Posts Tagged “contemporary”
Posted by s21concerts in Concert Announcement, tags: clarinet, concert, contemporary, hichiriki, Kigawa, new music, Olson, piano, piercy, premier, sho koto, Taka Kigawa, Tenri, Thomas Piercy, Tokyo to New York
TOKYO TO NEW YORK 東京 と ニューヨーク
SUNDAY, OCTOBER 18, 2015 – 2015年10月18日（日曜日）
Premiers and New Music by Tokyo- and NYC-based Composers
Clarinetist and hichiriki player Thomas Piercy is joined in concert by pianists Taka Kigawa and Judith Olson, koto player Jun Ando and sho player Chatori Shimizu.
The October 18th “Tokyo to New York” concert features six world premiers and six United States premiers composed for critically acclaimed clarinetist and hichiriki player Thomas Piercy by Tokyo- and NYC-based composers. Mr. Piercy will be joined in the concert by two of NYC’s leading proponents of new music, pianists Taka Kigawa and Judith Olson. Also joining Piercy in the concert are sho player Chatori Shimizu and koto player Jun Ando.
The music – in a wide variety of styles – features premiers by Fernando Otero (Latin Grammy Award), Gilbert Galindo (Meet the Composer Van Lier Fellow), David Del Tredici (Pulitzer Prize), Ian Ng (ASCAP Morton Gould Young Composer Award), Lyudmilla German, and Chatori Shimizu (Arima Prize). United States premiers by Tokyo composers Jun Nagao (Takemitsu Award) and Ippo Tsuboi, and NYC composers Dana Richardson, Michael Rose, Richard Rosenfeld, and Russell Wimbish; other works by Masatora Goya, William Mayer, and Ned Rorem (Pulitzer Prize).
Sunday | October 18, 2015 | 4pm
Tenri Cultural Institute
43 W. 13th St., NY, NY 10011
Tickets: $25 ($15 Students/Seniors)
Reservations: email@example.com | 212-645-2800
Co-Presented with Arts at Tenri.
“Piercy’s Richly Diverse Program of Japanese and American Music…a fascinatingly eclectic, virtuosic program of new chamber works which contrast Japanese composers’ views of New York with their New York counterparts’ views of Japan. Although most of the works are relatively short,…the ensemble tackled the music’s wide range of demands with verve, insight and sensitivity.” – Lucid Culture Magazine
“Tokyo to New York” – under the direction of Thomas Piercy – celebrates connections between Tokyo and New York City with a series of concerts in Tokyo and NYC. The concerts feature new works composed for Western classical instruments as well as traditional Japanese instruments. They include a wide variety of styles of music, from Japanese avant-garde to American contemporary classical, abstract to minimalism, neo-Romantic to tango nuevo, J-pop to jazz-influenced pieces.
The composers come from all walks of life and experience: from university students to university professors; from self-taught composers to composers with Ph.Ds; from emerging composers to composers that have won such prominent awards as the Takemitsu Prize, Grammy Award, Latin Grammy Award, and the Pulitzer Prize. The musicians of “Tokyo to New York” have had the opportunity to work with many of the Japanese and American composers programmed in these concerts. Since 2012, “Tokyo to New York” has performed over 60 world premiers and numerous Japan and United States Premiers. All works on “Tokyo to New York” concerts are performed in both New York City and Tokyo.
A highlight of an upcoming “Tokyo to New York” concert in Japan (February, 2016) is the world premier of Osamu Kawakami’s Double Concerto for clarinet and piano to be premiered by Piercy and renowned pianist Aki Takahashi.
More information about “Tokyo to New York” can be found at the following sites:
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Q2 Music presents The Bang on a Can All-Stars’ Field Recordings release concert, featuring a complete album performance with several of the composers.
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Symphony Number One: Façade
BALTIMORE, MD — Symphony Number One will make their concert debut at Carriage House Baltimore on March 7 & 8, 2015 with the world premiere of Trope by James Chu. Led by conductor Jordan Randall Smith, the program will also feature William Walton’s Façade for chamber orchestra and reciter. Symphony Number One is a unique addition to Baltimore’s contemporary music scene. The group will oversee the commission, performance, and promotion of substantial works by emerging composers and program them alongside carefully selected works of the classical canon.
