Posts Tagged “clarinet”
On June 7 at 8 PM, the North/South Chamber Orchestra performs new works by Jose Luis Gomez, Daniel Kessner, Max Lifchitz and Marilyn Ziffrin. Soloists for the occasion will be clarinetist Julia Heinen and oboist Richard Kravchak
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David Krakauer is considered to be one of the most singular clarinet virtuosos on the planet. But beyond that he brings a point of view to the table that is uniquely his own. Continuing on a path of constant self discovery, Krakauer introduces the music of his latest CD Checkpoint (Table Pounding Records), on two consecutive nights, April 7 and 8, at Brooklyn’s newest hot spot, National Sawdust.
Krakauer, a category-defying instrumentalist, uses his cultural heritage as a powerful inspiration for his music, informing and enabling his stylistically compelling projects. His is a singular vision, encompassing the diverse worlds of classical, klezmer, avant jazz, funk and electronica.
For the past 25 years Krakauer has been on a musical journey tracing his Eastern European roots. This voyage has found him revisiting his “ancestral homeland,” from where his Russian/Polish grandparents and great-grandparents immigrated at the end of the 19th century. Traveling east through Berlin before the Wall came down, the checkpoint experiences became momentous creative touchstones for Krakauer.
Like a travel guide on a literal and metaphorical search, on Checkpoint he bears witness to the deep, joyous, human encounters he experienced. With his long-time band members of Ancestral Groove, he reveals the next step in his musical evolution – sharing with us all stories about the human condition.
Ancestral Groove, with Sheryl Bailey on electric guitar, Jerome Harris on electric bass, Michael Sarin on drums/percussion, and Keepalive on electronics, creates a bridge between Krakauer’s singular take on jazz and world music, and guides us to another musical adventure. His three special guests on the CD Rob Curto, John Medeski and Marc Ribot add their own signatures to the mix.
Here’s Krakauer remixing Krakauer, hitting the road with his unmistakable sound, new arrangements and an electrifying 4-piece band.
Born and raised in New York City, Krakauer experienced early exposure to diverse cultural influences. He earned his reputation as a Klezmer specialist, then showcased his formidable talents in other musical arenas, such as classical music, electronica and jazz. He has shared stages as a group member and soloist with a wide array of artists, string quartets, chamber ensembles and symphony orchestras – among them, the Klezmatics, John Zorn, Fred Wesley, Dawn Upshaw, Itzhak Perlman, Osvaldo Golijov, Eiko and Koma, Leonard Slatkin, Iva Bitova, Kronos Quartet, Tokyo, the Emerson Quartet, the Orchestre de Lyon, the Orquestra Sinfonica de Madrid, the Phoenix Symphony, the Brooklyn Philharmonic, the Dresdener Philharmonie and the Detroit Symphony. http://davidkrakauer.com
1. Kickin’ It For You, 5:33
2. Krakowsky Boulevard, 5:00
3. Tribe Number Thirteen, 5:37
4. Checkpoint Lounge, 5:42
5. Elijah Walks In, 5:37
6. Moldavian Voyage, 4:42
7. Synagogue Wail, 3:30
8. Border Town Pinball Machine, 4:10
9. Tandal, 5:23
10. Tribe Number Thirteen, 5:12
MUSIC AVAILABLE IN STORES AND ONLINE APRIL 8, 2016.
David Krakauer – Clarinet
Sheryl Bailey – Electric Guitar
Jerome Harris – Electric Bass
Michael Sarin – Drums
Jeremy Flower aka Keepalive – Sampler
Rob Curto – Accordion
John Medeski – Organ
Marc Ribot – Electric Guitar
TWO NIGHTS AT NATIONAL SAWDUST
THURSDAY, APRIL 7, 2016 AT 9.30 PM
CD RELEASE EVENT
FRIDAY, APRIL 8, 2016 AT 7 PM
80 NORTH 6TH ST
BROOKLYN, NY 11249
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Posted by s21concerts in Concert Announcement, tags: clarinet, concert, contemporary, hichiriki, Kigawa, new music, Olson, piano, piercy, premier, sho koto, Taka Kigawa, Tenri, Thomas Piercy, Tokyo to New York
TOKYO TO NEW YORK 東京 と ニューヨーク
SUNDAY, OCTOBER 18, 2015 – 2015年10月18日（日曜日）
Premiers and New Music by Tokyo- and NYC-based Composers
Clarinetist and hichiriki player Thomas Piercy is joined in concert by pianists Taka Kigawa and Judith Olson, koto player Jun Ando and sho player Chatori Shimizu.
