Posts Tagged “classical music”

On Sunday, March 16 at 2 pm, pianist Inna Faliks ( will perform her eclectic program Dances and Passions at New York City’s Spectrum, 121 Ludlow (Floor 2, ring bell for 2), New York. In addition to Beethoven’s well-regarded Piano Sonata No. 23 (Appassionata), Faliks will also play the composer’s Polonaise, Op. 89 and Schumann’s Davidsbündler, Op. 6. Works by Shchedrin and New York City’s Ljova (Lev Zhurbin) complete the program. This will be Faliks’ first appearance at Spectrum.

Tickets are $15 general admission; $10 students and seniors. More information is available at

A resident of Los Angeles and past New Yorker, Faliks now serves as a tenured professor of piano at UCLA’s  Herb Albert School of Music. She is also the founder of New York’s Music/Words.


Beethoven, Polonaise, Op. 89/Sonata, Op. 57 (Appassionata)


Shchedrin, Basso Ostinato
, Sirota (with historical recording)
Schumann, Davidsbündler, Op. 6

Called “adventurous” and “passionate” by The New Yorker, Ukrainian-born Inna Faliks ( has established herself as one of the most passionately committed, exciting and poetic artists of her generation. Since her acclaimed teenage debuts at the Gilmore Festival and with the Chicago Symphony Orchestra, she has performed on many of the world’s great stages, with numerous orchestras, in solo appearances, and with conductors such as Leonard Slatkin and Keith Lockhart.

She recently appeared alongside British actress Lesley Nicol (“Mrs. Patmore” from Downton Abbey) in Nigel Hess’s production of Admission: One Shilling, a staged tribute to the legendary Dame Myra Hess. Her critically acclaimed CD on MSR Classics, Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. Her discography also includes a recital recording for the Yamaha Disklavier library, and her new Beethoven recording will be out this year. Faliks recently joined the illustrious faculty of UCLA,




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The New Public York Library for the Performing Arts at Lincoln Center is pleased to present American-Armenian award winning pianist Sofya Melikyan in a solo concert titled “Fantasies” on Saturday, January 25th at 2:30 pm at the Bruno Walter Auditorium in the Dorothy and Lewis B. Cullman Center located at 40 Lincoln Center Plaza, New York (map and directions). The concert, which represents the American debut of Ms. Melikyan’s Fantasies program, is free and open to the public.


Featuring some of the most inspired pages of the Fantasy and reflecting the different esthetics of this genre starting with the 18th century and through the present day, the concert program includes works by C.P.E. Bach, Brahms, Beethoven, Corigliano, and Liszt. The term “Fantasy” was first used in the 16th century to describe an instrumental piece that was improvisatory and spontaneous in character, free of any formal rules or restrictions. This musical journey invites listeners to dive into a universe full of colors and mystery, and in turn, to explore the fascinating world of dreams and the imagination.

Pianist Sofya Melikyan

Pianist Sofya Melikyan

…”The Armenian pianist Sofya Melikyan literally abducted her audience into the land of fantasy… She offered a fascinating panorama of different approaches – baroque, classic, romantic – to the genre of the fantasy, which in its quality and in the pervasion of the compositions would have been worthy of her home town New York”… Frederik Wittenberg in Westfälische Nachrichten  (Germany)


Ms. Melikyan possesses this transcendental force to take the listener to her world of deep poetic intuition and her homeland is the source of the wideness and the depth of her artistic work: she grew up in Armenia, a country characterized by a strong relationship to nature, to the mystical, surrounded by mountains, which lead for centuries the way to Europe, Asia and the Middle East.

Now a resident of Brooklyn, New York, Ms. Melikyan completed her studies at the Royal Conservatory of Madrid with Joaquin Soriano, École Normale de Musique de Paris with Ramzi Yassa and the Manhattan School of Music in New York where she was a scholarship student of Solomon Mikowsky. Other pianists who have mentored her are Brigitte Engerer, Galina Eguiazarova and Elena Tatulyan. Ms. Melikyan has toured throughout Europe, Australia, Canada, Japan and the United States.  More information is available here.

The full concert program follows:

Carl Phillip Emmanuel Bach (1714-1788)

Fantasy in f sharp minor H300


Johannes Brahms (1836-1897)

Fantasien Op.116

Ludwig van Beethoven (1770-1827)

Fantasy in g minor Op. 77

John Corigliano (1938- )


For the left hand


Fifths to thirds




Franz Liszt (1811-1886)

Après une lecture du Dante, fantasia quasi sonata S 161,

de Anées de Pèlegrinage.

