Posts Tagged “los angeles”
Los Angeles Chamber Orchestra (LACO) highlights the beauty and majesty of the harpsichord with an unusual program featuring four harpsichords and chamber orchestra in the first of its Baroque Conversations series on Thursday, December 11, 2014, 7 pm, at Zipper Hall in downtown Los Angeles, which repeats on Saturday, December 13, 2014, 7:30 pm, when the Orchestra makes its debut at the Valley Performing Arts Center in Northridge. Led by Music Director Jeffrey Kahane, the performance honors LACO artistic founder/former cellist James Arkatov and also celebrates the connection between Vivaldi and Bach, who transcribed many of Vivaldi’s works during his career. The repertoire includes the original version of Vivaldi’s Concerto in B minor for Four Violins, Op. 3, No. 10, from “L’Estro Armonico,” and Bach’s transcription of the piece, the unprecedented and rarely performed Concerto in A minor for Four Harpsichords, BWV 1065. Kahane also conducts Albinoni’s Oboe Concerto in D minor, Op. 9, No. 2, and Corelli’s Concerto Grosso in G minor, Op. 6, No. 8, “Christmas Concerto” in keeping with the season. Kahane, a noted keyboardist who is featured on harpsichord, leads a Baroque-size orchestra comprised of LACO musicians and eight featured soloists, including LACO concertmaster Margaret Batjer; LACO principals Josefina Vergara, Sarah Thornblade, violins, Allan Vogel, oboe, and Patricia Mabee, harpsichord; LACO violinist Jacqueline Brand; and special guests Ian Pritchard and Gilbert Martinez, harpsichords. This marks the first collaboration between LACO and the Valley Performing Arts Center.
LACO’s highly regarded five-concert “Baroque Conversations” series, now in its ninth year, explores the genesis of orchestral repertoire from early Baroque schools through the pre-classical period. In signature LACO style, each concert host shares insights into the music and invites questions from the audience, providing an in-depth look at the music being presented as well as an opportunity to get to know LACO artists on a more personal level. For the December 11 performance at Zipper Hall, a complimentary wine reception for all ticket holders begins at 6 pm.
Subscriptions to all five “Baroque Conversations” concerts ($250) are available by calling LACO at 213 622 7001. Tickets for individual concerts (beginning at $56) are available online at laco.org, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Discounted tickets are also available by phone for groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert.
Patricia Mabee, LACO principal keyboard
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Los Angeles Children’s Chorus
Los Angeles Children’s Chorus (LACC) – acclaimed for its pure, agile, bel canto sound that has made it one of the most in-demand children’s choirs in the county – presents its popular annual Winter Concert, celebrating American song, on two consecutive Sundays, December 7 and 14, 2014, 7:30 pm and 7:00 pm, respectively, at Pasadena Presbyterian Church. The program features works by a number of eminent American composers, including Let every breath, a round in the shape note tradition by William Billings, considered the country’s first choral composer; Aaron Copland’s popular Ching-a-ring Chaw; A Christmas Carol by Charles Ives, one of the nation’s first composers to gain international acclaim; and Knee Play 5 from legendary minimalist composer Philip Glass’s groundbreaking 1967 opera “Einstein on the Beach,” universally hailed as one of the greatest artistic achievements of the 20th century. LACC also spotlights works by several Los Angeles-based composers, Nick Strimple’s A Christmas Lullaby, Wayne Bisbee’s A Cuckoo Flew Out of the Wood, David Montoya’s I Heard a Bird Sing, and L’Dor vador by former cantor Meir Finkelstein, among them. Additional highlights include Florida-based David Brunner’s Chauntecleere, based on a poem by William Austin; Be Like the Bird, a haunting round by Abbie Betinis, a Minnesota-based 2009 McKnight Fellow whose music has been hailed by The New York Times as “inventive” and “richly melodic”; Carol of the Field Mice by the Bay Area’s Brian Holmes, set to the poem “The Wind in the Willows” by Kenneth Grahame; and Spanish Ave Maria by Henry Mollicone, who also hails from the Bay Area.
