Posts Tagged “Free”

GUITAR MARATHON: LAS AMERICAS

FREE for the first time in Festival’s history; 2-5 pm & 7-10 pm

 

 

Reservations are strongly suggested. They’ll guarantee you a seat if you arrive 1

5 minutes before showtime. Call 212 501 3330 or reserve online for 2-5 pm; reserve online for 7-10 pm.
Co-curated by Brazilian phenomenon Badi Assad and Los Angeles Guitar Quartet founder William Kanengiser, the six-hour Marathon focuses on classical guitar in North and South America, contrasting rich traditions with bold experimentation. Featured composers include Heitor Villa-Lobos, Egberto Gismonti, Joan Tower, Elliot Carter, Alberto Ginastera, Leo Brouwer, Robert Beaser, Manual Ponce, Antonio Lauro, Agustín Barrios and many more.

About the curators: A founding member of the Los Angeles Guitar Quartet, Kanengiser displays his multi-varied musical interests in recordings of composers as dissimilar from one another as Bartók, Handel and Jerome Kern. Assad hails from a musical family of guitarists-composers.

A singer and percussionist to boot, she fuses pop-jazz with worldbeat in a sensuously Brazilian sensibility.

LAS AMERICAS, PART I: NORTH AMERICA (2-5 PM)

Strongly suggested: 

or call 212 501 3330.

William Kanengiser has invited four brilliant guest artists to help celebrate the guitar of North America. David Mozqueda, a young virtuoso from Gaudalaja, Mexico, will present masterworks by Ponce and Olivas, as well as arrangements of popular Mexican folksongs. Colin Davin, prizewinner in the GFA competition and modern-music specialist, will present compelling works by

Joan Tower, and with flutist Daniel James, a new work by Alaska-based composer Conrad Wilson. Connie Shue, an emerging artist specializing in women composers, will play works by Canadian composer Dale Kavanaugh, Brazilian Clarice Assad (Badi’s niece) and John Anthony Lennon. The ph

enomenal Naumberg Award-winner Jorge Caballero will play the first of his two sets in the Marathon, presenting some of the most important American guitar compositions by Elliott Carter and John Major, as well as the stunning Sonata #1 by Cuban master Léo Brouwer. William Kanengiser will close out the afternoon by presenting an eclectic mix of Mexican, Cuban and American works, ranging from folkloric to contemporary to jazz-inspired.

LAS AMERICAS, PART II: SOUTH AMERICA (7-10 PM)

Strongly suggested:

or call 212 501 3330.

For the second part of the Marathon, Badi Assad has crafted an evening of propulsive rhythm and sensuous melody from South America. The award-winning Brazil Guitar Duo will open the evening with pieces by Villa-Lobos, Piazzolla, Gismonti and others. Samba master Rom

ero Lubambo will bring his technical fireworks and serious Brazilian groove to a set of popular pieces by Jobim, Garoto and others. Jorge Caballero will return to the stage to present some of the mo

st important South American compositions for guitar, including works by Barrios, Antonio Lauro, and the seminal Sonata by Ginastera. Making their NY debut, the incredible Duo Siquiera/Lima will present fiery duets by Brazilian, Argentinian and Ecuadorian composers. The grand finale of the Marathon will be the inimitable Badi Assad, who brings a feminine sensibility to her stunning world-beat fusion of pop, jazz and Brazilian music.

 

Monday, January 20 at 2:00pm. Free.

Details at: http://www.kaufmanmusiccenter.org/mch/event/new-york-guitar-festival-marathon

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MUSE/IQUE, known for its inspired, unexpected live music events curated by noted artistic director/conductor Rachael Worby, launches its 2013-14 season with “Free For All,” a free family-friendly concert in which jazz, hip hop and orchestral music collide to create a rocking dance party held in conjunction with “ArtNight Pasadena,” on Friday, October 11, 2013, 6 to 9 pm, on the plaza of the Pasadena Civic Center. The annual evening features members of the MUSE/IQUE Orchestra and Double G NineNet, comprised of members of the daKAH Hip Hop Orchestra, a genre-bending, culture-blending “United Nations of music” led by Geoff Gallegos (Double G). Adding to the lively musical mix of jazz, hip hop, Beatles tunes and more, are a crew of dancers, as well as face painting and other special activities for children. Parsons Corporation is sponsoring all of MUSE/IQUE’s education and community programs, including this concert.