Deuxième année: Italia



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Los Angeles Children's Chorus

Los Angeles Children’s Chorus

Los Angeles Children’s Chorus, acclaimed for its pure, agile, bel canto sound that has made it one of the most in-demand children’s choirs in the county, spotlights the music of Benjamin Britten and the English choral tradition and also performs a compelling array of music from around the globe at its popular annual Winter Concert on Saturday, December 7, 7 PM, and Sunday, December 8, 2013, 7:30 PM, at Pasadena Presbyterian Church. The repertoire includes Benjamin Britten’s Ceremony of Carols, Friday Afternoons and selections from his extensive collection of folksong settings, as well as a selection of English carols and cathedral anthems from Sir David Willcocks, John Rutter and others.

LACC Artistic Director Anne Tomlinson conducts the chorus’ renowned Concert Choir and Chamber Singers. Associate Artistic Director Mandy Brigham leads the Intermediate Choir, Diana Landis leads the Apprentice Choir, and Dr. Steve Kronauer conducts the Young Men’s Ensemble. The choirs will perform separately and combined.

Tickets are $26, $38 and $44; children 17 and under are half price. For tickets and information, please call (626) 793-4231 or visit Pasadena Presbyterian Church is located at 585 East Colorado Blvd., Pasadena, CA 91101.

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On Friday, December 13, 2013 at 8 pm, the New York City Master Chorale, under the direction of Artistic Director Thea Kano, opens its eighth season with a “Holiday Concert,” featuring Camille Saint-Saëns’ Christmas Oratorio and the New York City premiere of Paul Leavitt’s Magnificat. The concert, to be held at the Church of Saint Ignatius of Antioch (552 West End Avenue at 87th Street), features organist James Kennerley and phenomenal soloists from the Chorale. Tickets are $35 (general admission) or $25 (student/senior) and can be purchased or at the door, space permitting.

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The Los Angeles Master Chorale (LAMC), conducted by Music Director Grant Gershon, continues its year-long 50th anniversary season celebration with back-to-back performances of Orff’s Carmina Burana, one of the most popular choral works of the 20th century, featuring the 115-voice chorus, noted guest artists Stacey Tappan, a “mellifluous” soprano (Wall St. Journal), José Adán Pérez, a “glorious baritone” (Bach Track), the ever-polished Los Angeles Children’s Chorus, Chorale member Timothy Gonzales, tenor, and a symphonic orchestra on Saturday, November 2, 2013, 2 pm, and Sunday, November 3, 2013, 7 pm, at Disney Hall. Verdi’s lush Te Deum, for double chorus and orchestra with roots in polyphony and Gregorian chant, opens the program.

A staple for the Chorale, Carmina Burana has been performed 16 times by the chorus and conducted by all four of its music directors over the past 50 years. A favorite in popular culture as well, it has been featured in such disparate films as The Last of the Mohicans, Speed and Excalibur and such television shows as Glee, The Simpsons and Survivor. The irreverent and dynamic work, based on a remarkable collection of 13th century writings by medieval poets, defrocked monks, vagabond scholars and minstrels, illuminates the bawdy and sensuous side of mankind. Written in 1936, when Orff was 41, it is perhaps the most recognized choral work of the 20th century. The majority of its movements are for chorus, which provides the musical heart of Carmina Burana and is a testament to Orff’s considerable skill in handling massed voices. Gershon last conducted the piece in 2005.

Tickets for Camina Burana range from $29 – $129. Group rates are available. For tickets and information, please call (213) 972-7282, or visit (Tickets cannot be purchased at the Walt Disney Concert Hall Box Office except on concert days starting 2 hours prior to the performance.) The Walt Disney Concert Hall is located at 111 South Grand Avenue at First Street in downtown Los Angeles.

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Photo of Kathleen Supove by Miriam Hendel

Photo of Kathleen Supove by Miriam Hendel

Neighborhood Classics presents versatile contemporary music pianist Kathleen Supové in concert on Friday, November 8, 2013 at 7pm, at P.S. 142 on the Lower East Side (100 Attorney Street). Supové’s diverse program includes Reflets dans l’Eau (from Images Book 1) by Claude Debussy, Cakewalking (Sorry Claude) by Daniel Felsenfeld, Long Distance Call by Randall Woolf,Disney Remixes by Matt Marks, Piano Miniatures by Mohammed Fairouz, and Feux d’Artifice (from Préludes, Book II) by Claude Debussy. The performance will be hosted by James Matheson, composer and Neighborhood Classics Artistic Director at P.S. 142. All ticket sales for this one-hour, family-friendly concert benefit the host school.