LACC Artistic Director Anne Tomlinson conducts the chorus’ Concert Choir and Chamber Singers. Associate Artistic Director Mandy Brigham leads the Intermediate Choir, Diana Landis leads the Apprentice Choir, and Dr. Steven Kronauer conducts the Young Men’s Ensemble. The choirs will perform separately and combined.
Tickets are $26, $38 and $44; children 17 and under are half price. For tickets and information, please call (626) 793-4231 or visit www.lachildrenschorus.org. Pasadena Presbyterian Church is located at 585 East Colorado Blvd., Pasadena, CA 91101.
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Los Angeles Master Chorale
The Los Angeles Master Chorale’s holiday offerings continue with “Rejoice! A Cappella Christmas,” showcasing the Chorale’s astonishingly pure sound and exquisite balance in an all a cappella program that celebrates the 20th anniversary of former composer-in-residence/National Medal of Arts recipient Morten Lauridsen’s monumental O Magnum Mysterium, on Sunday, December 14, 2014, 7 pm, at Walt Disney Concert Hall. Written for and premiered by the Chorale in December 1994, it has since become one of the most frequently performed choral works in modern history. In addition, Artistic Director Grant Gershon conducts a wide range of a cappella works from around the globe, including Lauridsen’s O Nata Lux (from Lux Aeterna); Poulenc’s exuberant Four Motets for Christmas, which, although written in Paris in 1952, is infused with Renaissance and Baroque spirit; Franz Biebl’s Ave Maria, the German composer’s best known work; Swedish composer Jan Sandström’s Lo, How a Rose E’er Blooming, a widely-performed twelve-part a cappella setting written in 1990; and former assistant conductor Ariel Quintana’s richly layered Hodie Christus natus est, Ave maris stella and Quem vidistis pastores, all composed in the past 10 years. Adding a delightful twist to the repertoire is 16th-century Spanish composer Tomás Luis de Victoria’s sublime O Magnum Mysterium, as well as a newer setting of the same text by LAMC tenor/composer Matthew Brown.
“Rejoice! A Capella Christmas” is the third of four holiday programs presented by the Los Angeles Master Chorale at Disney Hall in December. The choir’s other seasonal offerings include the 34th Annual “Messiah Sing-Along,” December 7, 7 pm; Festival of Carols, December 13, 2 pm; and two concert performances of Handel’s Messiah, December 17, 7:30 pm, and December 21, 7 pm.
Tickets range from $29 – $119. Group rates are available. For tickets and information, please call (213) 972-7282, or visit www.lamc.org. (Tickets cannot be purchased at the Walt Disney Concert Hall Box Office except on concert days starting 2 hours prior to the performance.) The Walt Disney Concert Hall is located at 111 South Grand Avenue at First Street in downtown Los Angeles.
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Los Angeles Master Chorale
The Los Angeles Master Chorale adds a generous dash of yuletide cheer with a matinee performance of its popular “Festival of Carols,” on Saturday, December 13, 2014, 2 pm, at Walt Disney Concert Hall. New arrangements of such cherished Christmas carols as Hark the Herald Angels Sing, Angels We Have Heard on High, White Christmas and Silent Night – sung to savory perfection by 100 members of the Chorale under Artistic Director Grant Gershon’s baton – set a joyful tone, making this concert a highlight of the season. Pianist Lisa Edwards and organist John West, who performs on Disney Hall’s iconic pipe organ, add delightful sonic flourish to the concert. The program also features the live performance premiere of Eric Whitacre’s Glow, part of the Grammy Award-winning composer’s innovative “Virtual Choir” series, a global phenomenon in which singers from around the world record themselves singing one of his choral works and upload their videos online, which are synchronized and combined into a single performance. Originally featured as part of Disneyland’s® 2013 World of Color Winter Dreams show at Disney California Adventure® Park, the virtual version of Glow captivated audiences with video projections of a massive choir comprised of self-submitted videos of 1,473 singers from all 50 American States performing the work.
Stage & Cinema calls “Festival of Carols,” the second of four holiday programs presented by the Los Angeles Master Chorale at Disney Hall, “a stocking stuffer of a concert” filled with “nuggets of Noel gold.” The Chorale’s other seasonal offerings include the 34th Annual Messiah Sing-Along,” December 7, 7 pm; Rejoice! A Cappella Christmas, December 14, 7 pm; and two concert performances of Handel’s Messiah, December 17, 7:30 pm, and December 21, 7 pm.
