Posts Tagged “Chamber Orchestra”

Baroque Guitar Virtuoso John Schneiderman

Baroque Guitar Virtuoso John Schneiderman


Critically acclaimed lute and Baroque guitar virtuoso John Schneiderman showcases his remarkable artistry on Los Angeles Chamber Orchestra’s (LACO) “Baroque Conversations” series with a program of concertos by Vivaldi, Haydn, Kohaut and Falckenhagen on Thursday, May 7, 2015, 7 pm, at Zipper Hall in downtown Los Angeles. To open the program, Schneiderman, LACO Concertmaster Margaret Batjer and Associate Principal Cello Armen Ksajikian perform Haydn’s Cassation in C major for Lute, Violin and Cello (Brussels Manuscript), a version of Hob.III:6. Violin Julie Gigante joins them for Kohaut’s Concerto in D major for Lute, Two Violins and Cello (Berlin Manuscript), considered an exceptional example of this rare genre, and Vivaldi’s Concerto in D major for Lute, Two Violins and Basso Continuo, RV 93, among nearly 600 concertos by the Italian master that helped define the style of the late Baroque era concerto. Principal Flute David Shostac teams up with Schneiderman and Ksajikian for Falckenhagen’s Concerto No. 3 in D major for Lute, Flute and Cello (Opera Nuova). Schneiderman, hailed for his “dazzling” and “expressive” artistry and noted for turning “delicate textures into sparkling jewels,” hosts the evening. A complimentary wine reception for all ticket holders begins at 6 pm.

LACO’s highly regarded five-concert “Baroque Conversations” series, now in its ninth year, explores the genesis of orchestral repertoire from early Baroque schools through the pre-classical period. In signature LACO style, each concert host shares insights into the music and invites questions from the audience, providing an in-depth look at the music being presented as well as an opportunity to get to know LACO artists on a more personal level.

Tickets (beginning at $56) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Discounted tickets are also available by phone for groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert.

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Joshua Weilerstein

Joshua Weilerstein


Two profoundly gifted 27-year-old classical music artists make their highly anticipated Los Angeles Chamber Orchestra debuts when New York Philharmonic Assistant Conductor Joshua Weilerstein, “one of the most promising podium presences of his generation” (Los Angeles Times), conducts Saint-Saëns’ Cello Concerto No. 1 featuring International Tchaikovsky Competition winner Narek Hakhnazaryan, a “phenomenal cellist (who) produces a powerful and colorful sound… and flashes virtuoso tricks with insolent ease” (The Washington Post), on Saturday, April 18, 2015, 8 pm, at Glendale’s Alex Theatre, and Sunday, April 19, 2015, 7 pm, at UCLA’s Royce Hall. Weilerstein, who won the prestigious 2009 Malko Competition for Young Conductors in Copenhagen, Denmark, at age 21, also conducts Mozart’s Symphony No. 41, “Jupiter,” and the West Coast premiere of imagined landscapes: six Lovecraftian elsewheres, inspired by the horror fiction of H. P. Lovecraft, by composer Joseph Hallman, named one of the top composers under 40 by National Public Radio.

Concert Preludes, pre-concert talks providing insights into the program’s music and artists held one hour before curtain and free for ticket holders, feature Weilerstein and Hakhnazaryan in conversation with LACO director of artistic administration Daren Fuster.

Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a pacesetter in presenting wide-ranging repertoire and adventurous commissions. Its 2014-15 season, the Orchestra’s 46th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 18th season as LACO’s music director.

Tickets, starting at $26, are on sale now and may be purchased online at laco.org or by calling LACO at 213 622 7001. Discounted tickets are also available by phone for seniors 65 years of age and older and groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert.

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Los Angeles Chamber Orchestra Principal Cello Andrew Shulman

Los Angeles Chamber Orchestra Principal Cello Andrew Shulman


Los Angeles Chamber Orchestra’s (LACO) Principal Cello Andrew Shulman hosts and performs works by Bach, Marcello, Sammartini, De Fesch and Vivaldi in a Baroque Conversations program illuminating a rich array of Baroque cello sonatas on Thursday, March 26, 2015, 7 pm, at Zipper Hall in downtown Los Angeles. Shulman, joined by LACO artists Trevor Handy, cello, and Principal Keyboard Patricia Mabee, harpsichord, is featured on Sammartini’s Sonata in G major for Cello and Continuo, Op. 4, No. 6; Marcello’s Sonata in A minor for Cello and Continuo, Op. 2, No. 3; Vivaldi’s Sonata in B-flat major for Cello and Continuo, RV 46; De Fesch’s Sonata in A minor for Cello and Continuo, Op. 1b, No. 5; and Bach’s Sonata in G major for Viola da Gamba and Continuo, BWV 1027. A complimentary wine reception for all ticket holders begins at 6 pm.

