Posts Tagged “alejandro acierto”

“Sparks will fly when these two formidable new-music forces collide in this all-Xenakis blowout.”
- Time Out New York

Iktus Percussion joins Loadbang for a remarkable all-Xenakis concert this Friday, April 27th, 8pm at the AC Institute in Chelsea. The concert will feature an incredible lineup including Ensemble Loadbang (Jeffrey Gavett, Alejandro Acierto, Will Lang and Andy Kozar), Mariel Roberts, conductor Yoshi Onishi, and a venerable cast of up-and-coming new music performers in New York tackling exciting and challenging selections of Iannis Xenakis’ solo and chamber music.

Friday, April 27th, 8pm
AC Institute – 547 W. 27th St, New York NY
$15 general admission / $8 students and seniors

Iktus Percussion joins Loadbang to present selected works of Xenakis
Program includes:
Kottos (for solo cello), Mariel Roberts
Keren (for solo trombone), William Lang
Psappha (for solo percussion), Steve Sehman
Kassandra (for baritone & percussion), Jeffrey Gavett & Chris Graham
and
Khal Perr (for brass quintet & percussion)
Atrees (for 10 players)
featuring: Francis Liu, Carlos Cordiero, Roberta Michel, Tim Leopold, Dan Peck, David Byrd-Marrow, Fred Trumpy, Adam Forman, Joe Fee, and conductor Yoshi Onishi

www.iktuspercussion.com
www.loadbangmusic.com

About the ensembles:

Based in New York City, Iktus Percussion is an ambitious, dynamic young ensemble committed to expanding the boundaries of the percussion genre. Iktus is a collective-based operation, featuring an array of industrious and multi-talented percussionists with Chris Graham, Justin Wolf, Steve Sehman, Nick Woodbury, and Cory Bracken at the core. As a group with strong ties to the local artistic community, Iktus is dedicated to collaboration with emerging artists, having commissioned over fifty new works for percussion from such composers asAngélica Negrón, Aaron Siegel, Lisa R. Coons, Jenny Olivia Johnson, Stefan Weisman, and Billy Martin (ofMedeski, Martin and Wood), among others.

With an exciting and diverse range of repertoire, Iktus has performed at such venues and festivals as the Bang on A Can Marathon, Galapagos Arts Space, Le Poisson Rouge, Issue Project Room, Symphony Space, and Trinity Church. Iktus has been appointed to several residencies including SUNY Purchase College (where they performed Laura Kaminsky’s Terra Terribilis, a concerto for percussion quartet and orchestra), CUNY Brooklyn College, and the Pre-College music program at Stony Brook University. As performer-educators, Iktus has also hosted master classes to various enthusiastic elementary school audiences. Community outreach and public performance is an essential aspect of Iktus’ mission: in September of 2011, Iktus performed an exciting all-percussion outdoor concert in Fort Greene Park, including works by Steve Reich, Julia Wolfe, and IannisXenakis.

In the Spring of 2010, Iktus was selected as a Time Out New York Critic’s Pick: Top Ten Concert of the Year, and received critical acclaim from the New York Times for their performance with the St. Petersburg Chamber Symphony in Symphony Space’s “Wall to Wall” series: Music of the Soviet ERA, and sold out the final evening of the Gaudeamus Muziekweek with critical acclaim at Issue Project Room in January of 2012.

New music chamber group loadbang, hailed as “inventive” by the New York Times, is building a new kind of music for mixed ensemble. Their unique lung-powered instrumentation (bass clarinet, trumpet, trombone, baritone voice) has provoked diverse responses from composers, resulting in a broad stylistic palette ranging from wordless microtonal meditations to broad political satire. In the past three years, they have premiered more than 40 works, including several written by members of the band, and a new arrangement by Pulitzer Prize-winning composer David Lang. They also perform works for indeterminate ensemble, including such New York School classics as Brown’s December 1952 and Cage’s Four6 and Song Books.

Not content to dwell solely in the realm of notated music, loadbang is known for its searing and unpredictable improvisations, exploring the edges of instrumental and vocal timbre and technique, and blurring the line between composed and extemporaneous music. To this end, they have embarked on a project to record improvisations and works written by members of the band, designing fabricating and releasing hand-made copies in a limited edition. Recent performances include appearances at the Roger Smith Hotel on Talea Ensemble’s iNSIDE Out series, a program of all premieres at Issue Project Room, and a performance of Cage’s Song Books on the Avant Media Festival. The members of loadbang met as part of the first class of Manhattan School of Music’s Contemporary Performance program.

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Part house concert. Part sound installation.

June 18-25, 2011 – thingNY’s IN HOUSE

Sat. June 18, 2011
2:00pm
Queens Historical Society
Located in the Historic Kingsland Homestead
Weeping Beech Park
143-135 37th Ave.
Flushing, NY 11354
Subway: 7 to Main St.

Thu. June 23, 2011
7:00pm
The University of the Streets
7th Floor Apartment
130 E 7th St.
New York, NY 10009
Subway: 6 to Astor Pl., L to 1st Ave., F/V to 2nd Ave., R/W to 8th St.

Sat. June 25, 2011
3:00pm
Vaudeville Park
26 Bushwick Ave.
Brooklyn, NY 11211
Subway: L to Graham Ave.

Sliding scale: $3-10

Part house concert, part sound installation, IN HOUSE is a collection of new musical meditations on the idea of “the home” written and performed by members of experimental music ensemble thingNY. The performances will take place during June 2011 at various homes in the New York City area.

The works explore aspects of performance art, sound installations, and contemporary chamber music. How do you guide a listener’s ears and eyes while still leaving freedom to explore a space? How does a piece of music capture the essence of a room of a home across cultural lines? How do the sounds of audience and environment affect composition and the performance of new music?

The pieces are written with flexibility in mind. With each composer creating a work for one room of the home, each performance is adapted for and inspired by the individuality of each home’s distinct rooms. This allows IN HOUSE to be programmed differently for each home and experienced uniquely by its audience, who can listen to one piece in its entirety, or explore the house freely, hearing how the compositions fit together.

The project is a continuation of the ideas explored in Gelsey Bell’s extensive Bathroom Songs for solo vocalist. Written in 2010, it is a collection of songs that oscillates between extended vocal techniques, popular song structures, and everyday bathroom events like brushing ones teeth.

Isabel Castellvi’s Music for a Quartet of Speaking Pot Players utilizes the kitchen space and items in a rhythmic work of text and percussion. Paul Pinto’s Music for Your Living Room for solo clarinet and Erin Rogers’s Bedroom Music for violin, tape and visiting chamber musicians both span the entire event, occurring simultaneously and responding to behaviors of the audience.

And in the hallways and stairways, Memorial for _____, a series of constructed noise-making kinetic sculptures created by Alejandro Acierto, will sound throughout the performance.

Full performance schedule is available at http://www.thingNY.com/inhouse
Queens performances supported by the Queens Council on the Arts.

thingNY is a 501c3 not-for-profit collective of composer-performers who create and perform theatrically charged experimental music, champion the work of avant-garde and contemporary classical composers, and collaborate across disciplines, media, and genres.

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