Posts Tagged “Music”
Eavesdropping: Guy & the Graphics
Sunday October 18, 2015
121 Ludlow, Second Floor, New York, New York 10002
Guy Barash once again assembles an unconventional chamber ensemble to perform graphic scores by Cage, Brown, Stockhausen, and more on his Eavesdropping series at Spectrum.
Noa Fort – voice
Tal Gur – saxophones & percussion
Nadav Lev – guitars
Ronen Shai – piano and synths
Guy Barash – live electronics
Facebook Event Page: https://www.facebook.com/events/171676706506166/
Guy Barash. Photo: Dor Malka
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Josefina Vergara, Los Angeles Chamber Orchestra
“LACO à la carte,” five intimate, elegant fundraising events presented by the Los Angeles Chamber Orchestra, pair exclusive musical performances with delectable international cuisine in the spectacular private homes of the Consuls General of Australia, Austria, Finland, France and Germany. Providing a decidedly cosmopolitan flair to LACO’s wide ranging musical offerings, each unique evening features representative cuisine complemented by a salon performance spotlighting LACO musicians and guest artists. The LACO à la carte series, now in its sixth year, illustrates that music truly knows no boundaries. Proceeds help support the education outreach programs of LACO, proclaimed “America’s finest chamber orchestra” by Public Radio International.
“LACO à la carte” is chaired by LACO board vice president Mahnaz Newman. Sponsors include Ann Mulally, Mahnaz and David Newman, Ned and Dana Newman, Gene Shutler, and East West Bank.
“Finland à la carte”
Thursday, September 18, 2014, 7 pm
In Bel Air at the Official Residence of the Consul General of Finland
Experience the refined cuisine and culture of one of the world’s northernmost countries at the first “LACO à la carte” of the season hosted by The Honorable Juha Markkanen, Consul General of Finland, and Mrs. Tuula Markkanen in their spectacular Bel Air residence. As the featured guest artist, Finnish pianist Juho Pohjonen offers an intimate recital of sublime solo piano works. Proclaimed an “exciting new talent” (The New York Times), he has been hailed for his “dazzling keyboard technique and broad and varied textural palette that allows him to shade his performances with great subtlety” (San Francisco Chronicle). Pohjonen is also featured at LACO’s season opening concerts on September 20 at Glendale’s Alex Theatre and September 21 at UCLA’s Royce Hall.
“Australia à la carte”
Saturday, September 27, 2014, 7 pm
At the Brentwood Residence of the Consul General of Australia
Warm and generous hospitality from “down under” highlights LACO’s “Australia à la carte,” hosted by Australia’s Consul General, The Honorable Karen Lanyon, and Mr. Craig Mills, at their striking Brentwood residence. Authentic Australian fare and wines provide tasty accompaniment to a riveting musical program led by LACO Principal Percussion Wade Culbreath on the marimba. Culbreath, who is also principal percussion with the Hollywood Bowl Orchestra, has played on nearly 400 motion picture soundtracks, including the Academy Award-winning scores for Aladdin, Pocahontas and Life of Pi. More recently, he was principal percussion for Frozen, Godzilla and Transformers, and timpanist for A Million Ways to Die in the West.
“France à la carte”
Thursday, October 9, 2014, 7 pm
In Beverly Hills at the Official Residence of the Consul General of France
The Honorable Axel Cruau, Consul General of France, and Mrs. Dourène Cruau, host the season’s third “LACO à la carte” at their beautiful Beverly Hills residence. Illuminating the dazzling cultural and musical vibrancy of France, the evening features a program of Baroque works for string ensemble led by LACO Principal Violin II Josefina Vergara, who recently toured Europe and Asia with the Uri Caine Ensemble, a noted jazz group, and has also performed at numerous summer music festivals, including Mainly Mozart, Tanglewood, the Music Academy of the West Summer Festival and Germany’s Schleswig-Holstein Musik Festival. Superb French food and fine wine cap the soirée.