ABOUT THE PROGRAM
Façade is a set of “Entertainments” or short musical numbers written between 1926 and 1938 by English composer Sir William Walton (1902-1983). Walton sets nonsense poetry by Dame Edith Sitwell (1887-1964). Soprano Laura Whittenberger, will recite Edith Sitwell’s whimsical verses and Catarina Farreira will perform Walton’s dauntingly virtuosic solo cello part. Façade is scored for flute, clarinet, saxophone, trumpet, percussion, cello, and reciter.
In the program’s featured World Premiere, tentatively titled Trope, James Chu augments the Walton chamber ensemble with a violin to round out the instrumental/vocal octet. This new work is Chu’s artistic response to Façade and builds on his previous theatrical work at Princeton University and at the Peabody Conservatory. This marks the second collaboration between Chu and Whittenberger; Smith previously conducted Whittenberger in the Peabody Opera Theater‘s 2013 production of Poulenc’s Dialogues des Carmélites.
Saturday, March 7 at 8pm Facebook | Google
Sunday, March 8 at 3pm Facebook | Google
Carriage House Baltimore
2225 Hargrove Street (alley between N. Calvert and St. Paul) Baltimore, MD 21218
Admission is $0-15 (pay what you want) at symphno1.com
VIP admission by contributing to the orchestra’s crowdfunding campaign at Kickstarter.
LATER THIS SPRING
May 8 & 9, 2015: Symphony Number One presents MOZART IN THE [urban] JUNGLE, featuring harpist Jordan Thomas and flutist Raoul Cho. The duo will be joining the orchestra for Mozart’s Concerto for Flute and Harp. The program will open with Anton Webern’s one and only Read the rest of this entry »
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Fromm Players at Harvard with ENSEMBLE DAL NIENTE
Friday and Saturday, February 28 and March 1
John Knowles Paine Concert Hall, Harvard University campus, Cambridge, MA (GPS: 1 Oxford St)
The natural | The artificial
Carola Bauckholt Vollmond, unter null
Evan Johnson: die bewegung der augen
Erin Gee: Mouthpiece: Segment of the 4th Letter
Rick Burkhardt: Alban
Wolf Edwards: the road from Mutlaa to Basra (1991) (World Premiere)
Marianthi Papalexandri Yarn (US Premiere)
Aaron Einbond: Without Words
Hans Tutschku: Still Air (World Premiere)
Ming Tsao: Mozart Adagio from the Oboe Quartet in F., K.370/368b / The Book of Virtual Transcriptions (US Premiere)
Enno Poppe: Salz
The concerts are free and open to the public. No tickets are required.
Free parking in the Broadway garage, corner of Felton and Broadway, opposite Broadway Market in Cambridge.
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Posted by s21concerts in Concert Announcement, Uncategorized, tags: choral music, christopher bono, classical, contemporary, contemporary music, harold rosenbaum, new choral music, new music, New York, new york city, new york virtuoso singers, silas brown
Digital Download & 7” Vinyl Release Date: October 15, 2013
Vinyl Available Exclusively at: www.christopherbono.com
VIDEO: The Inspiration Behind Unity & The Unexcelled Mantra
On October 15, 2013, composer Christopher Bono releases two new singles, Unity and The Unexcelled Mantra, performed by The New York Virtuoso Singers led by music director Harold Rosenbaum. These choral works will be available on Bono’s label Our Silent Canvas, distributed digitally by Naxos and released on limited edition 7” vinyl. The recordings were made at the American Academy of Arts and Letters in New York by Grammy-winning producer Silas Brown.
Visual artist DZO Olivier has created original illustrations for the cover art for Unity and The Unexcelled Mantra recordings, intimately influenced by Bono’s music and the concepts it explores. Videos inspired by these works created by film artists Tobias Stretch (Radiohead, Deftones) and Ingibjörg Birgisdóttir (Sigur Rós) will be released on November 5, 2013.
