Posts Tagged “chamber music”
Posted by s21concerts in Concert Announcement, tags: Aleck Karis, ayano kataoka, border issues, chamber music, classical music, concert, contemporary music, Cuatro Corridos, Downtown Los Angeles, human rights, human trafficking, LAFLA, legal aid foundation, new music, Pablo Gomez, Pasadena, Santa Monica, Susan Narucki, UCSD, US Mexico border
On Friday, August 8, 2014, the Legal Aid Foundation of Los Angeles (LAFLA) will present Cuatro Corridos, a chamber opera addressing one of the most critical human rights issues of our time: human trafficking. Based on true events, the one-hour production tells the stories of women trapped in a cycle of prostitution and slavery in and around the San Diego/Tijuana border region and represents an unprecedented collaboration between internationally acclaimed Mexican and US-based creative artists.
The benefit event will take place at 7:30 p.m. at The Colburn School’s Zipper Hall in downtown Los Angeles. Ticket price for the benefit is $100 and includes general admission to the performance and to the post performance reception. $75 of the ticket price is a tax-deductible contribution to LAFLA and will help support its services to victims of human trafficking who are forced to work in the sex trade, sweatshops, fields and even private homes under exploitative and abusive conditions and for meager or non-existent wages.
Celebrating its 85th anniversary as Los Angeles’ frontline law firm for poor and low-income people and communities, LAFLA’s services include a range of specialized legal services to aid and empower human trafficking victims to escape exploitation and pursue their legal rights. LAFLA’s Executive Director Silvia R. Argueta says of the event, “We feel that Cuatro Corridos is a beautiful, engaging, and innovative way for LAFLA to draw attention to this critical issue and rally support to help fight against this form of modern-day slavery and a humanitarian crisis that affects those most vulnerable among us.”
Led by Grammy Award winning soprano Susan Narucki and noted Mexican author Jorge Volpi, Cuatro Corridos features original music by composers Hilda Paredes, Arlene Sierra, Lei Liang and Hebert Vázquez. Three distinguished performers of new music, percussionist Ayano Kataoka, pianist Aleck Karis, and guitarist Pablo Gomez, accompany Narucki in sharing the compelling stories of four women whose lives are scarred by human trafficking.
Cuatro Corridos had its first performance at the Conrad Prebys Music Center at the University of California, San Diego in May, 2013, with subsequent performances in Tijuana, Dallas, and Albuquerque. The innovative project seeks to heighten public awareness about human trafficking by offering public forums in conjunction with performances. Cuatro Corridos has been the recipient of support from the MAP Fund for the Performing Arts/Doris Duke Charitable Foundation, UC MEXUS, and most recently, by the National Endowment for the Arts.
Tickets are available through Eventbrite.com
Posted by s21concerts in Concert Announcement, tags: Bartok, Brian Connelly, chamber music, clarinet, Ives, Jon Manasse, Music of the Spheres Society, New York, piano, Prokofiev, Saint-Saens, Stephanie Chase, violin
Now in its 13th concert season, on its April 24th program the Music of the Spheres Society will feature music by several iconoclasts of the early 20th century: Sergei Prokofiev, Bela Bartok, Charles Ives and Camille Saint-Saens – and if you are wondering why we are including Saint-Saens, it is because he was among the first composers to write music for film, in his case “The Assassination of the Duke of Guise” in 1908. He is also close to our hearts because of his interest and expertise in geology, archaeology, botany, lepidoptery, mathematics, acoustics, occult sciences, Roman theatre decoration, and ancient instruments. Last but not least, as a member of the Astronomical Society of France; Saint-Saens lectured on mirages, designed a telescope and planned concerts to correspond with astronomical events such as solar eclipses!
The concert features the Sonata for violin solo, op. 115 (1947) by Sergei Prokofiev; the Sonata no. 1 for violin and piano (1923) by Bela Bartok; the Largo for clarinet, violin and piano (1901, rev. 1934) by Charles Ives; and the Sonata for clarinet and piano (1921) by Camille Saint-Saens.
