Posts Tagged “contemporary music”
Posted by s21concerts in Concert Announcement, tags: ballet, Brighton, chamber music, classical, classical music, contemporary music, Experience, Juventas, new music, opera, Somerville, world premiere
From Juventas’ Project Fusion comes “Expérience”. A unique and unforgettable classical performance event that incorporates a ballet set in Cyberspace, a movement-based instrumental work, a chamber opera, and more!
Saturday, December 8 at 7pm, Museum of Modern Renaissance
115 College Ave, Somerville
Sunday, December 9 at 7pm, Center Makor
1845 Commonwealth Ave, Brighton
Tickets at www.juventasmusic.com
Join us for Cantori’s ’12-13 Season Opener!
The US premiere of Felix und Clara by Dutch composer Jacques Bank explores the troubled relationship of Clara Schumann and her son Felix. The chorus sings the voice of Felix, and renowned New York stage actor Kathleen Chalfant (Angels in America; Wit) takes the role of Clara. Also on the program: the world premiere of Four Songs by Frank Brickle, setting an unusual collection of texts by four 20th-century American poets within the throbbing soundscape of a string quartet; and Libby Larsen’s Alaska Spring. Featuring the Cassatt String Quartet and saxophonist Timothy Ruedeman.
November 3, 2012
Church of St. Luke in the Fields
487 Hudson Street, NYC
Click for tickets
Cantori New York, praised by The New York Times for its “spirit of exploration” and “virtuosity and assurance,” celebrates its 28th season of programming featuring new and neglected works that deserve to be performed and heard.
A three-time winner of the ASCAP Award for Adventurous Programming, Cantori has built a strong reputation for artistic excellence and innovative programming, including an evening of theatrical choral music with Tony Award winner Maryann Plunkett. Cantori’s collaborators have included the Cassatt String Quartet, Prism Saxophone Quartet, and the Gregg Smith Singers; appearances have included the opening season of Zankel Hall with Michael Tilson Thomas, Great Performers at Lincoln Center, and World Financial Center Arts & Events.
The 39th consecutive season of the Summer Music Associates will come to an end on Saturday evening August 18th, 2012, when pianist Max Lifchitz will perform exciting dance-inspired music by composers from throughout the Americas.
The special event will start at 7:30 PM and will be held at the auditorium of the First Baptist Church (451 Main Street) in New London, New Hampshire. While tickets will be available at the door, strongly recommended is to purchase them in advance by calling 603-526-8234
Max Lifchitz will perform piano music from the Americas including such famous and popular works as Aaron Copland’s El Salon Mexico and George Gershwin’s Rhapsody in Blue. In addition to performing his own composition Elegía, Mr. Lifchitz will perform works by the legendary 19th century American virtuoso Louis Moreau Gottschalk; the Argentinean masters Alberto Ginastera and Astor Piazzolla; and the ever-popular Heitor Villa-Lobos and Ernesto Nazareth from Brazil.
Of special interest will be the first performance of a work especially written for the occasion by Marilyn Ziffrin, the esteemed Sutton, New Hampshire composer who this year celebrates her 85th birthday.
The San Francisco Chronicle described Max Lifchitz as “a stunning, ultra-sensitive pianist” while the New York Times praised him for his “clean, measured and sensitive performances.”
Active as pianist, conductor and composer, Max Lifchitz was born in Mexico City in 1948 and resided in New York City since 1966, until becoming head of the music department at Albany University in Albany, NY. Lifchitz was awarded the first prize in the 1976 Gaudeamus Competition for Performers of Contemporary Music held in Holland. The founder and director of the New York City-based North/South Chamber Orchestra, Lifchitz has appeared on concert stages throughout Europe, Latin America and the US. His numerous recordings as pianist, composer and conductor are available for streaming and download through www.classicsonline.com/North_South_Recordings/.
