Photo by Alex Potemkin

March 28, 2015

Flushing Town Hall
37-35 Northern Blvd. Flushing, NY 11354
(718) 463-7700
Admission is free
Exploring the Metropolis and Flushing Town Hall present Nina Siniakova‘s Spring Mix, a tangy medley of classical hits and contemporary compositions peppered with some beloved jazzy tunes. Nina is a 2014-15 EtM Con Edison Composer-in-Residence at Flushing Town Hall. Admission is free.
Performers: Gregor Kitzis, violin; Thomas Piercy, clarinet; and Nina Siniakova, piano

Born in Minsk, Belarus and now residing in Queens, Nina Siniakova is active as a pianist, composer, and a music manager.  Holding the degree of Doctor of Music Arts, Nina received her education at Minsk Music College, St- Petersburg State Rimsky-Korsakov Conservatory, and Cologne Academy of Music. She also studied acting professionally.

Nina Siniakova’s music has been performed throughout Europe, Japan and in the U.S. She is a recipient of DAAD Stipend, Grant of St-Petersburg Government and a winner of the Melodia Women’s Choir NYC commission competition. In 2013 she launched Metis Music Management, presenting her first project Have a Very Jazzy Christmas! at Carnegie Hall.

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Boyd, Stephanie Ann_photo by Henry MacConnel

When: Thursday, March 5 @ 8:00 p.m. (Pre-concert talk @ 7:00 p.m.)

Where: Jordan Hall (30 Gainsborough Street), Boston, T: Symphony

Tickets: Free.Reserved seating; ticket required. To reserve, contact BMOP at or 781.324.0396.

The Boston Modern Orchestra Project (BMOP), the nation’s premier orchestra dedicated exclusively to commissioning, performing, and recording new orchestral music, celebrates its continuing relationship with New England Conservatory and the Boston new music community in a concert titled Blizzard Voices. As the New England Conservatory’s affiliate orchestra, BMOP regularly features the talent of NEC students and alumni. The evening includes: the world premiere of Ondine by 2014-15 BMOP/NEC Composition Competition winner Stephanie Ann Boyd; John Harbison’s Concerto for Bass Viol, featuring Boston Symphony Orchestra principal bassist Edwin Barker, and the Boston premiere of Paul Moravec’s The Blizzard Voices with the NEC Concert Choir. Thanks to the generosity of the Gregory E. Bulger Foundation, this concerts is free to the public.

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ETHEL_byMarkKingsley copyWHEN: Saturday, March 21st at 7:30pm
WHERE: Merkin Concert Hall, 129 West 67th Street, NYC, 10023
TICKETS: $25. To purchase contact Merkin at 212-501-3330 or visit
 A New Sounds Live co-presentation hosted by WNYC’s John Schaefer // Presented by Kaufman Music Center at Merkin Concert Hall

Three of today’s top contemporary composer/performers join forces to build on previous collaborations and premiere a new work. It’s a trio unlike any other – a combination of the effusive, white-hot power of America’s premier string quartet ETHEL  raw, emotionally charged picking and pounding of guitarist Kaki King; and complex harmonies and structures of composer/guitarist/violist John King. This eclectic program includes world premieres written both individually and collaboratively, as well as some existing pieces, peppered by guitars, dobros, banjos and ouds.

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Fresno State New Music Ensemble

On Monday, March 9th at 8:00 pm, the Fresno State New Music Ensemble will present a free concert of music by living Armenian composers in commemoration of the 100th anniversary of the Armenian Genocide. The concert will feature music by composers Tigran Mansurian, Charles Amirkhanian, Artur Avanesov, Anna Aidinian, Steven Aprahamian, Eve Beglarian, and Joseph Bohigian.

Fresno State New Music Ensemble members:
Cassandra Barnes (flute)
Katie Winter (clarinet)
Josh Locher (saxophone)
Lianna Stuart (violin)
Aimee Dockum (cello)
Morgan Phillips (guitar)
Nathaniel Musso (piano)
Joseph Bohigian (percussion/piano)

Monday, March 9th at 8:00 pm
CSU Fresno Music Building Concert Hall
2380 E. Keats Ave, Fresno, CA, 93740
Free admission

Facebook Event

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Celebrating its 19th year, Sound Liberation, an eclectic chamber ensemble/band, presents a concert re imagining Funk.

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Promo graphic for Symphony Number One

Symphony Number One: Façade

BALTIMORE, MD  —  Symphony Number One will make their concert debut at Carriage House Baltimore on March 7 & 8, 2015 with the world premiere of Trope by James Chu. Led by conductor Jordan Randall Smith, the program will also feature William Walton’s Façade for chamber orchestra and reciter. Symphony Number One is a unique addition to Baltimore’s contemporary music scene. The group will oversee the commission, performance, and promotion of substantial works by emerging composers and program them alongside carefully selected works of the classical canon.