Violinist and Artistic Director Stephanie Chase will be joined by pianist Brian Connelly and clarinetist Jon Manasse. The concert will start at approximately 8:15 pm at Christ & St. Stephen’s Church, located at 120 West 69th Street in Manhattan. Tickets are available at the door at $30, $20 student/senior, cash or check only. Doors open at 7:15 pm. Advance tickets are available through Brown Paper Tickets.
At 7:30 pm, Joseph Sherman will give what promises to be a fascinating talk on “Music Education in New York City Public Schools – 1950 to Now,” which is included in concert admission. Mr. Sherman is the founding principal of the High School for Violin and Dance in the Bronx and an avid saxophonist and violinist. For more information, please visit www.musicofthespheres.org or call (646) 678-0391.
“All the basic virtuoso qualities — intonation, rhythmic accuracy, flawless phrasing, and the like — are to be heard in Jon Manasse’s playing, yet what sets him apart is his exceptionally beautiful sound. Hearing his warmth of tone in all registers is like listening to a top-class vocalist or violist. It’s radiantly gripping.” – San Francisco Classical Voice “ “(Stephanie Chase is) a supreme musical performer whose complete virtuosity enables her to ennoble everything she plays.” – Byron Belt, Newhouse Newspapers
“Brian Connelly is…a technically masterful and naturally gifted musician (whose) playing contained many moments of beauty and refinement.” - Peninsula Reviews
STEPHANIE CHASE is acclaimed as “one of the violin greats of our era” (Newhouse News) and excels in the virtuoso soloist’s repertoire, period instrument practice, contemporary music, chamber music, and music education. As violin soloist she has appeared with the world’s most illustrious orchestras, among them the Chicago Symphony, London Symphony and New York Philharmonic, and her playing is widely acclaimed for its “elegance, dexterity, rhythmic vitality and great imagination” (Boston Globe). Her recording of Beethoven’s Violin Concerto and Romances, the first ever on period instruments, has been declared “one of the twenty most outstanding performances in the work’s recording history” (Beethoven: Violin Concerto, Cambridge University Press) and honored with the highest possible ratings by BBC Music Magazine and Classic CD. Among Ms. Chase’s many awards are a top medal at the Tchaikovsky Competition and the Avery Fisher Career Grant. She co-founded the Music of the Spheres Society in 2001.
Among the most distinguished classical artists of his generation, clarinetist JON MANASSE is internationally recognized for his inspiring artistry, uniquely glorious sound and charismatic performing style. His solo appearances include New York City performances at Lincoln Center for the Performing Arts´ Avery Fisher Hall and Alice Tully Hall, Hunter College´s Sylvia & Danny Kaye Playhouse, Columbia University, Rockefeller University and The Town Hall, fourteen tours of Japan and Southeast Asia – all with the New York Symphonic Ensemble, debuts in Jerusalem, Tel Aviv, and Osaka and acclaimed concerto performances with Gerard Schwarz and the Mostly Mozart Festival Orchestra, both at Lincoln Center´s Avery Fisher Hall and at the prestigious Tokyu Bunkamura Festival in Tokyo. Among the orchestras with which he has appeared as soloist are the Academy of St. Martin’s in the Fields, the Augsburg, Alabama, Dayton, Evansville, Indianapolis Symphonies, the National Philharmonic, and Canada´s Symphony Nova Scotia.
Jon Manasse appears frequently in highly praised duo concerts with pianist Jon Nakamatsu, and together they have released several recordings. Their acclaimed recording for Harmonia Mundi of the Brahms quintets for clarinet and piano, in collaboration with the Tokyo String Quartet, was released in 2012.
Pianist BRIAN CONNELLY’s performances span an unusually broad range of historical and modern repertoires. Born in Detroit, he attended the University of Michigan, where he studied with pianists Gyorgy Sandor and Theodore Lettvin. Mr. Connelly has premiered works by a host of contemporary composers such as William Albright, Karim Al-Zand, Derek Bermel, William Bolcom, Paul Cooper, David Diamond, Ross Lee Finney, and many others. He is a frequent guest with new-music groups such as the Pittsburgh New Music Ensemble and the Chicago Contemporary Players, and he was recently featured in the Carnegie Hall series Making Music in a tribute to composer William Bolcom.