New and Recent Chamber Orchestra Works
CHEN YAO Tangents II
DAVID FARRELL Re-Callings
CHRISTOPHER JAMES Bassoon Concerto
MAX LIFCHITZ Yellow Ribbons No. 40
Claudia Schaer, violin
Carolyn Beck, bassoon
Ann Ellsworth, French Horn
Max Lifchitz, conductor
The North/South Chamber Orchestra
Christ & St Stephen’s Church
120 West 69th St (bet Bway & Columbus), NYC
Free Admission. No tickets required.
North/South Consonance, Inc. concludes its 32nd consecutive season of free-admission concerts on Tuesday evening June 19,
2012 when the acclaimed North/South Chamber Orchestra
performs four eclectic works by American composers.
The concert will start at 8 PM and will take place at the auditorium of Christ & St. Stephen’s Church (120 West 69th St – between
Broadway and Columbus) in New York City. Admission is free – no tickets needed.
The program will open with the first NY premiere of Tangents II by Chen Yao. Yao studied at the Xinghai Conservatory of Music in Guangzhou and the Central Conservatory of Music in Beijing before earning a doctorate in composition at the University of Chicago. He was recently invited to join the composition faculty of the School of Music at Illinois State University. Yao employs timbre, intonation, and pulse to bridge Eastern and Western musical traditions as well as rational logic with irrational mysticism.
A native of Chicago, IL, David E. Farrell was educated at the University of Illinois and at Indiana University’s Jacobs School of Music. His teachers included Claude Baker, Zack Browning, Don Freund and Richard Wernick. Last fall he joined the composition faculty of Metropolitan State University in Denver.
Re-Callings for solo violin and large mixed ensemble “bounces freely from one melody to another, tossing one aside in favor of the next, again and again. While this seems chaotic early in the piece, motives are freely recalled in altered states as the music progresses, bringing about a sense of unity and completion by the work’s end.”
Christopher James studied composition with Isaac Nemiroff and David Lewin at the State University of New York at Stony Brook, and pursued graduate study under David Diamond and Milton Babbitt at The Juilliard School. Concerning his Bassoon Concerto James explains that “…in writing this work, my aim was above all to deal with the expressive capabilities of the bassoon– I dearly love the instrument, and I hope it shows. But in a concerto you want fireworks, so I threw in some fireworks. And not grudgingly! The composition of this extensive three – movement work spanned the
period when I was an expectant father, and my first year and a half of fatherhood. This definitely explains appearance of the baby rattle in the finale, and very likely the predominantly sunny character of the piece.”
To conclude the program, the North/South Chamber Orchestra will perform a work by Max Lifchitz, its founder and music director. Lifchitz was born and educated in México City but has lived in New York since 1966. His Yellow Ribbons No. 40 belongs to a series of works being written as homage to the former American hostages in Iraq. The work is in four contrasting but inter-connected movements.
North/South Consonance’s 2011-12 season is made possible in part with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs; grants from Columbia University’s Alice M. Ditson Fund, the Zethus Fund for Contemporary Music, the Music Performance Funds from the American Federation of Musicians, and contributions by many generous individuals.
For further information about North/South Consonance’s activities, including concerts and recordings, please visit http://www.northsouthmusic.org/
Posted by s21concerts in Concert Announcement, tags: Ashley Wang, Carnegie Hall, classical, classical music, composition, contemporary music, Ear to Mind, Inhyun Kim, Jenny Q Chai, Marco Stroppa, new music, new york city, piano, world premiere, Zankel Hall
Performing works by Inhyun Kim, Ashley Fu-Tsun Wang, Marco Stroppa, Kurtag, Messaien, Ligeti, Debussy, and Schumann, pianist Jenny Q. Chai makes her Carnegie Hall debut at Zankel Hall on Thursday, April 19 at 7:30pm. Tickets are $30 ($15 for students) and are available at www.carnegiehall.org, at the Carnegie Hall Box office at 57th street and 7th avenue in New York City (which is also the location of the venue), or by calling 212 247 7800.
This concert, featuring two world premieres and one US premiere, is being presented by Ear to Mind (www.eartomind.com), a New York City based arts organization which strives to present innovative programs that allow the public to experience contemporary music in non-traditional contexts, as well as by producing publications that allow the public to gain intimate knowledge of the contemporary music field, simultaneously providing composers and performers with a platform for their work.