LACO’s highly regarded five-concert “Baroque Conversations” series, now in its ninth year, explores the genesis of orchestral repertoire from early Baroque schools through the pre-classical period. In signature LACO style, each concert host shares insights into the music and invites questions from the audience, providing an in-depth look at the music being presented as well as an opportunity to get to know LACO artists on a more personal level.

Tickets (beginning at $56) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Discounted tickets are also available by phone for groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert.

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Los Angeles Chamber Orchestra Concertmaster Margaret Batjer

Los Angeles Chamber Orchestra Concertmaster Margaret Batjer


Award-winning architect Frederick Fisher, who has earned international recognition for his work with spaces such as Bergamot Station & Galleries, Santa Monica’s Annenberg Beach House and Descanso Gardens’ Sturt Haaga Gallery of Art, joins the Los Angeles Chamber Orchestra (LACO) for its acclaimed Westside Connections series, which this season pairs LACO’s virtuosic musicians with leading artists to explore connections between music and architecture, on Thursday, March 19, 2015, 7:30 pm, at the Moss Theater, located at The Herb Alpert Educational Village at New Roads School. During the program, Fisher reflects upon his collaborative approach to architecture, in conversation with special guest, Los Angeles Times architecture critic Christopher Hawthorne. A performance of Brahms’ breathtaking String Quintet No. 2 in G major, Op. 111, showcases the close collaboration among LACO Concertmaster Margaret Batjer, who curates and hosts the series, LACO Principals Sarah Thornblade, violin, Roland Kato, viola, Victoria Miskolczy, viola, and Andrew Shulman, cello. Batjer is also featured in Kevin Puts’ Arches for solo violin, and Thornblade and Kato join forces for Donald Crockett’s To Be Sung on the Water. The series, which began in February with a guest appearance by Frank Gehry, continues in April with Hawthorne. Fisher has been described as a “maverick architect…with a broad aesthetic” (KCET). His innovative style, and his residential, museum galleries and other buildings reflect his keen interpretation of space, light and material.

The three-part Westside Connections series, now in its seventh season, includes conversations with special guests as well as musical offerings connecting form, structure and line. It concludes April 30, 2015, with Los Angeles Times Architecture Critic Christopher Hawthorne as special guest and the West Coast premiere of Gabriel Kahane’s Bradbury Studies, inspired by downtown LA’s historic Bradbury Building.

Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions. Its 2014-15 season, the Orchestra’s 46th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 18th season as LACO’s music director.

Tickets (beginning at $60) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Student rush tickets ($12), based on availability, may be purchased at the box office one hour before the concert. The Moss Theater at New Roads School is located at 3131 Olympic Boulevard, Santa Monica, CA, 90404.

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Jeffrey Kahane

Jeffrey Kahane


Los Angeles Chamber Orchestra Music Director Jeffrey Kahane serves as musical “tour guide” for LACO’s annual “Discover” program, which this season features a special one-night-only exploration of Mozart’s incomparable and deeply moving Requiem in D minor with special guests Alison King, soprano; Emily Fons, alto; Nicholas Phan, tenor; Aubrey Allicock, bass; and the Los Angeles Master Chorale, on Thursday, February 19, 2015, 8 pm, at Pasadena’s Ambassador Auditorium. The evening is designed to lead patrons to a greater understanding of Mozart’s musical capstone and to appreciate the work with “new ears.” Kahane, lauded for his “eloquence” (The New York Times), explores a different work each year for LACO’s annual Discover concert. According to LA Opening Nights, “Some conductors are born educators, and Jeffrey Kahane is one of them.” Adding a special flourish to Kahane’s introduction to the work are Antaeus Company actors John Sloan (Mozart) and JD Cullum (Salieri).

