Posts Tagged “concert”

BargemusicShpachenko

“The Poetry of Places”

Nadia Shpachenko, piano
1 World Premiere, 5 NY Premieres

BARGEMUSIC
Fulton Ferry Landing
Brooklyn, NY 11201
June 24 • Friday, 8 pm BUY TICKETS NOW
Tickets: $35 ($30 Senior, $15 Student)
Here and Now Series

Multiple GRAMMY® nominated pianist Nadia Shpachenko performs her newly-commissioned program “The Poetry of Places,” including the World Premiere of Alone, in Waters Shimmering and Dark by James Matheson, and 5 New York Premieres by Lewis Spratlan, Harold Meltzer, Hannah Lash, Amy Beth Kirsten, and Jack Van Zandt. The compositions are inspired by diverse buildings: House on Island in Pine Plains, NY, Louis Kahn’s National Assembly Buildings in Dhaka, Bangladesh, Frank Gehry’s IAC Building in Manhattan, the Aaron Copland House, the American Visionary Art Museum in Baltimore, and the Newgrange Ancient Temple in Ireland.

PROGRAM

Lewis Spratlan Bangladesh (2015) (NY Premiere)
Harold Meltzer In Full Sail (2016) (NY Premiere)
James Matheson Alone, in Waters Shimmering and Dark (2016) (World Premiere)
Hannah Lash Give Me Your Songs (2016) (NY Premiere)
Amy Beth Kirsten h.o.p.e. (2016) (NY Premiere)
Jack Van Zandt Sí an Bhrú (2016) (NY Premiere)

About the Artist:

Multiple GRAMMY® nominated pianist Nadia Shpachenko enjoys bringing into the world things that are outside the box – powerful pieces that often possess unusual sonic qualities or instrumentation. Described by critics as a “truly inspiring and brilliant pianist… spellbinding in sensitivity and mastery of technique,” she performs on piano, toy piano, harpsichord, and percussion in concerts that often also feature recitation, electronics and multimedia. Nadia’s concert highlights include solo recitals at Concertgebouw, Carnegie Hall, Bargemusic, the Phillips Collection, and REDCAT @ Disney Hall, as well as numerous appearances as soloist with orchestras in Europe and the Americas.

An enthusiastic promoter of contemporary music, Nadia has given world and national premieres of more than 50 works by Elliott Carter, George Crumb, Daniel Felsenfeld, Tom Flaherty, Annie Gosfield, Vera Ivanova, Leon Kirchner, Amy Beth Kirsten, Hannah Lash, James Matheson, Missy Mazzoli, Harold Meltzer, Adam Schoenberg, Lewis Spratlan, Iannis Xenakis, Peter Yates, and others. Described as “an exceptional recording of newly composed piano works,” Nadia’s CD “Woman at the New Piano: American Music of 2013” was nominated for 58th GRAMMY® Awards in 3 categories: Best Classical Compendium, Best Chamber Music/Small Ensemble Performance by Nadia Shpachenko and Genevieve Feiwen Lee for Tom Flaherty’s “Airdancing” for Toy Piano, Piano and Electronics, and Producer of the Year, Classical for Marina A. Ledin and Victor Ledin. Nadia’s upcoming recording project “Quotations and Homages” features newly-written solo and collaborative works for 6 pianists (performed with Ray-Kallay Duo, HOCKET and Genevieve Feiwen Lee) inspired by a variety of earlier composers and pieces, from Beethoven to Brahms to Stravinsky to Messiaen to Carter to Gubaidulina to The Velvet Underground. Nadia’s upcoming recording project “The Poetry of Places” features new solo and collaborative works (performed with pianist Joanne Pearce Martin and percussionists Nick Terry and Ted Atkatz) inspired by diverse buildings.

Nadia Shpachenko is on the faculty of Cal Poly Pomona and Claremont Graduate Universities. Her principal teachers included John Perry, Victor Rosenbaum, and Victor Derevianko. Nadia Shpachenko is a Steinway Artist and a Schoenhut Toy Piano Artist.