Kathleen Supové is one of America’s most acclaimed and multifaceted pianists, known for continually redefining what a pianist/keyboardist/performance artist is in today’s world. Supové presents solo concerts entitled THE EXPLODING PIANO, in which she has performed and premiered works by countless established as well as emerging composers. Upcoming projects include new/complete Piano Miniatures by Mohammed Fairouz; Digital Debussy, the piano works/ghost pieces of Morton Subotnick; and performances throughout the UK of Urban Birds by Arlene Sierra in connection with the Commonwealth Games. In June 2013, she and Sideband Laptop Orchestra performed and gave a Google Talk at their headquarters in Chelsea, NYC. In May 2012, Supové received the John Cage Award from ASCAP for “the artistry and passion with which she performs, commissions, records, and champions the music of our time.” She is a Yamaha Artist. Her latest solo album is THE EXPLODING PIANO. For more info, visit .

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A concert of works by renowned American composer Michael Hersch will be presented at the DiMenna Center for the Arts in New York City on the evening of October 19.

Photograph by Richard Anderson.

Photograph by Richard Anderson.

Also regarded as one of today’s more formidable pianists, Hersch is the subject of a new documentary film, The Sudden Pianist, which focuses on his life and his work for the piano. At the Oct 19 concert, Hersch will perform some of the music featured in the film: selections from his 2 and a half-hour solo piano work, The Vanishing Pavilions. (A screening of the film, which was released earlier in 2013 and has already garnered significant festival interest, will take place at the Producers’ Club on the morning of the concert; more information about the film can be found at This concert marks Hersch’s only second public appearance as a pianist in New York in the last ten years.

Also on the October 19 all-Hersch program will be “in the snowy margins” for unaccompanied violin; the New York premiere of “of ages manifest” for unaccompanied alto saxophone; Five Fragments for unaccompanied violin; and the New York premiere of How Far the Cradle for soprano and piano. Artists joining the composer on the program are violinist Miranda Cuckson, saxophonist Gary Louie, soprano Ah Young Hong, and pianist Michael Sheppard.

Saturday, October 19 at 8pm
The DiMenna Center for Classical Music
Mary Flagler Cary Hall
450 West 37th Street
New York, NY 10018

Free admission. No reservations required.
For more information, visit here.

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Free Seminar:  December 3, 2013, 3-5pm Eastern

Maximizing Your Concert Appearance

With Peter Gordon, Marty Ashby and Myles Weinstein


Attend: in person at Saint Peter’s Church in midtown Manhattan or via live-stream

A performance can be so much more than showing up at a gig and playing your heart out. Today’s successful concert is part of a living, breathing ecosystem—connecting artist, presenter, social/print media, radio/television, and fans. In the first hour, the panel will outline strategies, techniques and innovative approaches to making the most of your live appearances. In the second hour, they’ll review specific projects spotlighting real-world successes within the CMA community.

Peter Gordon is the founder of Jazz Forward Coalition and Thirsty Ear Recordings, a 36 year-old indie record label that has released over 300 records. Gordon is a founding board member of the American Association of Independent Music (A2IM) . He was the lead negotiator in the landmark FCC radio accord and was a founding VP of the World Independent Network—WIN, representing 20 international music trade organizations. Gordon recently co-founded the Jazz Forward Coalition, a leadership group advocating sustainability and cultural growth for the Jazz community.

Marty Ashby is the Executive Producer and founder of MCG Jazz, a program of the Manchester Craftsmen’s Guild (MCG) in Pittsburgh, PA. He has produced over 2,000 concerts and 45 recordings on the MCG Jazz label, including three GRAMMY® Award and two Latin GRAMMY® Award winners and has raised over $25 million to support the MCG Jazz program.  He was recently awarded a EPP Goldman-Sachs fellowship at the Smithsonian’s National Museum of American History.