After Mozart left his final work—a Requiem mass—in a tantalizing state of incompleteness at his death, his widow, Constanze, desperate for the full commission fee, turned to Franz Süssmayr, the composer’s friend, who delivered a completed score. Noted fortepianist and Mozart scholar Robert Levin published a new edition of the Requiem in the 1990s, about which The New York Times proclaimed, “Where Süssmayr was timid, Mr. Levin is bold. [His] daring approach makes Mozart’s Requiem sound more convincing structurally and more vibrant musically.” Kahane explores the chilling legend and score of the masterpiece Mozart wrote on his deathbed. After intermission, Kahane conducts Levin’s innovative completion of this heart-wrenching work, followed by a question and answer segment with the audience.

Tickets (starting at $25) are on sale now and may be purchased online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Student rush tickets ($12), based on availability, may be purchased at the box office the day of the concert.

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Matthew Halls

Matthew Halls


Oregon Bach Festival Music Director/harpsichordist Matthew Halls, hailed as “a fresh and forceful talent” whose “music-making is strongly and clearly sculpted” (The Times, London), makes his debut on Los Angeles Chamber Orchestra’s popular Baroque Conversations series following his critically acclaimed conducting debut on its orchestral series last season, on Thursday, February 12, 2015, 7 pm, at Zipper Hall in downtown Los Angeles. From the harpsichord, Halls leads Rebel’s Les Élémens, Telemann’s Don Quixote Suite
and Bach’s Orchestral Suite No. 3 in D major, BWV 1068. A complimentary wine reception for all ticket holders begins at 6 pm.

Halls first came to prominence as a keyboard player and early music conductor, but he is now, in his thirties, better known for his dynamic and intelligent work with major symphony orches¬tras and opera companies, as well as for his probing and vibrant inter¬pretations of music of all periods. His numerous international engage¬ments have included appearances with the Cleveland and Salzburg Mozarteum orchestras, BBC Scottish and Frankfurt Radio symphonies, and the Seattle and Melbourne symphony orchestras, among others. 2014 marked his first season as artistic director of the prestigious Oregon Bach Festival.

LACO’s highly regarded five-concert “Baroque Conversations” series, now in its ninth year, explores the genesis of orchestral repertoire from early Baroque schools through the pre-classical period. In signature LACO style, each concert host shares insights into the music and invites questions from the audience, providing an in-depth look at the music being presented as well as an opportunity to get to know LACO artists on a more personal level.

Subscriptions to all five “Baroque Conversations” concerts ($250) are available by calling LACO at 213 622 7001. Tickets for individual concerts (beginning at $56) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Discounted tickets are also available by phone for groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert.

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Dana Newman, newly named President of Los Angeles Chamber Orchestra Board of Directors

Dana Newman, newly named President of Los Angeles Chamber Orchestra Board of Directors


The Los Angeles Chamber Orchestra, one of the nation’s leading orchestras renowned for its wide-ranging repertoire and adventurous commissioning initiatives, has named attorney Dana Newman President of the Board of Directors, announced LACO Executive Director Rachel Fine. The Altadena resident succeeds Gene Shutler, who assumes the role of Chairman of the Board after completing a three-year term as President. Fine also announced the appointment of four new board members to three-year terms: Ahsan Aijaz (Los Angeles), vice president, Fortress Investment Group; Leslie Lassiter (Beverly Hills), Los Angeles market manager, J.P. Morgan Private Bank; Raulee Marcus (Long Beach), president, Pinnacle Management; and attorney Shaheen Nanji (Pacific Palisades), principal, Integrated Technologies Group and community leader.
“Dana Newman’s visionary and inspiring leadership, commitment to LACO, exceptional business skills and proven accomplishments as a community builder and immense passion for music and the arts will help propel the Orchestra forward as we look to its 50th anniversary and beyond,” says Fine. “We are also most grateful to Gene Shutler for his outstanding guidance. During his tenure as President, he helped LACO successfully navigate our country’s challenging economic times while ensuring the Orchestra thrived financially as well as artistically. We deeply appreciate that he will remain on the Board as Chairman. Additionally, we welcome Ahsan Aijaz, Leslie Lassiter, Raulee Marcus and Shaheen Nanji to the Board. With their forward-thinking leadership and keen business acumen, they will be wonderful ambassadors for LACO.”