The October 18th “Tokyo to New York” concert features six world premiers and six United States premiers composed for critically acclaimed clarinetist and hichiriki player Thomas Piercy by Tokyo- and NYC-based composers. Mr. Piercy will be joined in the concert by two of NYC’s leading proponents of new music, pianists Taka Kigawa and Judith Olson. Also joining Piercy in the concert are sho player Chatori Shimizu and koto player Jun Ando.
The music – in a wide variety of styles – features premiers by Fernando Otero (Latin Grammy Award), Gilbert Galindo (Meet the Composer Van Lier Fellow), David Del Tredici (Pulitzer Prize), Ian Ng (ASCAP Morton Gould Young Composer Award), Lyudmilla German, and Chatori Shimizu (Arima Prize). United States premiers by Tokyo composers Jun Nagao (Takemitsu Award) and Ippo Tsuboi, and NYC composers Dana Richardson, Michael Rose, Richard Rosenfeld, and Russell Wimbish; other works by Masatora Goya, William Mayer, and Ned Rorem (Pulitzer Prize).
Sunday | October 18, 2015 | 4pm
Tenri Cultural Institute
43 W. 13th St., NY, NY 10011
Tickets: $25 ($15 Students/Seniors)
Reservations: firstname.lastname@example.org | 212-645-2800
Co-Presented with Arts at Tenri.
“Piercy’s Richly Diverse Program of Japanese and American Music…a fascinatingly eclectic, virtuosic program of new chamber works which contrast Japanese composers’ views of New York with their New York counterparts’ views of Japan. Although most of the works are relatively short,…the ensemble tackled the music’s wide range of demands with verve, insight and sensitivity.” – Lucid Culture Magazine
“Tokyo to New York” – under the direction of Thomas Piercy – celebrates connections between Tokyo and New York City with a series of concerts in Tokyo and NYC. The concerts feature new works composed for Western classical instruments as well as traditional Japanese instruments. They include a wide variety of styles of music, from Japanese avant-garde to American contemporary classical, abstract to minimalism, neo-Romantic to tango nuevo, J-pop to jazz-influenced pieces.
The composers come from all walks of life and experience: from university students to university professors; from self-taught composers to composers with Ph.Ds; from emerging composers to composers that have won such prominent awards as the Takemitsu Prize, Grammy Award, Latin Grammy Award, and the Pulitzer Prize. The musicians of “Tokyo to New York” have had the opportunity to work with many of the Japanese and American composers programmed in these concerts. Since 2012, “Tokyo to New York” has performed over 60 world premiers and numerous Japan and United States Premiers. All works on “Tokyo to New York” concerts are performed in both New York City and Tokyo.
A highlight of an upcoming “Tokyo to New York” concert in Japan (February, 2016) is the world premier of Osamu Kawakami’s Double Concerto for clarinet and piano to be premiered by Piercy and renowned pianist Aki Takahashi.
More information about “Tokyo to New York” can be found at the following sites:
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Posted by s21concerts in Concert Announcement, Uncategorized, tags: Bartok, Bernstein, chamber music, clarinet, classical music, Jon Manasse, Jon Nakamatsu, Music of the Spheres Society, New York, Novacek, piano, Stephanie Chase, violin
From Ragtime to Romantic Riches
Friday, February 6 at 8:15 pm
Christ & St. Stephen’s Church
129 West 69th Street
New York, NY
Among the most celebrated musicians of our day, pianist Jon Nakamatsu and clarinetist Jon Manasse join violinist Stephanie Chase in a concert program inspired by Bartok’s chamber work for an unusual combination of instruments.
Don’t miss this exploration of diverse musical styles- including jazz, popular, contemporary, Romantic, gypsy, and ragtime – with these “outstanding” (New York Times) musicians!
