Posts Tagged “music at first”

imageOn Friday April 19th, 7:30pm ExhAust New Music Collective will present a concert of all Australian works for voice and electronics, Sine and Syrinx. The concert will be performed as part of the Music at First series at the First Presbyterian Church of Brooklyn, 124 Henry Street, Brooklyn Heights.

Curated by acclaimed Australian soprano Jane Sheldon, the program includes works by both emerging and established composers Aristea Mellos, Amanda Cole, Rosalind Page, and Richard Vaudrey. The program is distinctive not only because of its Australian content, but also due to the fact that most of the composers featured are women, which is notable in an art form that tends to be heavily dominated by men.

Sine and Syrinx, the title of the concert, comes from a blend of the two key characteristics of the program: electronics and the voice. The syrinx is the vocal organ of songbirds, and is distinctive from the mammalian larynx in that it is a “dual voice box”, endowing some songbirds with astonishing and enviable vocal agility.

ExhAust New Music collective is a group of Australian composers and performers committed to promoting the work of Australian musicians in New York. It has been active in its mission since 2011, and is co-directed and produced by Tim Hansen, Shaun Barlow and Lisa Moore.

Friday, April 19th, 2013, 7.30pm
First Presbyterian Church
124 Henry Street, Brooklyn
2/3 to Clark St; A/C to High St;
R/4/5 to Court St/Borough Hall
Tickets $10 at the door
 
Program
Amanda Cole “Vibraphone Theory”
Rosalind Page “Ravensongs”
Richard Vaudrey & Steven Sehman “Hush”
Aristea Mellos “Seasonal Flocking”
 
Ensemble
Jane Sheldon, Soprano
Sean Statser, Percussion
Isabelle O’Connell, Piano
Richard Vaudrey, Cello
Aristea Mellos, Keyboard
Alix Raspe, Harp
Steven Sehman, Percussion
Sam Nester, guest conductor

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Iktus Percussion Music at First Jan 25

Iktus kicks off 2013 with seven premieres by seven distinct compositional personalities:

Angelica Negron
Matthew Welch
Nicholas DeMaison
Joe Di Ponio
Matthew Hough
Levy Lorenzo
Philip Schuessler

Don’t miss the opportunity to witness the latest musical visions from this array of New York City’s most talented music-makers!

Presented by the Music At First concert series:
www.musicatfirstsite.com

Concert begins at 7:30pm
$10 admission
First Presbyterian Church of Brooklyn
124 Henry St, Brooklyn Heights

www.iktuspercussion.com
facebook.com/iktuspercussion
@iktuspercussion

[This concert was originally scheduled for November 9, 2012]

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Music at First announces its final concert of the spring season, featuring the “expert” and “theatrical” flutist Margaret Lancaster (The Village Voice) and the first Music at First commission, written by bi-coastal composer Eric km Clark and performed by the Deprivation Choir.  Lancaster’s mostly electro-acoustic set will include works by composers Corey Dargel, JacobTV, Paula Matthusen, Paul Steenhuisen, Arthur Kampela and Wil Smith. Performed by a choir whose eyes and ears will be covered with strips of cloth and headphones, Clark’s 40-minute work experiments with the rituals of performance via the deprivation of senses normally deemed critical to performing music.

Hailed by The New York Times as a “new music luminary,” Margaret Lancaster is known for her versatility as a performing artist, often using her training as an actor and dancer to create a unique interdisciplinary approach to music performance. Expressing her enthusiasm to share the bill with the Deprivation Choir, Lancaster programmed her set accordingly, with the Dargel, Steenhuisen, and Kampela works presenting “varying states of psycho-emotional, romantic, and spiritual deprivation,” and the Smith, Matthusen and JacobTV works offering the “proactive responses” of redemption and enlightenment.

Active in Los Angeles, New York City, and Toronto, violinist and composer Eric km Clark is a regular contributor to the North American new music scenes. Part of an ongoing succession of works that involve the use of hearing deprivation, Clark’s latest work also requires the choir to be sight-deprived. As Clark puts it, for the musician “the medium of hearing and sight deprivation is perhaps personally intrusive while also being expansive, as each person is suddenly confined within their mind at a heightened level of awareness.” The performance will include live video projection onto the ceiling of the church.