“Double G NineNet will have people dancing in the street, literally, perfectly embodying MUSE/IQUE’s own unique sensibilities with its tremendous energy, genre-defying sound and infectious music that appeals to people of all ages,” says Worby.

The LA-based daKAH Hip Hop Orchestra, founded in 1999, presents hip-hop in symphonic form by musicians from wildly diverse musical backgrounds, cultural experiences, artistic tastes and lifestyles who share outstanding musical dexterity and a spirit of curiosity and collaboration. They include formally trained musicians as well as those who are self-taught and others from jazz and contemporary traditions. The orchestra’s first studio album is Unfinished Symphony.

Reservations for “Free for All” are not necessary. The Pasadena Civic Center Plaza is located at 300 E. Green Street, Pasadena, CA, 91101. For more information about MUSE/IQUE, please call 626-539-7085 or visit www.muse-ique.com.

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The acclaimed American Youth Symphony (AYS), one of the nation’s leading professional training orchestras for musicians ages 15 to 27, launches its 49th season with a free concert featuring the highly anticipated West Coast premiere of Timothy Andres’ Bathtub Shrine, Tchaikovsky’s elegant Variations on a Rococo Theme, showcasing rising star Allan Steele, AYS’s Principal Cello, and Berlioz’ epic Symphony fantastique on Sunday, October 6, 2013, 7 pm, at UCLA’s Royce Hall. Music Director Alexander Treger, currently in his 16th season leading AYS, conducts the 106-member orchestra, noted for its innovative programming and inspiring performances.

Also featured is a free pre-concert screening at 5:30 pm of the film Keeping Score: Symphony fantastique, part of the San Francisco Symphony’s critically applauded Keeping Score film series, which, narrated by Michael Tilson Thomas, tells the story of Berlioz’ purportedly opium-fueled obsession with Irish actress Harriet Smithson for whom his love, passion and jealousy drove the groundbreaking symphony’s creation. Berlioz’ work was debuted at the Paris Conservatoire in 1830, quickly becoming an audience and orchestra favorite.

“The program is designed to highlight the exceptional talents of the orchestra as well as to provide our musicians with critical training in some of the major orchestral repertoire and contemporary works,” says Treger, who during the 2013-14 season leads a total of five free concerts as well AYS’s annual gala concert.

Andres – hailed by the Los Angeles Times for music that demonstrates “a strong sense of building on classical music tradition, while also moving that tradition into a new and hip place” – composed Bathtub Shrine on a commission by the Yale Symphony Orchestra as a playful response to the widely reverberating acoustics of Yales’ Woosley Hall, which Andre’s describes as having “a staggering 13-second reverberation…the effect of a giant bathroom.” He also wrote the eight-minute piece in homage to the orchestra’s “fierce music-making” and warm “camaraderie”.

AYS has trained more than 2,300 musicians since it was founded, and many of its alumni hold principal positions with the world’s top orchestras, the Chicago Symphony, Los Angeles Philharmonic, New York Philharmonic and San Francisco Symphony, among them. Additionally, AYS’s free concert series, which has drawn more than a quarter of a million people to the Royce Hall since its inception, provides vital music outreach to the community.