Leonard Bernstein – Sonata for clarinet and piano (1941-42)
Johannes Brahms – Sonata for violin and piano, Op. 78 (1878-79)
Béla Bartók – Contrasts (1938)
John Novacek – Four Rags for Two Jons (2006)
Tickets: Advance tickets are available at brownpapertickets.com. Admission also at the door: $30 adult, $20 senior/student, cash or check only. Doors open at 7:15 pm.
Stephanie Chase is recognized as “one of the violin greats of our era” (Newhouse Newspapers) through appearances with eminent orchestras that have included the New York Philharmonic, Chicago Symphony, Dallas Symphony, San Francisco Symphony, Atlanta Symphony, Hanover Band, and London Symphony. Her performances are acclaimed for their “elegance, dexterity, rhythmic vitality and great imagination” (Boston Globe) as well as “stunning power” (Louisville Courier-Journal) and “matchless technique” (BBC Music Magazine).
American pianist Jon Nakamatsu continues to draw unanimous praise as a true aristocrat of the keyboard, whose playing combines elegance, clarity, and electrifying power. A native of California, Mr. Nakamatsu came to international attention in 1997 when he was named Gold Medalist of the Tenth Van Cliburn International Piano Competition, the only American to have achieved this distinction since 1981. Mr. Nakamatsu has performed widely in North and South America, Europe, and the Far East, collaborating with such conductors as James Conlon, Marek Janowski, Raymond Leppard, Stanislaw Skrowaczewski, Osmo Vänskä and Hans Vonk. He also performed at a White House concert hosted by President and Mrs. Clinton.
Clarinetist Jon Manasse is internationally acclaimed for his inspiring artistry, uniquely glorious sound and charismatic performing style. His solo appearances include performances at the major venues of New York City and fourteen tours of Japan and Southeast Asia with the New York Symphonic Ensemble, concerts in Jerusalem, Tel Aviv, and Osaka, and acclaimed concerto performances with Gerard Schwarz and the Mostly Mozart Festival Orchestra in New York and Tokyo.
Pre-concert talk at 7:30, included in concert admission: “Music and Early Childhood” by Dr. Yeou-Cheng Ma.
Dr. Yeou-Cheng Ma is a Developmental Pediatrician and a musician. A graduate of Radcliffe College and Harvard Medical School, she works with children with developmental disorders in the Bronx and Queens. A former child prodigy who at age five became a pupil of violinist Arthur Grumiaux, she is the Executive Director of The Children’s Orchestra Society – which was founded by her father – and performs as a chamber musician in addition to teaching violin, viola, and chamber music for COS. Informally known as the “Music Doctor,” Dr. Ma’s recent interests include optimizing communication in all children, exploring the relationship of music to young children’s temperament, and using music as a means to find the “inner language” of children who have difficulties in verbal communication.
Inspired by the Neo-Platonic academies of 16th and 17th-century Italy, which combined discourse with musical presentations, the Music of the Spheres Society was founded in 2001 by its artistic director, Stephanie Chase, and Ann Ellsworth. Its mission is to promote classical music through innovative chamber music concerts and pre-concert lectures which illuminate music’s historical, philosophical and scientific foundations, in order to give greater context for music to the average audience member.
For more information, visit the Music of the Spheres Society website or call (212) 877-4402.
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Piercy playing the Hichiriki at Brooklyn Bridge. Photo by: Masatora Goya
Bargemusic – Here and Now Series presents “Tokyo to New York.”
The “Tokyo to New York” concert on Bargemusic’s Here and Now Series will feature premiers composed or arranged for critically acclaimed clarinetist and hichiriki player Thomas Piercy by Tokyo- and NYC-based composers. Mr. Piercy will be joined in the concert by one of Japan’s leading classical and contemporary pianists, Noritaka Ito.
The music – in a wide variety of styles – includes premiers by Ned Rorem (Pulitzer- and Grammy-Award), Fernando Otero (Latin-Grammy Award); Toshio Hosokawa (Suntory Music Award), Yuichi Matsumoto (Takemitsu Award), Masatora Goya (Jerome Fund Award), and Senri Oe (major Japanese pop-star, now NYC-based jazz composer). Other premiers on the program are by Japanese composers Tomo Hirayama, Kaito Nakahori, Atsushi Yoshinaka; and premiers by NYC-based composers Trevor Bachman, Peri Mauer, Gene Pritsker, and David Wolfson. Many of the composers will be in attendance; pianist Ito and several of the composers will travel from Japan for the concert.