Newman is a partner at Pillsbury Winthrop Shaw Pittman LLP, based in Pillsbury’s downtown Los Angeles office. Born and raised in Los Angeles, she earned her undergraduate degree at Yale University, a Masters in Tax from the University of New Haven, and a J.D. from UC Berkeley (Boalt Hall). She practices tax, partnership, real estate and tax-exempt finance law, with an emphasis on advising domestic and foreign clients on tax aspects of US partnership, corporate and real property transactions. She represents clients in a broad array of industries and activities, including projects qualifying for various federal and state tax credit programs, real estate investment and development, manufacturing, food services, aviation and development funds. During her long career with Pillsbury, Newman has served in a variety of management positions with the firm. A long-time supporter and advocate of pro bono work, Newman has recently been named as the Chair of Pillsbury’s Pro Bono Committee. Newman’s personal pro bono efforts have involved providing significant pro bono legal services to a number of nonprofit corporations developing affordable housing in Los Angeles, including representation of Ward Economic Development Corporation as one of the developers of the Rosa Parks Villas Project, Koreatown Immigrant Workers Alliance as one of the developers of the New Hampshire Family Housing Project, and Pacific Housing Alliance as the developer of the Euclid Villa Project in Pasadena. Over the years, she has also provided pro bono assistance for a variety of other nonprofits, including Five Acres, Union Station, Southern California Presbyterian Homes, Westminster Gardens and the Pasadena Presbyterian Church Foundation. Newman has received recognition and awards for her efforts from the California State Bar, Public Counsel and many of her pro bono clients. Newman and her husband, Ned, are one of the sponsors of the Pasadena Presbyterian Church’s Friends of Music concerts. Long-time LACO subscribers, they are devoted fans of Baroque Conversations, enthusiastic First Chair Society members and gala patrons, and supporters of Sound Investment since 2005.

Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions. Its 2014-15 season, the Orchestra’s 46th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 18th season as LACO’s music director.

AHSAN AIJAZ is a Vice President of the Credit Funds at Fortress Investment Group. As a former investment banker, Aijaz provided strategic advisory services and structured multimillion-dollar bond financings for companies such as ABB Inc, Baker Hughes Inc., Borders Group Inc., Eli Lilly Inc., General Electric, Hy-Vee Inc., Niagara Mohawk Power Corporation, Southwestern Bell Telephone Company, Tyco International, V.F. Corporation and Wal-Mart Stores Inc. Prior to joining Fortress, Aijaz ran the Structured Finance Group at a private equity firm in Los Angeles. Prior to that he started and ran the Corporate Finance Investment Banking practice for Butler, Wick & Co., Inc., now a division of Stifel Nicolaus & Co. Aijaz began his career at McDonald Investment Inc., a division of Key Bank, as an investment banker. He holds a BS in Finance from the Fisher College of Business at The Ohio State University, where he served as a research assistant on a paper titled “The Determinants of Credit Spread Changes,” published in the Journal of Finance, Vol. 56, No. 6. He is a member of the Corporate Treasurer’s Council of the Association for Financial Professionals and ICSC, the global trade association of the shopping center industry. Aijaz has also served on the Advisory Board of Real Medicine Foundation, a humanitarian relief organization founded in response to the December 2004 tsunami in Southeast Asia. He is an accomplished pilot and member of the Aircraft Owners and Pilots Association.

LESLIE LASSITER is a managing director and market manager for J.P. Morgan’s Private Bank business in Southern California. A veteran banker, Lassiter joined Chase Manhattan Bank in 1979. During her more than 30 years with the firm, she has held a number of senior leadership positions in both the Investment Bank and the Private Bank. She joined the Private Banking business in 2000. Prior to moving to Los Angeles, Lassiter managed a significant portion of the Private Bank’s New York City business as the market manager for the New York metro area. Previously, she led the strategic planning office for Chase Manhattan’s wholesale business and prior to that, she managed corporate finance efforts for the Investment Bank’s Latin American region. Lassiter earned a bachelor’s degree in quantitative economics from Scripps College and a MBA from the University of Chicago. She has served on the Board of Trustees of Scripps College since 2000 and currently chairs the Institutional Advancement Committee of the Board. In 2013, she joined the board of the United Way of Los Angeles. An avid arts lover, she is a former board member of Jacaranda Music and jointly sponsored the appearances of Jennifer Koh and Jeremy Denk on LACO’s 2013-14 concert season.

