Posts Tagged “Lifchitz”

On Sunday, January 12 at 3 PM, the Grammy nominated North/South Chamber Orchestra under the direction of its founder composer/conductor Max Lifchitz welcomes the New Year with a free-admission concert featuring works by composers from Europe and the Americas

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Art Songs from Latin America

 

LatinAmericanSong_Panoramic_2013-400x566

works by 

Darwin Aquino, Modesta Bor, Alejandro Caturla,

Carlos Chávez, Ramiro Cortés, Carlos Guastavino,

Manuel M. Ponce, Antonio Valencia & Heitor Villa-Lobos

  

Anna Tonna, mezzo-soprano

Max Lifchitz, piano

Sunday, October 27 at 3 PM

Christ and St Stephen’s Church

120 West 69th St

New York, NY 10023

Free Admission

http://www.northsouthmusic.org

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Season Finale!

New and Recent Chamber Orchestra Works

CHEN YAO   Tangents II

DAVID FARRELL   Re-Callings

CHRISTOPHER JAMES   Bassoon Concerto

MAX LIFCHITZ Yellow Ribbons No. 40

Claudia Schaer, violin

Carolyn Beck, bassoon

Ann Ellsworth, French Horn

Max Lifchitz, conductor

The North/South Chamber Orchestra

Tuesday, June 19 at 8 PM

Christ & St Stephen’s Church

120 West 69th St (bet Bway & Columbus), NYC

Free Admission. No tickets required.

http://www.northsouthmusic.org


North/South Consonance, Inc. concludes its 32nd consecutive season of free-admission concerts on Tuesday evening June 19, 2012 when the acclaimed North/South Chamber Orchestra performs four eclectic works by American composers.

The concert will start at 8 PM and will take place at the auditorium of Christ & St. Stephen’s Church (120 West 69th St – between

Ann Ellsworth

Broadway and Columbus) in New York City. Admission is free – no tickets needed.

The program will open with the first NY premiere of Tangents II by Chen Yao. Yao studied at the Xinghai Conservatory of Music in Guangzhou and the Central Conservatory of Music in Beijing before earning a doctorate in composition at the University of Chicago. He was recently invited to join the composition faculty of the School of Music at Illinois State University. Yao employs timbre, intonation, and pulse to bridge Eastern and Western musical traditions as well as rational logic with irrational mysticism.

Claudia Schaer

A native of Chicago, IL, David E. Farrell was educated at the University of Illinois and at Indiana University’s Jacobs School of Music. His teachers included Claude Baker, Zack Browning, Don Freund and Richard Wernick. Last fall he joined the composition faculty of Metropolitan State University in Denver.

Re-Callings for solo violin and large mixed ensemble “bounces freely from one melody to another, tossing one aside in favor of the next, again and again. While this seems chaotic early in the piece, motives are freely recalled in altered states as the music progresses, bringing about a sense of unity and completion by the work’s end.”

Christopher James studied composition with Isaac Nemiroff and David Lewin at the State University of New York at Stony Brook, and pursued graduate study under David Diamond and Milton Babbitt at The Juilliard School. Concerning his Bassoon Concerto James explains that “…in writing this work, my aim was above all to deal with the expressive capabilities of the bassoon– I dearly love the instrument, and I hope it shows. But in a concerto you want fireworks, so I threw in some fireworks. And not grudgingly! The composition of this extensive three – movement work spanned the

Carolyn Beck

period when I was an expectant father, and my first year and a half of fatherhood. This definitely explains appearance of the baby rattle in the finale, and very likely the predominantly sunny character of the piece.”

To conclude the program, the North/South Chamber Orchestra will perform a work by Max Lifchitz, its founder and music director. Lifchitz was born and educated in México City but has lived in New York since 1966. His Yellow Ribbons No. 40 belongs to a series of works being written as homage to the former American hostages in Iraq. The work is in four contrasting but inter-connected movements.

North/South Consonance’s 2011-12 season is made possible in part with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs; grants from Columbia University’s Alice M. Ditson Fund, the Zethus Fund for Contemporary Music, the Music Performance Funds from the American Federation of Musicians, and contributions by many generous individuals.