Bono describes Unity and The Unexcelled Mantra as contemplating the search for a modern form of spirituality. He says, “Both works explore a path to transcendence or ‘true being’ through union with the cosmos – The Unexcelled Mantra from a Mahayana Buddhist point of view and Unity from the Western philosophical tradition of Plato.”
Unity is a choral piece based on some of the musical and philosophical concepts of Plato’s Republic. The chosen text was taken from a section of the Republic in which Plato discusses the power of mathematics, but Bono immediately saw it could also be viewed as a metaphor for the phenomenon of meditation. He says, “This multi-dimensional observation was a key inspiration for me when writing the work, both considering the mathematical qualities of music and the esoteric concepts of achieving union with the All.” In addition, Bono experimented with the power Plato claimed existed in the Dorian and Phrygian modes. According to Plato, the Dorian would “fittingly imitate the utterances and accents of a brave man who is engaged in warfare,” while the Phrygian was suitable “for a man engaged in works of peace.”
The Unexcelled Mantra is a setting of text from the Heart Sutra, a sacred text in Mahayana Buddhism on understanding Shunyata, or Emptiness, in order to realize Nirvana. The mantra reads “gaté gaté paragaté parasamgaté bodhi svaha,” which can be translated as “Go, go, go beyond, go totally beyond, be rooted in the ground of enlightenment.”
The release of Unity and The Unexcelled Mantra follows Bono’s first classical album, Invocations, a chamber music collection released in fall 2012 and on vinyl in August 2013. The originality and inventiveness of Invocations was noted by composer and writer Frank Oteri in NewMusicBox, who wrote, “While much of 21st-century contemporary composition is not beholden to any rules, to the extent that I could probably claim everyone to be an ‘outsider’ in some ways, Bono’s music sounds as though everything he writes is something he is discovering for the very first time, even if there are clear reference points throughout to the sound worlds of other composers from both our own time and other eras.”
Christopher Bono entered the world of classical music much later than most of his contemporaries. He spent his childhood and teenage years devoted to baseball; in 1999 he was drafted by the Seattle Mariners but an injury kept him from playing. Filling the void left by the end of his athletic endeavors, Bono began playing the guitar when he was 21, and for several years he toured, recorded, and performed in an alternative roots-rock style. In his mid-20s, he made the choice to learn classical composition techniques in order to more fully realize his music. For seven years, in nearly hermetic isolation, he taught himself to read music, and studied composition independently with Juilliard professor Kendall Briggs and at La Scola Cantorum in Paris.
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Photo of Kathleen Supove by Miriam Hendel
Neighborhood Classics presents versatile contemporary music pianist Kathleen Supové in concert on Friday, November 8, 2013 at 7pm, at P.S. 142 on the Lower East Side (100 Attorney Street). Supové’s diverse program includes Reflets dans l’Eau (from Images Book 1) by Claude Debussy, Cakewalking (Sorry Claude) by Daniel Felsenfeld, Long Distance Call by Randall Woolf,Disney Remixes by Matt Marks, Piano Miniatures by Mohammed Fairouz, and Feux d’Artifice (from Préludes, Book II) by Claude Debussy. The performance will be hosted by James Matheson, composer and Neighborhood Classics Artistic Director at P.S. 142. All ticket sales for this one-hour, family-friendly concert benefit the host school.
Kathleen Supové is one of America’s most acclaimed and multifaceted pianists, known for continually redefining what a pianist/keyboardist/performance artist is in today’s world. Supové presents solo concerts entitled THE EXPLODING PIANO, in which she has performed and premiered works by countless established as well as emerging composers. Upcoming projects include new/complete Piano Miniatures by Mohammed Fairouz; Digital Debussy, the piano works/ghost pieces of Morton Subotnick; and performances throughout the UK of Urban Birds by Arlene Sierra in connection with the Commonwealth Games. In June 2013, she and Sideband Laptop Orchestra performed and gave a Google Talk at their headquarters in Chelsea, NYC. In May 2012, Supové received the John Cage Award from ASCAP for “the artistry and passion with which she performs, commissions, records, and champions the music of our time.” She is a Yamaha Artist. Her latest solo album is THE EXPLODING PIANO. For more info, visit www.supove.com .
