Posts Tagged “chamber music”
Posted by s21concerts in Uncategorized, tags: chamber music, Chamber Music America, classical music, concert preparation, first tuesdays, Free, jazz, jazz forward coalition, leadership, manchester craftsmen's guild, marty ashby, miles weinstein, Music, Musicians, performance, peter gordon, presenter, professional development, publicity, Recording, seminar, strategies, thirsty ear, unlimited myles
Free Seminar: December 3, 2013, 3-5pm Eastern
Maximizing Your Concert Appearance
With Peter Gordon, Marty Ashby and Myles Weinstein
Attend: in person at Saint Peter’s Church in midtown Manhattan or via live-stream
A performance can be so much more than showing up at a gig and playing your heart out. Today’s successful concert is part of a living, breathing ecosystem—connecting artist, presenter, social/print media, radio/television, and fans. In the first hour, the panel will outline strategies, techniques and innovative approaches to making the most of your live appearances. In the second hour, they’ll review specific projects spotlighting real-world successes within the CMA community.
Peter Gordon is the founder of Jazz Forward Coalition and Thirsty Ear Recordings, a 36 year-old indie record label that has released over 300 records. Gordon is a founding board member of the American Association of Independent Music (A2IM) . He was the lead negotiator in the landmark FCC radio accord and was a founding VP of the World Independent Network—WIN, representing 20 international music trade organizations. Gordon recently co-founded the Jazz Forward Coalition, a leadership group advocating sustainability and cultural growth for the Jazz community. www.thirstyear.com
Marty Ashby is the Executive Producer and founder of MCG Jazz, a program of the Manchester Craftsmen’s Guild (MCG) in Pittsburgh, PA. He has produced over 2,000 concerts and 45 recordings on the MCG Jazz label, including three GRAMMY® Award and two Latin GRAMMY® Award winners and has raised over $25 million to support the MCG Jazz program. He was recently awarded a EPP Goldman-Sachs fellowship at the Smithsonian’s National Museum of American History.
Myles Weinstein’s Unlimited Myles, Inc. exclusively represents such leading artists Regina Carter, Kenny Barron, Stefon Harris, Luciana Souza and Vijay Iyer. From 1993-2001, Myles was the founding director of the jazz division at Herbert Barrett Management. He has played percussion, timpani and drums with Stefon Harris, Steve Turre, the Long Island Philharmonic and the Joffrey Ballet Orchestra. In the 90’s, he co-led with Chris Potter the ensemble, The Jazz Mentality.
First Tuesdays is a free professional development seminar series presented by Chamber Music America in partnership with Saint Peter’s Church and Midtown Arts Commons. Workshops are live-streamed and archived on the CMA website.
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Posted by s21concerts in Uncategorized, tags: Actor's Fund, Affordable Care Act, chamber music, Chamber Music America, classical, Free, Health Care, health insurance, jazz, Musicians, professional development, Renata Marinaro, Saint Peter's Church
Free Seminar: The Affordable Care Act Primer
With Renata Maninaro, Eastern Region Director of Health Services for the Actors Fund
Tuesday, October 1, 2013, 3:00-5:00 p.m. Eastern
Learn how the Affordable Care Act will affect musicians and small music companies. Health insurance options for people working in the performing arts should increase greatly in the coming year, as competitive insurance exchanges are implemented, along with subsidies for low- to middle-income subscribers, and small business tax credits.
Renata Marinaro, Eastern Region Director of Health Services for the Actors Fund, will be your guide to the new health-insurance opportunities, which become effective as of January 1, 2014.
First Tuesdays is a professional development workshop series that offers free monthly seminars for the small ensemble field from October through June. The program is presented by Chamber Music America in partnership with Saint Peter’s Church and Midtown Arts Common.
Funding is provided by the National Endowment for the Arts, the New York City Department of Cultural Affairs, the New York State Council on the Arts and the Doris Duke Charitable Foundation. Additional support for this seminar is provided by New York Community Trust, the Community Service Society and the Actors Fund.