Tickets for Festival of Carols range from $29 – $119. Group rates are available. Children under six not admitted. For tickets and information, please call (213) 972-7282, or visit www.lamc.org. (Tickets cannot be purchased at the Walt Disney Concert Hall Box Office except on concert days starting 2 hours prior to the performance.) The Walt Disney Concert Hall is located at 111 South Grand Avenue at First Street in downtown Los Angeles.
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Belting out the Hallelujah chorus has become an exhilarating and joyous holiday tradition, and the Los Angeles Master Chorale’s (LAMC) famed “Messiah Sing-Along,” conducted by Artistic Director Grant Gershon, continues to reign supreme as the ultimate must-do for sing-along fans on Sunday, December 7, 2014, 7 pm, at Walt Disney Concert Hall. Sopranos, altos, tenors and basses of all abilities – even those with no singing experience – are welcome to the Chorale’s 34th Annual Sing-Along, in which the 2,100-member audience becomes the choir. The performance features a professional orchestra and quartet of professional soloists from the Chorale, including Holly Sedillos, soprano; Janelle DeStefano, mezzo soprano; Ben Cortez, tenor; and David Castillo, baritone. Messiah scores are available for $10 at the door.
“The Messiah Sing-Along is one of the highlights of the holiday,” says Gershon, “You can’t help but feel the spirit of the season when you’re literally surrounded by 2,100 people joined together in song.”
Reflecting the global popularity of Handel’s Messiah, LAMC Founding Music Director Roger Wagner brought the tradition to Los Angeles in 1980 after learning of the success of the “Do-It-Yourself Messiah” in Chicago. During its 50 year history, the Chorale has presented the Baroque masterpiece a record 79 times since its inception in 1964, with 58 of those performances sung by the community at large as part of the Chorale’s famed Messiah Sing-Along, which FOX-TV calls “the best around” and KABC-TV describes as “comforting and uplifting.”
Tickets range from $29 – $99. Group rates are available. For tickets and information, please call (213) 972-7282, or visit www.lamc.org. (Tickets cannot be purchased at the Walt Disney Concert Hall Box Office except on concert days starting 2 hours prior to the performance.) The Walt Disney Concert Hall is located at 111 South Grand Avenue at First Street in downtown Los Angeles.
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Los Angeles Master Chorale
The Los Angeles Master Chorale (LAMC), led by Artistic Director Grant Gershon, presents an all-a cappella program of soaring Renaissance choral gems that promises to resonate in the sparkling acoustics of Disney Hall on Sunday, November 16, 2014, 7 pm. The Chorale, which is particularly adept at performing this musical style with crisp, clear intonation, performs William Byrd’s Sing Joyfully, Josquin des Prez’s Ave nobilissima creatura, John Taverner’s Western Wind Mass, Thomas Tallis’s If Ye Love Me and Orlando di Lasso’s O Crux Splendidior, among other 16th and 17th century works.
“The LA Master Chorale has a great affinity for the music of the Renaissance that goes back to our founding 51 years ago,” Gershon says. “We chose music for this concert that embodies the sensuousness and purity of the sacred music from this era that will, no doubt, transform Disney Hall into a stainless steel cathedral.”
Tickets range from $29 – $129. Group rates are available. For tickets and information, please call (213) 972-7282, or visit www.lamc.org. (Tickets cannot be purchased at the Walt Disney Concert Hall Box Office except on concert days starting 2 hours prior to the performance.) The Walt Disney Concert Hall is located at 111 South Grand Avenue at First Street in downtown Los Angeles.
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Los Angeles Chamber Orchestra
College students ages 17 to 30 will feel as though they’ve won the classical music lottery with Los Angeles Chamber Orchestra’s (LACO) “Campus to Concert Hall All Access Pass,” providing admission to eleven concerts during LACO’s 2014-15 season for just $30. “All Access Pass” holders can attend all seven Orchestral Series concerts at either Glendale’s Alex Theatre or UCLA’s Royce Hall; all three Westside Connections programs, which this year highlight the connections between music and architecture, at Santa Monica’s Moss Theater; and the Discover Mozart’s Requiem program at Pasadena’s Ambassador Auditorium. The pass also includes access to LACO after-parties where students can mingle with musicians; an invitation to a LACO rehearsal; advance reservation privileges; and the option to reserve up to three additional tickets at just $12 each for college friends (valid college ID required). This popular student pass, offered for the fourth year, is designed to inspire a love of classical music among younger audiences.