“Germany à la carte”
Saturday, October 25, 2014, 7 pm
In Hancock Park at the Official Residence of the Consul General of Germany
“LACO à la carte” commemorates the 25th anniversary of the fall of the Berlin Wall and the momentous events that ushered in a new era for Europe and the world with a special program hosted by Dr. Bernd Fischer, The Honorable Consul General of Germany, and Mrs. Jutta Fischer, in their elegant Hancock Park home. With the culinary riches of Germany adding a delicious note to the festivities, LACO Principal Cello Andrew Shulman leads a performance of Richard Strauss’s rarely played epic masterpiece Metamorphosen, a profound musical elegy for seven virtuosic string players. Los Angeles Times declares Shulman’s playing is “always eloquent and passionate,” Salt Lake Tribune calls him “fabulously nuanced” and The Times of London praises him for his “fastidious poetry of phrase and technique.” This is a premium “LACO à la carte” event.
Austria à la carte
Friday, November 7, 2014, 7 pm
in Brentwood at the Official Residence of the Consul General of Austria
“Austria à la carte,” hosted by Ulrike Ritzinger, The Honorable Consul General of Austria, at her stately residence in Brentwood, concludes the 2014 “LACO à la carte” series with an evening that illuminates the country’s unique and vibrant cultural and culinary traditions. LACO Principal Horn Richard Todd, who marks his 35th anniversary with the Orchestra this season and is an internationally renowned concert, jazz and recording artist, pays homage to Austria’s rich musical heritage, leading an unparalleled program that exemplifies the Viennese classical style and beyond with the music of Mozart, Haydn, Hans Eisler and Ernst Toch. Todd has earned acclaim as one of the world’s finest horn soloists for performances spanning Carnegie Hall to the Hollywood Bowl, and the Jazz Bakery to Birdland. This is also a premium “LACO à la carte” event.
“LACO à la carte” tickets for September 18 and 27 and October 9 are $275 per person. Tickets for the premium “Germany à la carte” and “Austria à la carte” are $300 per person. Multiple-event packages include Chef’s Table Trio tickets at $750 per person for any three events.
“LACO à la carte” events may be purchased by calling 213 622 7001 x 3. Details are available at www.laco.org/events.
LOS ANGELES CHAMBER ORCHESTRA (LACO), proclaimed “America’s finest chamber orchestra” by Public Radio International and “resplendent” by the Los Angeles Times, has established itself among the world’s top musical ensembles. Since 1997, LACO has performed under the baton of acclaimed conductor and pianist Jeffrey Kahane, hailed by critics as “visionary” and “a conductor of uncommon intellect, insight and musical integrity” with “undeniable charisma,” “effortless musicality and extraordinary communicative gifts.” Under Kahane’s leadership, the Orchestra maintains its status as a preeminent interpreter of historical masterworks and a champion of contemporary composers. During its 46-year history, the Orchestra has made 31 recordings, toured Europe, South America and Japan, performed across North America and garnered eight ASCAP Awards for Adventurous Programming. Headquartered in downtown Los Angeles, LACO presents its Orchestral Series on Saturdays at Glendale’s Alex Theatre and on Sundays at UCLA’s Royce Hall; Baroque Conversations at downtown Los Angeles’ Zipper Concert Hall; Westside Connections chamber music series, designed to illustrate the relationship between music and other artistic disciplines, at the Moss Theater in Santa Monica; and an annual Discover concert, which features an in-depth examination that sheds new light on a single piece of music, at Pasadena’s Ambassador Auditorium. LACO also presents a Concert Gala, an annual Silent Film screening and several fundraising salons each year. Additionally, LACO outreach programs, Meet the Music, Community Partners, Campus to Concert Hall and the LACO/USC Thornton Strings Mentorship Program, reach thousands of young people annually, nurturing future musicians and composers as well as inspiring a love of classical music.
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On Monday, June 16th, 7 PM Gina Izzo, flute & Ian Rosenbaum, percussion feat. Fung Chern Hwei, violin will be performing works by Andy Akiho, Timo Andres, Ted Hearne, David Lang + improv. Hope to see you there!
Somethin’ Jazz Club
212 E 52nd St, New York, NY 10022
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MUSE/IQUE, known for its inspired, unexpected live music events curated by noted artistic director/conductor Rachael Worby, launches its 2013-14 season with “Free For All,” a free family-friendly concert in which jazz, hip hop and orchestral music collide to create a rocking dance party held in conjunction with “ArtNight Pasadena,” on Friday, October 11, 2013, 6 to 9 pm, on the plaza of the Pasadena Civic Center. The annual evening features members of the MUSE/IQUE Orchestra and Double G NineNet, comprised of members of the daKAH Hip Hop Orchestra, a genre-bending, culture-blending “United Nations of music” led by Geoff Gallegos (Double G). Adding to the lively musical mix of jazz, hip hop, Beatles tunes and more, are a crew of dancers, as well as face painting and other special activities for children. Parsons Corporation is sponsoring all of MUSE/IQUE’s education and community programs, including this concert.