This season AYS also appears on the “Sundays Live at LACMA” concert series on October 20, 2013; presents “The Elfman Project II,” the continuation of a three-year exploration of the composer’s brilliant music, on November 24, 2013; showcases the irrepressible music of composer Jefferson Friedman on February 9, 2014; hosts the “Springtime in Paris” gala on March 9, 2013; and wraps the season with “The Alumni Project,” where fellows will share a stand with celebrated alumni in Strauss’ An Alpine Symphony. This season finale concert will also feature gifted young violinist Nigel Armstrong, a finalist in the 2011 Tchaikovsky International Competition and former AYS Concertmaster.

Reservations are recommended but not required for the American Youth Symphony’s free concert at Royce Hall. Royce Hall is located on the campus of UCLA at 10745 Dickson Plaza in Westwood, CA, 90095. For more information, please call (310) 470-2332 or log on to www.AYSymphony.org.

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A concert of works by renowned American composer Michael Hersch will be presented at the DiMenna Center for the Arts in New York City on the evening of October 19.

Photograph by Richard Anderson.

Photograph by Richard Anderson.

Also regarded as one of today’s more formidable pianists, Hersch is the subject of a new documentary film, The Sudden Pianist, which focuses on his life and his work for the piano. At the Oct 19 concert, Hersch will perform some of the music featured in the film: selections from his 2 and a half-hour solo piano work, The Vanishing Pavilions. (A screening of the film, which was released earlier in 2013 and has already garnered significant festival interest, will take place at the Producers’ Club on the morning of the concert; more information about the film can be found at thesuddenpianist.com.) This concert marks Hersch’s only second public appearance as a pianist in New York in the last ten years.

Also on the October 19 all-Hersch program will be “in the snowy margins” for unaccompanied violin; the New York premiere of “of ages manifest” for unaccompanied alto saxophone; Five Fragments for unaccompanied violin; and the New York premiere of How Far the Cradle for soprano and piano. Artists joining the composer on the program are violinist Miranda Cuckson, saxophonist Gary Louie, soprano Ah Young Hong, and pianist Michael Sheppard.

Saturday, October 19 at 8pm
The DiMenna Center for Classical Music
Mary Flagler Cary Hall
450 West 37th Street
New York, NY 10018

Free admission. No reservations required.
For more information, visit here.

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Free Seminar:  December 3, 2013, 3-5pm Eastern

Maximizing Your Concert Appearance

With Peter Gordon, Marty Ashby and Myles Weinstein

RSVP

Attend: in person at Saint Peter’s Church in midtown Manhattan or via live-stream

A performance can be so much more than showing up at a gig and playing your heart out. Today’s successful concert is part of a living, breathing ecosystem—connecting artist, presenter, social/print media, radio/television, and fans. In the first hour, the panel will outline strategies, techniques and innovative approaches to making the most of your live appearances. In the second hour, they’ll review specific projects spotlighting real-world successes within the CMA community.

Peter Gordon is the founder of Jazz Forward Coalition and Thirsty Ear Recordings, a 36 year-old indie record label that has released over 300 records. Gordon is a founding board member of the American Association of Independent Music (A2IM) . He was the lead negotiator in the landmark FCC radio accord and was a founding VP of the World Independent Network—WIN, representing 20 international music trade organizations. Gordon recently co-founded the Jazz Forward Coalition, a leadership group advocating sustainability and cultural growth for the Jazz community. www.thirstyear.com

Marty Ashby is the Executive Producer and founder of MCG Jazz, a program of the Manchester Craftsmen’s Guild (MCG) in Pittsburgh, PA. He has produced over 2,000 concerts and 45 recordings on the MCG Jazz label, including three GRAMMY® Award and two Latin GRAMMY® Award winners and has raised over $25 million to support the MCG Jazz program.  He was recently awarded a EPP Goldman-Sachs fellowship at the Smithsonian’s National Museum of American History.

Myles Weinstein’s Unlimited Myles, Inc. exclusively represents such leading artists Regina Carter, Kenny Barron, Stefon Harris, Luciana Souza and Vijay Iyer.  From 1993-2001, Myles was the founding director of the jazz division at Herbert Barrett Management. He has played percussion, timpani and drums with Stefon Harris, Steve Turre, the Long Island Philharmonic and the Joffrey Ballet Orchestra.   In the 90’s, he co-led with Chris Potter the ensemble, The Jazz Mentality.