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Los Angeles Chamber Orchestra launches its 2013-14 season with “Beethoven, Mozart, Lutosławski & Kodály,” a dynamic program brimming with youth conducted by Music Director Jeffrey Kahane and featuring 24-year-old violinist Benjamin Beilman, lauded by The New York Times for his “handsome technique,” on Saturday, September 21, 8 pm, at Pasadena’s Ambassador Auditorium, and Sunday, September 22, 7 pm, at UCLA’s Royce Hall. Beilman, making his LACO debut, performs Mozart’s Violin Concerto No. 5 in A major, K. 219, “Turkish,” written when the composer was just 19 years old. Kahane also conducts Beethoven’s Twelve Contredanses for Orchestra, Wo0 14, composed after Beethoven studied the art of dance music with Haydn and which contains fragments that appear in some of the composer’s later great masterworks. The program concludes with two works rooted firmly in the 20th Century – Kodály’s masterful and deeply personal Dances of Galánta, rich in folk melodies that reflect the composer’s idyllic childhood in the Hungarian countryside in Galánta, and Lutosławski’s Chain 2, the title of which is based on a musical form invented by the preeminent Polish composer and consists of two structurally independent strands linked together like chains. Beilman is also the featured soloist on Chain 2.
Concert Preludes, pre-concert talks held one hour before curtain and free for ticket holders, provide insights into the music and artists.
Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions. Its 2013-14 season, the Orchestra’s 45th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established and notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 17th season as LACO’s music director.
Tickets, starting at $25, are on sale now and may be purchased online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Discounted tickets are also available by phone for seniors 65 years of age and older and groups of 12 or more. College students may purchase student rush tickets ($10), based on availability, at the box office the day of the concert. Also available for college students is the $25 “Campus to Concert Hall All Access Pass” – good for all seven of LACO’s Orchestral Series concerts at either Ambassador Auditorium, Alex Theatre or UCLA’s Royce Hall, LACO’s Discover Beethoven’s Eroica at Ambassador Auditorium, and all three Westside Connections concerts at the Moss Theater.
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Los Angeles Chamber Orchestra’s 44th season concludes with a flourish as Alisa Weilerstein, lauded by The New York Times as a “brilliant young American cellist,” performs Shostakovich’s thrilling Cello Concerto No. 1 in E-flat major, Op. 107, originally composed for legendary cellist Mstislav Rostropovich, on Saturday, May 18, 2013, 8 pm, at the Alex Theatre in Glendale, and Sunday, May 19, 2013, 7 pm, at Royce Hall, UCLA. Music Director Jeffrey Kahane, who conducts the program and has long been committed to championing artists early in their careers, also presents the US premiere of up-and-coming French composer Hugo Gonzalez-Pioli’s The Love of Zero, an intriguing bassoon concerto, featuring LACO Principal Bassoon Kenneth Munday and played with Robert Florey’s avant-garde 1927 short silent film of the same title. Gonzalez-Pioli, whose work adds a touch of Hollywood to the program, is a 2012 graduate of USC’s prestigious Scoring for Motion Pictures and Television program. The program opens with Beethoven’s dramatic Coriolan Overture, Op. 62, and also includes Within Her Arms, “a fragile elegy for fifteen strings” (The New York Times) by Anna Clyne, described as “dazzlingly inventive” (Time Out New York).
Weilerstein, who has attracted attention worldwide for playing that combines a natural virtuosic command and technical precision with impassioned musicianship, was named a MacArthur “Genius” Grant recipient in 2011. The Los Angeles Times praised her “rich lyrical tone,” and the Washington Post applauded a previous performance of the Shostakovich concerto as “magisterial.”
Concert Preludes, pre-concert talks held one hour before curtain and free for ticket holders, provide insights into the music and artists. Composer Hugo Gonzalez-Pioli joins Jeffrey Kahane to discuss The Love of Zero.
Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions. Its 2012-13 season, the Orchestra’s 44th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established and notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 16th season as LACO’s music director.
Tickets ($25 – $110) are on sale now and may be purchased online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Discounted tickets are also available by phone for seniors 65 years of age and older and groups of 12 or more. College students may purchase student rush tickets ($10), based on availability, at the box office the day of the concert.
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Los Angeles Chamber Orchestra’s (LACO) enlightening “Baroque Conversations” series showcasing exceptional Baroque gems concludes with a program of works by Bach and two of his sons on Thursday, May 9, 2013, 7 pm, at Zipper Hall in downtown Los Angeles. LACO Concertmaster Margaret Batjer leads the Orchestra from the first chair in all four works on the program and doubles as the violin soloist for the concluding work, Johann Sebastian Bach’s Violin Concerto No. 2 in E major, BWV 1042. A second JS Bach concerto, Oboe d’amore Concerto in A major (orig. Harpsichord Concerto No. 4), BWV 1055, features LACO Principal Oboe Allan Vogel. Also highlighted are the Sinfonia in D major, Op. 3, No. 1, by Bach’s 11th and youngest son, Johann Christian Bach, and the Sinfonia in D minor, “Adagio and Fugue,” FK 65, by his second son, Wilhelm Friedemann Bach.