Bargemusic – Here and Now Series
Tokyo to New York – 東京 と ニューヨーク
THOMAS PIERCY, Clarinet & Hichiriki
NORITAKA ITO, Piano
Premiers by: Bachman, Goya, Hirayama, Hosokawa, Matsumoto, Mauer, Nakahori,
Oe, Otero, Pritsker, Rorem, Wolfson, and Yoshinaka.
September 19, 2014 • Friday, 8 pm
$35 ($30 Senior, $15 Student)
BARGEMUSIC – NYC’s floating concert hall under the Brooklyn Bridge
1 Water St., Brooklyn, NY 11201
“Piercy’s Richly Diverse Program of Japanese and American Music”
“…a fascinatingly eclectic, virtuosic program of new chamber works which contrast Japanese composers’ views of New York with their New York counterparts’ views of Japan. Although most of the works are relatively short,…the ensemble tackled the music’s wide range of demands with verve, insight and sensitivity.” Lucid Culture Magazine
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Posted by s21concerts in Concert Announcement, tags: Bartok, Brian Connelly, chamber music, clarinet, Ives, Jon Manasse, Music of the Spheres Society, New York, piano, Prokofiev, Saint-Saens, Stephanie Chase, violin
Now in its 13th concert season, on its April 24th program the Music of the Spheres Society will feature music by several iconoclasts of the early 20th century: Sergei Prokofiev, Bela Bartok, Charles Ives and Camille Saint-Saens – and if you are wondering why we are including Saint-Saens, it is because he was among the first composers to write music for film, in his case “The Assassination of the Duke of Guise” in 1908. He is also close to our hearts because of his interest and expertise in geology, archaeology, botany, lepidoptery, mathematics, acoustics, occult sciences, Roman theatre decoration, and ancient instruments. Last but not least, as a member of the Astronomical Society of France; Saint-Saens lectured on mirages, designed a telescope and planned concerts to correspond with astronomical events such as solar eclipses!
The concert features the Sonata for violin solo, op. 115 (1947) by Sergei Prokofiev; the Sonata no. 1 for violin and piano (1923) by Bela Bartok; the Largo for clarinet, violin and piano (1901, rev. 1934) by Charles Ives; and the Sonata for clarinet and piano (1921) by Camille Saint-Saens.
Violinist and Artistic Director Stephanie Chase will be joined by pianist Brian Connelly and clarinetist Jon Manasse. The concert will start at approximately 8:15 pm at Christ & St. Stephen’s Church, located at 120 West 69th Street in Manhattan. Tickets are available at the door at $30, $20 student/senior, cash or check only. Doors open at 7:15 pm. Advance tickets are available through Brown Paper Tickets.
At 7:30 pm, Joseph Sherman will give what promises to be a fascinating talk on “Music Education in New York City Public Schools – 1950 to Now,” which is included in concert admission. Mr. Sherman is the founding principal of the High School for Violin and Dance in the Bronx and an avid saxophonist and violinist. For more information, please visit www.musicofthespheres.org or call (646) 678-0391.
“All the basic virtuoso qualities — intonation, rhythmic accuracy, flawless phrasing, and the like — are to be heard in Jon Manasse’s playing, yet what sets him apart is his exceptionally beautiful sound. Hearing his warmth of tone in all registers is like listening to a top-class vocalist or violist. It’s radiantly gripping.” – San Francisco Classical Voice “ “(Stephanie Chase is) a supreme musical performer whose complete virtuosity enables her to ennoble everything she plays.” – Byron Belt, Newhouse Newspapers
“Brian Connelly is…a technically masterful and naturally gifted musician (whose) playing contained many moments of beauty and refinement.” – Peninsula Reviews
STEPHANIE CHASE is acclaimed as “one of the violin greats of our era” (Newhouse News) and excels in the virtuoso soloist’s repertoire, period instrument practice, contemporary music, chamber music, and music education. As violin soloist she has appeared with the world’s most illustrious orchestras, among them the Chicago Symphony, London Symphony and New York Philharmonic, and her playing is widely acclaimed for its “elegance, dexterity, rhythmic vitality and great imagination” (Boston Globe). Her recording of Beethoven’s Violin Concerto and Romances, the first ever on period instruments, has been declared “one of the twenty most outstanding performances in the work’s recording history” (Beethoven: Violin Concerto, Cambridge University Press) and honored with the highest possible ratings by BBC Music Magazine and Classic CD. Among Ms. Chase’s many awards are a top medal at the Tchaikovsky Competition and the Avery Fisher Career Grant. She co-founded the Music of the Spheres Society in 2001.