“LACO has a long history of educational outreach to the student community, but we are particularly focused on bringing students inside the concert hall to experience the Orchestra’s live performances,” says LACO Executive Director Rachel Fine. “There is nothing like hearing classical music performed live in a world-class venue. Our ‘Campus to Concert Hall All Access Pass’ makes it affordable for students to attend multiple performances for about $2.80 per concert, much less than the cost of a movie or a latte. It’s a great bargain, and we encourage students to take advantage of it, whether it’s their first introduction to classical music or they are seasoned concertgoers. LACO also offers Student Rush tickets at $12, but the ‘All Access Pass’ is a much better deal and students can reserve tickets in advance.”
Nurturing future musicians and composers as well as inspiring a love of classical music are integral to LACO’s mission. In addition to the “All Access Pass,” LACO presents several other vital outreach programs. Through “Meet the Music,” LACO hosts 3,200 fourth-, fifth- and sixth-grade students of varied cultural and musical backgrounds each year at a series of eight live performances of classical works and often an upcoming program’s soloist at Zipper Hall. LACO also offers community service organizations most in need free concert tickets and transportation to LACO concerts through its “Community Partners” program. The intensive “LACO-USC Thornton Strings Mentorship Program,” launched in 2010, enhances the preparedness of strings students for a professional career with select Thornton students invited to participate in a mock audition that may lead to an opportunity to perform in the string section of the Orchestra for an upcoming LACO concert. Additionally, LACO offers Master Classes, including in-depth composition Master Classes for the AP music class at North Hollywood High School, providing vital mentoring to a new generation of musicians and composers, which is led by LACO Composer–in-Residence and Pulitzer Prize-finalist Andrew Norman. This season Norman also visits several fourth-, fifth, and sixth-grade LAUSD and charter school classrooms to introduce the joy of music and music composition to younger students through an engaging interactive presentation.
More information on the ‘Campus to Concert Hall All Access Pass’ is available at laco.org/college,where students can purchase the ”All Access Pass” online.
LOS ANGELES CHAMBER ORCHESTRA (LACO), proclaimed “America’s finest chamber orchestra” by Public Radio International and “resplendent” by the Los Angeles Times, has established itself among the world’s top musical ensembles. Since 1997, LACO has performed under the baton of acclaimed conductor and pianist Jeffrey Kahane, hailed by critics as “visionary” and “a conductor of uncommon intellect, insight and musical integrity” with “undeniable charisma,” “effortless musicality and extraordinary communicative gifts.” Under Kahane’s leadership, the Orchestra maintains its status as a preeminent interpreter of historical masterworks and a champion of contemporary composers. During its 46-year history, the Orchestra has made 31 recordings, toured Europe, South America and Japan, performed across North America and garnered eight ASCAP Awards for Adventurous Programming. Headquartered in downtown Los Angeles, LACO presents its Orchestral Series on Saturdays at Glendale’s Alex Theatre and on Sundays at UCLA’s Royce Hall; Baroque Conversations at downtown Los Angeles’ Zipper Concert Hall; Westside Connections chamber music series, designed to illustrate the relationship between music and other artistic disciplines, at the Moss Theater in Santa Monica; and an annual Discover concert, which features an in-depth examination that sheds new light on a single piece of music, at Pasadena’s Ambassador Auditorium. LACO also presents a Concert Gala, an annual Silent Film screening and several fundraising salons each year. Additionally, LACO outreach programs, Meet the Music, Community Partners, Campus to Concert Hall and the LACO/USC Thornton Strings Mentorship Program, reach thousands of young people annually, nurturing future musicians and composers as well as inspiring a love of classical music.