Critics have called Batjer an “impressive,” “world class” violinist who plays with “panache…spirit and mastery.” Vogel has been hailed as “an aristocrat of his instrument” and “undoubtedly one of a few world masters.”
In addition to the performance, the event includes an engaging discussion by the artists of the program and audience questions. A complimentary wine reception for ticket holders begins at 6 pm.
LACO’s “Baroque Conversations” explores the genesis of orchestral repertoire from early Baroque schools through the pre-classical period, this season spotlighting the musical legacy of JS Bach and his sons.
Tickets ($55) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Student rush tickets ($10), based on availability, may be purchased at the box office the day of the concert.
MARGARET BATJER has served as concertmaster of the Los Angeles Chamber Orchestra since 1998. Throughout her successful career as soloist, chamber musician, teacher and concertmaster, she has established herself as a versatile and respected artist worldwide. Batjer made her first solo appearance at the age of 15 with the Chicago Symphony Orchestra (CSO). She has since returned to the CSO and soloed with a succession of major orchestras, including The Philadelphia Orchestra and the St. Louis, Seattle and Dallas symphony orchestras. Batjer has performed with such European ensembles as the Chamber Orchestra of Europe, Prague Chamber Orchestra and Berlin Symphony Orchestra. As an esteemed chamber musician, she appears regularly at the Marlboro Music Festival, La Jolla Summerfest, Salzburg Festival, and Italy’s Naples and Cremona festivals. In 2008, she developed LACO’s acclaimed chamber music series, Westside Connections. Among her many noteworthy recordings, Batjer has twice recorded Bach’s Concerto for Two Violins: for the Philips label with Salvatore Accardo and the Chamber Orchestra of Europe, and in 2003, paired as soloist with Hilary Hahn for Deutsche Grammophon with Jeffrey Kahane conducting the LA Chamber Orchestra. Batjer is a graduate of the Curtis Institute of Music where she studied with Ivan Galamian and David Cerone. She joined the faculty of the USC Thornton School of Music in 2005.
Margaret Batjer Los Angeles Chamber Orchestra Concertmaster
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Members of St. Luke’s Chamber Ensemble and WQXR’s Terrance McKnight will host a live-streamed open rehearsal featuring music from the Three Part Inventions Chamber Music Series program, followed by a Q&A for both a live and online audience.
Reservations Required: http://www.oslmusic.org/concerts/free-concerts/osldmc
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Posted by s21concerts in Concert Announcement, tags: chamber music, classical music, concert, contemporary music, Manhattan new music project, new music, new york city, nyc, Rite of Spring, world premiere
The Pit Stop Players, a thirteen-member instrumental ensemble composed of veteran Broadway pit musicians, will conclude their fourth season with special guest Cynthia Nixon narrating a new work, plus a newly commissioned chamber arrangement of Igor Stravinsky’s towering masterpiece, “The Rite of Spring.” The concert will take place on Monday, May 6, 2013 at 8:00 pm at Peter Norton Symphony Space, 2537 Broadway at 95th Street, New York City. Tickets range from $20-$35 and can be purchased online at Symphony Space Events or (212) 864-5400.
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Posted by s21concerts in Concert Announcement, tags: adda kridler, Center for Jewish History, chamber music, classical, classical music, composition, contemporary, contemporary music, copland, david glaser, Emilie-Anne Gendron, Michael Haas, milhaud, momenta, Music, new music, nyc, piano, quartet, Stephanie Griffin, timothy beyer, wolpe, Yeshiva University’s Stern College
On Monday, April 22, 2013 at 7:30 PM, the critically acclaimed Momenta Quartet (Emilie-Anne Gendron and Adda Kridler, violins; Stephanie Griffin, viola; Michael Haas, cello) will join pianist Molly Morkoski in a concert celebrating a diverse array of works by Jewish composers at the Center for Jewish History (15 West 16th Street, New York, NY 10011; www.cjh.org).
Tickets: $15 general, $10 for seniors, students, and CJH/AJHS/YUM members with ID. Available at the door or online through http://www.cjh.org/event/2216.
