Posts Tagged “Emilie-Anne Gendron”

On Monday, April 22, 2013 at 7:30 PM, the critically acclaimed Momenta Quartet (Emilie-Anne Gendron and Adda Kridler, violins; Stephanie Griffin, viola; Michael Haas, cello) will join pianist Molly Morkoski in a concert celebrating a diverse array of works by Jewish composers at the Center for Jewish History (15 West 16th Street, New York, NY 10011; www.cjh.org).

Tickets: $15 general, $10 for seniors, students, and CJH/AJHS/YUM members with ID. Available at the door or online through http://www.cjh.org/event/2216.

The program, which features Momenta members in a range of collaborative capacities, underlines the quartet’s core tradition of championing living composers. “Sirius” (2012), a new piano quartet by Yeshiva faculty member David Glaser, will receive its New York premiere. Momenta members will be joined by pianist Molly Morkoski, whose playing has been critically hailed as “outstanding” by The Boston Globe and “exhilarating” by the American Record Guide. Momenta violist Stephanie Griffin will take the stage in “Malekhamoves” (2009), a solo work by the ClevelaMomenta Quartetnd-based composer Timothy Beyer.

The program also highlights an eclectic assortment of underrepresented 20th-century works. Momenta will draw from its unique personal repertoire for the evening’s featured string quartet selection, Stefan Wolpe’s aphoristic “Twelve Pieces for String Quartet” (1950). Seldom performed today, this ephemeral collection of character pieces totals less than 7 minutes. In contrast, Morkoski and Momenta violinist Emilie-Anne Gendron will present Aaron Copland’s lush and expansive Violin Sonata (1944), composed as a wartime memorial piece. Rounding out the program is Darius Milhaud’s jazz-infused piano-quintet suite “La création du monde,” op.81b (1922-23), a musical souvenir of the French composer’s trip to New York at the height of the Jazz Age.

This concert marks Momenta’s 5th concert appearance at the Center for Jewish History and its 4th year as the Bernice Diener Ensemble-in-Residence at Yeshiva University’s Stern College for Women.

For more information, contact Emilie-Anne Gendron at emilie@momentaquartet.com.

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Momenta Quartet

On Saturday, March 30, 2013 at 6:00 PM, the critically acclaimed Momenta Quartet–recently praised by the New York Times for their diligence, curiosity and excellence” and the Washington Post for “an extraordinary musical experience”–will present five new pieces by NYU graduate composers at New York University’s Silver Center For Arts and Science, Room 220 (31 Washington Place, New York, NY 10003; between Greene Street and Washington Square East). Admission is free.

The concert features works by Gordon Beeferman, Adele Fournet, Moon Young Ha, Friedrich Heinrich Kern, and Jue Wang, all current Ph.D. students at NYU’s Graduate School of Arts and Science. The pieces—four world premieres and one New York premiere, all written for Momenta—reflect each composer’s unique compositional interests, while exploring various unorthodox possibilities of staging, sonority, and collaboration.

The Momenta violinists will be highlighted in Friedrich Heinrich Kern’s duet “Les Adieux” (2013), and will be joined by their quartet colleagues in Moon Young Ha’s “…until that time I may…” (2013) and Jue Wang’s “Life in Stillness” (2013) for string quartet. Adele Fournet’s diptych “on death” (2013) will feature Momenta in collaboration with electric guitarist Felipe Wurst. Joined by guest dancer Stephanie Sleeper and composer Gordon Beeferman as pianist, Momenta will conclude with the New York premiere of “QUADRILLE” (2012) for string quartet, piano, and dancer: a theatrical work in which the musicians are fully integrated into Ms. Sleeper’s inventive choreography. This concert marks the continuation of Momenta and Beeferman’s longstanding collaboration, which originated in 2009 with the New York premiere of Beeferman’s String Quartet, followed by the world premiere of “QUADRILLE” at the Music at Gretna Festival in 2012.

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Momenta Quartet, Photo: John Gurrin

Now in its seventh and most prolific season, the “outstanding” Momenta Quartet takes on the monumental second string quartet of Arnold Schoenberg with “engaging” soprano Katharine Dain at 8pm on Monday, April 11th at the Center for Jewish History as part of its ongoing residency at Yeshiva University’s Stern College. The program also features Lament for Solo Cello by Yeshiva University faculty Bart Bartholomew and the String Quartet no. 5 (1991) by Philip Glass, who all but invented the concept of the “Minimalism” in the 1960s and has since written major film scores and commissions for the Metropolitan Opera.

April 11, 2011
8pm
The Center for Jewish History
15 W. 16th St., NYC
Admission: $15/$10 for students and seniors
www.cjh.org

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Described by Time Out New York as “an outstanding ensemble prone to innovation and exploration,” the Momenta Quartet (Emilie-Anne Gendron and Asmira Woodward-Page, violins; Stephanie Griffin, viola; Michael Haas, cello) has given over 50 world premieres since 2004 and presented refreshing programs of contemporary music with a focus on the creativity of composers from the new world. Based in New York City, Momenta has performed at some of New York’s alternative venues such as The Stone and Roulette, and at more mainstream venues such as Bargemusic and Symphony Space. In residence at Temple University for six years, Momenta has also performed and lectured at numerous American Colleges and in England, Singapore and Indonesia.

Soprano Katharine Dain has been praised by The New York Times for her “rich tone,” “deep emotion,” and “lovely, passionate” performances. Her opera credits include Fiordiligi (Così fan tutte), the title role of Cavalli’s La Calisto, and various premieres of contemporary operas. She also has extensive experience in oratorio and concert music from all periods. She has performed with the Alexandria Symphony, Ravinia Festival (where she was a 2009 Steans Fellow), Amherst Early Music Festival, Collegiate Chorale, Mark Morris Dance Group, New York City Ballet, Joy in Singing, and the New York Festival of Song in venues including Carnegie Hall and Lincoln Center. She has co-founded two critically acclaimed chamber groups in New York: Callisto Ascending, a period-instrument ensemble, and Lunatics at Large, a contemporary chamber group lauded as “young, energetic and highly polished” by senior Times critic Allan Kozinn. She holds degrees from Harvard University, the Guildhall School of Music and Drama, and Mannes College of Music.

The Momenta Quartet’s 2011 New York season is made possible through the generous support of the Aaron Copland Fund for Music and with public funds from the New York State Council on the Arts, celebrating 50 years of building strong, creative communities in New York State’s 62 counties.

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