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Los Angeles Chamber Orchestra (LACO) showcases the virtuosic skills of Steven Isserlis, “one of the world’s leading cellists” (The Guardian), performing Haydn’s radiant Cello Concerto No. 2 under the baton of sought-after Scottish conductor Douglas Boyd, making his LACO debut, on Saturday, October 18, 2014, 8 pm, at Glendale’s Alex Theatre, and Sunday, October 19, 2014, 7 pm, at UCLA’s Royce Hall. Boyd also conducts Mozart’s stately “Haffner” Serenade and opens the program with At First Light by George Benjamin, considered among Britain’s greatest living composers.
According to Benjamin, the inspiration for the piece, which was commissioned and premiered by the London Sinfonietta in 1982, is an oil painting by Turner hanging in the Tate Gallery that stirred him to create a “melted…flowing, nebulous continuum of sound.”
Boyd, acclaimed for his vibrant conducting style, is principal conductor of the Musikkollegium Winterthur, Switzerland’s oldest orchestra, and principal guest conductor with the City of London Sinfonia. Chicago Tribune calls him “a superlative young conductor,” and The Sunday Telegraph (London, UK) proclaims, “He has the born conductor’s ability to make music sound fresh and to detect its inner life and pulse.”
Isserlis, heralded for his “precise, heartfelt performances” (New York Times), is one of only two living cellists to be inducted into Gramophone’s Hall of Fame. Gramophone Magazine states, “The music world – and music itself – is infinitely richer for the presence of Steven Isserlis.” During his illustrious career, the British cellist, a Commander of the Order of the British Empire, has given recitals around the globe and performed with such major orchestras as the Berlin Philharmonic, London Symphony, New York Philharmonic, Los Angeles Philharmonic, The Cleveland Orchestra and Philharmonia Baroque, to name a few.
Concert Preludes, pre-concert talks held one hour before curtain and free for ticket holders, provide insights into the program’s music and artists. Following the performance, ticket holders are invited to mingle with LACO musicians at an after-party featuring complimentary appetizers and drinks in the lobby.
Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions. Its 2014-15 season, the Orchestra’s 46th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 18th season as LACO’s music director.
Tickets, starting at $26, are on sale now and may be purchased online at laco.org or by calling LACO at 213 622 7001. Discounted tickets are also available by phone for seniors 65 years of age and older and groups of 12 or more. College students may purchase student rush tickets ($12), based on availability, at the box office the day of the concert. Also available for college students is the $30 “Campus to Concert Hall All Access Pass” – good for all seven of LACO’s Orchestral series concerts, Discover Mozart’s Requiem and three Westside Connections concerts.
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Oboist Claire Brazeau Appointed to Los Angeles Chamber Orchestra
Music Director Jeffrey Kahane has named Claire Brazeau to second oboe of Los Angeles Chamber Orchestra (LACO). The 2014-15 season will mark her first full LACO season with LACO, one of the nation’s leading orchestras renowned for its wide-ranging repertoire and adventurous commissioning initiatives, which begins its 46th season in September 2014.
“All of us at LACO are absolutely delighted to welcome Claire to the orchestra,” says Kahane. “She is a superb musician, has a wonderful command of her instrument, and is a strong presence in the woodwind section.”
Among numerous credits, Brazeau, an oboist and English horn player, participated in the Lucerne Festival Academy in Switzerland, an intensive three-week long orchestral and chamber music festival devoted to the performance of contemporary music led by Pierre Boulez and Ensemble Intercontemporain. In the 2012-13 season, she served as principal oboe in Victor Ullmann’s opera Der Kaiser Von Atlantis in New York City with new music chamber group Le Train Bleu, in collaboration with Opera Moderne. During the 2011-12 season, Brazeau served as a Visiting Artist at the American Academy in Rome. During her residency in Rome, her engagements included a self-curated concert sponsored by the US Embassy and Roma Tre University, a solo concert for the Pontifical Academy of Science’s Stem Cell Research Conference at the historic Villa Aurora and the collaboration and premiere of Rome Prize-winning composer Sean Friar’s Etudes for English Horn and Piano. Brazeau has performed with the Santa Barbara Chamber Orchestra; Santa Barbara, Pasadena and Los Angeles Jewish symphonies; Long Beach Opera; Los Angeles Bach Festival; American Youth Orchestra; and was the principal oboe of the Young Musicians Federation Debut Symphony in 2010-11. She has been a guest artist with orchestras and ensembles including the American Symphony Orchestra, Da Capo Chamber Players, Berkshire Bach Society and Commonwealth Opera Company. Brazeau graduated from Bard College and Conservatory in New York where she earned BAs in East-Asian Studies and Piano Performance and a BM in Oboe Performance. She received an Artist Diploma from The Colburn School in May 2014.
