Posts Tagged “brooklyn”
LADAMA and El Puente
Presented by Found Sound Nation
Friday, May 20 at 7pm
80 NORTH 6TH ST
BROOKLYN, NY 11249
Tickets $15 advance at www.nationalsawdust.org or (646) 779-8455; $18 at the door
LADAMA is an ensemble comprised of four incredible musicians from across the Americas who create and perform original music, and strive to inspire and engage women and youth in their respective communities to engage in music-making, sound design, composition, and audio production. LADAMA aims to address gender inequality and unequal representation of women and encourage all to express their humanity by building community through music. A week long residency in partnership with Found Sound Nation and National Sawdust, LADAMA will work with young people and women from the El Puente Leaders for Peace and Justice and co-create a new performance piece for a live audience, in addition to leading a performance by LADAMA themselves.
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Jimmy Page power chords meet Yom Kippur prayers in All Vows, cellist Maya Beiser’s convention-flouting survey of her eclectic musical personality.
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Posted by s21concerts in Concert Announcement, tags: brooklyn, chamber music, classical, classical music, Concerts on the Slope, contemporary music, Gala, Mozart, new york city, Robert Sirota, Tchaikovsky
Annual Gala Concert, featuring Mozart’s Flute Quartet in D Major, Robert Sirota’s A Sinner’s Diary & Tchaikovsky’s Souvenir de Florence.
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On April 30th, 8:00pm, at South Oxford Space in Brooklyn
Cadillac Moon Ensemble presents: Reworking the Canon
Cadillac Moon Ensemble’s Reworking the Canon is a concert of newly commissioned pieces that view canonical masterworks through a modern lens. The performance will feature the world premieres of works by Osnat Netzer, Ryan Francis, Peyman Farzinpour, and Kyle Tieman-Strauss – the winner of CME’s first Young Composers Competition, as well as highlight recent commissions by Viet Cuong and Caleb Burhans.
Windmill by Viet Cuong
l’Histoire de quatre musiciens by Osnat Netzer
Until the Sunset Knows No Morrow by Caleb Burhans
Sospeso in memoriam… by Peyman Farzinpour
Record Keeping by Kyle Tieman-Strauss
Sequences-1 by Ryan Francis
Cadillac Moon Ensemble
Roberta Michel, flute ✴ Sean Statser, percussion ✴ Karen Kim, violin ✴ Aminda Asher, cello
The “commission-crazed” (Time Out NY) Cadillac Moon Ensemble is one of New York’s most visible new music groups, performing not just in traditional venues such as Roulette and the DiMenna Center, but in non-traditional spaces such as the High Line as well as in collaborations with dance, theater, origami, and cabaret artists. The group strives to present a cross-section of contemporary music styles, tying together both uptown and downtown aesthetics with the creative use of thematic programming. Recent commissions have included works by Timothy Andres, Caleb Burhans, Shawn Allison, Nicholas Deyoe, Rick Burkhardt, Osnat Netzer, Matt Marks, Alex Temple, Melody Loveless, and Viet Cuong. Cadillac Moon Ensemble’s first full CD, Atlas, released on the New Dynamic Records label in September 2012, was hailed as “an auspicious collection of new compositions by contemporary composers that combines the fun and wit of rock and film music with the intensity and challenging sonics that have come to define the best of the New York indie classical scene.” (Lucid Culture). CME was featured on the critically acclaimed release of Zack Browning’s “Secret Pulse” on Innova Records in 2012 and has also been featured on John Shaefer’s New Sounds program on WNYC, Jackson Parodi’s Classical Lunch program on WVUM, the University of Rhode Island’s WRIU Music for Internets, and WQXR.
CME’s recent season includes a California tour, performances at the MuSE Sounds of Arts Festival, SUNY-Plattsburg, and in NYC. CME strives to illuminate the collaborative process between composers and performers through open rehearsals and live-streamed workshops. Planned commissions include works by Shawn Allison, Lainie Fefferman, Levy Lorenzo, and Jacob Cooper. Cadillac Moon Ensemble has performed on Kathleen Supové’s Music With a View series, Ear Heart Music, the Lark Society Chamber Series of Portland, ME, the Trinity Church Wall Street Concerts at One, the Vox Novus Composer’s Voice series, and at numerous non-traditional venues. The quartet has also collaborated with Ethos Percussion Group, TRANSIT, Sospiro Winds, Circles and Lines Composers’ Collective, Random Access Music, KDNY Dance, and Iktus Percussion.