Concert Details:
WHAT: Music at First Series featuring Margaret Lancaster and Eric km Clark’s Deprivation Choir
WHEN: Friday, May 20, 2011, 7:30pm
WHERE: First Presbyterian Church (Brooklyn Heights)
124 Henry St, Brooklyn, NY
2/3 to Clark St.; A/C to High St.; R/4/5 to Borough Hall
ADMISSION: $10
INFO: www.musicatfirstsite.com

About Music at First Series:
Music at First is an exciting new concert series that takes place at First Presbyterian Church in Brooklyn Heights curated by Brooklyn-based composer and FPC organist Wil Smith.  It features a diverse mix of some of New York City’s top new music ensembles, performers, and composers, accessible to a wide audience of both community members and seasoned new music listeners.  Concerts take place monthly at First Presbyterian Church and begin at 7:30pm with a $10 admission. www.musicatfirstsite.com

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Ayano Kataoka and Conor Nelson

Flute/percussionist duo Conor Nelson and Ayano Kataoka will close the inaugural season of Music at First on May 28, 2010, at 7:30 pm. This special concert is held in celebration of the release of the Duo’s CD “Breaking Training” (New Focus Recordings). Music at First is a new music series held at First Presbyterian Church of Brooklyn through May 2010. First Presbyterian Church is located in Brooklyn Heights at 124 Henry St. Directions are at www.fpcbrooklyn.org. There is a $10 suggested donation at the door with no advance reservations or ticket sales. Contact musicatfirst@gmail.com for more info.

This series, curated by Wil Smith (composer and organist at First Presbyterian), occurs monthly, featuring one performer or ensemble per evening. Smith describes Music at First as “a diverse mix of New York City’s best new music ensembles and performers, accessible to a wide audience of both community members and seasoned new music listeners.” Earlier performers in the series included Threefifty Duo, a “critic’s choice” (Time Out NY) performance by pianist Kathleen Supové, and cellist/vocalist/composer Jody Redhage and her band Fire in July.

Percussionist and marimbist Ayano Kataoka is known for her brilliant and dynamic technique, as well as the unique elegance and artistry she brings to her performances. A versatile performer, she regularly presents music of diverse genres and mediums. Last season, together with cellist Yo-Yo Ma at the American Museum of Natural History, Ms. Kataoka gave a world premiere of Bruce Adolphe’s Self Comes to Mind for cello and two percussionists, based on a text by neuroscientist Antonio Damasio, and featuring interactive video images of brain scans triggered by the live music performance. She also performed Leon Kirchner’s Flutings for Paula with Paula Robison in honor of Mr. Kirchner’s 90th birthday concert at New York’s Miller Theater and at the Gardner Museum in Boston. Kataoka was the first percussionist to be chosen for The Chamber Music Society of Lincoln Center’s Chamber Music Society Two, a three-season residency program for emerging artists offering high-profile performance opportunities.

Praised for his “long-breathed phrases and luscious tone” by the Minneapolis Star Tribune, Canadian flutist Conor Nelson is established as a leading flutist of his generation. Since his New York recital debut at Carnegie Hall’s Weill Recital Hall, he has appeared frequently as soloist and recitalist throughout the United States and abroad. Recent performances include engagements with the Minnesota Orchestra, the Toronto Symphony Orchestra, the National Repertory Orchestra, the Philharmonia of Yale, the Manhattan School of Music Philharmona, the Stony Brook Symphony, the Oshawa-Durham Symphony Orchestra, the Brevard Repertory Orchestra, the Festival Wind Orchestra, the Kitchener-Waterloo Chamber Orchestra and at the Banff Centre. The only wind player to win the Grand Prize at the WAMSO Young Artist Competition, he recently won first prize at the William C. Byrd Young Artist Competition. In addition, he has received top prizes at the New York Flute Club Young Artist Competition and the Haynes International Flute Competition.

Involved in several exciting commissioning projects for their genre, the Conor and Ayano Duo has performed in Merkin Concert Hall, CAMI Hall, The Tokyo Opera City Hall, Tokyo Bunka Kaikan, Izumi Hall, and as guest artists for the Ottawa Flute Association in Canada. Their new CD, “Breaking Training”, features works by Dennis DeSantis, Roshanne Etezady, Gareth Farr, Naoko Hishinuma, Chan Ka Nin, and Teruyuki Noda.

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jody2flatterCellist/vocalist/composer Jody Redhage and her band Fire in July will be the third featured performing ensemble in the inaugural season of Music at First on April 16th, 2010 at 7:30pm. Music at First is a new music series held at First Presbyterian Church of Brooklyn through May, 2010. First Presbyterian Church is located in Brooklyn Heights at 124 Henry St. Directions are at www.fpcbrooklyn.org. There is a $10 suggested donation at the door with no advance reservations or ticket sales. Contact musicatfirst@gmail.com for more info.

This series, curated by Wil Smith (composer who also serves as organist at First Presbyterian), occurs monthly, featuring one performer or ensemble per evening. Smith describes Music at First as “a diverse mix of New York City’s best new music ensembles and performers, accessible to a wide audience of both community members and seasoned new music listeners.” Flute/percussionist duo Conor Nelson and Ayano Kataoka will close the season with a performance on May 28 (CD release). The series began in February, 2010 with a performance by Threefifty Duo and continued in March with a “critic’s choice” (Time Out NY) performance by pianist Kathleen Supové.