LOS ANGELES CHAMBER ORCHESTRA (LACO), proclaimed “America’s finest chamber orchestra” by Public Radio International, has established itself among the world’s top musical ensembles. Since 1997, LACO has performed under the baton of acclaimed conductor and pianist Jeffrey Kahane, hailed by critics as “visionary” and “a conductor of uncommon intellect, insight and musical integrity” with “undeniable charisma.” Under Kahane’s leadership, the Orchestra maintains its status as a preeminent interpreter of historical masterworks and a champion of contemporary composers. During its 46-year history, the Orchestra has made 31 recordings, toured Europe, South America and Japan, performed across North America and garnered eight ASCAP Awards for Adventurous Programming. Headquartered in downtown Los Angeles, LACO presents its Orchestral Series at Glendale’s Alex Theatre and UCLA’s Royce Hall; Baroque Conversations at downtown Los Angeles’ Zipper Concert Hall; Westside Connections chamber music series, designed to illustrate the relationship between music and other artistic disciplines, at the Moss Theater in Santa Monica; and an annual Discover concert, which features an in-depth examination that sheds new light on a single piece of music, at Pasadena’s Ambassador Auditorium. LACO also presents a Concert Gala, an annual Silent Film screening and several fundraising salons each year. Additionally, LACO outreach programs Meet the Music, Community Partners, Campus to Concert Hall and the LACO/USC Thornton Strings Mentorship Program reach thousands of young people annually, nurturing future musicians and composers as well as inspiring a love of classical music.
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Los Angeles Chamber Orchestra (LACO), considered one of the nation’s premier chamber orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions, announces its 2014-15 music season, which Music Director Jeffrey Kahane’s 18th and LACO’s 46th. Kahane has programmed a mix of seminal masterpieces and enthralling premieres designed to showcase LACO’s exceptional artistry and a dynamic roster of guest artists both celebrated and rising, with the maestro conducting four of seven orchestral concerts from the podium or keyboard on Saturdays at the Alex Theatre in Glendale and on Sundays at UCLA’s Royce Hall. Kahane also continues to lead the popular “Discover” concert at Ambassador Auditorium and appears as both conductor and harpsichordist on the “Baroque Conversations” series at Zipper Hall in downtown Los Angeles, both of which offer audiences an in-depth look at the music as well as an opportunity to get to know LACO artists on a more personal level. LACO’s “Westside Connections” continues at the 344-seat, state-of-the-art Moss Theater at New Roads School in Santa Monica, providing an intimate setting for the fascinating and often surprising programs, which link music to disparate aspects of our culture.
Among numerous season highlights across these four diverse series are two world premieres that bookend the season, which opens with a world premiere by Australian composer Cameron Patrick paired with Beethoven’s Symphony No. 5 on September 20 and 21, 2014, and concludes on May 16 and 17, 2015, with a world premiere by composer Ted Hearne, who assumes in the position of Assistant Professor of Composition at USC in the fall. Hearne’s new work is presented in conjunction with the Orchestra’s unique and highly successful “Sound Investment” commissioning program, initiated during Kahane’s tenure 14 years ago to engage LACO audiences in developing new works.
Additionally, the Orchestra presents the West Coast premiere of Philadelphia-based composer Joseph Hallman’s Imagined Landscapes on April 18 and 19, 2015, and the Los Angeles premiere of the Viola Concerto by Pulitzer Prize-winning composer Aaron Jay Kernis, written for and performed by acclaimed violist Paul Neubauer, on November 15 and 16, 2014, a program which also features Kahane performing and conducting from the keyboard Beethoven’s Piano Concerto No. 3.