For further information about North/South Consonance’s activities, including concerts and recordings, please visit http://www.northsouthmusic.org/

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O Coração Canta

Art Songs by Composers from Brazil

Martha Herr, soprano

Israel Pessoa, bass

Max Lifchitz, piano

program will include songs by

Ernani Braga, Luciano Gallet, Camargo Guarnieri, Francisco Mignone, Ronaldo Miranda,

Alberto Nepomuceno, Marlos Nobre, Almeida Prado, Achille Picchi and Heitor Villa-Lobos.

Tuesday, June 12 at 8 PM


Christ & St Stephen’s Church

120 West 69th St (bet Bway & Columbus), NYC

Free Admission. No tickets required.

http://www.northsouthmusic.org


North/South Consonance, Inc. continues its 32nd consecutive season of free-admission concerts on Tuesday evening June 12, 2012 when acclaimed soprano Martha Herr, bass Israel Pessoa, and pianist Max Lifchitz join forces for an evening featuring exclusively art songs by Brazilian composers.

The concert will start at 8 PM and will take place at the auditorium of Christ & St. Stephen’s Church (120 West 69th St – between Broadway and Columbus) in New York City. Admission is free – no tickets needed.

The program will feature art songs by Brazilian composers from the 19th and 20th century including Ernani Braga, Luciano Gallet, Camargo Guarnieri, Francisco Mignone, Ronaldo Miranda, Alberto Nepomuceno, Marlos Nobre, Almeida Prado, Achille Picchi and Heitor Villa-Lobos.

The performers are available for interviews and other media events and may be contacted through the North/South office at ns.concerts(at)att.net.

North/South Consonance’s 2011-12 season is made possible in part with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs; grants from Columbia University’s Alice M. Ditson Fund, the Zethus Fund for Contemporary Music, the Music Performance Funds from the American Federation of Musicians, and contributions by many generous individuals.

For further information about North/South Consonance’s activities, including concerts and recordings, please visit http://www.northsouthmusic.org/

ABOUT THE PERFORMERS

Soprano Martha Herr has received wide acclaim for her work in opera, oratorio, recitals and recordings. A champion of the vocal music of her adopted country Brazil, she has premiered operas by Arrigo Barnabé, Tim Rescala and Jorge Antunes. She also participated in the first Brazilian production of Wagner’s Rin in the historical opera house of Manaus in the Amazonas.

Martha Herr

Ms. Herr also participated in the premiere of Morton Feldman’s neither at the Rome Opera and John Cage’s Europera V at the North American New Music Festival. Her recordings include an album devoted to the songs by Virgil Thomson, and an album devoted to Brazilian songs including the ever-popular Bachianas Brasileiras No. 5 by Heitor Villa-Lobos. The Chair of the voice department at the State University of Sao Paulo in Brazil, Herr is a visiting professor at Bennington College this season.

Israel Pessoa, bass, was invited by the beloved  Anna Moffo to participate in her master classes at the Metropolitan Opera House. After critically acclaimed appearances at the Sao Paulo Opera House, Pessoa was invited to perform with several US companies including, among others,  the Tulsa Opera;  the Athens Opera in Georgia; the Cava di Tirreni Festival in Italy; the NY Opera Forum; and the NY Cantata Singers.

A native of Goiania-Goias, Brazil, Pessoa trained as vocalist and choral conductor at the Sao Paulo Baptist Theological Seminary and at

Israel Pessoa

the State University Of Sao Paulo before relocating to the US in 1995. He is the featured soloist in the premiere recording of a Te Deum and a Mass by the 18th century Brazilian composer Tristao Mariano da Costa.

Pianist Max Lifchitz has appeared on concert stages throughout Europe, Latin America and the US. He was awarded the first prize in the 1976 Gaudeamus Competition for Performers of Contemporary Music held in Holland.

The San Francisco Chronicle described Max Lifchitz as “a stunning, ultra-sensitive pianist” while the New York Times praised Mr. Lifchitz for his “clean, measured and sensitive performances.”