Among the most distinguished classical artists of his generation, clarinetist JON MANASSE is internationally recognized for his inspiring artistry, uniquely glorious sound and charismatic performing style. His solo appearances include New York City performances at Lincoln Center for the Performing Arts´ Avery Fisher Hall and Alice Tully Hall, Hunter College´s Sylvia & Danny Kaye Playhouse, Columbia University, Rockefeller University and The Town Hall, fourteen tours of Japan and Southeast Asia – all with the New York Symphonic Ensemble, debuts in Jerusalem, Tel Aviv, and Osaka and acclaimed concerto performances with Gerard Schwarz and the Mostly Mozart Festival Orchestra, both at Lincoln Center´s Avery Fisher Hall and at the prestigious Tokyu Bunkamura Festival in Tokyo. Among the orchestras with which he has appeared as soloist are the Academy of St. Martin’s in the Fields, the Augsburg, Alabama, Dayton, Evansville, Indianapolis Symphonies, the National Philharmonic, and Canada´s Symphony Nova Scotia.
Jon Manasse appears frequently in highly praised duo concerts with pianist Jon Nakamatsu, and together they have released several recordings. Their acclaimed recording for Harmonia Mundi of the Brahms quintets for clarinet and piano, in collaboration with the Tokyo String Quartet, was released in 2012.
Pianist BRIAN CONNELLY’s performances span an unusually broad range of historical and modern repertoires. Born in Detroit, he attended the University of Michigan, where he studied with pianists Gyorgy Sandor and Theodore Lettvin. Mr. Connelly has premiered works by a host of contemporary composers such as William Albright, Karim Al-Zand, Derek Bermel, William Bolcom, Paul Cooper, David Diamond, Ross Lee Finney, and many others. He is a frequent guest with new-music groups such as the Pittsburgh New Music Ensemble and the Chicago Contemporary Players, and he was recently featured in the Carnegie Hall series Making Music in a tribute to composer William Bolcom.
Known for his affinity for the works of Olivier Messiaen, Connelly’s recent performances include Messiaen’s Vingt Regards sur l’Enfant-Jésus and Catalogue d’Oiseaux for piano, the complete songs cycles with soprano Carmen Pelton and mezzo-soprano Susanne Mentzer, all of the chamber music, the Oiseaux exotiques with chamber orchestra, and the Trois petites liturgies de la Présence Divine with conductor Donald Runnicles at the Grand Teton Music Festival. Mr. Connelly is also widely respected as a scholar and performer of historical instruments, appearing in the U.S. and Europe on 18th- and 19th-century pianos by Walther, Rosenberger, Graf, Pleyel, Bösendorfer, and Streicher. He has for 13 years been a member of the renowned ensemble Context; and his recent recordings with that group—of music by Robert Schumann and Prince Louis Ferdinand—have received exuberant praise.
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THE CD RELEASE COINCIDES WITH A MONTH-LONG ENGAGEMENT AT THE MUSEUM OF JEWISH HERITAGE IN DOWNTOWN MANHATTAN. TO READ ABOUT THE MUSEUM’S RESIDENCY, PLEASE SCROLL DOWN.
ABOUT THE CD
CLARINET VIRTUOSO DAVID KRAKAUER ANNOUNCES THE RELEASE OF HIS MOST ADVENTUROUS CD TO DATE “THE BIG PICTURE”.
Available in stores and online February 18, 2014.