Web: http://nadiashpachenko.com

More information
Contact: Zach Schwartz, Promote Classical
(781) 801-8977, zach@promoteclassical.com

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TOKYO TO NEW YORK       東京  と  ニューヨーク


SUNDAY, OCTOBER 18, 2015  –  2015年10月18日(日曜日)

 

 Premiers and New Music by Tokyo- and NYC-based Composers

Clarinetist and hichiriki player Thomas Piercy is joined in concert by pianists Taka Kigawa and Judith Olson, koto player Jun Ando and sho player Chatori Shimizu.

 

The October 18th “Tokyo to New York” concert features six world premiers and six United States premiers composed for critically acclaimed clarinetist and hichiriki player Thomas Piercy by Tokyo- and NYC-based composers. Mr. Piercy will be joined in the concert by two of NYC’s leading proponents of new music, pianists Taka Kigawa and Judith Olson. Also joining Piercy in the concert are sho player Chatori Shimizu and koto player Jun Ando.

 

The music – in a wide variety of styles – features premiers by Fernando Otero (Latin Grammy Award), Gilbert Galindo (Meet the Composer Van Lier Fellow), David Del Tredici (Pulitzer Prize), Ian Ng (ASCAP Morton Gould Young Composer Award), Lyudmilla German, and Chatori Shimizu (Arima Prize).  United States premiers by Tokyo composers Jun Nagao (Takemitsu Award) and Ippo Tsuboi, and NYC composers Dana Richardson, Michael Rose, Richard Rosenfeld, and Russell Wimbish; other works by Masatora Goya, William Mayer, and Ned Rorem (Pulitzer Prize).

 

 

Sunday  |  October 18, 2015  |  4pm

Tenri Cultural Institute

43 W. 13th St., NY, NY  10011

Tickets: $25 ($15 Students/Seniors)

Reservations: tci@tenri.org | 212-645-2800
www.tonadaproductions.com/tokyo-to-new-york-2015-tenri-october

Co-Presented with Arts at Tenri.

 

“Piercy’s Richly Diverse Program of Japanese and American Music…a fascinatingly eclectic, virtuosic program of new chamber works which contrast Japanese composers’ views of New York with their New York counterparts’ views of Japan. Although most of the works are relatively short,…the ensemble tackled the music’s wide range of demands with verve, insight and sensitivity.” – Lucid Culture Magazine

“Tokyo to New York” – under the direction of Thomas Piercy – celebrates connections between Tokyo and New York City with a series of concerts in Tokyo and NYC. The concerts feature new works composed for Western classical instruments as well as traditional Japanese instruments. They include a wide variety of styles of music, from Japanese avant-garde to American contemporary classical, abstract to minimalism, neo-Romantic to tango nuevo, J-pop to jazz-influenced pieces.

The composers come from all walks of life and experience: from university students to university professors; from self-taught composers to composers with Ph.Ds; from emerging composers to composers that have won such prominent awards as the Takemitsu Prize, Grammy Award, Latin Grammy Award, and the Pulitzer Prize. The musicians of “Tokyo to New York” have had the opportunity to work with many of the Japanese and American composers programmed in these concerts.  Since 2012, “Tokyo to New York” has performed over 60 world premiers and numerous Japan and United States Premiers. All works on “Tokyo to New York” concerts are performed in both New York City and Tokyo.

A highlight of an upcoming “Tokyo to New York” concert in Japan (February, 2016) is the world premier of Osamu Kawakami’s Double Concerto for clarinet and piano to be premiered by Piercy and renowned pianist Aki Takahashi.

 

More information about “Tokyo to New York” can be found at the following sites:

http://www.tonadaproductions.com/tokyo-to-new-york-2015-tenri-october.html

http://www.tonadaproductions.com/tokyo-to-new-york.html

 

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Baroque Guitar Virtuoso John Schneiderman