Known for his affinity for the works of Olivier Messiaen, Connelly’s recent performances include Messiaen’s Vingt Regards sur l’Enfant-Jésus and Catalogue d’Oiseaux for piano, the complete songs cycles with soprano Carmen Pelton and mezzo-soprano Susanne Mentzer, all of the chamber music, the Oiseaux exotiques with chamber orchestra, and the Trois petites liturgies de la Présence Divine with conductor Donald Runnicles at the Grand Teton Music Festival. Mr. Connelly is also widely respected as a scholar and performer of historical instruments, appearing in the U.S. and Europe on 18th- and 19th-century pianos by Walther, Rosenberger, Graf, Pleyel, Bösendorfer, and Streicher. He has for 13 years been a member of the renowned ensemble Context; and his recent recordings with that group—of music by Robert Schumann and Prince Louis Ferdinand—have received exuberant praise.
Concertos by Vivaldi, Telemann and Handel are illuminated as part of LACO’s “Baroque Conversations” series featuring widely admired Baroque violinist Elizabeth Blumenstock, concertmaster and leader of Philharmonia Baroque Orchestra, on Thursday, April 17, 7 pm, at Zipper Hall in downtown Los Angeles. The program includes Vivaldi’s Concerto in F minor for Strings, RV 143; Concerto in E minor for Violin, Strings and Continuo, “Il Favorito”, Op. 11, No. 2; and Concerto in D minor for Two Violins, Two Flutes, Two Oboes, Bassoon, Strings and Continuo, RV 566; Telemann’s Concerto in G major for Four Violins, TWV 40:201; and Handel’s Concerto Grosso in C major, “Alexander’s Feast”, HWV 318. Blumenstock is joined by members of the Los Angeles Chamber Orchestra.
LACO’s highly regarded “Baroque Conversations,” now it its eighth year, explores the genesis of orchestral repertoire from early Baroque schools through the pre-classical period. This year the series spotlights how Baroque composers transformed a simple theme or melody into grand, complex and intricate variations and great music. In signature LACO style, each concert host shares insights into the music and invites questions from the audience, providing an in-depth look at the music being presented as well as an opportunity to get to know LACO artists on a more personal level. A complimentary wine reception for all ticket holders begins at 6 pm.
The “Baroque Conversations” series concludes on May 1, 2014 when LACO Music Director and esteemed pianist Jeffrey Kahane performs Bach’s Goldberg Variations.
Tickets for individual concerts (beginning at $55) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Student rush tickets ($10), based on availability, may be purchased at the box office one hour before the concert.
Matthew Halls, New Oregon Bach Festival Artistic Director
Los Angeles Chamber Orchestra (LACO), continuing a long-established relationship with the Oregon Bach Festival, welcomes the Festival’s new Artistic Director Matthew Halls as guest conductor in his California debut, leading a program that spans the centuries and spotlights LACO Concertmaster Margaret Batjer, Principal Cello Andrew Shulman, Principal Oboe Allan Vogel and Principal Bassoon Kenneth Munday, on Saturday, January 25, 8 pm, at the Alex Theatre in Glendale, and Sunday, January 26, 2014, 7 pm, at UCLA’s Royce Hall. Halls, “a fresh and forceful talent” whose “music-making is strongly and clearly sculpted” (The Times, London), leads Mozart’s Ballet Music from Idomeneo, K. 367, Haydn’s Sinfonia concertante in B-flat major, and Beethoven’s playful Symphony No. 1 in C major, which was instantly hailed as a masterpiece. Providing a dramatic counterpoint to the program is Aaron Jay Kernis’ solemn Musica Celestis, a string-orchestra transcription of one of his string quartets that has been likened to Barber’s famous Adagio.
Halls, known for his dynamic work with both major symphony orchestras and opera companies and for his probing and vibrant interpretations of music of all periods, has been lauded by the Irish Times for his “discerning energy.” Based on the tremendous impact of his performances when he appeared for the first time at the Oregon Bach Festival in 2011, he was asked to succeed Helmuth Rilling as artistic director. He has since returned annually and assumed the post in July at the conclusion of the 2013 festival.
Concert Preludes, pre-concert talks held one hour before curtain and free for ticket holders, provide insights into the music and artists. LACO General Manager Andrea Laguni interviews Halls.
Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions. Its 2013-14 season, the Orchestra’s 45th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 17th season as LACO’s music director.
Tickets, starting at $25, are on sale now and may be purchased online at laco.org, by calling LACO at 213 622 7001. Discounted tickets are also available by phone for seniors 65 years of age and older and groups of 12 or more. College students may purchase student rush tickets ($10), based on availability, at the box office the day of the concert. Also available for college students is the $25 “Campus to Concert Hall All Access Pass” – good for all seven of LACO’s Orchestral series concerts, Discover Beethoven’s Eroica and three Westside Connections concerts.
Los Angeles Chamber Orchestra (LACO) presents five intimate, elegant and entertaining “LACO à la carte” fundraising events pairing delectable international cuisine with exclusive musical performances in the spectacular private homes of the Consuls General of Italy, France, Germany and Australia as well as one event at a magnificent private estate in Brentwood. Providing a decidedly cosmopolitan flair to LACO’s wide ranging musical offerings and illustrating that music truly knows no boundaries, each unique event features a different type of cuisine complemented by a salon performance by LACO musicians and guest artists. The series, now in its fifth year, also celebrates milestone LACO anniversaries of Principal Harp JoAnn Turovsky, in her 25th year with the Orchestra, and the 15th anniversaries of Principal Violin II Josefina Vergara and Associate Principal Violin II Sarah Thornblade. Proceeds help support education outreach programs of LACO, proclaimed “America’s finest chamber orchestra” by Public Radio International.
“LACO à la carte” is chaired by LACO board member Mahnaz Newman. Sponsors include Ahmad and Haleh Gramian, Ann Mulally, Mahnaz and David Newman, Ned and Dana Newman, Michael and Linda Rosen and Gene Shutler.
“Italy à la carte”
Saturday, September 28, 2013, 6 pm
In the Hollywood Hills at the Official Residence of the Consul General of Italy
Experience mouthwatering cuisine and celebrated wines of Italy at the first “LACO à la carte” of the season hosted by the Honorable Giuseppe Perrone, Consul General of Italy, and Mr. John Brooks in their beautiful Hollywood Hills residence. Musical highlights, paying homage to the violin’s Italian roots include dazzling duets performed by LACO Concertmaster Margaret Batjer and Violin Julie Gigante.
“Iran à la carte” – Premium Event Celebrating LACO’s 45th Anniversary
Saturday, October 5, 2013, 7 pm
At the Brentwood Residence of Ahmad and Haleh Gramian
LACO pulls out the stops to celebrate the 45th anniversary of its inaugural concert when dedicated LACO Board member Ahmad Gramian and his wife, Haleh, host the second “LACO à la carte” in their gorgeous Brentwood home. Concertmaster Margaret Batjer, Assistant Concertmaster Tereza Stanislav and LACO principals Roland Kato, viola, and Andrew Shulman, cello, explore works by Mozart and others, as well as musical themes of freedom, tolerance and justice in honor of the Cyrus Cylinder, the 2,600-year-old Persian human rights artifact on view at the Getty Villa in October. Exquisite Persian delicacies, beautifully presented in three lavish buffet courses, add a flavorful note to the anniversary celebration.
“France à la carte”
Thursday, October 17, 2013, 7 pm
in Beverly Hills at the Official Residence of the Consul General of France
The Honorable Axel Cruau, Consul General of France, and Mrs. Dourène Cruau, host the season’s third “LACO à la carte” at their stately French residence in Beverly Hills in an evening illuminating the dazzling cultural and musical vibrancy of France with a recital of unaccompanied cello works performed by noted guest artist Jean-Guihen Queyras, who is also featured in the LACO’s Orchestral Series concerts on October 19 and 20. Superb French food and fine wine cap the party.
“Germany à la carte”
Saturday, November 2, 2013, 7 pm
In Hancock Park at the Official Residence of the Consul General of Germany
“LACO à la carte” continues when Principal Violin II Josefina Vergara and Associate Principal Violin II Sarah Thornblade are spotlighted on the occasion of their 15th anniversaries with LACO at a cosmopolitan evening showcasing the culinary riches of Germany hosted by the Honorable Consul General of Germany, Dr. Bernd Fischer, and Mrs. Jutta Fischer, in their elegant Hancock Park home. LACO Principal Keyboard Patricia Mabee and cello Trevor Handy join Vergara and Thornblade to perform the music of JS Bach and his contemporaries, providing flair to a delicious German dinner complete with wine and Kölsch beer.