The Program includes:
- Inhyun Kim – Parallel Lines (World premiere)
- Ashley Fu-Tsun Wang – “Current”, a newly commissioned work from the Yvar Mikhashoff Trust’s 2011 Pianist/Composer Commissioning Project (World premiere)
- Marco Stroppa – “Innige Cavatina” from Miniature Estrose by (US premiere)
- Claude Debussy – Études No.3 ” pour les quartes” and No.6 “pour les huit doigts”
- György Ligeti – Études Book I No. 1 “Désordre” and No. 2 “Cordes à vide”
- Olivier Messiaen – Cantéyodjayâ
- György Kurtág – “Quiet talk with the Devil” and “Les Adieux” from Jatekok
- Robert Schumann – Kreisleriana
Hailed as a “brilliant and fearless young performer,” Jenny Q Chai is an active pianist specializing in contemporary music. Recipient of the Yvar Mikhashoff Trust’s 2011 Pianist/Composer Commissioning Project, first prize winner of the Keys to the Future Contemporary Solo Piano Festival, and recipient of the DAAD Arts and Performance award in 2010, Chai has premiered, most notably, Life Sketches by Nils Vigeland, Exercise in Deism by John Slover, Intimate Rejection by Ashley Fu-Tsun Wang, and Blue Inscription by Scott Wollschleger. Chai has also premiered “Marriage (Mile 58) Section F” from The Road by Frederick Rzewski in Ghent, Belgium, where she was given the Logos Award for the best performance of 2008. Recently, Chai had the privilege of introducing the concept of prepared piano to a Chinese audience, with the world premiere of Mallet Dance by John Slover, in Shanghai Concert Hall.
Chai has studied at the Shanghai Music Conservatory, Curtis Institute of Music, and has received two degrees from the Manhattan School of Music where she studied with Solomon Mikowsky, Nils Vigeland, and Anthony de Mare. In Germany, she studied with Pierre-Laurent Aimard, and performed in Ensemble 20/21, directed by David Smeyers, as well as the group Musikfabrik. In what is already an illustrious career, Chai’s performances have been covered in major media throughout the U.S., China, and Europe, including Time Out New York, Shanghai Culture, and Cologne Daily News, and her performances of contemporary music have been broadcast in Italy, Germany, China, and the U.S. Her talents have been showcased on recordings with Ensemble 20/21 on the Deutschlandfunk label (performing music by Hanns Eisler) and as solo pianist/vocalist on ArpaViva’s New York Love Songs.
For Chai, near-total immersion in the contemporary music world has only enhanced her appreciation of the classical repertoire. “I feel a sense of contentment programming creative concerts, mixing and matching old and new works, so as to highlight what is most special in each piece. After all, nothing comes from nothing, and new music is very much connected to that which came before.” Now splitting her time between the U.S. and China, Chai co-directs the New York City-based contemporary music organization Ear to Mind, and is founder of FaceArt Music Association in Shanghai. In an Ear to Mind performance in April 2011, Chai premiered three new works, including Five Pieces (for Jenny Q Chai) by Nils Vigeland.
Ashley Fu-Tsun Wang is a Taiwanese composer whose work seeks to capture the individual beauty of the fleeting moment, revealing complexity within simplicity. Her music has been performed throughout North America, Europe, and Asia. She has collaborated with Brooklyn Rider String Quartet, MIVOS Quartet, members of Eighth Blackbird, pianists Eric Huebner, Vicky Chow, Jenny Q. Chai, conductors David Gilbert, Brad Lubman, Paul Chiang, and visual artists Alice Grassi and Takeshi Moro. Her music has been broadcast on WNYC and Taukay Edizioni Musicali, and has been released on the ArpaViva label. Ms. Wang is the winner of the Yvar Mikhashoff Trust for New Music competition and the Look and Listen Festival Composition Prize, and the recipient of grants from the American Composers Forum, the American Music Center, and the ASCAP Foundation. Ms. Wang has been a fellow at the MusicX Festival, Bowdoin International Music Festival, June in Buffalo, Pacific Music Festival, Bang on a Can Music Festival, an associate artist at the Atlantic Center for the Arts, and has worked with Robert Beaser, Matthias Pintscher, David Felder, David Lang, Michael Gordon, Julia Wolfe, and Lera Auerbach. She has recently studied with Nils Vigeland, Reynold Tharp, and Stephen Taylor.