The program, which features Momenta members in a range of collaborative capacities, underlines the quartet’s core tradition of championing living composers. “Sirius” (2012), a new piano quartet by Yeshiva faculty member David Glaser, will receive its New York premiere. Momenta members will be joined by pianist Molly Morkoski, whose playing has been critically hailed as “outstanding” by The Boston Globe and “exhilarating” by the American Record Guide. Momenta violist Stephanie Griffin will take the stage in “Malekhamoves” (2009), a solo work by the Cleveland-based composer Timothy Beyer.
The program also highlights an eclectic assortment of underrepresented 20th-century works. Momenta will draw from its unique personal repertoire for the evening’s featured string quartet selection, Stefan Wolpe’s aphoristic “Twelve Pieces for String Quartet” (1950). Seldom performed today, this ephemeral collection of character pieces totals less than 7 minutes. In contrast, Morkoski and Momenta violinist Emilie-Anne Gendron will present Aaron Copland’s lush and expansive Violin Sonata (1944), composed as a wartime memorial piece. Rounding out the program is Darius Milhaud’s jazz-infused piano-quintet suite “La création du monde,” op.81b (1922-23), a musical souvenir of the French composer’s trip to New York at the height of the Jazz Age.
This concert marks Momenta’s 5th concert appearance at the Center for Jewish History and its 4th year as the Bernice Diener Ensemble-in-Residence at Yeshiva University’s Stern College for Women.
For more information, contact Emilie-Anne Gendron at firstname.lastname@example.org.
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Sunday, April 28, Brooklyn Museum
Wednesday, May 1, 2013, Morgan Library & Museum
Friday, May 3, 2013, Morgan Library & Museum
St. Luke’s Chamber Ensemble traces the evolution and diversity of the trio reimagined over a period of 125 years with key works by Schubert, Brahms, and Bartók.
SCHUBERT Piano Trio in E-flat Major, Op. 148, D. 897 (“Notturno”)
SCHUBERT Piano Trio in B-flat Major, D. 28 (“Sonatensatz”)
BARTÓK Contrasts for clarinet, violin, and piano
BRAHMS Trio for clarinet, cello, and piano in A minor, Op. 114
For more information and tickets: http://www.oslmusic.org/concerts/calendar
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Celebrated author Mona Simpson, whose 2011 novel My Hollywood features a classical composer as protagonist, joins members of the Los Angeles Chamber Orchestra (LACO) on Monday, April 15, 2013, 7:30 pm, at The Broad Stage in Santa Monica, for the final program in the Orchestra’s innovative “Westside Connections” chamber music series, which this season pairs LACO’s virtuosic musicians with top authors for a fascinating exploration of the relationship between “Music & Story.” Simpson offers her insights into the Beethoven Violin Sonata that inspired Tolstoy’s novella The Kreutzer Sonata, which in turn inspired Janáček’s String Quartet No. 1, both of which are performed by LACO artists as part of the evening. Janáček confided in a letter to his young muse Kamila Stösslová, “I was imagining a poor woman, tormented and run down, just like the one the Russian writer Tolstoy describes in his Kreutzer Sonata.”
LACO Concertmaster Margaret Batjer, currently celebrating her 15th anniversary with the Orchestra, curates and hosts the series, which showcases the virtuoso talent of LACO musicians and illustrates the myriad ways music touches other artistic disciplines, society and our lives. Joining Batjer on piano for Beethoven’s “Kreutzer” Sonata is LACO Music Director Jeffrey Kahane. Principal Second Violin Josefina Vergara, Violin Carrie Kennedy, Associate Principal Viola Victoria Miskolczy, Associate and Principal Cello Armen Ksajikian are featured in Janáček’s String Quartet No. 1.
Simpson, whose other novels include Anywhere but Here, The Lost Father, A Regular Guy and Off Keck Road, is a professor of English at UCLA and of Languages and Literature at Bard College. She has received numerous accolades, including a Whiting Writer’s Award, a Guggenheim Fellowship, a grant from the National Endowment for the Arts, a Hodder Fellowship from Princeton University, a Lila Wallace Readers Digest Writers award, a Chicago Tribune Heartland Prize and, most recently, an Arts and Letters Award from the American Academy of Arts and Letters.
Los Angeles Chamber Orchestra is considered one of the nation’s premier orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions. Its 2012-13 season, the Orchestra’s 44th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established and notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 16th season as LACO’s music director.
“Westside Connections” tickets ($50) are on sale now and may be purchased online at laco.org, by calling LACO at 213 622 7001 x 1, or at the venue box office on the night of the concert, if tickets remain. Discounted tickets are also available by phone for groups of 12 or more. The Broad Stage is located at 1310 11th Street, Santa Monica, CA, 90401.
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