Posts Tagged “contemporary music”

Jason Vieaux by GMD Three

Grammy-Winning Guitarist Jason Vieaux performs with Chamber Music Society of Lincoln Center

featuring pianist Gloria Chien, violinist Kristin Lee,
violist Richard O’Neill, bassist Donald Palma, and
cellist Nicholas Canellakis

New Music Series
Works by Mario Davidovsky, William Bolcom,
Thomas Larcher, Vivian Fung, and John Harbison

Thursday, April 28, 2016 at 7:30pm
The Stanley H. Kaplan Penthouse
Samuel B. & David Rose Building
70 Lincoln Center Plaza (165 W 65th St.) | NYC
Tickets: $35 at www.chambermusicsociety.org

Grammy-winning guitar virtuoso Jason Vieaux performs with the Chamber Music Society of Lincoln Center in a New Music Series concert at the Kaplan Penthouse at Lincoln Center. The concert also features pianist Gloria Chien, violinist Kristin Lee, violist Richard O’Neill, bassist Donald Palma, and cellist Nicholas Canellakis in works by Mario Davidovsky, William Bolcom, Thomas Larcher, Vivian Fung, and John Harbison. The evening includes an intermission wine reception sponsored by Millbrook Vineyards & Winery and a post-concert discussion with musicians and composers.

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Friday, April 1, 2016 at 7:30pm

 

Carnegie Hall’s Zankel Hall | 57th & 7th Ave. | NYC
Tickets: $43 & 50 at www.carnegiehall.org, 212-247-7800, or the Carnegie Hall Box Office (154 West 57th Street, NYC)

For more information: www.americancomposers.org

American Composers Orchestra continues its 39th season with a program titled Eastern Wind, bringing five works with Middle Eastern and Indian influence to Carnegie Hall’s Zankel Hall. World premieres include Mehmet Ali Sanlikol’s “Harabat – The Intoxicated,” which uses classical Ottoman composition techniques and features Mehmet singing and playing the Ud; Saad Haddad’s “Manarah,” combining electronics and traditional performance practices of Arabic musicians; and Reena Esmail’s “Avartan,” a multimedia work with video by Neeraj Jain. In Matthias Pintscher’s “songs from Solomon’s garden,” the composer reflects on his time spent in Israel as he creates a musical dialogue of the voices in Solomon’s Song of Songs. Gity Razaz’s The Metamorphosis of Narcissus takes its name and inspiration from Salvador Dali’s painting.

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Jimmy Page power chords meet Yom Kippur prayers in All Vows, cellist Maya Beiser’s convention-flouting survey of her eclectic musical personality.

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Featuring 10 hours of rare performances by some of the most innovative musicians of our time with some of today’s most pioneering young artists.

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Q2 Music presents The Bang on a Can All-Stars’ Field Recordings release concert, featuring a complete album performance with several of the composers.

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ACO’s 24th Annual Underwood New Music Readings are open to the public free of charge, giving audiences a chance to look behind the scenes at the process involved in bringing brand new, stylistically diverse orchestral music to life. The first day of Readings, a working rehearsal, will be presented from 10am to 1pm on Wednesday, May 6; the second day of Readings will take place on Thursday evening, May 7, at 7:30pm, during which all selected pieces will be polished and performed in their entirety. ACO’s Artistic Director Derek Bermel directs the readings; George Manahan conducts. Mentor-composers are Gabriela Lena Frank and Kevin Puts. Free and open to the public. RSVP recommended.

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Annual Gala Concert, featuring Mozart’s Flute Quartet in D Major, Robert Sirota’s A Sinner’s Diary & Tchaikovsky’s Souvenir de Florence.

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Concerts on the Slope presents the world premiere of Composer-in-Residence Robert Sirota’s Spindrift. Sandbox Percussion, the visually and aurally stunning percussion quartet that commissioned Spindrift, will be performing the piece, as well as works by ensemble members Jonathan Allen and Victor Caccesse, plus works by David Crowell, Thomas Kotcheff, Natalie Dieterrich, Jason Treuting, and Lukas Ligeti. Concerts on the Slope performances are open to the public and no tickets are required; a free will donation is suggested. Sandbox Percussion is Jonathan Allen, Victor Caccese, Ian Rosenbaum, and Terry Sweeney.

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The Music of the Spheres Society welcomes back the acclaimed pianist Sara Davis Buechner for a program of music by and associated with famed violinist Efrem Zimbalist and his son, actor Efrem Zimbalist, Jr.Sara Davis BuechnerThe concert will take place at Christ & St. Stephen’s Church near Lincoln Center. The Society’s artistic director, violinist Stephanie Chase, is also featured. The esteemed musical instrument expert Stewart Pollens will give a pre-concert talk at 7:30 PM, included in concert admission, on “The Violin and Bad Science.”

Efrem Zimbalist (1890-1985) was among the premiere violinists of the early 20th century. At 12 he became a student of the world renowned teacher Leopold Auer, and made successful debuts with major orchestras – including the Berlin Philharmonic and London Symphony – before his early 20’s. His first wife was a world-famous soprano, Alma Gluck, with whom he made a number of recordings.  An avid music arranger, Zimbalist added violin parts to a number of songs and was a champion of “early” music, often using his own arrangements of works in his recitals, in addition to composing original music for violin and piano.  In 1928 he began teaching violin at the esteemed Curtis Institute and was its director between 1941 and 1968.

