West Arts) “musical force to be reckoned with” (LA Opus), champions, mentors and inspires the next generation of outstanding young musicians for careers in classical music. The orchestra, comprised of dedicated young artists ages 15 to 26 drawn from a variety of schools and conservatories around the Southland, adheres to the high standards and protocols of professional orchestras, providing the orchestra members with the same type of experiences they will encounter as professional artists. YASO members, who receive a stipend for their services, are selected through a rigorous audition process. They perform key works that are an essential part of the core orchestral repertoire and are held to extremely high standards since many of the members will be auditioning directly into professional ensembles. During its inaugural 2015-16 season, YASO presents its final free concert of the season at Royce Hall on Sunday, May 1, 2016.

Admission to the concert is free, but reservations are recommended. Tickets to the post-concert soiree and dinner are $125. Reservations for both can be made at YASOLA.org or (310) 905-3496. Concert tickets are also available at the door the night of the concert on a space available basis.

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spectrumeavesdroppingtrans
Sunday, April 17, 7 PM

Spectrum
121 Ludlow Street, 2nd Floor

The Eavesdropping concert series at Spectrum kicks off its spring season and celebrates six years of activity with three performances at the price of one:
 
 
The New Thread Quartet presents a program of new saxophone quartet repertoire including the US premiere of “Ambience” by Ophir Ilzetzki for sax quartet and electronics; “Lucidity” by Monte Weber for soprano, saxophone quartet, and pre-recorded electronics, featuring soprano Alize Rozsnyai; “Mother Earth” by Erin Rogers for flute, saxophone quartet, and electronics, featuring Andrea Lee Smith on flute; and “Incantation S4-X” by Matthew Burtner for saxophone quartet and computer generated sound.

press_new_thread_quartet_4

Also on the program, Ken Filiano (bass) and Teodora Stepančić (piano) who join forces to perform Israeli composer Dganit Elyakim‘s “I Can Walk.”

Bonus track: the world premiere of composer Guy Barash‘s “Talkback VI” for trombone and electronics performed by trombone virtuoso William Lang.

IMG_0799

A reception will appropriately follow.

newthreadquartet.com
ophirilzetzki.com
en.wikipedia.org/wiki/Ken_Filiano
teodora.stepancic.com
misscomposed.com
williamlang.org
guybarash.com

Tickets: $15/10 students and seniors
Available at the door or online

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Cellist Joshua Roman

Cellist Joshua Roman

Noted cellist and classical music innovator Joshua Roman hosts Los Angeles Chamber Orchestra’s engaging Baroque Conversations and solos on three of Bach’s six landmark suites for unaccompanied cello on Thursday, April 21, 2016, 7 pm, at Zipper Hall in downtown Los Angeles.  Bach’s Suite No. 3 in C major, Suite No. 2 in D minor, and Suite No. 6 in D major, performed by Roman, and the three other suites, are widely considered among the composer’s greatest works. Composed around 1720 and originally thought to be studies, the suites were largely unknown until famed cellist Pablo Casals became the first person to record all six, elevating their status so that they are now among the most popular and widely performed cello works ever written.

 

The concert is part of a two-week guest artist residency for the cellist that encompasses engagement with live and virtual audiences through pre-concert talks and personal introduction of the music from the stage; a guest appearance on LACO’s Orchestral Series on April 16, 8 pm, at Glendale’s Alex Theatre, and April 17, 7 pm, at UCLA’s Royce Hall; a cello masterclass at North Hollywood High on April 19; a special in-school program at Hoover Street Elementary School in Los Angeles on April 20; a free performance at Amoeba Music in Hollywood on April 20, 7 pm; an appearance with Orchestra members at the 6th Annual Hear Now Music Festival on April 23, 8 pm, at First Lutheran Church of Venice; a preview podcast and recording, including posting a short video from an iconic Southland location as part of Roman’s Everyday Bach series (www.youtube.com/user/JoshuaRomanCello).  Roman’s Guest Artist Residency with LACO is made possible, in part, by a grant from the National Endowment of the Arts.