David Krakauer, clarinet
Jenny Scheinman, violin
Adam Rogers, guitars
Rob Burger, keys, organ, accordion, vibes
Greg Cohen, double bass
Jim Black, drums, percussion
Sheryl Bailey, guitar
Nicki Parrott, double bass
An artist of great renown, clarinetist and cultural visionary David Krakauer presents his new project, THE BIG PICTURE, paying homage to both Krakauer’s personal discovery of his cultural heritage and, in the broader sense, to the journeys we all take to find meaning and connection in our lives. The album was produced by Joseph Baldassare and recorded by Roy Hendrickson.
THE BIG PICTURE album features Krakauer’s sextet, a new constellation of musicians, meticulously chosen to display their virtuosity and poetry with these stimulating new arrangements and interpretations of familiar movie soundtracks by classic film music composers – among them, Marvin Hamlisch, Wojciech Kilar, Vangelis, Sergei Prokofiev, Ralph Burns, Jerry Bock, John Kander, Fred Ebb. Movies include such diverse gems as Sophie’s Choice, The Pianist, Cabaret, Radio Days and Funny Girl.
Each movie has a special Jewish connection – whether emphasizing the director, actors, composer, or Jewish tradition, from topics of war and persecution to sophisticated satire and farce. (Sophie’s Choice, Life is Beautiful, Lenny, The Producers, Fiddler on the Roof.)
“For the music part,” says Krakauer, “I’ve taken themes from iconic films with Jewish content and re-imagined them with a band of world-class musicians. The album has become more special than I’d ever imagined. It brought me to a new emotional level, reminding me of the incredible resiliency of my great-grandparents, arriving from Eastern Europe with virtually nothing, and how they were able to overcome incredible poverty and anti-Semitism to succeed. I’ve never been prouder to be Jewish. But at the same time I think this project really speaks about how people across the ages have found ways to survive in the face of adversity. That’s not just the Jewish experience. It’s everyone’s struggle.”
Born and raised in New York City, his early exposure to diverse cultural influences provides a powerful towline for his music. Krakauer earned his reputation as a Klezmer specialist, then showcased his formidable talents in other musical arenas, such as classical music, electronica and jazz. He has shared stages as a group member and soloist with a wide array of artists, string quartets and classical aggregates – among them, the Klezmatics, John Zorn, Fred Wesley, Itzhak Perlman, Osvaldo Golijov, Eiko and Koma, Leonard Slatkin, Iva Bitova, Kronos, Tokyo, the Emerson, the Orchestre de Lyon, the Orquestra Sinfonica de Madrid, the Phoenix Symphony, the Brooklyn Philharmonic, the Dresdener Philharmonie and the Detroit Symphony.
LA BELLA E VITA, Life is Beautiful
SI TU VOIS MA MERE, Midnight in Paris
BODY AND SOUL, Radio Days
THE MARCH, Love and Death
MOVING TO THE GHETTO, The Pianist
THE FAMILY, Avalon
LOVE THEME, Sophie’s Choice
KEEP IT GAY, The Producers
PEOPLE, Funny Girl
TRADITION, Fiddler On The Roof
ABOUT THE SHOW
“THE BIG PICTURE”, A Cinematic Concert
Music Performed by Krakauer
At the Museum of Jewish Heritage in Downtown Manhattan.
PREMIERE: WEDNESDAY, JANUARY 29, 2014
PERFORMANCES: WEDNESDAYS; SUNDAYS, FEBRUARY 2 – 23, 2014
PERFORMANCE LINE UP:
David Krakauer, clarinet
Rob Schwimmer, piano, keys, theremin
Sara Caswell, violin
Mark Helias, double bass
Sheryl Bailey, guitar
John Hadfield, drums, percussion
David Krakauer showcases his new project, THE BIG PICTURE, a powerful new multimedia production at Edmond J. Safra Hall in the Museum of Jewish Heritage – A Living Memorial to the Holocaust downtown, THE BIG PICTURE tells Krakauer’s story in an artful marriage of music and the moving image.
This project may be Krakauer’s most adventurous to date and will run for a period of four weeks – a first for the venue. To lend creative intrigue, New York graphics giants Light of Day and Cutting Room Films have created original films for the production. Instead of using the visual element as a creative starting point, Krakauer’s music serves as the catalytic agent. The visuals embrace Krakauerʼs adventurous and individual spirit of self-discovery.