LACO showcases Steven Isserlis, “one of the world’s leading cellists” (The Guardian), performing Haydn’s Cello Concerto No. 2 under the baton of “superb,” and much sought-after Scottish conductor Douglas Boyd on October 18 and 19, 2014, with Boyd, who makes his LACO debut, also conducting Mozart’s “Haffner” Serenade and At First Light I by George Benjamin.
Dallas Symphony Assistant Conductor and “masterful” violinist Karina Canellakis, also making her LACO debut, does double duty conducting Finnish composer Pēteris Vasks’s powerfully meditative Lonely Angel, John Adams’ early masterpiece Shaker Loops and Schubert’s lighthearted Symphony No. 5, and performing Vivaldi’s vivid Violin Concerto, “La tempesta di mare” (“Storm”) on January 24 and 25, 2015.
Another multi-talented artist and LACO favorite, violinist Joseph Swensen, a renowned conductor who has twice led LACO from the podium and has recently refocused on his career as a violinist, joins the Orchestra as soloist to perform Prokofiev’s athletic Violin Concerto No. 2, on March 14 and 15, 2015. Led by Kahane, the concert also spotlights LACO Principal Flute David Shostac, on the occasion of his 40th anniversary with the Orchestra, in its first performance of Mozart’s beautiful Flute Concerto No. 1, and features LACO Composer-in-Residence Andrew Norman’s Gran Turismo for eight solo violins, which the composer describes as a “creative joyride” named after “an addictive car racing video game.”
Both making their LACO debuts, “exhilarating” New York Philharmonic Assistant Conductor Joshua Weilerstein leads cellist Narek Hakhnazaryan, winner of the prestigious International Tchaikovsky Competition, in Saint-Saëns’ Cello Concerto No. 1 on April 18 and 19, 2015. In addition, the rising conductor helms Mozart’s Symphony No. 41, “Jupiter.”
To conclude the season, Jonathan Biss, “one of the most thoughtful and technically accomplished pianists of the younger generation” (BBC Music Magazine), performs Mozart’s Piano Concerto No. 21, led by Kahane, who also conducts the Hearne world premiere and Mendelssohn’s Symphony No. 4, “Italian.”
LACO’s popular annual “Discover” concert at Pasadena’s Ambassador Auditorium features an in-depth examination by Kahane that sheds light on the creation and significance of Mozart’s magnificent Requiem in D minor, a crowning musical statement left unfinished at the time of the composer’s untimely death.
Oregon Bach Festival Music Director/harpsichordist Matthew Halls, Jeffrey Kahane and Principal Cello Andrew Shulman are among the artists featured in the “Baroque Conversations” series at downtown LA’s Zipper Hall. This enlightening five-concert series, which provides insight into the genesis of orchestral repertoire from early Baroque schools through the pre-classical period, opens with a program that celebrates LACO artistic founder/former cellist James Arkatov. LACO repeats the concert at the Valley Performing Arts Center, in its first appearance at the Northridge Center.
Continuing to step outside the proverbial music “box,” LACO’s innovative “Westside Connections” series at Santa Monica’s Moss Theater at New Roads School, features a thought-provoking exploration this season of connections between music and architecture with such featured guests as Los Angeles Times architecture critic Christopher Hawthorne. The inter-disciplinary, three-concert, chamber music series, designed to illustrate the myriad ways music is woven into society and our lives, is curated by Concertmaster Margaret Batjer, who selects chamber works to complement the presentations of the special guests.
Experimental classical music ensemble wild Up begins a three-year residency as LACO Education-Artists-in-Residence, participating in the Orchestra’s “Meet the Music” performances for 2,600 LAUSD Elementary school students annually. These performances reach younger students on a fundamental level through four live programs at downtown LA’s Zipper Hall, funded by LACO, often including student transportation, with venue costs generously waived by The Colburn School.
The Orchestra also hosts several musical fundraisers, including LACO’s annual “Concert Gala” and five “LACO à la carte” salons pairing delectable international cuisine and exclusive musical performances by LACO artists in spectacular international residences.
For a free season flyer, further information about the Los Angeles Chamber Orchestra’s 2014-15 season or to order tickets, please call 213 622 7001, or visit www.laco.org.
Los Angeles Chamber Orchestra
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