Posts Tagged “clarinet”
Posted by s21concerts in Concert Announcement, tags: Cello, clarinet, cross island, dasilva, husa, mueller, piano, rutkowski, schoenfield, Trio, warshauer, zayas
Joseph Rutkowski, Jr., clarinet; Suzanne Mueller, cello; Elinor Abrams Zayas, piano
CROSS ISLAND – cellist Suzanne Mueller, and pianist Elinor Abrams Zayas – are joined by Joseph Rutkowski, Jr., clarinetist to finally play the concert postponed from August 14 due to severe weather – closing out the 2011 West Porch Beech Tree Concert Series at Old Westbury Gardens with a really special program of music they love from across the centuries, the world, and the musical spectrum.
Music by living composers will include:
The Big Picture, a jazz waltz by Mark McCarron, which will open the concert (and will be heard on CROSS ISLAND’s new CD, Quiet Strength, scheduled for a November 1 release)
Bracha, a breathtaking work by Meira Warshauer, in a new cello/piano transcription created in collaboration with the composer (also on Quiet Strength, scheduled for a November 1 release).
Funeral for a Ball, a new solo cello work by Douglas DaSilva.
Relentless Machine, the third of Karel Husa’s Three Studies for Solo Clarnet, performed in honor of the composer’s 90th birthday this summer.
The Andante of Paul Schoenfield’s Cafe Music (another Quiet Strength track) .
Other composers on the program will be Morton Gould, Arkadie Kouguell, Jacques Offenbach, George Gershwin, Cecile Chaminade, Enrique Granados, and Francisco Canaro, and there will also be a trio free improvisation.
Old Westbury Gardens is one of our favorite destinations on Long Island. With its historic mansion and incredibly gorgeous grounds (featured in movies from Love Story and North by Northwest to Hitch and American Gangster, and in television shows including Sex and the City and, most recently, Royal Pains), it’s a great place to spend the day.
Unless we have an Indian Summer day, the concert will be in the Red Ballroom, with it’s crystal clear acoustics and beautiful Steinway. If the weather cooperates, though, we’ll be under the majestic tree that gives the series its name. Regardless, while you’re there, take a tour of the house and/or gardens – the docents are both knowledgeable and welcoming.
The concert is free. Admission to the Gardens (including tours) is $10 for adults; $8 for mature adults (over 62); $5 for children 7-12; and free for children under 7.
For directions, and to learn more about Old Westbury Gardens, go to http://www.oldwestburygardens.org.
To keep up with CROSS ISLAND’s news, hear tracks, and watch performance videos, go to http://crossisland.net.
For information about the West Porch Beech Tree Concert Series or its performers, contact Suzanne Mueller at firstname.lastname@example.org.
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Posted by s21concerts in Concert Announcement, tags: Babbitt, chamber music, clarinet, Elliott Carter, flute, marimba, New York, percussion, Susman, vibraphone, world premiere
Principal Percussionist of the Met Opera Greg Zuber and Flutist Patricia Zuber host a concert at the New York Chamber Music Festival
Sunday, September 18 at 8:00 pm at Symphony Space
Symphony Space, Sharp Theatre
2537 Broadway, New York, NY 10025
NEARBY SUBWAY STOPS: 1, 2, 3 at 96th St.
Tickets $20; Members, Students, Seniors $15; Day of Show $25
Greg Zuber, marimba and vibraphone
Patircia Zuber, flute
Denis Bouriakov, flute
Maron Khoury, flute
Bart Feller, flute
Lino Gomez, clarinet
Tomoya Aomori, double bass
Derrick Inouye, conductor
Milton Babbitt When Shall We Three Meet Again?
Elliot Carter Esprit Rude/Esprit Doux II
Teruyuki Noda Mattinata
William Susman Seven Scenes for Four Flutes (2011) World Premiere
Written at the behest of a commissioning consortium headed by Patricia Zuber
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The Xanthos Ensemble
Presented by the Boston University College of Fine Arts
School of Music Department of Composition and Theory
Saturday, November 20th 2010 at 4:00 p.m.
***NOTE AFTERNOON TIME
855 Commonwealth Avenue
Boston, MA 02215
Suggested donation is $15, $10 for students and seniors, and the event is free to Boston University faculty, staff, and students.
Arnold Schoenberg, Arr. Anton Webern • Kammersymphonie No. 1, Op. 9
Daniel Felsenfeld • Insomnia Redux; 4am (Boston premiere)
Geoffrey Gordon • Flamingo (world premiere)
Shulamit Ran • Inscriptions, for solo violin
George Rochberg • Duo Concertante, for violin and cello
Xanthos Ensemble Performers
Zachary Jay, flute
Alexis Lanz, clarinet
Brenda van der Merwe, violin
Katherine Kayaian, cello
Eunyoung Kim, piano
Jeffrey Means, conductor
In 2008, the Xanthos Ensemble joined in a collaboration at Boston University, presented by the Boston University College of Fine Arts School of Music Department of Composition and Theory. Their concert on November 20th, 2010 will feature the dramatic Kammersymphonie of Arnold Schoenberg, originally written in 1906, but arranged by Webern for piano quintet in 1923. The Xanthos Ensemble’s new composer in residence Geoffrey Gordon’s new work Flamingo will have its world premiere, and Daniel Felsenfeld’s Insomnia Redux; 4am (originally scored for piano solo, now reorchestrated for flute, clarinet, violin, cello, and piano), will receive its Boston premiere, after having received wondrous praise from the New York Times after a recent performance by the Da Capo Chamber Players. Rounding off the program, the performers will present Shulamit Ran’s dynamic solo violin work Inscriptions, and the vivacious Duo Concertante for violin and cello.