“Double G NineNet will have people dancing in the street, literally, perfectly embodying MUSE/IQUE’s own unique sensibilities with its tremendous energy, genre-defying sound and infectious music that appeals to people of all ages,” says Worby.
The LA-based daKAH Hip Hop Orchestra, founded in 1999, presents hip-hop in symphonic form by musicians from wildly diverse musical backgrounds, cultural experiences, artistic tastes and lifestyles who share outstanding musical dexterity and a spirit of curiosity and collaboration. They include formally trained musicians as well as those who are self-taught and others from jazz and contemporary traditions. The orchestra’s first studio album is Unfinished Symphony.
Reservations for “Free for All” are not necessary. The Pasadena Civic Center Plaza is located at 300 E. Green Street, Pasadena, CA, 91101. For more information about MUSE/IQUE, please call 626-539-7085 or visit www.muse-ique.com.
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Posted by s21concerts in Uncategorized, tags: chamber music, Chamber Music America, classical music, concert preparation, first tuesdays, Free, jazz, jazz forward coalition, leadership, manchester craftsmen's guild, marty ashby, miles weinstein, Music, Musicians, performance, peter gordon, presenter, professional development, publicity, Recording, seminar, strategies, thirsty ear, unlimited myles
Free Seminar: December 3, 2013, 3-5pm Eastern
Maximizing Your Concert Appearance
With Peter Gordon, Marty Ashby and Myles Weinstein
Attend: in person at Saint Peter’s Church in midtown Manhattan or via live-stream
A performance can be so much more than showing up at a gig and playing your heart out. Today’s successful concert is part of a living, breathing ecosystem—connecting artist, presenter, social/print media, radio/television, and fans. In the first hour, the panel will outline strategies, techniques and innovative approaches to making the most of your live appearances. In the second hour, they’ll review specific projects spotlighting real-world successes within the CMA community.
Peter Gordon is the founder of Jazz Forward Coalition and Thirsty Ear Recordings, a 36 year-old indie record label that has released over 300 records. Gordon is a founding board member of the American Association of Independent Music (A2IM) . He was the lead negotiator in the landmark FCC radio accord and was a founding VP of the World Independent Network—WIN, representing 20 international music trade organizations. Gordon recently co-founded the Jazz Forward Coalition, a leadership group advocating sustainability and cultural growth for the Jazz community. www.thirstyear.com
Marty Ashby is the Executive Producer and founder of MCG Jazz, a program of the Manchester Craftsmen’s Guild (MCG) in Pittsburgh, PA. He has produced over 2,000 concerts and 45 recordings on the MCG Jazz label, including three GRAMMY® Award and two Latin GRAMMY® Award winners and has raised over $25 million to support the MCG Jazz program. He was recently awarded a EPP Goldman-Sachs fellowship at the Smithsonian’s National Museum of American History.
Myles Weinstein’s Unlimited Myles, Inc. exclusively represents such leading artists Regina Carter, Kenny Barron, Stefon Harris, Luciana Souza and Vijay Iyer. From 1993-2001, Myles was the founding director of the jazz division at Herbert Barrett Management. He has played percussion, timpani and drums with Stefon Harris, Steve Turre, the Long Island Philharmonic and the Joffrey Ballet Orchestra. In the 90’s, he co-led with Chris Potter the ensemble, The Jazz Mentality.
First Tuesdays is a free professional development seminar series presented by Chamber Music America in partnership with Saint Peter’s Church and Midtown Arts Commons. Workshops are live-streamed and archived on the CMA website.