Named “one of ten women entrepreneurs changing the game in LA” by Forbes magazine, president of marketing consultancy Pinnacle Management RAULEE MARCUS is a specialist in driving companies to significant growth in revenue and profit in highly competitive industries. Her professional experience ranges from senior operating positions in major corporations such as Neutrogena and Colgate-Palmolive to consulting for cutting-edge startups and advising the governments of India and China. She has served as the chair of the consumer products panel of Tech Coast Angels, the nation’s largest angel investor organization. A native of Frankfort, KY, Marcus is an alumna of Bryn Mawr College and the American Graduate School of International Relations and Diplomacy. While at Neutrogena, she also completed the Harvard Business School Advanced Management Program. An avid ceramics hobbyist, Marcus serves on the board and executive committee of the American Museum of Ceramic Arts. Other involvement in the nonprofit arts community includes past and present membership on the boards of the Craft and Folk Art Museum, Jacaranda Music and Long Beach Opera. She is also a member of the board of overseers of the Los Angeles Philharmonic and the board of governors of the Ojai Music Festival.

With degrees in law and business from the University of British Columbia, SHAHEEN NANJI has practiced civil litigation, worked as corporate counsel and marketing director for Magnet Sales & Manufacturing and, since 2000, has served as principal for Integrated Technologies Group where she heads up human resources. In addition, as a community leader, Nanji has served on the boards of Artwallah, a multi-disciplinary festival of arts of the South Asian diaspora, and the UCLA Academy for Judaic, Christian and Islamic Studies. For more than a decade, she has also been deeply involved with the Aga Khan Foundation and Aga Khan Development Network, which address environmental, economic, health, educational, humanitarian and cultural challenges in Asia and Africa. Nanji has served as an AKDN communications coordinator and spokesperson in the Western Region; directed public relations for the Aga Khan Foundation Partnership Walk; and raised funds for AKF early childhood development programs. Fluent in seven languages, Nanji has a range of passions that include creative writing and promoting multiculturalism and interfaith dialogue through community outreach and events. She and husband, Anil, hosted LACO’s March 2014 First Chair musicale at their home in Pacific Palisades.

LOS ANGELES CHAMBER ORCHESTRA, proclaimed “America’s finest chamber orchestra” by Public Radio International and “resplendent” by the Los Angeles Times, has established itself among the world’s top musical ensembles. Since 1997, LACO has performed under the baton of acclaimed conductor and pianist Jeffrey Kahane, hailed by critics as “visionary” and “a conductor of uncommon intellect, insight and musical integrity” with “undeniable charisma,” “effortless musicality and extraordinary communicative gifts.” Under Kahane’s leadership, the Orchestra maintains its status as a preeminent interpreter of historical masterworks and a champion of contemporary composers. During its 46-year history, the Orchestra has made 31 recordings, toured Europe, South America and Japan, performed across North America and garnered eight ASCAP Awards for Adventurous Programming. Headquartered in downtown Los Angeles, LACO presents its Orchestral Series on Saturdays at Glendale’s Alex Theatre and on Sundays at UCLA’s Royce Hall; Baroque Conversations at downtown Los Angeles’ Zipper Concert Hall; Westside Connections chamber music series, designed to illustrate the relationship between music and other artistic disciplines, at the Moss Theater in Santa Monica; and an annual Discover concert, which features an in-depth examination that sheds new light on a single piece of music, at Pasadena’s Ambassador Auditorium. LACO also presents a Concert Gala, an annual Silent Film screening and several fundraising salons each year. Additionally, LACO outreach programs, Meet the Music, Community Partners, Campus to Concert Hall and the LACO/USC Thornton Strings Mentorship Program, reach thousands of young people annually, nurturing future musicians and composers as well as inspiring a love of classical music.

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Los Angeles Chamber Orchestra (LACO) highlights the beauty and majesty of the harpsichord with an unusual program featuring four harpsichords and chamber orchestra in the first of its Baroque Conversations series on Thursday, December 11, 2014, 7 pm, at Zipper Hall in downtown Los Angeles, which repeats on Saturday, December 13, 2014, 7:30 pm, when the Orchestra makes its debut at the Valley Performing Arts Center in Northridge.  Led by Music Director Jeffrey Kahane, the performance honors LACO artistic founder/former cellist James Arkatov and also celebrates the connection between Vivaldi and Bach, who transcribed many of Vivaldi’s works during his career. The repertoire includes the original version of Vivaldi’s Concerto in B minor for Four Violins, Op. 3, No. 10, from “L’Estro Armonico,” and Bach’s transcription of the piece, the unprecedented and rarely performed Concerto in A minor for Four Harpsichords, BWV 1065. Kahane also conducts Albinoni’s Oboe Concerto in D minor, Op. 9, No. 2, and Corelli’s Concerto Grosso in G minor, Op. 6, No. 8, “Christmas Concerto” in keeping with the season. Kahane, a noted keyboardist who is featured on harpsichord, leads a Baroque-size orchestra comprised of LACO musicians and eight featured soloists, including LACO concertmaster Margaret Batjer; LACO principals Josefina Vergara, Sarah Thornblade, violins, Allan Vogel, oboe, and Patricia Mabee, harpsichord; LACO violinist Jacqueline Brand; and special guests Ian Pritchard and Gilbert Martinez, harpsichords.  This marks the first collaboration between LACO and the Valley Performing Arts Center.