Steve Smith of the New York Times has raved about the “virtuoso players” of the Xanthos Ensemble as “copiously skilled and confident” in the face of “undeniably challenging music.” Bruce Hodges of musicweb-international.com recounted their recent New York City performance of Charles Wuorinen’s New York Notes, noting “the ease with which these musicians played this blockbuster was instructive” and “Xanthos seemed to only gain in momentum as the evening progressed.”
Through a combination of internationally recognized repertoire and world premieres of works dedicated to the ensemble, the major focus of the ensemble’s mission is to bring new music to life, written for the ensemble in collaboration with living composers, and to that aim they have premiered dozens of works and have had several newly composed works dedicated to them since the group’s inception in 2005. From 2006 to 2008, they served as Ensemble in Residence at Boston Conservatory.
The Xanthos Ensemble is a non-profit tax exempt 501(c)(3) organization, and all contributions to the organization are fully deductible to the extent allowed by law.
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North/South Consonance’s 30th Anniversary Gala!
Chamber Orchestra Works by Composers from the Americas
featuring new and recent compositions by
Elizabeth Bell, Edward Green, Max Lifchitz
Hilary Tann & Stephen Yip
Arthur Campbell, clarinet
Megan Levin, harp
Helen Lin, piano
Max Lifchitz, conductor
The North/South Chamber Orchestra
Monday, March 8 at 8 PM
Merkin Concert Hall
129 West 67th St (bet Bway & Amsterdam), NYC
First come first serve.
Tickets available at the Merkin Hall box office after 7 PM the evening of the concert
North/South Consonance, Inc. celebrates its 30th consecutive season of advocacy on behalf of music by living composers with a special chamber orchestra concert at New York City’s Merkin Concert Hall (129 West 67th St) on Monday, March 8, 2010 at 8 PM.
Distinguished guest artists including clarinetist Arthur Campbell; harpist Megan Levin; and pianist Helen Lin will join the GRAMMY nominated North/South Chamber Orchestra conducted by its founder Max Lifchitz for the special event. The program will include recent works especially written for the occasion by American composers Elizabeth Bell, Edward Green, Max Lifchitz, Hilary Tann and Stephen Yip.
Admission is free. First come first serve. Tickets may be picked up at the Merkin Concert Hall box office after 7 PM the evening of the concert.
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Posted by s21concerts in Concert Announcement, tags: chamber music, clarinet, Jon Manasse, Krenek, Music of the Spheres, New York, piano, Stephanie Chase, violin, Webern, William Wolfram
Music of the Spheres Society
“Sound Travels Through Vienna”
Friday, February 26, 2010 at 8:15 pm
Christ & St. Stephen’s Church
120 West 69th Street (between Broadway and Columbus)
New York, NY 10023
Admission at door: $30, $15 senior/student, requested contribution. Cash or check only.
Krenek: Sonata No. 2 for violin solo (1948)
Kreisler: Caprice Viennois (1910)
Webern: Four Pieces for violin and piano (1910)
Brahms: Sonata for clarinet and piano, Op. 120 in F Minor(1894)
Schubert: KlavierstÃ¼cke No. 1, D 946 (1828)
Mozart: Sonata in A Major for piano and violin, K305 (1778)
Stephanie Chase, violin
Jon Manasse, clarinet
William Wolfram, piano
Through much of its history, Vienna has served as a music capitol – the Vienna Boys’ Choir dates back to 1498! – and home to many of classical music’s most influential and innovative composers. This concert is a journey through the music of six composers with pivotal ties to this city, starting in the mid-20th century and ending in the 1770’s.
Our listening tour begins with the Sonata No. 2 for Violin Solo, Op. 115 by Ernst Krenek, which he composed shortly after moving to the United States. A student of Franz Shreker – first in Vienna and then in Berlin – Krenek was later influenced by the music of Schoenberg, Webern and Berg, and after about 1933 he composed principally in the 12-tone system.We then travel back a few decades to 1910, where we encounter both the Caprice Viennois by Fritz Kreisler and Four Pieces for violin and piano, Op. 7 by Anton Webern. Composed a mere sixteen years earlier (1894), the majestic Clarinet Sonata in F Minor, Op. 120 by Johannes Brahms forms the heart of the concert, followed by the mercurial KlavierstÃ¼cke No. 1 (D 946) by Franz Schubert, which dates from 1828. The journey then ends with the delightful Sonata in A Major, K. 305 for piano and violin, composed in 1778 by Wolfgang Amadeus Mozart.
STEPHANIE CHASE played with “elegance, dexterity, rhythmic vitality and great imagination” – Boston Globe
“And there was a heavenly moment when clarinetist JON MANASSE fluttered above the duet like a cherub tumbling in the clouds of a Mannerist painting.”, Milwaukee Journal
“Pianist WILLIAM WOLFRAM combined elegance and clarity in his playing, with the virile, propulsive energy and mercurial shifts of mood needed to make this music come to life.” – San Francisco Classical Voice
Pre-concert talk at 7:30 p.m. by Styra Avins, included in admission:
“I drink my wine where Beethoven drank his!”: Johannes Brahms in Vienna
Styra Avins is a cellist, musicologist, and the author of Johannes Brahms: Life and Letters (Oxford University Press).
Now in our ninth year, the Music of the Spheres Society is “dedicated to exploring the links between music, philosophy and the sciences” (The New Yorker) through our innovative concerts and and pre-concert talks.
For more information, please visit www.musicofthespheres.org
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