As a frequent collaborator with choreographers, visual artists, and filmmakers, composer Inhyun Kim challenges her audience think in new and unconventional ways about music as a performing art. Ms. Kim has been commissioned by organizations such as White Wave Dance Company, The Actor’s Theatre, Hudson Saxophone Quartet and Brooklyn Independent television, and her works have been performed at the DUMBO dance festival, Wave Rising series, the Joyce Soho theatre, What We Want!!!, The Tompkins Square gallery at the New York Public Library, Dance New Amsterdam, Ceres Gallery as part of 2008 Make Music NY, the Museum of Modern Arthur as part of the 12th annual Art Under the Bridge festival, Galapagos Art Space, and Symphony Space. A graduate of the Manhattan School of Music, where she received her Bachelor’s and Master’s Music degrees and studied with Julia Wolfe, Susan Botti and Reiko Fueting. Ms. Kim’s music can be heard on her CD “Music =”, released in 2010 by Carrier Records. Ms. Kim is a recipient of the Jordan Berk Memorial Prize in composition, Manhattan School of Music president’s award, and was recently awarded a mentorship with composer Vivian Fung, as part of NYFA’s Mentoring program for Immigrant Artists. Ms. Kim is co-director of the contemporary music nonprofit organization, Ear To Mind.
Composer, researcher and professor, Marco Stroppa was born in Verona, Italy, and has composed for both acoustical instruments and new media. His repertoire includes works for concerts, one music drama, two radio operas and various special projects. He often groups several works around large cycles exploring specific compositional projects, such as a series of concertos for instrument and a spatialized orchestra or ensemble inspired by poems of W.B. Yeats, a book of Miniature Estrose, seven pieces for solo piano, a cycle of works for solo instrument and chamber electronic music inspired by poems of e. e. cummings, and two string quartets. He has worked as a composer and researcher, teacher at IRCAM, and he founded the composition and computer music workshop at the International Bartók Festival in Szombathély, Hungary. He taught composition at the Conservatoire National Supérieur de Musique in Paris and Lyon and since 1999 he has been full professor of composition and computer music at the University of Music and Performing Arts in Stuttgart. He studied at the Conservatories of Verona, Milan and Venice and at the Massachusetts Institute of Technology as the recipient of a Fulbright Scholarship.
This concert is sponsored by The Gurrand Group and FaceArt Music Association.
Chameleon Arts Ensemble of Boston 2011-2012 Season
Concert 4: into unison with romantic spirit
with guest artist Elizabeth Keusch, soprano
Saturday, March 24, 2012, 8 PM
First Church in Boston, 66 Marlborough Street
Sunday, March 25, 2012, 3 PM
Goethe-Institut, Boston, 170 Beacon Street
Pronounced a genius at the age of 10 by Mahler himself, Erich Korngold was hailed as the last breath of the Romantic spirit of old Vienna. Exiled to Hollywood before the Second World War, he is known today almost exclusively as a composer of first-rate film scores, and his music is now largely absent from the concert stage.
We are thrilled to keep Korngold’s Romantic spirit alive with a rare performance of his dazzling 1930 Suite, Op. 23 for piano left-hand and strings. Rounding out the program are: Mahler’s single movement Piano Quartet written when he was only 16 years old; John Harbison’s Book of Hours & Seasons, a setting of texts by Johann Wolfgang von Goethe, the towering figure of German literature who most embodied the Romantic Movement; and works by Alban Berg and Robert Schumann.
Gustav Mahler, Piano Quartet in a minor
Alban Berg, Adagio from Kammerkonzert for clarinet, violin & piano
John Harbison, Book of Hours & Seasons for soprano, flute, cello & piano
Robert Schumann, Drei Romanzen for oboe & piano, Op. 94
Erich Korngold, Suite for 2 violins, cello & piano left hand, Op. 23 (1930)
For tickets or more information:
Tickets are $43, $33 and $23; with $5 discounts for students and seniors. To order, call 617-427-8200 or visit http://www.chameleonarts.org.