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The Pit Stop Players, a fourteen-member instrumental ensemble composed of veteran Broadway pit musicians, presents great scary music from all genres, including daring re-imaginings and outrageous concert premieres by Danny Elfman, Stephen Schwartz, David Shire, Kenji Bunch, Nox Arcana, and music director Joshua Rosenblum. Be ready for some chills!
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Tickets may be purchased HERE
May 18, 2013, 8:00pm
338 West 23rd Street
New York, NY 10011
The Tempus Continuum Ensemble will be premiering new works by emerging New York composers Anne H. Goldberg, Kevin Baldwin, and Alex Burtzos. Come enjoy works for mixed chamber ensembles at the cell in Chelsea.
-ity (2012) for solo piano**
-aholic (2013) for solo Percussion*
I am Looking for a Sun (2013) for septet*
Anima Animus (2012) for solo piano*
Elocutions (2011) for flute, guitar, and vibraphone
Burning Bushes (2013) for septet*
Prince Prospero (2013) for septet*
*Denotes World Premiere **Denotes New York Premiere
Founded by composer/performer Anne H. Goldberg and soprano Corrine Byrne, Tempus Continuum is a New York-based ensemble that strives to bring diverse audiences to contemporary and underperformed music. Through provocative programming, Tempus Continuum seeks to create paths of accessibility for audience members, inviting them to confront music with fresh ears. Tempus Continuum works closely with emerging and established composers, commissioning and premiering innovative works at a diverse variety of venues such as New York City’s the cell theatre, Cornelia Street Café, The Flea Theater, and Philadelphia’s The Salon, and recently the long-established Arts in the Village concert series in Massachusetts. Tempus Continuum holds an annual call for scores to promote and perform innovative works by emerging composers, thus furthering and expanding the genre of new classical music.
Alex Burtzos (b. 1985) is an American composer and music educator native to Colorado Springs, CO. He is a graduate of Loyola University New Orleans (BM) and the Manhattan School of Music (MM), and a member of ASCAP. Alex has been on the faculty of the Florentine Music School in New York City since 2011 (theory, piano and percussion), and is currently working towards his doctorate in composition at the Manhattan School of Music, where he is the recipient of MSM’ s prestigious teaching fellowship. His compositions have been performed across the United States and abroad. In 2013, Alex was awarded the Jordan Berk Memorial prize for composition for his saxophone quartet, “The Revivalist,” and was profiled as the featured composer on ComposersCircle.com. He’s excited to be collaborating with the Tempus Continuum Ensemble, and hopes that the future will present more opportunities to work with this talented
Anne H. Goldberg blurs the definitions of music and dance as a composer, choreographer, and performer. Founder and artistic director of the Synthesis Aesthetics Project, a collaborative of musicians, dancers, multimedia and spoken word artists, Anne has produced, composed, choreographed and directed a variety of productions,
most recently as Emerging-Artist-in-Residence at The Field. In addition to Synthesis, Anne co-founded the new music ensemble Tempus Continuum Ensemble, premiering and performing both her own music and that of other 20th and 21st Century composers. Touring the east coast and internationally, Anne’s music has been premiered and performed by ensembles such as the Boston New Music Institute, the Novatrio, NeoLit Ensemble, and at the Summer Institute for Contemporary Performance Practice at New England Conservatory. Her artistry has been featured in music venues such is Symphony Space, the Kitchen, the Flea Theater, and many others nationally and internationally.
Anne’s background, although based upon the study of science, mathematics and languages, never strayed far from her passion for the arts. She graduated Phi Beta Kappa from Wellesley College with extensive course work at the Massachusetts Institute of Technology, and received her M.M. of Classical Composition at the Manhattan School of Music under Dr. Marjorie Merryman, and influences of Nils Vigeland, Reiko Füting, and Mark Stambaugh. She is a D.M.A. candidate at MSM under Dr. Reiko Füting. In addition to her musical and choreographic pursuits, Anne is a professional figureskater, holding gold freestyle, artistry and ice dancing titles in the United States and Canada as well as International ice dancing titles.
Multi-instrumental talent Kevin Baldwin (b. 1986) is an emerging artist creating a name for himself by tackling some of the most experimental and innovative music in New York City. Kevin has sought to push the saxophone by tackling repertoire from composers such as Grisey, Berio, Aperghis, and Hurel.