Reworking the Canon
April 30th, 2015, 8:00pm
South Oxford Space
138 South Oxford St.
Brooklyn, NY 11217
Caleb Burhans: http://www.calebburhans.com
Viet Cuong: http://vietcuongmusic.com/
Peyman Farzinpour: http://peymanfarzinpour.com
Ryan Francis: http://www.ryananthonyfrancis.com/
Osnat Netzer: http://osnatnetzer.com
Kyle Tieman-Strauss: http://tiemanstrauss.com
For press inquiries please contact:
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Concerts on the Slope presents the world premiere of Composer-in-Residence Robert Sirota’s Spindrift. Sandbox Percussion, the visually and aurally stunning percussion quartet that commissioned Spindrift, will be performing the piece, as well as works by ensemble members Jonathan Allen and Victor Caccesse, plus works by David Crowell, Thomas Kotcheff, Natalie Dieterrich, Jason Treuting, and Lukas Ligeti. Concerts on the Slope performances are open to the public and no tickets are required; a free will donation is suggested. Sandbox Percussion is Jonathan Allen, Victor Caccese, Ian Rosenbaum, and Terry Sweeney.
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What: John Zorn’s Cobra
Where: Roulette, 509 Atlantic Ave, Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
When: Saturday, November 29, 8pm, doors open at 7pm
Cost/Info: $35 – $15 / http://roulette.org/events/john-zorns-cobra/
Brooklyn, NY: Roulette presents John Zorn’s Cobra, Saturday, November 29th, 8pm. Cobra, a unique composition created by Zorn, is a piece created for multiple improvisors which consists of a system of cues and corresponding rules. Devoid of traditional musical notation, Cobra creates an electrifying environment where the composition can be radically different with each live performance.
This Roulette season highlight event, the 30th anniversary celebration of the highly acclaimed, frequently performed and world traveled composition, will feature Trevor Dunn, bass, Sylvie Courvoisier, piano, Mark Feldman, violin, Erik Friedlander, cello, George Lewis, trombone, Cyro Baptista, percussion, Eyal Maoz, guitar, John Medeski, organ, Ikue Mori, electronics, Marc Ribot, guitar, Kenny Wollesen, drums, John Zorn, prompter.
There will be a pre-concert audience discussion with John Zorn and select musicians.
General Admission tickets are $25 pre-sale, $35 at the door.
Members/students/seniors $20 pre-sale, $30 at the door.
Series Members – $15 Pre-sale, $25 at the door
FREE for All-Access Members
Tickets can be purchased at: http://roulette.org/events/john-zorns-cobra/
Roulette is celebrating the 30th Anniversary of John Zorn‘s Cobra which originally premiered at Roulette in 1984. One of the most often performed compositions in new music, the phenomenon of John Zorn’s Cobra lives on into the 21st Century with continuous monthly performances in Japan, Europe, Australia and the United States. Under the direction of the composer himself this newest performance gives Zorn’s infamous game piece a startling new reading by some of downtown New York’s leading improvisers. Cobra is never really Cobra without Zorn himself at the helm—and here the music takes some surprising turns that even he never expected. A 21st Century update of a 20th Century classic.. Zorn has said of Cobra “deliberately chosen not to publish (or even write down) the rules”.
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Resonances from East & West
Music from Asia and the Americas
DANIEL BLAKE Resonances
MAY HOWLETT The Invisible Lake
MAX LIFCHITZ Yellow Ribbons No. 50
CARLETON MACY Douce Dame
WONG CHUN WAI Lament from the Forest
Laura Nichols, mezzo-soprano
Max Lifchitz, conductor
The North/South Consonance Ensemble
Tuesday, June 10 at 8 PM
Christ and St Stephen’s Church
120 West 69th St (bet Bway & Columbus)
New York, NY 10023
On Tuesday evening June 10, the North/South Consonance Ensemble under the direction of Max Lifchitz will present a special concert featuring premieres of recent works for large mixed ensembles by composers hailing from Australia, China and the US.
The event – part of the 34th consecutive season of free-admission concerts sponsored by North/South Consonance, Inc –will start at 8 PM and end approximately at 9:30 PM. It will be held at the intimate but acoustically superior auditorium of Christ & St Stephen’s Church (120 West 69th St – between Broadway and Columbus) on Manhattan’s Upper West Side. The auditorium is ADA accessible. Admission is free – no tickets needed.
The exciting program will feature premieres of works by the Brooklyn-based saxophonist/composer Daniel Blake and the Minneapolis-based Carleton Macy the Carleton College faculty member.