Myles Weinstein’s Unlimited Myles, Inc. exclusively represents such leading artists Regina Carter, Kenny Barron, Stefon Harris, Luciana Souza and Vijay Iyer.  From 1993-2001, Myles was the founding director of the jazz division at Herbert Barrett Management. He has played percussion, timpani and drums with Stefon Harris, Steve Turre, the Long Island Philharmonic and the Joffrey Ballet Orchestra.   In the 90’s, he co-led with Chris Potter the ensemble, The Jazz Mentality.

First Tuesdays is a free professional development seminar series presented by Chamber Music America in partnership with Saint Peter’s Church and Midtown Arts Commons. Workshops are live-streamed and archived on the CMA website.


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Free Seminar: 42 Revenue Streams for Musicians

With Jean Cook, Director of Progams, Future of Music Coalition

Tuesday, March 4, 2014, 3-5 pm Eastern


Attend in person or online:

How do you earn your money from music? Learn ways to expand your revenue-generating capacity and formulate the best mix of music income for you. Join Jean Cook, Director of Programs from the Future of Music Coalition, in a discussion of the 42 revenue streams available to composers and performers based on changes in copyright law and FMC’s findings from its Artist Revenue Streams, a project that collects and studies data from U.S. musicians on how they make a living.

For the last two years Jean Cook  co-directed FMC’s Artist Revenue Streams project. She is a member of New Music USA’s New Media Council and also currently serves as Chair of APAP’s Classical Connections Committee. Cook is a also a musician and producer.

Future of Music Coalition is a national nonprofit organization that works to ensure a diverse musical culture where artists flourish, are compensated fairly for their work, and where fans can find the music they want.  fairly for their work, and where fans can find the music they want.

First Tuesdays is a free professional development seminar series presented by Chamber Music America in partnership with Saint Peter’s Church and Midtown Arts Commons.

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New York – A major artist of great renown, clarinetist David Krakauer showcases his virtuosity in an intimate setting. He brings his unique sound to a week-long residency at The Stone, John Zornʼs downtown hot spot in lower Manhattan.

As well as being a significant voice in the classical world, Krakauer is considered to be one of the most important innovators in Jewish klezmer music; contextualizing the ancestral sounds of his Eastern European roots for the 21st century. All of these cultural influences provide a powerful towline for his music, enabling him to embrace stylistically diverse and compelling projects, encompassing classical music, modern klezmer and jazz.

David Krakauer



These projects include:






Tuesday, September 24th at 8 pm & 10 pm

Unplugged versions of Krakauer’s klezmer repertoire ranging from his own quirky originals to traditional tunes.
David Krakauer (clarinets) Will Holshouser (accordion) Jerome Harris (bass) Michael Sarin (percussion)
Admission: $15

Wednesday, September 25th at 8 pm & 10 pm
Krakauer’s arrangements of pieces specially selected for David Krakauer by John Zorn from the third Book of Angels.
David Krakauer (clarinet) Sheryl Bailey (guitar) Jerome Harris (electric bass, vocals) Michael Sarin (drums) Keepalive (sampler)
Admission: $15

Thursday, September 26th at 8 pm & 10 pm
Loops, grooves and ecstatic improvisation celebrate the earthy side of Krakauer’s ancestry.
David Krakauer (clarinet) Sheryl Bailey (guitar) Jerome Harris (electric bass, vocals) Michael Sarin (drums) Keepalive (sampler)
Admission: $15

Friday, September 27th at 8 pm & 10 pm
Krakauer joins up with the South African pianist, arranger and musical explorer Kathleen Tagg in an evening of classical music, new composition and electronica.
David Krakauer (clarinets) Kathleen Tagg (piano, electronics) with special guest Will Holshouser (accordion)
Admission: $20

Saturday, September 28th at 8 pm & 10 pm
Krakauer is joined by former Kronos cellist Jeff Zeigler, new music soprano extraordinaire Helga Davis and violinist/electronics wizard Todd Reynolds for an evening of new composition and improvisation.
Admission: $20

Sunday, September 29th at 8 pm & 10 pm
Krakauer has assembled an all-star string quartet to play Osvaldo Golijov’s monumental “Dreams and Prayers of Isaac the Blind” (performed in both sets) plus arrangements and improvisations.
David Krakauer (clarinet, bass clarinet) Neal Dufallo and Abigale Reisman (violins) Margaret Dyer (viola) Jeff Zeigler (cello)
Admission: $20


E 2nd St & Ave C
New York, NY 10009
(212) 473-0043


For general information, please visit

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