Baroque Guitar Virtuoso John Schneiderman


Critically acclaimed lute and Baroque guitar virtuoso John Schneiderman showcases his remarkable artistry on Los Angeles Chamber Orchestra’s (LACO) “Baroque Conversations” series with a program of concertos by Vivaldi, Haydn, Kohaut and Falckenhagen on Thursday, May 7, 2015, 7 pm, at Zipper Hall in downtown Los Angeles. To open the program, Schneiderman, LACO Concertmaster Margaret Batjer and Associate Principal Cello Armen Ksajikian perform Haydn’s Cassation in C major for Lute, Violin and Cello (Brussels Manuscript), a version of Hob.III:6. Violin Julie Gigante joins them for Kohaut’s Concerto in D major for Lute, Two Violins and Cello (Berlin Manuscript), considered an exceptional example of this rare genre, and Vivaldi’s Concerto in D major for Lute, Two Violins and Basso Continuo, RV 93, among nearly 600 concertos by the Italian master that helped define the style of the late Baroque era concerto. Principal Flute David Shostac teams up with Schneiderman and Ksajikian for Falckenhagen’s Concerto No. 3 in D major for Lute, Flute and Cello (Opera Nuova). Schneiderman, hailed for his “dazzling” and “expressive” artistry and noted for turning “delicate textures into sparkling jewels,” hosts the evening. A complimentary wine reception for all ticket holders begins at 6 pm.

LACO’s highly regarded five-concert “Baroque Conversations” series, now in its ninth year, explores the genesis of orchestral repertoire from early Baroque schools through the pre-classical period. In signature LACO style, each concert host shares insights into the music and invites questions from the audience, providing an in-depth look at the music being presented as well as an opportunity to get to know LACO artists on a more personal level.

Tickets (beginning at $56) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Discounted tickets are also available by phone for groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert.

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Gabriel Kahane

Gabriel Kahane


The Los Angeles Chamber Orchestra’s (LACO) acclaimed Westside Connections series, which has paired LACO’s virtuosic musicians with leading artists to explore connections between music and architecture this season, presents the West Coast premiere of Gabriel Kahane’s Bradbury Studies and Schubert’s Octet in F major, D. 803, with insights from special guest Christopher Hawthorne, Los Angeles Times architecture critic, on Thursday, April 30, 2015, 7:30 pm, at the Moss Theater in Santa Monica. Kahane’s work for string quartet is performed by LACO artists Principal Violin II Josefina Vergara, Violin Carrie Kennedy, Principal Viola Roland Kato and Cello Giovanna M. Clayton. Inspired by downtown Los Angeles’ iconic Bradbury Building, Bradbury Studies is an extended one-movement piece that takes its musical spirit from Schubert and Mahler, according to Kahane. To open the program and introduce the work, Kahane performs from the piano his song, “Bradbury (304 Broadway),” upon which he based the string quartet. Schubert’s magnificent Octet, a work in six movements, features Assistant Concertmaster Tereza Stanislav, Violin Jacqueline Brand, Viola Robert Brophy, Associate Principal Cello Armen Ksajikian, Principal Bass Nico Abondolo, Principal Clarinet Joshua Ranz, Principal Bassoon Kenneth Munday and Horn Kristy McArthur Morrell.

LACO Concertmaster Margaret Batjer, who curates and hosts the series, concludes the evening with an opportunity for the audience to ask questions of Hawthorne, Kahane and musicians. The Moss Theater is located at The Herb Alpert Educational Village at New Roads School.

Hawthorne, who joined the Los Angeles Times in 2004, was previously the architecture critic for Slate and a frequent contributor to The New York Times. He is the author, with Alanna Stang, of The Green House: New Directions in Sustainable Architecture. Hawthorne also wrote liner notes for Kahane’s 2014 album, The Ambassador (Sony Music Masterworks), which was hailed by Rolling Stone as “one of the year’s very best albums, and features Kahane’s “Bradbury (304 Broadway).”

Gabriel Kahane, son of LACO Music Director Jeffrey Kahane and a highly accomplished artist in his own right, notes that Bradbury Studies and the song it is based on were inspired by the Bradbury Building, which is among LA’s oldest architectural landmarks and has been used as a backdrop for countless films, television shows and works of fiction, including the motion picture Blade Runner.

The three-part Westside Connections series, which concludes its seventh season with this performance, includes conversations with special guests as well as musical offerings connecting form, structure and line. Previous programs this season featured architects Frank Gehry and Frederick Fisher as special guests.

Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions. Its 2014-15 season, the Orchestra’s 46th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 18th season as LACO’s music director.