The Museum itself serves as a compelling location for this residency. It overlooks the New York Harbor, a reminder of the Jewish and non-Jewish immigrants landing on Ellis Island bringing their hopes, stories and vast cultural heritage to this new promised land. Krakauer, whose own ancestors immigrated from Eastern Europe, became one of the most important innovators in Klezmer music, contextualizing the ancestral sounds of his heritage into a distinctive, personal voice.
“THE BIG PICTURE is a special kind of project,” says Krakauer. “It’s a tour through Jewish history, and an exploration of how the movies show us the universality of our individual quests. I want this experience to serve as an opportunity for all. I am privileged to be the tour guide for this incredible voyage.”
PREMIERE: WED, JAN. 29 AT 7.30PM
SUN, FEB 2 AT 2 PM; WED, FEB. 5 AT 7.30 PM; SUN, FEB. 9 AT 2PM; WED, FEB. 12 AT 7.30PM; SUN, FEB. 16 AT 2 PM; WED, FEB. 19 AT 7.30PM; SUN, FEB. 23 AT 2PM.
TICKETS: $35 General, $30 Seniors/Students, $25 Members
ABOUT THE MUSEUM OF JEWISH HERITAGE, DOWNTOWN MANHATTAN
The Museumʼs exhibitions educate people of all ages and backgrounds about the rich tapestry of Jewish life over the past century-before, during, and after the Holocaust. Edmond J. Safra Hall, the 375-seat state-of-the-art theater offers unobstructed views with great acoustics from every seat in the house. http://www.mjhnyc.org/bigpicture/
Edmond J. Safra Hall, 36 Battery Place, New York, NY 10280, Ph: 646-437-4202
For further information on David Krakauer, please visit: www.davidkrakauer.com .
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Posted by s21concerts in Concert Announcement, tags: AmbroseAkinmusire, AndyAkiho, Cello, clarinet, drumset, flute, jazz, PascalLeBoeuf, piano, pierrot, righteousgirls, vibraphone, VijayIyer, violin
Gina Izzo, flute +
Erika Dohi, piano
feat. Vasko Duvoski, clarinet; Fung Chern Hwei, violin; Adam Fisher, cello; Mika Godbole, vibraphone; Peter Kronreif, drums.
Saturday, November 16th 7:00pm
Somethin’ Jazz Club
212 East 52nd Street
NY, NY 10022
Flutist Gina Izzo and pianist Erika Dohi will embrace the modern as RighteousGIRLS on Saturday, November 16th 7pm, at the Somethin’ Jazz Club in NYC. RighteousGIRLS will feature classical/contemporary, jazz and electronic artists including Vijay Iyer, Ambrose Akinmusire, Pascal Le Boeuf and a premiere of Dave Molk’s “EDGE” from their upcoming album.
The program also highlights Andy Akiho’s “to wALk Or ruN in wEst harlem,” a challenging, fast paced piece driven by a personal experience Akiho had while walking home alone one night. The piece is scored for Pierrot ensemble with added drum set and vibraphone. Joining the RighteousGIRLS will be Vasko Duvoski, clarinet; Fung Chern Hwei, violin; Adam Fisher, cello; Mika Godbole, vibraphone; Peter Kronreif drums. For more information please visit www.RighteousGIRLS.com.
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New York – A major artist of great renown, clarinetist David Krakauer showcases his virtuosity in an intimate setting. He brings his unique sound to a week-long residency at The Stone, John Zornʼs downtown hot spot in lower Manhattan.
As well as being a significant voice in the classical world, Krakauer is considered to be one of the most important innovators in Jewish klezmer music; contextualizing the ancestral sounds of his Eastern European roots for the 21st century. All of these cultural influences provide a powerful towline for his music, enabling him to embrace stylistically diverse and compelling projects, encompassing classical music, modern klezmer and jazz.