Façade is a set of “Entertainments” or short musical numbers written between 1926 and 1938 by English composer Sir William Walton (1902-1983). Walton sets nonsense poetry by Dame Edith Sitwell (1887-1964). Soprano Laura Whittenberger, will recite Edith Sitwell’s whimsical verses and Catarina Farreira will perform Walton’s dauntingly virtuosic solo cello part. Façade is scored for flute, clarinet, saxophone, trumpet, percussion, cello, and reciter.

In the program’s featured World Premiere, tentatively titled Trope, James Chu augments the Walton chamber ensemble with a violin to round out the instrumental/vocal octet. This new work is Chu’s artistic response to Façade and builds on his previous theatrical work at Princeton University and at the Peabody Conservatory. This marks the second collaboration between Chu and Whittenberger; Smith previously conducted Whittenberger in the Peabody Opera Theater‘s 2013 production of Poulenc’s Dialogues des Carmélites.

Production Details:

Saturday, March 7 at 8pm   Facebook | Google

Sunday, March 8 at 3pm     Facebook | Google

Carriage House Baltimore

2225 Hargrove Street (alley between N. Calvert and St. Paul) Baltimore, MD 21218

Admission is $0-15 (pay what you want) at

VIP admission by contributing to the orchestra’s crowdfunding campaign at Kickstarter.



May 8 & 9, 2015: Symphony Number One presents MOZART IN THE [urban] JUNGLE, featuring harpist Jordan Thomas and flutist Raoul Cho. The duo will be joining the orchestra for Mozart’s Concerto for Flute and Harp. The program will open with Anton Webern’s one and only Read the rest of this entry »

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Eunbi NYC

NEW YORK, NY – On Thursday, February 26th, 2015 at 7pm, New York City-based pianist Eunbi Kim will be performing re: last night as part of the Open Stage 2015 Season at the Korean Cultural Service New York, 460 Park Avenue #601, New York, NY. The event is free, but an RSVP is required at

re: last night, performed by pianist Eunbi Kim, is a program of classical and contemporary solo piano works. Inspired by the email subject line “re: last night” on a crowded NYC subway, the program is influenced by dreams and delirium. re: last night celebrates these states of “in-between-ness” through a program of left-field music inspired by night and late-night conversations.

This program includes contemporary jazz-influenced works from composers Fred Hersch, William Albright, Nikolai Kapustin, Toby Twining, and the world premiere of a commissioned work for piano and recorded voices by eminent composer Daniel Bernard Roumain (DBR), who also serves as director for this thought-provoking performance.

“Nighttime is ripe with possibilities, along with fears, regrets, and desire,” says Ms. Kim. “The surreal region betwixt our waking and our dreaming, our present and our future, between the person we present to others and the person we might actually be.”

This performance is the second public performance in a series that follows her February 14th evening at the Kennedy Center’s Millenium Stage in Washington DC.

Concert Program (works to be performed include):

Scriabin, Prelude In G-sharp Minor, Op. 11, No. 12
Nikolai Kapustin, Eight Concert Etudes Op.40 : Reverie
Igor Stravinsky, 4 Etudes, Op. 7: No. 4 in F-Sharp Major
Toby Twining, Satie Blues – arr. for toy piano and piano
Toby Twining, Nightmare Rag – arr. for toy piano and piano
Daniel Bernard Roumain (DBR), It Feels Like A Mountain, Chasing Me – written for piano and recorded voices
William Albright, The Dream Rags
Fred Hersch, Little Midnight Nocturne


eunbi last night promo

About Eunbi Kim, pianist

New York City-based pianist Eunbi Kim has carved a niche as a classical and contemporary pianist who creates adventurous concert programs and interdisciplinary performances. Her most recent piece, Murakami Music, has been presented at Symphony Space (NYC), Asia Society Texas Center (TX), Georgetown University (DC), and was featured in a special documentary produced by NHK, Japan’s public broadcasting organization. Eunbi made her European orchestral debut with I Solisti di Perugia in Italy, and has also performed solo and chamber programs in venues such as the National Museum of Women in the Arts in Washington, D.C. and the 92nd Street Y in New York City. Ms. Kim graduated with her Master’s degree at Manhattan School of Music where she also held a fellowship at The Center for Music Entrepreneurship.