Tickets (beginning at $60) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Student rush tickets ($12), based on availability, may be purchased at the box office one hour before the concert. The Moss Theater at New Roads School is located at 3131 Olympic Boulevard, Santa Monica, CA, 90404.

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On April 30th, 8:00pm, at South Oxford Space in Brooklyn

Cadillac Moon Ensemble presents: Reworking the Canon

Cadillac Moon Ensemble’s Reworking the Canon is a concert of newly commissioned pieces that view canonical masterworks through a modern lens. The performance will feature the world premieres of works by Osnat Netzer, Ryan Francis, Peyman Farzinpour, and Kyle Tieman-Strauss – the winner of CME’s first Young Composers Competition, as well as highlight recent commissions by Viet Cuong and Caleb Burhans.

 

Program

Windmill by Viet Cuong

l’Histoire de quatre musiciens by Osnat Netzer

Until the Sunset Knows No Morrow by Caleb Burhans

Sospeso in memoriam… by Peyman Farzinpour

Record Keeping by Kyle Tieman-Strauss

Sequences-1 by Ryan Francis

Cadillac Moon Ensemble

Roberta Michel, flute ✴ Sean Statser, percussion ✴ Karen Kim, violin ✴ Aminda Asher, cello

The “commission-crazed” (Time Out NY) Cadillac Moon Ensemble is one of New York’s most visible new music groups, performing not just in traditional venues such as Roulette and the DiMenna Center, but in non-traditional spaces such as the High Line as well as in collaborations with dance, theater, origami, and cabaret artists. The group strives to present a cross-section of contemporary music styles, tying together both uptown and downtown aesthetics with the creative use of thematic programming. Recent commissions have included works by Timothy Andres, Caleb Burhans, Shawn Allison, Nicholas Deyoe, Rick Burkhardt, Osnat Netzer, Matt Marks, Alex Temple, Melody Loveless, and Viet Cuong. Cadillac Moon Ensemble’s first full CD, Atlas, released on the New Dynamic Records label in September 2012, was hailed as “an auspicious collection of new compositions by contemporary composers that combines the fun and wit of rock and film music with the intensity and challenging sonics that have come to define the best of the New York indie classical scene.” (Lucid Culture). CME was featured on the critically acclaimed release of Zack Browning’s “Secret Pulse” on Innova Records in 2012 and has also been featured on John Shaefer’s New Sounds program on WNYC, Jackson Parodi’s Classical Lunch program on WVUM, the University of Rhode Island’s WRIU Music for Internets, and WQXR.

CME’s recent season includes a California tour, performances at the MuSE Sounds of Arts Festival, SUNY-Plattsburg, and in NYC. CME strives to illuminate the collaborative process between composers and performers through open rehearsals and live-streamed workshops. Planned commissions include works by Shawn Allison, Lainie Fefferman, Levy Lorenzo, and Jacob Cooper. Cadillac Moon Ensemble has performed on Kathleen Supové’s Music With a View series, Ear Heart Music, the Lark Society Chamber Series of Portland, ME, the Trinity Church Wall Street Concerts at One, the Vox Novus Composer’s Voice series, and at numerous non-traditional venues. The quartet has also collaborated with Ethos Percussion Group, TRANSIT, Sospiro Winds, Circles and Lines Composers’ Collective, Random Access Music, KDNY Dance, and Iktus Percussion.

http://cadillacmoonensemble.com

Reworking the Canon

April 30th, 2015, 8:00pm

South Oxford Space

138 South Oxford St.

Brooklyn, NY 11217

Tickets: $15/10

Composer links:

Caleb Burhans: http://www.calebburhans.com

Viet Cuong: http://vietcuongmusic.com/

Peyman Farzinpour: http://peymanfarzinpour.com

Ryan Francis: http://www.ryananthonyfrancis.com/

Osnat Netzer: http://osnatnetzer.com

Kyle Tieman-Strauss: http://tiemanstrauss.com

 

For press inquiries please contact:

Aminda Asher

347.912.5735, mindyasher@gmail.com

info@cadillacmoonensemble.com

 

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The North/South Consonance Ensemble celebrates spring on Monday evening March 16 performing nature-inspired works by composers from Israel, Hong Kong and the US.