As a performer, Kevin has performed all over the world, in places such as Beijing and Shanghai, China; Paris, France; and Maccagno, Italy. The New York Times reviewed one of Kevin’s concerts, saying the performance was, “precise and energetic” Since then, Kevin has performed at Symphony Space, Tenri Cultural Institute, Galapgagos Art Space and had his debut solo concert performing a show for saxophone and electronics at the New Music in Queens festival.
Recently as a composer, Kevin has been receiving commissions and several other premieres for various soloists and ensembles. Such commissions include Transfigured Pulse, commissioned by Columbia University; Solitary Confinement for Tenor Saxophone and Drum Set for the SoundSCAPE new music festival in Italy; and -ity for solo piano for Jess Ryan. Previously, Kevin received an honorable mention in the 2009 National Association of Composers of the USA Young Composers Competition for his piece Meditation for solo Bassoon.
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Kaufman Music Center’s “alt-classical” youth ensemble Face the Music will perform at Lefrak Hall on Sunday, April 28th at 7pm .
The only student ensemble in New York City dedicated to performing music by living classical composers, Face the Music has been praised by the New York Times for its “stunning performances” of music by contemporary composers and hailed by critics as “polished, exuberant” (New York Times) and one of “New York’s favorite contemporary-classical ensembles” (Time Out New York). Since its founding in 2005, the ensemble has taken its place as a full-fledged player in New York City’s vibrant contemporary classical scene, rapidly becoming what Allan Kozinn of the New York Times has called “a force in the New York new-music world.”
Details at http://bit.ly/12r604Q
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Posted by s21concerts in Concert Announcement, tags: adda kridler, Center for Jewish History, chamber music, classical, classical music, composition, contemporary, contemporary music, copland, david glaser, Emilie-Anne Gendron, Michael Haas, milhaud, momenta, Music, new music, nyc, piano, quartet, Stephanie Griffin, timothy beyer, wolpe, Yeshiva University’s Stern College
On Monday, April 22, 2013 at 7:30 PM, the critically acclaimed Momenta Quartet (Emilie-Anne Gendron and Adda Kridler, violins; Stephanie Griffin, viola; Michael Haas, cello) will join pianist Molly Morkoski in a concert celebrating a diverse array of works by Jewish composers at the Center for Jewish History (15 West 16th Street, New York, NY 10011; www.cjh.org).
Tickets: $15 general, $10 for seniors, students, and CJH/AJHS/YUM members with ID. Available at the door or online through http://www.cjh.org/event/2216.
The program, which features Momenta members in a range of collaborative capacities, underlines the quartet’s core tradition of championing living composers. “Sirius” (2012), a new piano quartet by Yeshiva faculty member David Glaser, will receive its New York premiere. Momenta members will be joined by pianist Molly Morkoski, whose playing has been critically hailed as “outstanding” by The Boston Globe and “exhilarating” by the American Record Guide. Momenta violist Stephanie Griffin will take the stage in “Malekhamoves” (2009), a solo work by the Cleveland-based composer Timothy Beyer.
The program also highlights an eclectic assortment of underrepresented 20th-century works. Momenta will draw from its unique personal repertoire for the evening’s featured string quartet selection, Stefan Wolpe’s aphoristic “Twelve Pieces for String Quartet” (1950). Seldom performed today, this ephemeral collection of character pieces totals less than 7 minutes. In contrast, Morkoski and Momenta violinist Emilie-Anne Gendron will present Aaron Copland’s lush and expansive Violin Sonata (1944), composed as a wartime memorial piece. Rounding out the program is Darius Milhaud’s jazz-infused piano-quintet suite “La création du monde,” op.81b (1922-23), a musical souvenir of the French composer’s trip to New York at the height of the Jazz Age.
This concert marks Momenta’s 5th concert appearance at the Center for Jewish History and its 4th year as the Bernice Diener Ensemble-in-Residence at Yeshiva University’s Stern College for Women.
For more information, contact Emilie-Anne Gendron at firstname.lastname@example.org.
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