About Daniel Bernard Roumain (DBR), director

DBR’s acclaimed work as a composer and performer spans more than two decades, and has been commissioned by venerable artists and institutions worldwide. “About as omnivorous as a contemporary artist gets” (New York Times), DBR is perhaps the only composer whose collaborations traverse the worlds of Philip Glass, Bill T. Jones, Savion Glover and Lady Gaga. Known for his signature violin sounds infused with a myriad of electronic and urban music influences, DBR takes his genre-bending music beyond the proscenium. He has been nominated for an EMMY for Outstanding Musical Composition for his work with ESPN; featured as keynote performer at technology conferences; and written large scale, site-specific music for public parks. DBR’s made his Carnegie Hall debut (2000) with the American Composers Orchestra performing his Harlem Essay for Orchestra, a Whitaker commission. He went on to compose works for the Boston Pops Orchestra; Carnegie Hall; the Library of Congress; the Stuttgart Symphony, and myriad others. An avid arts industry leader, DBR serves on the board of directors of Creative Capital and the advisory committee of the Sphinx Organization, and is co-chair of 2015 APAP Conference.


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Peter Gordon, Symphony No. 5

Peter Gordon, Symphony No. 5

Peter Gordon’s Symphony No. 5 traces the growth of the New York-based composer’s musical ideas from 2007 to 2012. The number “5” of the title refers to the five-year gestation period as well as the five-movement form of the work, and the idea of a “fifth symphony” as a significant point in a composer’s trajectory. The composition is a striking and elaborate statement, with the communication and energy of an ensemble performance, and the punch and careful attention to detail of a studio recording.

Peter Gordon has been a driving force of New York’s thriving “downtown scene.“ Performing on saxophones and keyboards, he draws inspiration from musical genres as diverse as jazz, rock, opera and world music. His complex and diverse body of work includes recordings, as well as scores for operas, theater, films and dance.

Gordon performed his first symphony, Symphony in Four Movements, in New York in 1976, with a band that included Philip Glass, Laurie Anderson, Arthur Russell and Rhys Chatham. Combining disco, electronic, pop and jazz elements with experimental music, he formalized his ensemble – the Love of Life Orchestra (LOLO) – and has kept it active ever since.

LOLO, with its performers grounded in diverse musical backgrounds, has ranged in size from a trio to 12+ musicians. Its core personnel has remained stable since inception, with recent additions from New York’s Latin jazz scene. LOLO is represented by several influential recordings – including 1978’s Extended Niceties EP (Lust/Unlust Records) and 2010’s retrospective album Love of Life (DFA Records.)

“The Love of Life Orchestra was founded on the coexistence of multiple musical orientations,“ Gordon explains. “Counterpoint is central to my music, and prevalent in all five movements of Symphony No. 5. Each voice maintains its integrity and forward motion, but intersecting voices illuminate harmonic and rhythmic dimensions that are shared and larger than any single voice. This is both a musical and social concept: counterpoint developed in Europe during the Enlightenment, when multiple voices needed to coexist, and be heard, for society to function.“

Homeland Security was created after Gordon returned to New York City, when the country was at war, with a new culture of surveillance. Juvenalia was inspired by Mannie Freshʼs Project Chick with the Cash Money Millionaires of New Orleans, as well as by the Roman poet Juvenal. Both the Roman and New Orleanian works are built from simple, catchy, and symmetrical phrases.

Gordon imagined Chamber Disco as a danse macabre that begins in a stark, empty, closed-down club. At first stone cold, then festive, it leads up to a spinning frenzy, then drops to a sudden sobriety. After composing Homeland Security, Juvenalia, and Chamber Disco, Gordon completed the symphonic structure with Exposition and Transgression, the first two movements.

Recorded live by producer Jeff Jones “The Jedi Master,” who received Grammy Awards for his work with Dr. John and Wynton Marsalis, Symphony No. 5 exhibits Peter Gordon’s complex, yet funky, compositional process.

Mr. Gordon keeps a busy schedule. Recently, Robert Ashley’s Vidas Perfectas saw Gordon reprise his role as music producer of the seminal video opera Perfect Lives. Future projects see him directing a new version of Arthur Russell’s Instrumentals in Europe, as well as a new recording with Tim Burgess (Charlatans), scheduled for release on Record Store Day.

Homeland Security
Chamber Disco


Peter Gordon – organ & synthesizer
Katie Porter – clarinet & bass clarinet
Paul Shapiro – tenor & soprano saxophones
Max Gordon – trumpet
Peter Zummo – trombone
Bill Ruyle – vibraphone
Ned Sublette – electric guitar
Randy Gun – electric guitar
Yunior Terry – bass guitar
Elio Villafranca – piano
Robby Ameen – drums

Produced by – Jeff Jones “The Jedi Master” with Peter Gordon
Excecutive Producer – Benjamin Freeney

Recorded live on June 5, 2013 at Roulette, Brooklyn, NY, USA



For further info please visit FOOM Music:

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New York, NY —  Building on the success of their 2013-14 residency at Abrons Arts Center, Experiments in Opera returns to Abron’s Underground Theater from February 13-21, 2015 for the world premiere of Sisyphus, a reimagining of the complete Sisyphus story told by three composers. Experimenting with new collaborative processes and embracing the eclecticism of New York’s contemporary and DIY music scenes, EiO aims to expand their support of today’s composers looking to tell their stories through music.
There’s more to the myth of Sisyphus than a man pushing a boulder up a hill. In this new, collaboratively-composed evening-length opera, the famous story is twisted, pulled apart, and reassembled in a collage of characters, genres and questions. Sisyphus features texts and music by the three founders of Experiments in Opera: Jason Cady, Aaron Siegel, and Matthew Welch and is being developed in partnership with the director Ethan Heard and the designer Kristen Robinson.