“Australia à la carte”
Friday, November 8, 2013, 7 pm
In Brentwood at the Official Residence of the Consul General of Australia
Concluding the 2013 “LACO à la carte” series in grand style is an evening that invites guests to travel “down under” for a taste of Australia’s flourishing wine industry and inventive cuisine while celebrating the beauty and mystery of the harp. The event, hosted by Australia’s Consul General, the Honorable Karen Lanyon, and Mr. Craig Mills, at their beautiful Brentwood residence, features an intimate concert of Debussy’s Sonata for Flute, Viola and Harp performed by Principal Harp JoAnn Turovsky, marking her 25th anniversary with LACO, Australian-born Victoria Miskolczy, associate principal viola, and David Shostac, principal flute.
“LACO à la carte” tickets are $275 per person. Tickets for the premium “Iran à la carte” are $325 per person. Multiple-event packages include Chef’s Table Trio tickets at $700 per person for three events. Premium Chef’s Table Trio tickets for three events including the premium event are $750 per person.
“LACO à la carte” events may be purchased by calling 213 622 7001 x 3. Details are available at www.laco.org/events.
Posted by s21concerts in Uncategorized, tags: chamber music, Chamber Music America, classical music, concert preparation, first tuesdays, Free, jazz, jazz forward coalition, leadership, manchester craftsmen's guild, marty ashby, miles weinstein, Music, Musicians, performance, peter gordon, presenter, professional development, publicity, Recording, seminar, strategies, thirsty ear, unlimited myles
Free Seminar: December 3, 2013, 3-5pm Eastern
Maximizing Your Concert Appearance
With Peter Gordon, Marty Ashby and Myles Weinstein
Attend: in person at Saint Peter’s Church in midtown Manhattan or via live-stream
A performance can be so much more than showing up at a gig and playing your heart out. Today’s successful concert is part of a living, breathing ecosystem—connecting artist, presenter, social/print media, radio/television, and fans. In the first hour, the panel will outline strategies, techniques and innovative approaches to making the most of your live appearances. In the second hour, they’ll review specific projects spotlighting real-world successes within the CMA community.
Peter Gordon is the founder of Jazz Forward Coalition and Thirsty Ear Recordings, a 36 year-old indie record label that has released over 300 records. Gordon is a founding board member of the American Association of Independent Music (A2IM) . He was the lead negotiator in the landmark FCC radio accord and was a founding VP of the World Independent Network—WIN, representing 20 international music trade organizations. Gordon recently co-founded the Jazz Forward Coalition, a leadership group advocating sustainability and cultural growth for the Jazz community. www.thirstyear.com
Marty Ashby is the Executive Producer and founder of MCG Jazz, a program of the Manchester Craftsmen’s Guild (MCG) in Pittsburgh, PA. He has produced over 2,000 concerts and 45 recordings on the MCG Jazz label, including three GRAMMY® Award and two Latin GRAMMY® Award winners and has raised over $25 million to support the MCG Jazz program. He was recently awarded a EPP Goldman-Sachs fellowship at the Smithsonian’s National Museum of American History.
Myles Weinstein’s Unlimited Myles, Inc. exclusively represents such leading artists Regina Carter, Kenny Barron, Stefon Harris, Luciana Souza and Vijay Iyer. From 1993-2001, Myles was the founding director of the jazz division at Herbert Barrett Management. He has played percussion, timpani and drums with Stefon Harris, Steve Turre, the Long Island Philharmonic and the Joffrey Ballet Orchestra. In the 90’s, he co-led with Chris Potter the ensemble, The Jazz Mentality.
First Tuesdays is a free professional development seminar series presented by Chamber Music America in partnership with Saint Peter’s Church and Midtown Arts Commons. Workshops are live-streamed and archived on the CMA website.