 

LACO’s highly regarded five-concert “Baroque Conversations” series, now in its ninth year, explores the genesis of orchestral repertoire from early Baroque schools through the pre-classical period. In signature LACO style, each concert host shares insights into the music and invites questions from the audience, providing an in-depth look at the music being presented as well as an opportunity to get to know LACO artists on a more personal level. For the December 11 performance at Zipper Hall, a complimentary wine reception for all ticket holders begins at 6 pm.

 

Subscriptions to all five “Baroque Conversations” concerts ($250) are available by calling LACO at 213 622 7001.  Tickets for individual concerts (beginning at $56) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain.  Discounted tickets are also available by phone for groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert.

Patricia Mabee, LACO principal keyboard

Patricia Mabee, LACO principal keyboard

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Los Angeles Chamber Orchestra

Los Angeles Chamber Orchestra


College students ages 17 to 30 will feel as though they’ve won the classical music lottery with Los Angeles Chamber Orchestra’s (LACO) “Campus to Concert Hall All Access Pass,” providing admission to eleven concerts during LACO’s 2014-15 season for just $30. “All Access Pass” holders can attend all seven Orchestral Series concerts at either Glendale’s Alex Theatre or UCLA’s Royce Hall; all three Westside Connections programs, which this year highlight the connections between music and architecture, at Santa Monica’s Moss Theater; and the Discover Mozart’s Requiem program at Pasadena’s Ambassador Auditorium. The pass also includes access to LACO after-parties where students can mingle with musicians; an invitation to a LACO rehearsal; advance reservation privileges; and the option to reserve up to three additional tickets at just $12 each for college friends (valid college ID required). This popular student pass, offered for the fourth year, is designed to inspire a love of classical music among younger audiences.

“LACO has a long history of educational outreach to the student community, but we are particularly focused on bringing students inside the concert hall to experience the Orchestra’s live performances,” says LACO Executive Director Rachel Fine. “There is nothing like hearing classical music performed live in a world-class venue. Our ‘Campus to Concert Hall All Access Pass’ makes it affordable for students to attend multiple performances for about $2.80 per concert, much less than the cost of a movie or a latte. It’s a great bargain, and we encourage students to take advantage of it, whether it’s their first introduction to classical music or they are seasoned concertgoers. LACO also offers Student Rush tickets at $12, but the ‘All Access Pass’ is a much better deal and students can reserve tickets in advance.”

Nurturing future musicians and composers as well as inspiring a love of classical music are integral to LACO’s mission. In addition to the “All Access Pass,” LACO presents several other vital outreach programs. Through “Meet the Music,” LACO hosts 3,200 fourth-, fifth- and sixth-grade students of varied cultural and musical backgrounds each year at a series of eight live performances of classical works and often an upcoming program’s soloist at Zipper Hall. LACO also offers community service organizations most in need free concert tickets and transportation to LACO concerts through its “Community Partners” program. The intensive “LACO-USC Thornton Strings Mentorship Program,” launched in 2010, enhances the preparedness of strings students for a professional career with select Thornton students invited to participate in a mock audition that may lead to an opportunity to perform in the string section of the Orchestra for an upcoming LACO concert. Additionally, LACO offers Master Classes, including in-depth composition Master Classes for the AP music class at North Hollywood High School, providing vital mentoring to a new generation of musicians and composers, which is led by LACO Composer–in-Residence and Pulitzer Prize-finalist Andrew Norman. This season Norman also visits several fourth-, fifth, and sixth-grade LAUSD and charter school classrooms to introduce the joy of music and music composition to younger students through an engaging interactive presentation.