Goethe-Institut and First Church, Boston are a wheelchair accessible venues.
About Chameleon Arts Ensemble of Boston
Since its founding in 1998, Chameleon and artistic director Deborah Boldin have earned unqualified praise for integrating old and new repertoire into unexpected chamber music programs that are themselves works of art. They were recognized nationally with 2009 and 2007 ASCAP/CMA Awards for Adventurous Programming. The Boston Globe praised Ms. Boldin’s “stellar example of interesting programming,” and her “discerning ears and cosmopolitan tastes,” and remarked, “Boldin is continually looking for big but little-known works – new, recent, and old – and putting them together in intriguing, organic combinations. The cross-references are not just intellectual; you can feel them in your body.”
This innovative ensemble now draws capacity audiences of those who love the adventure of music—classic and contemporary. The musicians are among Boston’s most sought-after performers, with growing national and international reputations. Their superb artistry and finely honed collaborative skills ensure luminous performances and dynamic musical dialogues. The Boston Phoenix hailed “A performance that was as tender as it was ferocious, as expansive as it was intimate, as mysterious as it was open-hearted…I doubt I’ll ever hear it played better.”
Posted by s21concerts in Concert Announcement, tags: choral, classical, classical music, contemporary music, garden state philharmonic, lakewood, New Jersey, Orchestra, Schoenberg, Vocal Music
Garden State Philharmonic
Saturday, March 24 at 8:00 pm
at the Strand Theater, Lakewood NJ —
The Garden State Philharmonic Presents:
Schoenberg – Transfigured Night (Verklarte Nacht) along with Mozart – Divertimento & Requiem
Transit access from NYC via Bus No 136 towards Freehold Mall/Lakewood Express or #137
Call 732-255-0460 for tickets
firstname.lastname@example.org for more information
Be sure to visit us on Facebook.
Anthony LaGruth – Artistic Director & Conductor
Allison Pohl – soprano
Lizbeth Jones – mezzo soprano
Kirk Doughrety – tenor
Daniel Klein – tenor
Garden State Philharmonic Masterworks Chorus
Choral Arts of Southern New Jersey
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The Boston New Music Initiative will present Are You Still There? music of voyage and remembrance as part of its third concert season on Saturday, February 25, 2012 at Pickman Concert Hall, Longy School of Music, 27 Garden Street, Cambridge, MA. Featuring a chamber orchestra with soloists performing new works by living composers, Are You Still There? will showcase Ted Hearne’s Cordavi and Fig, Timothy A. Davis’s In Memoriam, Garrett Byrnes’s Concerto for Piano and Chamber Orchestra (featuring piano soloist Esther Ning Yau), Mary Kouyoumdjian’s Odaraganeen Sharagan (Stranger’s Song) (featuring mezzo-soprano Christina English), and the Boston premiere of Oliver Knussen’s Requiem: Songs For Sue (featuring soprano Erin M. Smith). Nathan Lofton, Music Director, will conduct all pieces, which, with the exception of the Knussen, were selected from BNMI’s international call for scores.
A pre-concert talk with the composers begins at 7:15. Tickets are $15 general / $10 student / Free with Longy ID or under 18, available online until the day of the show or at the door.
Posted by s21concerts in Concert Announcement, tags: antheil, christopher rountree, clarence barlow, conlon nancarrow, contemporary music, dirty projectors, FEAR, los angeles, new music, player piano music, punk rock, the misfits, Wild Up, x-ray spex
LOS ANGELES – For two nights at Venice’s Beyond Baroque, rebar will be struck and lyrics will be screamed as the adventurous local chamber orchestra wild Up takes on the hypercomplex computer music of Clarence Barlow with an exuberant set of Barlow’s works, plus the composer’s 19th and 20th century influences: player pianos and punk rock.