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Los Angeles Chamber Orchestra Principal Cello Andrew Shulman

Los Angeles Chamber Orchestra Principal Cello Andrew Shulman


Los Angeles Chamber Orchestra’s (LACO) Principal Cello Andrew Shulman hosts and performs works by Bach, Marcello, Sammartini, De Fesch and Vivaldi in a Baroque Conversations program illuminating a rich array of Baroque cello sonatas on Thursday, March 26, 2015, 7 pm, at Zipper Hall in downtown Los Angeles. Shulman, joined by LACO artists Trevor Handy, cello, and Principal Keyboard Patricia Mabee, harpsichord, is featured on Sammartini’s Sonata in G major for Cello and Continuo, Op. 4, No. 6; Marcello’s Sonata in A minor for Cello and Continuo, Op. 2, No. 3; Vivaldi’s Sonata in B-flat major for Cello and Continuo, RV 46; De Fesch’s Sonata in A minor for Cello and Continuo, Op. 1b, No. 5; and Bach’s Sonata in G major for Viola da Gamba and Continuo, BWV 1027. A complimentary wine reception for all ticket holders begins at 6 pm.

LACO’s highly regarded five-concert “Baroque Conversations” series, now in its ninth year, explores the genesis of orchestral repertoire from early Baroque schools through the pre-classical period. In signature LACO style, each concert host shares insights into the music and invites questions from the audience, providing an in-depth look at the music being presented as well as an opportunity to get to know LACO artists on a more personal level.

Tickets (beginning at $56) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Discounted tickets are also available by phone for groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert.

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Violinist Joseph Swensen

Violinist Joseph Swensen


Los Angeles Chamber Orchestra (LACO), led by Music Director Jeffrey Kahane, presents Prokofiev’s virtuosic Violin Concerto No. 2, featuring special guest violinist Joseph Swensen, and Mozart’s resplendent Flute Concerto No. 1, highlighting LACO Principal Flute David Shostac, on Saturday, March 14, 2015, 8 pm, at Glendale’s Alex Theatre, and Sunday, March 15, 2015, 7 pm, at UCLA’s Royce Hall. Kahane also conducts Haydn’s Symphony No. 64 in A major, “Times Change,” and LACO Composer-in-Residence Andrew Norman’s Gran Turismo for eight solo violins, which the composer describes as a “creative joyride” named for “an addictive car racing video game.”

Swensen, a “gripping” violinist (Herald Scotland), is active as both a soloist and conductor. He is also a passionate chamber musician who performs in recital with pianist Jeffrey Kahane as well as in the recently formed KahaneSwensenBrey Trio with cellist Carter Brey, which has appeared at the Ravinia, La Jolla, Chamber Music Northwest, Music@Menlo and Orcas Island festivals, among many others.

“Extraordinary, dazzling, world class” and “a musician of the highest order” are words critics have used to describe Shostac’s artistry. This season, the “stalwart of the Los Angeles Chamber Orchestra” (Orange County Register), is celebrating his 40th anniversary as the Orchestra’s Principal Flute.

Concert Preludes, pre-concert talks held one hour before curtain and free for ticket holders, provide insights into the program’s music and artists. Following the performance, ticket holders are invited to mingle with LACO musicians at an after-party featuring complimentary appetizers and drinks in the lobby.

Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a pacesetter in presenting wide-ranging repertoire and adventurous commissions. Its 2014-15 season, the Orchestra’s 46th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 18th season as LACO’s music director.

Tickets, starting at $26, are on sale now and may be purchased online at laco.org or by calling LACO at 213 622 7001. Discounted tickets are also available by phone for seniors 65 years of age and older and groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert. Also available for college students is the $30 “Campus to Concert Hall All Access Pass” – good for all seven of LACO’s Orchestral series concerts, Discover Mozart’s Requiem and three Westside Connections concerts.