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MUSE/IQUE Expands Slate of Unexpected Events in Surprising Locations for 2013-14 Season
MUSE/IQUE, known for counter-conventional presentations that feel more like parties than formal concerts, announces its 2013-14 season featuring inspired live performances in surprising locations that connect master artists with new voices across a limitless range of musical styles. A total of nine musical events are slated, reflecting MUSE/IQUE’s growth in the two years since it was founded by Artistic Director Rachael Worby, including a free family hip-hop dance party launching the season, five concerts in the adventurous “Uncorked” series, three outdoor concerts in MUSE/IQUE’s popular “Summer of Sound” series at Caltech’s Beckman Mall, and its first major fundraiser, “RAIL-BOUND SOUND!,” a musical rail-bound adventure from Pasadena to LA’s Union Station. MUSE/IQUE also continues KIDSIQUE!, its ongoing interactive music outreach program for San Gabriel Valley’s network of foster care services. MUSE/IQUE, founded in 2011, has expanded from one performance with a handful of devoted followers to a major cultural presence that reaches large audiences.
“Uncorked” evenings, in venues accommodating 200 to 400 people, spotlight the Beatles’ White Album, “Girl” bands, mid-century country music, Aaron Copland, and Beatbox-accented string music, and they take place in such improvised Pasadena “concert halls” as a lumber yard, the Jacob Maarse Flower Warehouse, the Rose Palace float decorating warehouse and Pasadena’s A Noise Within Theatre. “Summer of Sound” performances, which attract 1,100+ audience members who picnic at tables under the stars to savor a diverse range of music enhanced by the site’s clear acoustics, features top artists and unexpected twists.
For season information, tickets and membership information, please call 626-539-7085 or visit www.muse-ique.com.
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MUSE/IQUE, known for its counter-conventional performances that feel more like parties than formal concerts, continues “Summer of Sound” 2013 with “Moving Pictures” featuring groundbreaking cellist Matt Haimovitz and Emmy Award-winning actress Wendie Malick (“Hot in Cleveland”) in a fresh take on motion picture scores by Elmer Bernstein, Jerry Goldsmith, Vangelis, Ennio Morricone, John Williams, Claude-Michel Schönberg and Erich Korngold as well as the world premiere of Sleepwalking, a concerto for cello and chamber orchestra with images by Peter Golub, prolific composer and director of Sundance’s Film Music Program, on Saturday, July 27, 2013, 7:30 pm, outdoors at Caltech’s Beckman Mall in Pasadena. They join MUSE/IQUE Artistic Director Rachael Worby, who conducts the MUSE/IQUE Orchestra, for a pure out-of the-box adventure in sound and cinema. Highlights include Malick narrating a humorous new presentation of Britten’s Young Person’s Guide to the Orchestra, reimagined by writer Matt Nix, creator of the critically acclaimed television show “Burn Notice,” as well as guest appearances by “American Idol” eighth season finalist Allison Iraheta and MacArthur “Genius” Fellow John Dabiri, director of Caltech’s Biological Propulsion Laboratory. Gates open at 5:30 pm for dinner (ordered in advance) or bring-your-own picnics, with table and bleacher seating and plentiful free parking.
“This is ‘movie music night’ the MUSE/IQUE way,” says Worby, who founded MUSE/IQUE in 2011. “We wanted to turn the ‘orchestra goes to the movies’ genre of outdoor summer fare on its head to foster new thinking about what our eyes and ears tell us. From suspense thrillers and Korngold’s Concerto in C to Britten’s Young Person’s Guide to the Orchestra, it’s one of MUSE/IQUE’s most ambitious curatorial adventures to date.”
The 90-minute concert is built on the visceral sounds of the cello as awakened by virtuoso Matt Haimovitz and the classic 1946 film noir Deception, starring Bette Davis and Claude Rains, about a war-torn love affair between a cellist and pianist from which Haimovitz performs Erich Korngold’s brilliant work for cello, Concerto in C, the film’s musical cornerstone. Sleepwalking, Golub’s new work MUSE/IQUE is premiering, was inspired, he says, by “the idea of sleepwalking as both an image and as a state of mind.” Malick narrates Benjamin Britten’s The Young Person’s Guide to the Orchestra, loved anew thanks to its prominence in Moonrise Kingdom, delivering writer/producer/director Nix’s new libretto, and Worby turns Claude-Michel Schönberg’s show-stopping Bring Him Home for tenor from Les Miserables into a showcase for the soaring talents of Allison Iraheta, whose voice Idol judge Kara DioGuardi exhorted “comes from God…you can’t teach that!” Also performed are selections from other film scores, ranging from the iconic to the lesser known, including Chariots of Fire by Vangelis; Elmer Bernstein’s Summer and Smoke; Jerry Goldsmith’s Russia House; Love Theme from “Heidi” by John Williams; Gabriel’s Oboe by Ennio Morricone, the theme for the 1986 film The Mission; and Chris Young’s Killing Season; and whimsically thought-provoking remarks by Caltech’s Dabiri, a signature MUSE/IQUE performance element, top off the evening.