 

 

Roman, “a cellist of extraordinary technical and musical gifts” (San Francisco Chronicle), is recognized as an accomplished composer, curator and programmer, particularly in his work as artistic director of Seattle Town Hall’s TownMusic series, with a vision to expand the classical music audience.  For his ongoing creative initiatives on behalf of classical music, Roman was named a 2011 TED Fellow, joining a select group of next generation innovators of unusual accomplishments who show potential to positively affect the world.  Before embarking on a solo career, Roman spent two seasons as principal cello of the Seattle Symphony, a position he won in 2006 at the age of 22.  This performance marks Roman’s second program with LACO in two weeks; he also joins LACO for the LA premiere of Mason Bates’s Cello Concerto April 16 and 17, 2016.

 

The enlightening five-concert Baroque Conversations series provides insight into the genesis of orchestral repertoire from early Baroque schools through the pre-classical period.  As host of the evening, Roman introduces the music from the stage and engages the audience in Q&A to conclude the concert.  A complimentary wine reception for all ticket holders begins at 6 pm.  Baroque Conversations concludes on Saturday, May 21, 2016, 8 pm, at USC’s Bovard Auditorium in partnership with the 2016 Piatigorsky International Cello Festival.  Baroque Conversations is generously sponsored by Carol & Warner Henry, a Friend of LACO and the Ronus Foundation.

 

Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a pacesetter in presenting wide-ranging repertoire and adventurous commissions.  Its 2015-16 season, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 19th season as LACO’s music director.

 

Tickets, starting at $57, are available online at laco.org, or by calling LACO at 213 622 7001.  Single tickets can also be purchased at the venue box office on the night of the concert, if tickets remain.  Discounted tickets are available by phone for groups of 12 or more.  College students may purchase student rush tickets ($12), based on availability, at the box office an hour before the concert.

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YMF Debut Orchestra
Yuga Cohler, conductor & co-curator
Stephen Feigenbaum, arranger & co-curator

Music from Kanye West’s Yeezus paired with works by Beethoven, including
the Egmont Overture, Symphony No. 5 (op. 67), and String Quartet No. 14 (op. 131).

Saturday, April 16th, 2016 | 7:30 PM
Aratani Theatre
244 S. San Pedro St.
Los Angeles, CA 90012

FREE Admission! No Tickets Required.
http://www.ymf.org/events

Watch the YEETHOVEN Trailer:
https://www.youtube.com/watch?v=HRCywJaUEIE

YEETHOVEN Flyer 5.5x8.5

The Great Music Series explores the commonalities between the music of our times and classical masterpieces of the past. By highlighting the musical and cultural elements characteristic of all great music, the Series seeks to demonstrate that modern popular music is fundamentally similar to classical music. For its first installment, the series will compare Kanye West and Ludwig van Beethoven.

Kanye West is one of the most famous, albeit divisive, people alive in America. Since his debut solo album in 2004, West has become increasingly prominent as a producer, rap artist, and cultural activist. Today, he is unquestionably one of the most influential figures in popular music and culture. Considering his larger-than-life artistic personality, there is no better comparison to him than Beethoven, the apotheosis of the classical tradition.

M.C.’d by conductor Yuga Cohler and composer Stephen Feigenbaum, this concert will sonically illustrate the similarities between Kanye West’s latest album, Yeezus (orchestrated by Feigenbaum), and a variety of pieces by Beethoven. As the concert progresses, music by the two will become increasingly integrated, ultimately resulting in a total mash-up of the two. If you find this concert far-fetched, we invite you to come and listen – see if you can tell where Beethoven ends and Kanye begins.