It will also introduce New York audiences to the music of Australian composer May Howlett and Hong Kong based Wong Chun-Wai. A work by Max Lifchitz — the Mexican-born musician who is the ensemble’s director – will round off the program.
Soloist for the occasion will be Laura Nichols, the Minneapolis based mezzo-soprano and dedicatee of Macy’s work.
The composers will be present at the concert to introduce their works and meet with the audience.
Performers and composers are available for media events and interviews and may be contacted through the North/South Office at firstname.lastname@example.org.
Since its inception in 1980, North/South Consonance has brought to the attention of the New York City public over 1,000 recent works by composers representing a wide spectrum of aesthetic views. It activities are made possible in part, with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs.
For the complete concert series schedule please visit
To stream, download and/or purchase the more than 60 compact discs
released under the North/South Recordings label please go to
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Posted by s21concerts in Concert Announcement, tags: Batterie-en-Valise, brooklyn, Duchamp, Eric Farber, found objects, Heidegger, kinetic art, new music, percussion, sonic sculpture, The Question Concerning Technology, Tigue Percussion Trio
Batterie-en-Valise — The Xylotrunk (shot by Dani Leventhal)
Kinetic Ontology presents an evening of original percussion works
Batterie-en-Valise: music for two percussionists and five suitcases
“…this performance is sure to astound and confound.” -Classicalite
Part found-object sonic sculpture, part new music performance, and part interactive conversation about human relationships with objects, Batterie-en-Valise is currently presenting a suite of five original compositions entitled, “The Question Concerning Technology.” Recent performances include HERE Arts Center and Barbès; coming soon to World Maker Faire, 2013.
Five gutted-out vintage suitcases – each housing a collection of carefully curated found objects – transform into a cacophonous jungle gym of repurposed harmonic assemblages and other dangling curiosities.
Created by Brooklyn-based found-percussionist Eric Farber, featuring Dylan Thurston, the music juxtaposes a long history of traditional rhythms with hyper-contemporary breakbeats and object-oriented “samples.”
TIGUE Percussion Trio
TIGUE Percussion Trio is the latest project from Matt Evans, Amy Garapic, and Carson Moody. Founded in early 2012, TIGUE presents contemporary music of friends, contemporaries, and themselves through a lens of percussion elements. TIGUE has recently presented at The Stone, The Color Field Festival and The Beethoven Festival.
Batterie-en-Valise — The Snakeskin Sample Case (shot by Dani Leventhal)
Saturday, October 5th, 2013, 7:30pm
The Great Room at South Oxford Space
138 S. Oxford St. (bet Fulton & Atlantic)
$10 suggested donation
(an evening of 100% UN-amplified percussion)
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Brooklyn’s Opera on Tap and American Opera Projects “book” Galapagos Art Space for an evening of music based on texts of Brooklyn writers
Sunday, September 18, 7:00pm–Discussion with Robert Levine, 6:00pm
Galapagos Art Space–16 Main Street at Water Street, DUMBO, Brooklyn, NY
Directions: www.galapagosartspace.com—Subway-F train to York Street; A/C train to High Street
Tickets: Advance:$15; Door: $200–www.galapagosartspace.com
Info: www.operaprojects.org/operagrowsinbrooklyn and www.operaonta.com/newyork
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Two new operatic monodramas featuring two iconic mothers will receive their first public concert readings a day after Mother’s Day. Nora, In the Great Outdoors, music by Daniel Felsenfeld and libretto by Will Eno, continues the final scene of Henrik Ibsen’s A Doll’s House moments after Nora abandons her family; and The Wanton Sublime, music by Tarik O’Regan and libretto by Anna Rabinowitz, explores the mythic and human aspects of Mary, mother of Jesus. The evening will feature performances by soprano Caroline Worra (The Metropolitan Opera, New York City Opera, Boston Lyric, Glimmerglass) and Amy Shoremount-Obra with music direction by Mila Henry. Both one-act operas have been commissioned by the Brooklyn-based opera development company AMERICAN OPERA PROJECTS (AOP) and will be presented by the organization at The Players (16 Gramercy Park South) on Monday, May 9 at 8pm in New York City, and at South Oxford Space (138 South Oxford St.) on Thursday, May 12 at 8pm in Brooklyn. Both will feature a panel discussion with the artists. Tickets are $20; $10 for Players NYC members or Students/Seniors. Tickets and more info are available at www.operaprojects.org.
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