First Tuesdays is a free professional development seminar series presented by Chamber Music America in partnership with Saint Peter’s Church and Midtown Arts Commons. Workshops are live-streamed and archived on the CMA website.

 

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Free Seminar:  November 4, 2013, 3-5pm Eastern

Time Management for Creative People

With Aaron Landsman, Tribeca Leadership Affiliate Consultant

RSVP

Attend: in person at Saint Peter’s Church in midtown Manhattan or via live-stream

A focus session for musicians and other music professionals on managing your time for creative projects, administrative tasks, emails and social media, self and family needs and wants, and—if necessary—worry. Learn the 20-minute rule, the difference between urgent and important, and prioritizing your own projects over offers to participate in others’ gigs. Landsman coaches artists and executives in the creative community through Tribeca Leadership, LLC, among other groups. He is also a stage and commercial actor, playwright and monologist.

First Tuesdays is a free professional development seminar series presented by Chamber Music America in partnership with Saint Peter’s Church and Midtown Arts Commons. Workshops are live-streamed and archived on the CMA website.

 

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Free Seminar: 42 Revenue Streams for Musicians

With Jean Cook, Director of Progams, Future of Music Coalition

Tuesday, March 4, 2014, 3-5 pm Eastern

RSVP

Attend in person or online:

How do you earn your money from music? Learn ways to expand your revenue-generating capacity and formulate the best mix of music income for you. Join Jean Cook, Director of Programs from the Future of Music Coalition, in a discussion of the 42 revenue streams available to composers and performers based on changes in copyright law and FMC’s findings from its Artist Revenue Streams, a project that collects and studies data from U.S. musicians on how they make a living.

For the last two years Jean Cook  co-directed FMC’s Artist Revenue Streams project. She is a member of New Music USA’s New Media Council and also currently serves as Chair of APAP’s Classical Connections Committee. Cook is a also a musician and producer.

Future of Music Coalition is a national nonprofit organization that works to ensure a diverse musical culture where artists flourish, are compensated fairly for their work, and where fans can find the music they want.  fairly for their work, and where fans can find the music they want.

First Tuesdays is a free professional development seminar series presented by Chamber Music America in partnership with Saint Peter’s Church and Midtown Arts Commons.

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Free Seminar: The Affordable Care Act Primer

With Renata Maninaro, Eastern Region Director of Health Services for the Actors Fund

Tuesday, October 1, 2013, 3:00-5:00 p.m.  Eastern

RSVP

Attend:

Learn how the Affordable Care Act will affect musicians and small music companies. Health insurance options for people working in the performing arts should increase greatly in the coming year, as competitive insurance exchanges are implemented, along with subsidies for low- to middle-income subscribers, and small business tax credits.

Renata Marinaro, Eastern Region Director of Health Services for the Actors Fund,  will be your guide to the new health-insurance opportunities, which become effective as of   January 1, 2014.

First Tuesdays is a professional development workshop series that offers free monthly seminars for the small ensemble field from October through June. The program is presented by Chamber Music America in partnership with Saint Peter’s Church and Midtown Arts Common.

Funding is provided by the National Endowment for the Arts, the New York City Department of Cultural Affairs, the New York State Council on the Arts and the Doris Duke Charitable Foundation. Additional support for this seminar is provided by New York Community Trust, the Community Service Society and the Actors Fund.

 

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Los Angeles Children's Chorus Young Men's Ensemble

Los Angeles Children’s Chorus Young Men’s Ensemble


Los Angeles Children’s Chorus (LACC) announces auditions for middle school- and high school-aged boys with changing or changed voices for its Young Men’s Ensemble on August 21 and 28, 2013, at Pasadena Presbyterian Church. Candidates must prepare one solo art or folk song and will also be gauged on their ability to sing as part of an ensemble. Those interested in auditioning should be proficient in the fundamentals of music theory and musicianship. The vocal audition also includes a written music theory test and a sight-singing evaluation.