“This is a guy who uses computer programs to cover Prince’s ‘Sexy MF,’” said wild Up conductor and artistic director Christopher Rountree. “We’ll bring the earplugs.”
The program will include Barlow’s “Septima de facto,” pieces by George Antheil and Conlon Nancarrow, a set of piano rags, and interpolations of seminal punk rock songs by The Misfits, X-Ray Spex, Fear and Black Flag.
The Nov. 18 and 19 performances mark wild Up’s debut at Beyond Baroque, one of West L.A.’s signature cultural spaces.
Who: wild Up
What: “Clarence Barlow, Punk Rock and Player Piano Music”
Where: Beyond Baroque, 681 Venice Blvd., Los Angeles, CA
When: Friday 11/18 at 9 PM; Saturday 11/19 at 9 PM (the program will be the same both nights)
Cost: $10 general admission – to purchase, go to:
About wild Up:
wild Up is a 24-member experimental classical/contemporary ensemble comprised of Los Angeles musicians committed to creating visceral, thought-provoking happenings. The group, led by artistic director and conductor Christopher Rountree, unites around the belief that no music is off limits, and that a concert space should be as moving as the music heard in it: small, powerful and unlike anything else. wild Up projects bring people together, defy convention and address the need for heart-wrenching, mind-bending experiences. For free mp3 downloads: wildup.bandcamp.com
The Xanthos Ensemble
Presented by the Boston University College of Fine Arts
School of Music Department of Composition and Theory
Saturday, November 20th 2010 at 4:00 p.m.
***NOTE AFTERNOON TIME
855 Commonwealth Avenue
Boston, MA 02215
Suggested donation is $15, $10 for students and seniors, and the event is free to Boston University faculty, staff, and students.
Arnold Schoenberg, Arr. Anton Webern • Kammersymphonie No. 1, Op. 9
Daniel Felsenfeld • Insomnia Redux; 4am (Boston premiere)
Geoffrey Gordon • Flamingo (world premiere)
Shulamit Ran • Inscriptions, for solo violin
George Rochberg • Duo Concertante, for violin and cello
Xanthos Ensemble Performers
Zachary Jay, flute
Alexis Lanz, clarinet
Brenda van der Merwe, violin
Katherine Kayaian, cello
Eunyoung Kim, piano
Jeffrey Means, conductor
In 2008, the Xanthos Ensemble joined in a collaboration at Boston University, presented by the Boston University College of Fine Arts School of Music Department of Composition and Theory. Their concert on November 20th, 2010 will feature the dramatic Kammersymphonie of Arnold Schoenberg, originally written in 1906, but arranged by Webern for piano quintet in 1923. The Xanthos Ensemble’s new composer in residence Geoffrey Gordon’s new work Flamingo will have its world premiere, and Daniel Felsenfeld’s Insomnia Redux; 4am (originally scored for piano solo, now reorchestrated for flute, clarinet, violin, cello, and piano), will receive its Boston premiere, after having received wondrous praise from the New York Times after a recent performance by the Da Capo Chamber Players. Rounding off the program, the performers will present Shulamit Ran’s dynamic solo violin work Inscriptions, and the vivacious Duo Concertante for violin and cello.
Steve Smith of the New York Times has raved about the “virtuoso players” of the Xanthos Ensemble as “copiously skilled and confident” in the face of “undeniably challenging music.” Bruce Hodges of musicweb-international.com recounted their recent New York City performance of Charles Wuorinen’s New York Notes, noting “the ease with which these musicians played this blockbuster was instructive” and “Xanthos seemed to only gain in momentum as the evening progressed.”
Through a combination of internationally recognized repertoire and world premieres of works dedicated to the ensemble, the major focus of the ensemble’s mission is to bring new music to life, written for the ensemble in collaboration with living composers, and to that aim they have premiered dozens of works and have had several newly composed works dedicated to them since the group’s inception in 2005. From 2006 to 2008, they served as Ensemble in Residence at Boston Conservatory.
The Xanthos Ensemble is a non-profit tax exempt 501(c)(3) organization, and all contributions to the organization are fully deductible to the extent allowed by law.
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