Jason, Aaron and Matt decided that they wanted to write a piece together, each using their own unique musical languages but telling the same story. They chose Sisyphus as a way to continue the tradition of myths as mutable stories, changing with each telling depending on the background of the storyteller. In this new opera, Jason focuses primarily on the story of Sisyphus, whose legendary ego and excesses were the cause of his infamous punishment. Aaron tells the tragic story of Aegina, whose capture by Zeus is discovered and betrayed by Sisyphus. And Matt focuses on the never-ending hell that Sisyphus lives as a result of his transgressions. This version of Sisyphus will at turns be tragic, obsessive and hilarious, all in the course of a 60 minute, fully-staged production.
The opera is scored for 3 singers, soprano Lucy Dhegrae, mezzo-soprano Kate Maroney and tenor Vince B. Vincent.They will each embody a dizzying number of roles throughout the production and will be accompanied by Joe Bergen on vibraphone, Meaghan Burke on cello, Shawn Lovato on bass, Jason Cady on modular synthesizer and conducted by Matthew Welch.   Sisyphus will be directed by Ethan Heard, with stage designs by Kristen Robinson, lighting design by Masha Tsimring, and costume design by Maria Hooper.Production details:
February 13, 14, 20 & 21, 2015; 8pm
Abrons Arts Center | Underground Theater
466 Grand Street (at Pitt Street), New York, NY 10002
Tickets $20 at


Experiments in Opera presents STORY BINGE, seven new operas in a two-night operathon at Roulette in Brooklyn onApril 1 & 2, 2015. Over the course of this opera binge, you will hear the work of eight composers, whose arrival at opera couldn’t be more roundabout. The resulting pieces, one-act shorts and excerpts in concert and staged performances tell a range of absurd, abstract, historical and hilarious stories.

Production Details:
April 1-2, 2015, 8:00 PM
Roulette | Brooklyn, NY for tickets



Co-founded by composers Matthew Welch, Jason Cady, and Aaron Siegel, Experiments in Opera is a composer-driven initiative, featuring recent and new works with innovative answers to the traditional questions about how to connect words, story and music. Our activities respond to the pronounced need to nurture composers who are exploring musical work beyond a strictly concert setting, but furthermore into the hybrid genre of opera. Additionally Experiments in Opera builds supportive and informed audiences that are capable of contributing to its work.

Since 2011, Experiments in Opera has produced thirty new operas, collaborating with over one hundred performers, designers and directors from the New York City artist community. Experiments in Opera has presented the work of more than 20 composers including Jason Cady, Aaron Siegel, Matthew Welch, Georges Aperghis, John Zorn, Robert Ashley, Joe Diebes, Ruby Fulton, Gabrielle Herbst, Mary Kouyoumdjian, Justin Tierney, Leaha Maria Villarreal, the Cough Button collective, Jessica Pavone, Paul Pinto, Jonathan Mitchell, John King, Dave Ruder and Daniel Kushner. Venues have included Abrons Arts Center, Le Poisson Rouge, Roulette, and Issue Project Room.

All of the work developed with Experiments in Opera is documented extensively in videos, images and writings that are available in an online catalogue at  These insightful looks into the origins of artists’ ideas and their working habits help to support EIO’s mission of building a more robust conversation about how and why opera works the way it does.

The Abrons Arts Center, located at 466 Grand Street, New York, NY, is the performing and visual arts program of Henry Street Settlement. The Abrons supports the presentation of innovative, multi-disciplinary work; cultivates artists in all stages of their creative development through educational programs, commissions, and residencies; and serves as an intersection of cultural engagement for local, national, and international audiences and arts-workers. For more information, call (212) 598-0400 or visit





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92Y presents internationally acclaimed harpist Yolanda Kondonassis and virtuoso classical guitarist Jason Vieaux in recital. The concert is part of 92Y’s Art of the Guitar series and will include works off the duo’s recent release on Azica Records, Together, which highlight the interplay and blended sonorities of harp and guitar. Kondonassis and Vieaux will also each play a solo piece, with Vieaux performing an arrangement Antonio Carlos Jobim’s A Felicidade and Kondonassis performing Carlos Salzedo’s Chanson dans la nuit. The concert will mark the New York debut of the duo.

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