These projects include:
- KRAKAUER’S ACOUSTIC KLEZMER QUARTET
- KRAKAUER PLAYS ZORN
- ANCESTRAL GROOVE
- DUO AND TRIO IMPROVISATIONS
- KRAKAUER WITH STRINGS
- KRAKAUER -TAGG DUO
Tuesday, September 24th at 8 pm & 10 pm
KRAKAUER’S ACOUSTIC KLEZMER QUARTET
Unplugged versions of Krakauer’s klezmer repertoire ranging from his own quirky originals to traditional tunes.
David Krakauer (clarinets) Will Holshouser (accordion) Jerome Harris (bass) Michael Sarin (percussion)
Wednesday, September 25th at 8 pm & 10 pm
KRAKAUER PLAYS ZORN
Krakauer’s arrangements of pieces specially selected for David Krakauer by John Zorn from the third Book of Angels.
David Krakauer (clarinet) Sheryl Bailey (guitar) Jerome Harris (electric bass, vocals) Michael Sarin (drums) Keepalive (sampler)
Thursday, September 26th at 8 pm & 10 pm
Loops, grooves and ecstatic improvisation celebrate the earthy side of Krakauer’s ancestry.
David Krakauer (clarinet) Sheryl Bailey (guitar) Jerome Harris (electric bass, vocals) Michael Sarin (drums) Keepalive (sampler)
Friday, September 27th at 8 pm & 10 pm
KRAKAUER -TAGG DUO
Krakauer joins up with the South African pianist, arranger and musical explorer Kathleen Tagg in an evening of classical music, new composition and electronica.
David Krakauer (clarinets) Kathleen Tagg (piano, electronics) with special guest Will Holshouser (accordion)
Saturday, September 28th at 8 pm & 10 pm
DUO AND TRIO IMPROVISATIONS
Krakauer is joined by former Kronos cellist Jeff Zeigler, new music soprano extraordinaire Helga Davis and violinist/electronics wizard Todd Reynolds for an evening of new composition and improvisation.
Sunday, September 29th at 8 pm & 10 pm
KRAKAUER WITH STRINGS
Krakauer has assembled an all-star string quartet to play Osvaldo Golijov’s monumental “Dreams and Prayers of Isaac the Blind” (performed in both sets) plus arrangements and improvisations.
David Krakauer (clarinet, bass clarinet) Neal Dufallo and Abigale Reisman (violins) Margaret Dyer (viola) Jeff Zeigler (cello)
E 2nd St & Ave C
New York, NY 10009
For general information, please visit www.davidkrakauer.com.
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Posted by s21concerts in Concert Announcement, tags: Beethoven, Bion Tsang, Cello, chamber music, clarinet, Dvorak, Jon Manasse, Jon Nakamatsu, Music of the Spheres, piano, Poulenc, Stephanie Chase, violin
On February 15, Van Cliburn gold medalist Jon Nakamatsu – in his only NYC appearance this season – returns to perform chamber music with clarinetist Jon Manasse, cellist Bion Tsang and violinist/Artistic Director Stephanie Chase.
Jon Manasse and Jon Nakamatsu
This program features music by Beethoven, Poulenc and Dvorak that reflects on life and its necessities, friendship, and nationalism. It will take place at Christ & St. Stephen’s Church, located at 120 West 69th Street in New York City. The concert will start at 8:15 and is preceded by a talk at 7:30.
BEETHOVEN – Trio for piano, clarinet and cello, Op. 11
POULENC – Sonata for clarinet and piano, FP184
DVORAK – Piano Trio No. 4 “Dumky”
Beethoven’s delightful trio is partly inspired by a popular Viennese song containing the phrase “Before I go to work, I need something to eat.”
Dedicated to his friend Arthur Honegger, a fellow member of Les Six, Poulenc’s Sonata was commissioned by jazz great Benny Goodman, who premiered it (after Poulenc’s sudden death in 1963) with pianist Leonard Bernstein.
The word “Dumky” refers to the dumka, or an epic ballad of a somber nature containing contrasting cheerful sections. Dvorak’s “Dumky Trio” is among his most beloved chamber music compositions and dates from 1891.Admission at door: $30, $20 student/senior, cash or check only. Doors open at 7:15 p.m. Advance tickets are available at Brown Paper Tickets.
For more information, visit the Music of the Spheres Society.
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