MUSE/IQUE’s “Summer of Sound” concludes August 17 with “Lose Your Senses with Ellis Hall,” which brings together celebrated vocalist/pianist virtuoso Ellis Hall, former Tower of Power lead singer, with the MUSE/IQUE orchestra, the Selah Gospel Choir, and scientist Seal Carroll, to unchain the soul sounds of Ray Charles, Marvin Gaye, Stevie Wonder, Beethoven, Vivaldi and Bach.
MUSE/IQUE, known for its inspired, unexpected live music events, connects master artists with new voices across a limitless range of styles. Its counter-conventional performances, which feel more like parties than formal concerts, link musicians with great thinkers and compelling visual, cinematic and dance artists. In the two years since MUSE/IQUE was founded by Artistic Director Rachael Worby, it has grown from one performance with a handful of devoted followers to a major cultural presence that reaches vast audiences. Its considerable membership currently numbers more than 500 people. In the fall and spring, MUSE/IQUE presents “Uncorked” evenings at unconventional locations, and in the summer MUSE/IQUE features three outdoor “music parties” at Caltech’s Beckman Mall, all curated by the innovative and visionary Worby. Among MUSE/IQUE’s guest artists are Jessye Norman, Charlie Haden, Patti Austin, Mary Wilson, Flea, Rickie Lee Jones, Ellis Hall, Matt Haimovitz, Angela Bassett, Arturo Sandoval and more. Uncorked’s “pop-up” venues have included Pasadena’s Phoenix Decorating Center (where Rose Parade floats are constructed), Art Center College of Design Sculpture Garden, Castle Press (one of the nation’s largest printing presses), backstage at the Pasadena Civic Auditorium and others. KIDS/IQUE!, a primary element of the organization, serves boys and girls, ages 12 to 18, in the San Gabriel Valley’s network of foster care services by presenting ongoing interactive experiences with professional musicians and other artists designed to compliment the service goals of the foster care facilities even as they allow MUSE/IQUE to reach otherwise underserved youth. Other outreach programs include free and low-cost tickets for students and community groups, and “Free For All,” a free annual concert featuring a fusion of music with family friendly surprises.
Caltech’s Beckman Mall is located at 332 S. Michigan Ave. Pasadena CA 91106. Plentiful parking is free. To reserve a catered dinner that can be picked up on site, please contact Perfect Equation Catering at (626) 529-5585. Concert tickets begin at $10 per person with top tier seating, $96 per person, available to MUSE/IQUE members at the $1,000+ contribution level; students with ID are $10. MUSE/IQUE membership, which ranges from $250 to $2,500, includes a variety of special benefits including priority seating and services. For tickets and membership information, please call 626-539-7085 or visit www.muse-ique.com.
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Tickets may be purchased HERE
May 18, 2013, 8:00pm
338 West 23rd Street
New York, NY 10011
The Tempus Continuum Ensemble will be premiering new works by emerging New York composers Anne H. Goldberg, Kevin Baldwin, and Alex Burtzos. Come enjoy works for mixed chamber ensembles at the cell in Chelsea.
-ity (2012) for solo piano**
-aholic (2013) for solo Percussion*
I am Looking for a Sun (2013) for septet*
Anima Animus (2012) for solo piano*
Elocutions (2011) for flute, guitar, and vibraphone
Burning Bushes (2013) for septet*
Prince Prospero (2013) for septet*
*Denotes World Premiere **Denotes New York Premiere
Founded by composer/performer Anne H. Goldberg and soprano Corrine Byrne, Tempus Continuum is a New York-based ensemble that strives to bring diverse audiences to contemporary and underperformed music. Through provocative programming, Tempus Continuum seeks to create paths of accessibility for audience members, inviting them to confront music with fresh ears. Tempus Continuum works closely with emerging and established composers, commissioning and premiering innovative works at a diverse variety of venues such as New York City’s the cell theatre, Cornelia Street Café, The Flea Theater, and Philadelphia’s The Salon, and recently the long-established Arts in the Village concert series in Massachusetts. Tempus Continuum holds an annual call for scores to promote and perform innovative works by emerging composers, thus furthering and expanding the genre of new classical music.