Posted by s21concerts in Uncategorized, tags: Actor's Fund, Affordable Care Act, chamber music, Chamber Music America, classical, Free, Health Care, health insurance, jazz, Musicians, professional development, Renata Marinaro, Saint Peter's Church
Free Seminar: The Affordable Care Act Primer
With Renata Maninaro, Eastern Region Director of Health Services for the Actors Fund
Tuesday, October 1, 2013, 3:00-5:00 p.m. Eastern
Learn how the Affordable Care Act will affect musicians and small music companies. Health insurance options for people working in the performing arts should increase greatly in the coming year, as competitive insurance exchanges are implemented, along with subsidies for low- to middle-income subscribers, and small business tax credits.
Renata Marinaro, Eastern Region Director of Health Services for the Actors Fund, will be your guide to the new health-insurance opportunities, which become effective as of January 1, 2014.
First Tuesdays is a professional development workshop series that offers free monthly seminars for the small ensemble field from October through June. The program is presented by Chamber Music America in partnership with Saint Peter’s Church and Midtown Arts Common.
Funding is provided by the National Endowment for the Arts, the New York City Department of Cultural Affairs, the New York State Council on the Arts and the Doris Duke Charitable Foundation. Additional support for this seminar is provided by New York Community Trust, the Community Service Society and the Actors Fund.
Los Angeles Chamber Orchestra launches its 2013-14 season with “Beethoven, Mozart, Lutosławski & Kodály,” a dynamic program brimming with youth conducted by Music Director Jeffrey Kahane and featuring 24-year-old violinist Benjamin Beilman, lauded by The New York Times for his “handsome technique,” on Saturday, September 21, 8 pm, at Pasadena’s Ambassador Auditorium, and Sunday, September 22, 7 pm, at UCLA’s Royce Hall. Beilman, making his LACO debut, performs Mozart’s Violin Concerto No. 5 in A major, K. 219, “Turkish,” written when the composer was just 19 years old. Kahane also conducts Beethoven’s Twelve Contredanses for Orchestra, Wo0 14, composed after Beethoven studied the art of dance music with Haydn and which contains fragments that appear in some of the composer’s later great masterworks. The program concludes with two works rooted firmly in the 20th Century – Kodály’s masterful and deeply personal Dances of Galánta, rich in folk melodies that reflect the composer’s idyllic childhood in the Hungarian countryside in Galánta, and Lutosławski’s Chain 2, the title of which is based on a musical form invented by the preeminent Polish composer and consists of two structurally independent strands linked together like chains. Beilman is also the featured soloist on Chain 2.
Concert Preludes, pre-concert talks held one hour before curtain and free for ticket holders, provide insights into the music and artists.
Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions. Its 2013-14 season, the Orchestra’s 45th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established and notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 17th season as LACO’s music director.
Tickets, starting at $25, are on sale now and may be purchased online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Discounted tickets are also available by phone for seniors 65 years of age and older and groups of 12 or more. College students may purchase student rush tickets ($10), based on availability, at the box office the day of the concert. Also available for college students is the $25 “Campus to Concert Hall All Access Pass” – good for all seven of LACO’s Orchestral Series concerts at either Ambassador Auditorium, Alex Theatre or UCLA’s Royce Hall, LACO’s Discover Beethoven’s Eroica at Ambassador Auditorium, and all three Westside Connections concerts at the Moss Theater.
Los Angeles Chamber Orchestra’s 44th season concludes with a flourish as Alisa Weilerstein, lauded by The New York Times as a “brilliant young American cellist,” performs Shostakovich’s thrilling Cello Concerto No. 1 in E-flat major, Op. 107, originally composed for legendary cellist Mstislav Rostropovich, on Saturday, May 18, 2013, 8 pm, at the Alex Theatre in Glendale, and Sunday, May 19, 2013, 7 pm, at Royce Hall, UCLA. Music Director Jeffrey Kahane, who conducts the program and has long been committed to championing artists early in their careers, also presents the US premiere of up-and-coming French composer Hugo Gonzalez-Pioli’s The Love of Zero, an intriguing bassoon concerto, featuring LACO Principal Bassoon Kenneth Munday and played with Robert Florey’s avant-garde 1927 short silent film of the same title. Gonzalez-Pioli, whose work adds a touch of Hollywood to the program, is a 2012 graduate of USC’s prestigious Scoring for Motion Pictures and Television program. The program opens with Beethoven’s dramatic Coriolan Overture, Op. 62, and also includes Within Her Arms, “a fragile elegy for fifteen strings” (The New York Times) by Anna Clyne, described as “dazzlingly inventive” (Time Out New York).