LACC’s Young Men’s Ensemble, the first choir in the Southern California and one of only a few in the country to serve young male vocalists with changing voices, is designed for boys who wish to pursue singing and the choral arts throughout middle and high school. Led by Dr. Steven Kronauer, it offers quality vocal and choral training in a supportive environment along with essential tools needed to bridge the gap between treble and young men’s choral singing. One of the fundamental considerations for working with the choir, Kronauer notes, is being flexible with the repertoire, which he may change from week to week based on fluctuations in the singers’ voices to ensure the voices are never “pushed” or strained.

Established in September 2009, Young Men’s Ensemble holds rehearsals weekly on Sunday evenings (4:45 – 7:00 PM), and features a specially tailored musicianship course and individualized vocal coaching sessions that adhere to LACC’s exceptionally high standards and rigor. Among numerous highlights, YME has toured to Germany, Austria and Italy, performed with the esteemed University of Michigan Men’s Glee Club, attended a retreat at USC Thornton School of Music and participated in a special seminar with acclaimed counter-tenor David Daniels.

Auditions will be held at Pasadena Presbyterian Church, located at 585 East Colorado Boulevard in Pasadena, California 91101. For more information or to make an audition appointment, please call (626) 793-4231 or visit www.lachildrenschorus.org.

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Los Angeles Children’s Chorus (LACC), one of the nation’s leading children’s choirs, is holding auditions for boys and girls ages eight (by September 1, 2013) to 12 on June 6 -9, 2013, in Pasadena. Previous singing experience is not necessary, but audition appointments are required.

LACC’s program focuses on training children who may not necessarily have had previous singing experience, but who are dedicated to achieving excellence in vocal technique, choral singing and classical music. Successful candidates will demonstrate the ability to match pitch, follow instructions, and thrive in a structured, but supportive learning environment. Children audition in groups of five to ensure their comfort, and no preparation is necessary.

Under the artistic direction of Anne Tomlinson, Los Angeles Children’s Chorus, currently in its 27th season, provides a comprehensive music education and performance program for children of diverse cultural and economic backgrounds in Los Angeles County. LACC is comprised of six choirs with choristers ranging in age from 8 to 18 who hail from 60 communities throughout Southern California. (Younger singers are encouraged to enroll in LACC’s classes for six- and seven-year-olds, First Experiences in Singing, offered in Pasadena.)

Rehearsals for entry-level choirs are once a week at Pasadena Presbyterian Church. In addition, all children take musicianship classes (a six level curriculum) and receive individual vocal training. They receive mid- and end-of-year evaluations as well. Repertoire is selected to fit each choir’s skill level and focuses on classical works, but also encompasses folk music from around the world, spirituals, gospel songs and jazz, as well as new music

High-profile performance opportunities are an important and integral part of the program and include two culminating choral concerts each year, plus performances at major civic events. LACC’s premier choirs perform with the Los Angeles Philharmonic, LA Opera, Los Angeles Master Chorale, Los Angeles Chamber Orchestra, and the Hollywood Bowl Orchestra, among other prestigious music presenters. The choir was also featured in the Academy Award-nominated documentary film, “SING!” which chronicles a year in the life of the choir and is shown periodically on PBS stations nationwide, as well as follow-up documentaries “SING OPERA!” and “SING CHINA!” In addition, LACC tours locally, nationally and internationally.

Auditions will be held at Pasadena Presbyterian Church, located at 585 East Colorado Boulevard in Pasadena, California 91101. For more information or to make an audition appointment, please call (626) 793-4231 or visit www.lachildrenschorus.org.

Los Angeles Children's Chorus

Los Angeles Children’s Chorus

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