Called an “adventurous cello songstress” by Time Out NY, cellist, composer, and vocalist Jody Redhage is “a new music dynamo…Redhage is cultivating a repertoire of indie art song that breaches genre boundaries and makes for stirring listening” (MusicWorks Magazine). Redhage has spent the past seven years developing the ability to simultaneously sing and play rhythmically complex and intricate lines. Her passion is setting 20th and 21st century American poetry into art song, and she principally composes for her ensemble Fire in July. Redhage’s compositions meld the detail and finesse of chamber music with the energy and drive of jazz improvisation and more popular genres. With tinges of Medieval chanson and hints of Kurt Weill, Redhage creates a captivating blend of genres that simply comes across as her own unique voice.

Fire in July released their debut album Ancient Star on Sept. 15, 2009. Ancient Star has been called “a real accomplishment, refreshing and enjoyable, music that is exploring and pioneering a new style and doing so with real thought and skill” – George Grella, The Big City. The band features: Jody Redhage, voice, cello, compositions; Ken Thomson, clarinet & bass clarinet; Alan Ferber, trombones; Tom Beckham, vibraphone; and Fred Kennedy, drums & percussion. At this concert, the band will be previewing some new music that is being written for the upcoming song cycle “The Spirit of the Garden,” using poetry that explores the nexus of spirituality and nature.

Having begun composing at age 19, Jody studied composition at the University of California Berkeley and cello performance at the Manhattan School of Music. In New York, Jody continued her composition studies with Bang on a Can founder Julia Wolfe. Redhage has performed at venues such as Carnegie Hall, Lincoln Center, Radio City Music Hall, and on NBC, CBS, and ABC. Redhage’s original compositions have also been featured on several NPR stations across the country, including a recent feature of songs from “Ancient Star” on WNYC’s Spinning on Air.

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image_980673_highresA performance by New York City-based Threefifty Duo (Brett Parnell, guitar and Geremy Schulick, guitar) will kick off the inaugural season of Music at First on February 19th, 2010 at 7:30pm. Music at First is a new music series to be held at First Presbyterian Church of Brooklyn from February through May of 2010. First Presbyterian Church is located in Brooklyn Heights at 124 Henry St. There is a $10 suggested donation which will be collected at the door. There will be no advance reservations or ticket sales. For more information, please contact musicatfirst@gmail.com.

This series, curated by Wil Smith (New York composer who also serves as organist at First Presbyterian), occurs monthly, featuring one performer or ensemble per evening. Each concert will last about an hour and half each. Smith describes the new series, Music at First, as “a diverse mix of New York City’s best new music ensembles and performers, accessible to a wide audience of both community members and seasoned new music listeners.” Future performances include pianist Kathleen Supové on March 26, cellist/vocalist Jody Redhage and Fire in July on April 16 and a CD release with flute/percussionist duo Conor Nelson and Ayano Kataoka on May 28.

Threefifty Duo has been described as a “classical guitar duo with a rock edge,” as musicians Brett Parnell and Geremy Schulick seamlessly weave their contemporary rock sensibilities into the rich fabric of classical guitar. After years of writing and performing together and with a second album under Threefifty’s belt, the duo’s stylistic tendencies have expanded beyond their initial categorization, with genre blurred by an intensely personal sound.

Formed in the halls of The Yale School of Music, taught by renowned classical guitarist Benjamin Verdery, and molded by the multi-faceted music scene of their hometown New York City, Threefifty has gone on to play in many respected venues and festivals, such as The 92nd Street Y, Southpaw, Pianos, The NY Guitar Festival, The Monkey, Bennington College, Connecticut Guitar Society, and a recent run of shows at California State University at Long Beach where choreography was set to their music. In December 2008 Threefifty Duo set off for Bosnia and Herzegovina where they played a nationally televised concert organized by The America-Bosnia Cultural Foundation in Sarajevo, with a member of the presidency of Bosnia and Herzegovina in attendance.

Threefifty Duo’s music features driving rhythms and harmonies that stem from rock and pop music, combined with the intricate textures that are possible on the classical guitar.

DIRECTIONS TO FIRST PRESBYTERIAN CHURCH OF BROOKLYN:

BY SUBWAY: Take the #2 or #3 to Clark Street Station, the A or C to the High Street Station, the M, N, or R to the Court Street Station, or the 4 or 5 to Borough Hall

BY CAR: From Manhattan: Take the Brooklyn Bridge to the first exit on the Brooklyn side (Cadman Plaza West). Stay left as the exit splits. Go through one light and take a left at the next intersection onto Henry St. The Church is just past Clark St. on the right.

From the Brooklyn Queens Expressway: Take the Cadman Plaza West Exit, turn East onto Cadman Plaza West, then South onto Henry St. Continue on Henry to 124.

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