Weilerstein, who has attracted attention worldwide for playing that combines a natural virtuosic command and technical precision with impassioned musicianship, was named a MacArthur “Genius” Grant recipient in 2011. The Los Angeles Times praised her “rich lyrical tone,” and the Washington Post applauded a previous performance of the Shostakovich concerto as “magisterial.”
Concert Preludes, pre-concert talks held one hour before curtain and free for ticket holders, provide insights into the music and artists. Composer Hugo Gonzalez-Pioli joins Jeffrey Kahane to discuss The Love of Zero.
Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions. Its 2012-13 season, the Orchestra’s 44th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established and notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 16th season as LACO’s music director.
Tickets ($25 – $110) are on sale now and may be purchased online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Discounted tickets are also available by phone for seniors 65 years of age and older and groups of 12 or more. College students may purchase student rush tickets ($10), based on availability, at the box office the day of the concert.
Los Angeles Chamber Orchestra’s (LACO) enlightening “Baroque Conversations” series showcasing exceptional Baroque gems concludes with a program of works by Bach and two of his sons on Thursday, May 9, 2013, 7 pm, at Zipper Hall in downtown Los Angeles. LACO Concertmaster Margaret Batjer leads the Orchestra from the first chair in all four works on the program and doubles as the violin soloist for the concluding work, Johann Sebastian Bach’s Violin Concerto No. 2 in E major, BWV 1042. A second JS Bach concerto, Oboe d’amore Concerto in A major (orig. Harpsichord Concerto No. 4), BWV 1055, features LACO Principal Oboe Allan Vogel. Also highlighted are the Sinfonia in D major, Op. 3, No. 1, by Bach’s 11th and youngest son, Johann Christian Bach, and the Sinfonia in D minor, “Adagio and Fugue,” FK 65, by his second son, Wilhelm Friedemann Bach.
Critics have called Batjer an “impressive,” “world class” violinist who plays with “panache…spirit and mastery.” Vogel has been hailed as “an aristocrat of his instrument” and “undoubtedly one of a few world masters.”
In addition to the performance, the event includes an engaging discussion by the artists of the program and audience questions. A complimentary wine reception for ticket holders begins at 6 pm.
LACO’s “Baroque Conversations” explores the genesis of orchestral repertoire from early Baroque schools through the pre-classical period, this season spotlighting the musical legacy of JS Bach and his sons.
Tickets ($55) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Student rush tickets ($10), based on availability, may be purchased at the box office the day of the concert.
MARGARET BATJER has served as concertmaster of the Los Angeles Chamber Orchestra since 1998. Throughout her successful career as soloist, chamber musician, teacher and concertmaster, she has established herself as a versatile and respected artist worldwide. Batjer made her first solo appearance at the age of 15 with the Chicago Symphony Orchestra (CSO). She has since returned to the CSO and soloed with a succession of major orchestras, including The Philadelphia Orchestra and the St. Louis, Seattle and Dallas symphony orchestras. Batjer has performed with such European ensembles as the Chamber Orchestra of Europe, Prague Chamber Orchestra and Berlin Symphony Orchestra. As an esteemed chamber musician, she appears regularly at the Marlboro Music Festival, La Jolla Summerfest, Salzburg Festival, and Italy’s Naples and Cremona festivals. In 2008, she developed LACO’s acclaimed chamber music series, Westside Connections. Among her many noteworthy recordings, Batjer has twice recorded Bach’s Concerto for Two Violins: for the Philips label with Salvatore Accardo and the Chamber Orchestra of Europe, and in 2003, paired as soloist with Hilary Hahn for Deutsche Grammophon with Jeffrey Kahane conducting the LA Chamber Orchestra. Batjer is a graduate of the Curtis Institute of Music where she studied with Ivan Galamian and David Cerone. She joined the faculty of the USC Thornton School of Music in 2005.
Margaret Batjer Los Angeles Chamber Orchestra Concertmaster