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Los Angeles Master Chorale Composer in Residence Shawn Kirchner

Los Angeles Master Chorale Composer in Residence Shawn Kirchner


The 110-member Los Angeles Master Chorale continues its vital role of expanding the choral music repertoire when Artistic Director Grant Gershon conducts two highly anticipated world premieres based on the theme of ascension by Swan Family Composer in Residence Shawn Kirchner and distinguished Korean-American composer Nackkum Paik on Sunday, March 8, 2015, 7 pm, at Walt Disney Concert Hall. They include Kirchner’s most ambitious piece to date, Songs of Ascent, a lyrical seven-moment work for voices and strings set to the Psalms pilgrims sang on their journey to Jerusalem. Paik’s work, Succession, written for triple choir, features the Chorale with special guest the Los Angeles Chamber Choir. Paik employs the story of Elijah as a parable for the relationship between first- and second-generation Korean-American immigrants and the tensions, conflicts and hopes for prosperity they share. The program also features Eric Whitacre’s Her Sacred Spirit Soars, set to a poem by Charles Anthony Silvestri, and Brahms’ three-movement a cappella piece Fest und Gedenksprüche.

“The Chorale is tremendously excited to present a major new work from our dear friend and colleague Shawn Kirchner,” says Gershon. “Everything he touches turns to musical gold. And we are also so eager to collaborate on a new piece with Nackkum Paik, who is an extremely talented composer.”

Succession is the Chorale’s sixth “LA is the World” commission, an ongoing initiative conceived by Gershon as a collaboration among American composers, master musicians and the choir to expand the choral repertoire with works that mirror LA’s vibrant multi-cultural fabric. It is funded in part by the James Irvine Foundation. The concert is sponsored by Wilshire Bank and the Korea Times.

Tickets range from $29 – $129. Group rates are available. For tickets and information, please call (213) 972-7282, or visit www.lamc.org. (Tickets cannot be purchased at the Walt Disney Concert Hall Box Office except on concert days starting 2 hours prior to the performance.) The Walt Disney Concert Hall is located at 111 South Grand Avenue at First Street in downtown Los Angeles.

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Los Angeles Chamber Orchestra (LACO) highlights the beauty and majesty of the harpsichord with an unusual program featuring four harpsichords and chamber orchestra in the first of its Baroque Conversations series on Thursday, December 11, 2014, 7 pm, at Zipper Hall in downtown Los Angeles, which repeats on Saturday, December 13, 2014, 7:30 pm, when the Orchestra makes its debut at the Valley Performing Arts Center in Northridge.  Led by Music Director Jeffrey Kahane, the performance honors LACO artistic founder/former cellist James Arkatov and also celebrates the connection between Vivaldi and Bach, who transcribed many of Vivaldi’s works during his career. The repertoire includes the original version of Vivaldi’s Concerto in B minor for Four Violins, Op. 3, No. 10, from “L’Estro Armonico,” and Bach’s transcription of the piece, the unprecedented and rarely performed Concerto in A minor for Four Harpsichords, BWV 1065. Kahane also conducts Albinoni’s Oboe Concerto in D minor, Op. 9, No. 2, and Corelli’s Concerto Grosso in G minor, Op. 6, No. 8, “Christmas Concerto” in keeping with the season. Kahane, a noted keyboardist who is featured on harpsichord, leads a Baroque-size orchestra comprised of LACO musicians and eight featured soloists, including LACO concertmaster Margaret Batjer; LACO principals Josefina Vergara, Sarah Thornblade, violins, Allan Vogel, oboe, and Patricia Mabee, harpsichord; LACO violinist Jacqueline Brand; and special guests Ian Pritchard and Gilbert Martinez, harpsichords.  This marks the first collaboration between LACO and the Valley Performing Arts Center.

 

LACO’s highly regarded five-concert “Baroque Conversations” series, now in its ninth year, explores the genesis of orchestral repertoire from early Baroque schools through the pre-classical period. In signature LACO style, each concert host shares insights into the music and invites questions from the audience, providing an in-depth look at the music being presented as well as an opportunity to get to know LACO artists on a more personal level. For the December 11 performance at Zipper Hall, a complimentary wine reception for all ticket holders begins at 6 pm.

 

Subscriptions to all five “Baroque Conversations” concerts ($250) are available by calling LACO at 213 622 7001.  Tickets for individual concerts (beginning at $56) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain.  Discounted tickets are also available by phone for groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert.

Patricia Mabee, LACO principal keyboard

Patricia Mabee, LACO principal keyboard

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