Posts Tagged “composition”
Sunday, April 10th @ 7pm
REDCAT, the Roy and Edna Disney/CalArts Theater, Los Angeles, CA
The EAR Unit, Los Angeles’ fearless new music ensemble, performs David Dvorin‘s “As Alice” with live electro-acoustic manipulations of tea cups, saucers, playing cards, clocks, doors, cats, dogs, baby sneezes and children’s voices along with interactive video. In special coordination with REDCAT, the Los Angeles premiere will feature an immersive performance of the twenty-five minute new work by the trio (violin, piano, electronic percussion), which includes specially mixed surround sound, and visuals projected onto 8 foot suspended spheres.
“As Alice” uses Lewis Carroll’s Alice’s Adventures in Wonderland to reflect upon a series of childhood situations or acts of imaginative play with both aural and visual references. The electro-acoustic score was created solely from recorded sounds chosen because of their association with the Alice story, and include recorded conversations with Dvorin’s six year-old daughter. All of the collected sounds (including voice) were manipulated, processed, and ultimately used as fodder for invented (or imagined) instruments that are performed live by the percussionist in conjunction with the violin and piano.
Dvorin collaborated with Switzerland-based visual designer Ted Davis on the creation of interactive visual elements that are projection mapped onto large spherical objects situated around the performers. The raw visual material consists of both Cecil Hepworth’s age-deteriorated 1903 film of Alice in Wonderland, as well as whimsical illustrations drawn by Dvorin’s young daughter. Similar to the music, these images are also processed, triggered, and controlled by the musicians interactively, and react to their performance.
From the composer:
“I strongly feel that imaginative play is the source of all creativity in our lives. As children we relish the pleasures of pretending to be something we’re not, visiting a fabricated universe, constructing ‘rules’ and situations with which to interact, and ultimately transcending oneself, if just for a moment, in play. I recognize these same thrills when composing music: pretending, fabricating, constructing and hopefully transcending. Perhaps that is why I am still in love with children’s literature, whimsy, and nonsense. We are “as Alice”, exploring the fantastical without asking “why”; in imagination, dreaming and waking have no delineation.”
Existential Pilot New Music Collective
is presenting two concerts of contemporary chamber music by composers William Zuckerman
, Ezra Donner
, and Jonathan Lubin
on March 2-3
in New York City
. The concert will feature the performing talents of clarinetist Mark Dover
, soprano Claire DiVizio
, and violinist ZoÃ« Aqua
, as well as the featured composers.
The program represents an eclectic range of stylistic and literary influences, from traditional Jewish and American vernacular music, to avant-garde electronic music, to works inspired by the popular South Park television series.
Existential Pilot is a new music collective started by students and alumni of the University of Michigan, dedicated to the performance of dynamic and relevant contemporary music. The group is particularly committed to showcasing the talents of young and emerging composers and performers.
Tickets are $7 pre-sale and $9 at the door. To reserve yours, please click on the links below.
Tuesday March 2, 2010 8 PM
WMP Concert Hall
31-33 East 28th Street
New York, NY
Wednesday, March 3, 2010 8 PM
Ethical Society of Philadelphia
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Ursula Oppens — celebrated pianist and distinguished professor of music at the Graduate Center of the City University of New York — performs works by New York composers John Corigliano, Joan Tower, Tania Leon, Elliott Carter (American premiere), and Tobias Picker (world premiere) at Elebash Recital Hall, 365 Fifth Ave., on Nov. 11 (Wednesday, 7 p.m.). Ms. Oppens will be joined by fellow CUNY faculty member, clarinetist Charles Neidich.
Before the performance, several of these eminent composers will join Oppens for a conversation about composition and performance, and what it means to create and play music in New York today. $25 general admission; $10 for Graduate Center students with I.D. Tickets may be purchased at the Online Box Office. For more information: (212) 817-8215.
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13th ANNUAL CHORAL COMPOSITION COMPETITION of the Cambridge Chamber Singers
Postmark deadline for next season: October 23, 2009
Prize: $700 and two performances; Possible recording
There is no entry fee.
Original composition for a cappella, 4-6 part mixed choir, occasional divisi is acceptable;
Three to six minutes long;
Not previously performed in Massachusetts;
Remove all names and identifying marks;
Provide a sealed envelope containing your name, address, email and phone number;
Submit a legible score. In addition, recordings will be accepted but are not required.
If the text is not public domain, include written permission to use it.
You may submit electronically, to the e-mail below, with a pdf attachment. Sibelius, Finale and other formats will not be accepted.
The winning composition is to be performed in May of 2010 at the Cambridge Chamber Singers concerts in the Boston area. CCS encourages the composer’s attendance.
The Cambridge Chamber Singers reserves the right to not award a prize.
The winning composer must provide a final performance score by January 10, 2010. CMS will make 40 copies for the chorus.
There are no restrictions according to race, sex, age or residency. The text may be in any language. A composer may submit more than one piece.
If you would like your materials returned, please enclose a SASE.
Send all submissions to:
Cambridge Chamber Singers, Inc.
P.O. Box 600527
Newtonville, MA 02460
For further information, email email@example.com or call Martha Holmes at 617-965-7573.
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