A graduate of The Juilliard School and Harvard University, Lifchitz has appeared on concert stages throughout Europe, Latin America and the US. He was awarded the first prize in the 1976 Gaudeamus Competition for Performers of Contemporary Music held in Holland.     His numerous recordings as pianist, composer and conductor are available for streaming and download through www.classicsonline.com/North_South_Recordings/


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Chamber Music by Composers from New York & California

I’LANA SANDRA COTTON The Return

N. LINCOLN HANKS Three Movements

MAX LIFCHITZ Yellow Ribbons No. 2

ROBERT MARTIN Piano Trio

ELIZABETH BELL Piano Sonata No. 2

The North/South Consonance Ensemble

Claudia Schaer, violin
Richard Goldsmith, clarinet
Bruce Wang, cello
Max Lifchitz, piano

Sunday, March 11 at 3 PM

Christ & St Stephen’s Church

120 West 69th St (bet Bway & Columbus), NYC

Free Admission. No tickets required.

http://www.northsouthmusic.org


North/South Consonance, Inc. continues its 32nd consecutive season of free-admission concerts on Sunday afternoon March 11 as four members of the acclaimed North/South Consonance Ensemble present an afternoon chamber music recital featuring recent works by composers from New York and California.

Elizabeth Bell

The concert will start at 3 PM and will take place at the ensemble’s home base, the auditorium of Christ & St. Stephen’s Church ( 120 West 69th St – between Broadway and Columbus ) in New York City. Admission is free – no tickets needed.

While the featured composers represent three different generations their works evince a post-modern outlook combining freely contemporary innovations with elements drawn from older musical traditions. I’lana Sandra Cotton and N. Lincoln Hanks hail from California while Elizabeth Bell, Max Lifchitz and Robert Martin are based in New York.

Cotton’s The Return for violin, cello and piano was inspired by the phrase having gone far, it returns” from Lao Tzu’s Tao De Ching. Hanks Three Movements for clarinet, cello and piano is about “evolving relationships.” Bell’s Second Piano Sonata effectively employs a neo-classical mold while Martin’s Piano Trio recalls Arshile Gorky’s abstract paintings. Lifchitz’s Yellow Ribbons No. 2 for clarinet, violin and piano belongs to a series of works honoring the former American hostages in Iran.

I'lana Cotton

Performers will include violinist Claudia Schaer, a Juilliard graduate who has concertized in Europe and China; cellist Bruce Wang, a much-sought-after studio musician who has performed in the US and Asia; clarinetist Richard Goldsmith acclaimed by the New York Time for his “technical mastery, breath-taking playing and virtuosic fair,” and pianist Max Lifchitz who the American Record Guide described as “one of America’s finest exponents of contemporary piano music.”

The featured composers will be in attendance and will meet with the public during intermission and after the performance.


North/South Consonance’s 2011-12 season is made possible in part with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs; grants from Columbia University’s Alice M. Ditson Fund, the Zethus Fund for Contemporary Music, the Music Performance Funds from the American Federation of Musicians, and contributions by many generous individuals.

Lincoln Hanks

For further information about North/South Consonance’s activities, including concerts and recordings, please visit http://www.northsouthmusic.org/

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Max Lifchitz – the Mexican-born composer and long-time New York City resident — will appear as pianist in a program devoted entirely to his music planned for Saturday afternoon March 12 2011.

The event will be held in the elegant Bruno Walter Auditorium at the recently refurbished NY Public Library for the Performing Arts (40 Lincoln Center Plaza – Amsterdam Ave at 65th St). It will start at 2:30 PM. Admission is free (no tickets required).

For further information about the event as well as directions please visit

http://www.nypl.org/events/programs/2011/03/12/concert-northsouth-consonance-featuring-pianist-max-lifchitz?nref=62993

A retrospective program, the concert will feature compositions written during the last four decades.

It will include Five Preludes for Piano (written in 1964); The Blood Orange (for narrator, violin and piano — written in 2006); Mosaico Latinoamericano (for flute and piano —written in 1991); Vignettes for woodwind quintet (written in 2005); as well as Yellow Ribbons No. 10 (for piano – written in 1981) and Yellow Ribbons No. 39 (for solo flute— written in 2005).

Mr. Lifchitz will be joined by several of the distinguished performers who have premiered and recorded his works. They include actress/narrator Norma Fire; flutist Lisa Hansen; violinist Claudia Schaer; and The Sylvan Winds.

Mr. Lifchitz will introduce his works to the public and meet with the audience during intermission and after the concert.