More information on the ‘Campus to Concert Hall All Access Pass’ is available at laco.org/college,where students can purchase the ”All Access Pass” online.

LOS ANGELES CHAMBER ORCHESTRA (LACO), proclaimed “America’s finest chamber orchestra” by Public Radio International and “resplendent” by the Los Angeles Times, has established itself among the world’s top musical ensembles. Since 1997, LACO has performed under the baton of acclaimed conductor and pianist Jeffrey Kahane, hailed by critics as “visionary” and “a conductor of uncommon intellect, insight and musical integrity” with “undeniable charisma,” “effortless musicality and extraordinary communicative gifts.” Under Kahane’s leadership, the Orchestra maintains its status as a preeminent interpreter of historical masterworks and a champion of contemporary composers. During its 46-year history, the Orchestra has made 31 recordings, toured Europe, South America and Japan, performed across North America and garnered eight ASCAP Awards for Adventurous Programming. Headquartered in downtown Los Angeles, LACO presents its Orchestral Series on Saturdays at Glendale’s Alex Theatre and on Sundays at UCLA’s Royce Hall; Baroque Conversations at downtown Los Angeles’ Zipper Concert Hall; Westside Connections chamber music series, designed to illustrate the relationship between music and other artistic disciplines, at the Moss Theater in Santa Monica; and an annual Discover concert, which features an in-depth examination that sheds new light on a single piece of music, at Pasadena’s Ambassador Auditorium. LACO also presents a Concert Gala, an annual Silent Film screening and several fundraising salons each year. Additionally, LACO outreach programs, Meet the Music, Community Partners, Campus to Concert Hall and the LACO/USC Thornton Strings Mentorship Program, reach thousands of young people annually, nurturing future musicians and composers as well as inspiring a love of classical music.

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Steven Isserlis

Steven Isserlis


Los Angeles Chamber Orchestra (LACO) showcases the virtuosic skills of Steven Isserlis, “one of the world’s leading cellists” (The Guardian), performing Haydn’s radiant Cello Concerto No. 2 under the baton of sought-after Scottish conductor Douglas Boyd, making his LACO debut, on Saturday, October 18, 2014, 8 pm, at Glendale’s Alex Theatre, and Sunday, October 19, 2014, 7 pm, at UCLA’s Royce Hall. Boyd also conducts Mozart’s stately “Haffner” Serenade and opens the program with At First Light by George Benjamin, considered among Britain’s greatest living composers.

According to Benjamin, the inspiration for the piece, which was commissioned and premiered by the London Sinfonietta in 1982, is an oil painting by Turner hanging in the Tate Gallery that stirred him to create a “melted…flowing, nebulous continuum of sound.”

Boyd, acclaimed for his vibrant conducting style, is principal conductor of the Musikkollegium Winterthur, Switzerland’s oldest orchestra, and principal guest conductor with the City of London Sinfonia. Chicago Tribune calls him “a superlative young conductor,” and The Sunday Telegraph (London, UK) proclaims, “He has the born conductor’s ability to make music sound fresh and to detect its inner life and pulse.”

Isserlis, heralded for his “precise, heartfelt performances” (New York Times), is one of only two living cellists to be inducted into Gramophone’s Hall of Fame. Gramophone Magazine states, “The music world – and music itself – is infinitely richer for the presence of Steven Isserlis.” During his illustrious career, the British cellist, a Commander of the Order of the British Empire, has given recitals around the globe and performed with such major orchestras as the Berlin Philharmonic, London Symphony, New York Philharmonic, Los Angeles Philharmonic, The Cleveland Orchestra and Philharmonia Baroque, to name a few.

Concert Preludes, pre-concert talks held one hour before curtain and free for ticket holders, provide insights into the program’s music and artists. Following the performance, ticket holders are invited to mingle with LACO musicians at an after-party featuring complimentary appetizers and drinks in the lobby.

Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions. Its 2014-15 season, the Orchestra’s 46th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 18th season as LACO’s music director.

Tickets, starting at $26, are on sale now and may be purchased online at laco.org or by calling LACO at 213 622 7001. Discounted tickets are also available by phone for seniors 65 years of age and older and groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert. Also available for college students is the $30 “Campus to Concert Hall All Access Pass” – good for all seven of LACO’s Orchestral series concerts, Discover Mozart’s Requiem and three Westside Connections concerts.

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