Although remembered today for his acting roles, especially in television’s “77 Sunset Strip” and “The F.B.I.,” his son Efrem Zimbalist Jr. (1918-2014) also studied music seriously as a youth. He had already encountered success as an actor and producer on Broadway when the death of his first wife , from cancer at only 30, led him to retreat from acting. His father was then director of the Curtis Institute and encouraged Efrem Jr. to join him at Curtis in Philadelphia, where for a few years Efrem Jr. took on duties that at one point included Dean of Students. It was during this period of recovery that he composed his violin sonata – a work that his father featured on his own retirement recital in 1964.

This concert features rarely heard music either composed or arranged by both Efrems – including the virtuosic Fantasy on music by Rimsky-Korsakov – plus a favorite concert work for Efrem Sr., the Violin Sonata in D Minor by Johannes Brahms.

CONCERT PROGRAM
Selections from “Impressions for Piano” – Efrem Zimbalist, Sr.
Sonata for Violin and Piano – Efrem Zimbalist, Jr.
Fantasy from “Le Coq d’Or” – Nikolai Rimsky-Korsakov, arr. by Efrem Zimbalist, Jr.
Sonata No. 3, Op. 108 – Johannes Brahms

DATE: Friday, March 20, 2015; 8:15 PM
ADDRESS:
Christ & St. Stephen’s Church
120 West 69th Street, New York City
ADMISSION: $30, students and seniors: $20.  Advance tickets are available at Brown Paper Tickets, http://www.brownpapertickets.com/event/895261.

ABOUT THE ARTISTS:
Sara Davis Buechner is praised on four continents as a musician of “intelligence, integrity and all-encompassing technical prowess” (New York Times) and “thoughtful artistry in the full service of music” (Washington Post). Ms. Buechner has appeared as soloist with many of the world’s prominent orchestras – including New York, Philadelphia, Cleveland, Saint Louis, San Francisco, and Montréal – and enjoys wide success throughout Asia, where she tours annually.

“One of the violin greats of our era” (Newhouse News), Stephanie Chase enjoys an international career with concert performances in twenty-five countries. As soloist, Ms. Chase has appeared with over 170 orchestras worldwide, among them the New York Philharmonic, Chicago Symphony, London Symphony, American Classical Orchestra, National Symphony (Mexico), Hanover Band, San Francisco Symphony, and Hong Kong Philharmonic.

Stewart Pollens

“The Violin and Bad Science” by Stewart Pollens

In recent years, scientists have attempted to discover the “secrets” of Stradivari and other important musical instruments makers. In a number of studies, faulty scientific methods and dubious experimental techniques have been employed; in others, legitimate double-blind evaluations of tonal qualities, acoustical measurements and dendrochronology have yielded results that have been misrepresented or fancifully interpreted.

Stewart Pollens is the former conservator of musical instruments at the Metropolitan Museum of Art (1974-2006) and the author of books including “The Early Pianoforte,” “Stradivari,” and the forthcoming “The Manual of Musical Instrument Conservation,” all published by Cambridge University Press.

The Music of the Spheres Society is now in its 14th year of “exploring the links between music, philosophy and the sciences” (New Yorker). Inspired by the Neo-Platonic academies of 16th and 17th-century Italy, which combined discourse with musical presentations, it was co-founded by Artistic Director Stephanie Chase with the mission of promoting classical music through innovative chamber music concerts and pre-concert lectures which illuminate music’s historical, philosophical and scientific foundations, in order to give greater context for music to the average audience member.  For more information about the Society, visit www.musicofthespheres.org.

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Promo graphic for Symphony Number One

Symphony Number One: Façade

BALTIMORE, MD  —  Symphony Number One will make their concert debut at Carriage House Baltimore on March 7 & 8, 2015 with the world premiere of Trope by James Chu. Led by conductor Jordan Randall Smith, the program will also feature William Walton’s Façade for chamber orchestra and reciter. Symphony Number One is a unique addition to Baltimore’s contemporary music scene. The group will oversee the commission, performance, and promotion of substantial works by emerging composers and program them alongside carefully selected works of the classical canon.

ABOUT THE PROGRAM

Façade is a set of “Entertainments” or short musical numbers written between 1926 and 1938 by English composer Sir William Walton (1902-1983). Walton sets nonsense poetry by Dame Edith Sitwell (1887-1964). Soprano Laura Whittenberger, will recite Edith Sitwell’s whimsical verses and Catarina Farreira will perform Walton’s dauntingly virtuosic solo cello part. Façade is scored for flute, clarinet, saxophone, trumpet, percussion, cello, and reciter.

In the program’s featured World Premiere, tentatively titled Trope, James Chu augments the Walton chamber ensemble with a violin to round out the instrumental/vocal octet. This new work is Chu’s artistic response to Façade and builds on his previous theatrical work at Princeton University and at the Peabody Conservatory. This marks the second collaboration between Chu and Whittenberger; Smith previously conducted Whittenberger in the Peabody Opera Theater‘s 2013 production of Poulenc’s Dialogues des Carmélites.

Production Details:

Saturday, March 7 at 8pm   Facebook | Google

Sunday, March 8 at 3pm     Facebook | Google

Carriage House Baltimore

2225 Hargrove Street (alley between N. Calvert and St. Paul) Baltimore, MD 21218

Admission is $0-15 (pay what you want) at symphno1.com

VIP admission by contributing to the orchestra’s crowdfunding campaign at Kickstarter.

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LATER THIS SPRING       

May 8 & 9, 2015: Symphony Number One presents MOZART IN THE [urban] JUNGLE, featuring harpist Jordan Thomas and flutist Raoul Cho. The duo will be joining the orchestra for Mozart’s Concerto for Flute and Harp. The program will open with Anton Webern’s one and only Read the rest of this entry »

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