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ECCE in performanceWHAT: KINETICS | A Performance by Ecce Ensemble
WHEN: Friday, May 6th at 7:00 p.m.
WHERE: Le Laboratoire, 650 East Kendall Street, Cambridge, MA, 02142
T: Red to Kendall Square
TICKETS: $22/$11 Students. To purchase, contact Le Laboratoire at 617.945.7515 or visit LeLaboratoireCambridge.com.

As the 2015-16 contemporary music ensemble-in-residence at Cambridge’s Le Laboratoire, the Ecce Ensemble completes its season with a diverse program of new chamber works by six emerging compositional voices. Performed by seven-member Ecce Ensemble and special guest vocalist Amanda DeBoer Bartlett, the program includes the world premiere of Already Root by Maxwell Dulaney, New England premieres by Erin Gee, Hillary Zipper, and Anna-Louise Walton, as well as works by Ecce’s executive director John Aylward, and the winner of Ecce’s 2016 International Call for Scores, Nuno Costa.

 

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Matthew Halls

Matthew Halls

Oregon Bach Festival Music Director Matthew Halls conducts the Los Angeles premiere of San Francisco-based composer Mason Bates’s first Cello Concerto, written for and performed by Joshua Roman, with the Los Angeles Chamber Orchestra (LACO) on Saturday, April 16, 8 pm, at the Alex Theatre in Glendale, and Sunday, April 17, 2016, 7 pm at UCLA’s Royce Hall.  Bates’s piece, which highlights his sensibilities as composer-in-residence of the Chicago Symphony Orchestra as well as a DJ, has been lauded as a tapestry of “classical lyricism and melody combining fluidly with blues, jazz elements, and techno rhythms that come straight from the 21st-century electronic club scene” (Classical Voice North America).  Halls also conducts Haydn’s popular Symphony No. 101 in D major, “The Clock,” and Prokofiev’s Symphony No. 1 in D major, “Classical,” both signature works of LACO’s repertoire.  Making his third LACO guest appearance, Halls has been heralded for his “ironclad command of the smallest details in the score” (Toronto Star).  Roman, making his LACO debut, was chosen a TED Fellow for his ongoing creative initiatives on behalf of classical music and is recognized as an accomplished composer, curator and programmer with a vision to expand the classical music audience.  He has been hailed as an “ascendant rock star of the cello world” (Seattle Post-Intelligencer).  Bates’ Cello Concerto was commissioned by Seattle Symphony Orchestra, the Columbus Symphony Orchestra, and Los Angeles Chamber Orchestra.

 

The concert launches a two-week guest artist residency for Roman that encompasses engagement with live and virtual audiences through pre-concert talks; a cello masterclass at North Hollywood High on April 19; a special in-school program at Hoover Street Elementary School in Los Angeles on April 20; a free performance at Amoeba Music in Hollywood on April 20, 7 pm; a solo cello recital on LACO’s Baroque Conversations series on April 21, at 7 pm, at Zipper Concert Hall in downtown Los Angeles; an appearance with Orchestra members at the 6th Annual Hear Now Music Festival on April 23, 8 pm, at First Lutheran Church of Venice; a preview podcast and recording, including posting a short video from an iconic Southland location as part of Roman’s Everyday Bach series (www.youtube.com/user/JoshuaRomanCello).  Roman’s Guest Artist Residency with LACO is made possible, in part, by a grant from the National Endowment of the Arts.

 

Roman is recognized as an accomplished composer, curator and programmer, particularly in his work as artistic director of Seattle Town Hall’s TownMusic series, with a vision to engage and expand the classical music audience.  Before embarking on a solo career, Roman spent two seasons as principal cello of the Seattle Symphony, a position he won in 2006 at the age of 22.  Since that time he has appeared as a soloist with the San Francisco, Seattle and New World symphonies; the Los Angeles Philharmonic; the BBC Scottish and Alabama symphony orchestras; the Mariinsky Theatre Orchestra and Orquesta Sinfónica Nacional del Ecuador.