Lifchitz began his musical training in Mexico City under the direction of the Spanish composer Rodolfo Halffter. After moving to New York City in 1966 Lifchitz studied composition with Luciano Berio at Juilliard and Leon Kirchner at Harvard. His creative endeavors have been possible with grants from among others, the ASCAP, Ford and Guggenheim Foundations; the NYS Council on the Arts and the National Endowment on the Arts. He was awarded first prize in the 1976 Gaudeamus Competition for Performers of Contemporary Music held in Holland. Lifchitz has been active in the New York new music scene since the late 1960’s and has toured throughout Latin America and Europe with grants from the US Artists at International Festivals Fund. He was honored with the 2009 Zethus Fund Lifetime Achievement Award in recognition of his tireless efforts on behalf of the music by living composers.

Mr. Lifchitz’s compositions and performances are available for streaming and download through the web at

http://www.classicsonline.com/North_South_Recordings/

http://www.dramonline.org/albums/music-of-max-lifchitz

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NACUSA

National Association of Composers, USA East Coast Chapter

Presents

Summer Fest!

Program

DOUGLAS OVENS                                                   Possible Music # 2 (2009)’

Douglas Ovens, electronic percussion  James Thoma, electronic percussion

DELVYN CASE                                                          Gemini Variations (2008)’

Tim Ruedeman, saxophone                                      Paul Cohen, saxophone

RYAN JESPERSON                                                            Farbenmusik (2008)’

Amanda Arrington, piano

ALLEN BRINGS                          Five Poems of Gerard Manley Hopkins (2005)’

I. The Habit of Perfection

II. Tom’s Garland (upon the Unemployed)

III. Henry Purcell

IV. Pied Beauty

V. Thou Art Indeed Just, Lord

Jennifer Foster, soprano                                                  Allen Brings, piano

Intermission

DINOS CONSTANTINIDES                                              Sappho Songs (1998)’

I. Homecoming

II. Candor (to Alcaeus)

III. To a Handsome Man

IV. Light Vanishing

Maragert O’Connell, soprano                                            Max Lifchitz, piano

MAX LIFCHITZ                                                  Yellow Ribbons No. 22 (1984)

Edmundo Ramírez, viola                                                  Max Lifchitz, piano

MAX LIFCHITZ                                              Mosaico Latinoamericano (1991)

Laura Falzon, flute                                                           Max Lifchitz, piano

June 7, 2010 at 8 PM

Christ and St. Stephen’s Church, NYC

Free Admission

‘New York Premiere

77th Season (1933-2010)

www.music-usa.org


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North/South Consonance’s 30th Anniversary Gala!

Chamber Orchestra Works by Composers from the Americas

featuring new and recent compositions by

Elizabeth Bell, Edward Green, Max Lifchitz
Hilary Tann & Stephen Yip

performers include

Arthur Campbell, clarinet
Megan Levin, harp
Helen Lin, piano
Max Lifchitz, conductor
The North/South Chamber Orchestra

Monday, March 8 at 8 PM

Merkin Concert Hall

129 West 67th St (bet Bway & Amsterdam), NYC
Free Admission.

First come first serve.
Tickets available at the Merkin Hall box office after 7 PM the evening of the concert

http://www.northsouthmusic.org

Arthur Campbell & Megan Levin

North/South Consonance, Inc. celebrates its 30th consecutive season of advocacy on behalf of music by living composers with a special chamber orchestra concert at New York City’s Merkin Concert Hall (129 West 67th St) on Monday, March 8, 2010 at 8 PM.

Distinguished guest artists including clarinetist Arthur Campbell; harpist Megan Levin; and pianist Helen Lin will join the GRAMMY nominated North/South Chamber Orchestra conducted by its founder Max Lifchitz for the special event. The program will include recent works especially written for the occasion by American composers  Elizabeth Bell, Edward Green, Max Lifchitz, Hilary Tann and Stephen Yip.

Admission is free.
First come first serve. Tickets may be picked up at the Merkin Concert Hall box office after 7 PM the evening of the concert.

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Allison Brewster,
Octavio Brunetti,
Polly Ferman,
Carlos Franzetti
&  Max Lifchitz

will participate in the

Latin American Piano Festival

World Financial Center
Winter Garden
Three World Financial Center
200 Vesey Street
New York, New York 10281-1021

November 9 (Monday) 12 – 2 PM

http://www.artsworldfinancialcenter.com/cgi-bin/Go.cgi?q_id=976

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