 

Halls first came to prominence as a keyboard player and early music conductor but has become equally known for his dynamic and intelligent work with major symphony orchestras and opera companies, and for his probing and vibrant interpretations of music of all periods.  His many international engagements include the Cleveland and Salzburg Mozarteum orchestras, BBC Scottish and Frankfurt Radio symphonies, and the Seattle and Melbourne symphony orchestras.  The 2014 season marked his first as artistic director of the Oregon Bach Festival.  Halls’s recordings include a set of four Bach Harpsichord Con­certos (Linn Records) and Bach’s Easter and Ascension oratorios, as well as award-winning discs of Handel’s Parnasso in Festa (Hyperion) and Purcell’s Sonatas in Three and Four Parts.  Educated at Oxford University, Halls taught at the University for five years, and has held positions as artistic director of the King’s Consort and the Retrospect Ensemble, which he founded in 2009.  He is also passionately committed to education and working with young musicians.

 

Concert Preludes, pre-concert talks held one hour before curtain and free for ticket holders, provide insights into the program’s music and artists.  Cellist Joshua Roman will be a featured speaker.

 

Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a pacesetter in presenting wide-ranging repertoire and adventurous commissions.  Its 2015-16 season, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 19th season as LACO’s music director.

 

Steinway is the official piano of Los Angeles Chamber Orchestra.

 

Tickets, starting at $27, are on sale now and may be purchased online at laco.org or by calling LACO at 213 622 7001.  Discounted tickets are also available by phone for seniors 65 years of age and older and groups of 12 or more.  College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert.  Also available for college students is the $30 “Campus to Concert Hall All Access Pass” – good for all seven of LACO’s Orchestral series concerts, Discover Bach’s Cantata “Sleepers Awake” and three Westside Connections concerts.

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LAMC Artistic Director Grant Gershon

LAMC Artistic Director Grant Gershon

The Los Angeles Master Chorale (LAMC), led by Artistic Director Grant Gershon, transforms Walt Disney Concert Hall into a festive banquet hall in the ancient Persian city of Persepolis for two immersive performances of eminent director Trevore Ross’s semi-staged production of Handel’s Alexander’s Feast, created for the LA Master Chorale to launch its multi-year “Hidden Handel” project on Saturday, April 16, 2 pm, and Sunday, April 17, 2016, 7 pm.

 

The “Hidden Handel” project comprises semi-staged/multimedia productions of five of the composer’s great but underrepresented oratorios performed in collaboration with some of the performing art world’s leading directors and artists.  “There are many beautiful and brilliant choral works composed by Handel that are not called Messiah,” says Gershon, referring to Handel’s most famous oratorio that has been performed by the LA Master Chorale numerous times.  “I’m very excited to introduce audiences to these incredible yet rarely performed masterworks.  Alexander’s Feast will be the perfect starter in a series that explores Handel’s vivid imagination and understanding of human nature through ‘The Power of Music.’”

 

Alexander’s Feast celebrates music’s power and ability to elicit and manipulate emotions.  The story follows Alexander the Great, having just conquered the ancient city of Persepolis, as he hosts a great banquet alongside his mistress Thais to celebrate their victory.  Timotheus, a traveling musician, possesses an uncanny knack for arousing a full spectrum of emotions within Alexander and his guests through his music, ultimately persuading Alexander to burn down the city in revenge for the loss of his soldiers killed in battle.  This prompts St. Cecilia, the patron saint of music herself, to descend to earth and calm the fury.


Tickets range from $29 – $129.  Group rates are available.  For tickets and information, please call (213) 972-7282, or visit www.lamc.org.  Tickets can also be purchased in person in advance at the Dorothy Chandler Pavilion Box Office (Mon-Sat, 10 am-6 pm) and at the Walt Disney Concert Hall Box Office on concert days starting 2 hours prior to the performance.  The Walt Disney Concert Hall is located at 111 South Grand Avenue at First Street in downtown Los Angeles.

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