Alex Burtzos (b. 1985) is an American composer and music educator native to Colorado Springs, CO. He is a graduate of Loyola University New Orleans (BM) and the Manhattan School of Music (MM), and a member of ASCAP. Alex has been on the faculty of the Florentine Music School in New York City since 2011 (theory, piano and percussion), and is currently working towards his doctorate in composition at the Manhattan School of Music, where he is the recipient of MSM’ s prestigious teaching fellowship. His compositions have been performed across the United States and abroad. In 2013, Alex was awarded the Jordan Berk Memorial prize for composition for his saxophone quartet, “The Revivalist,” and was profiled as the featured composer on ComposersCircle.com. He’s excited to be collaborating with the Tempus Continuum Ensemble, and hopes that the future will present more opportunities to work with this talented
Anne H. Goldberg blurs the definitions of music and dance as a composer, choreographer, and performer. Founder and artistic director of the Synthesis Aesthetics Project, a collaborative of musicians, dancers, multimedia and spoken word artists, Anne has produced, composed, choreographed and directed a variety of productions,
most recently as Emerging-Artist-in-Residence at The Field. In addition to Synthesis, Anne co-founded the new music ensemble Tempus Continuum Ensemble, premiering and performing both her own music and that of other 20th and 21st Century composers. Touring the east coast and internationally, Anne’s music has been premiered and performed by ensembles such as the Boston New Music Institute, the Novatrio, NeoLit Ensemble, and at the Summer Institute for Contemporary Performance Practice at New England Conservatory. Her artistry has been featured in music venues such is Symphony Space, the Kitchen, the Flea Theater, and many others nationally and internationally.
Anne’s background, although based upon the study of science, mathematics and languages, never strayed far from her passion for the arts. She graduated Phi Beta Kappa from Wellesley College with extensive course work at the Massachusetts Institute of Technology, and received her M.M. of Classical Composition at the Manhattan School of Music under Dr. Marjorie Merryman, and influences of Nils Vigeland, Reiko Füting, and Mark Stambaugh. She is a D.M.A. candidate at MSM under Dr. Reiko Füting. In addition to her musical and choreographic pursuits, Anne is a professional figureskater, holding gold freestyle, artistry and ice dancing titles in the United States and Canada as well as International ice dancing titles.
Multi-instrumental talent Kevin Baldwin (b. 1986) is an emerging artist creating a name for himself by tackling some of the most experimental and innovative music in New York City. Kevin has sought to push the saxophone by tackling repertoire from composers such as Grisey, Berio, Aperghis, and Hurel.
As a performer, Kevin has performed all over the world, in places such as Beijing and Shanghai, China; Paris, France; and Maccagno, Italy. The New York Times reviewed one of Kevin’s concerts, saying the performance was, “precise and energetic” Since then, Kevin has performed at Symphony Space, Tenri Cultural Institute, Galapgagos Art Space and had his debut solo concert performing a show for saxophone and electronics at the New Music in Queens festival.
Recently as a composer, Kevin has been receiving commissions and several other premieres for various soloists and ensembles. Such commissions include Transfigured Pulse, commissioned by Columbia University; Solitary Confinement for Tenor Saxophone and Drum Set for the SoundSCAPE new music festival in Italy; and -ity for solo piano for Jess Ryan. Previously, Kevin received an honorable mention in the 2009 National Association of Composers of the USA Young Composers Competition for his piece Meditation for solo Bassoon.
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Posted by s21concerts in Concert Announcement, tags: adda kridler, Center for Jewish History, chamber music, classical, classical music, composition, contemporary, contemporary music, copland, david glaser, Emilie-Anne Gendron, Michael Haas, milhaud, momenta, Music, new music, nyc, piano, quartet, Stephanie Griffin, timothy beyer, wolpe, Yeshiva University’s Stern College
On Monday, April 22, 2013 at 7:30 PM, the critically acclaimed Momenta Quartet (Emilie-Anne Gendron and Adda Kridler, violins; Stephanie Griffin, viola; Michael Haas, cello) will join pianist Molly Morkoski in a concert celebrating a diverse array of works by Jewish composers at the Center for Jewish History (15 West 16th Street, New York, NY 10011; www.cjh.org).
Tickets: $15 general, $10 for seniors, students, and CJH/AJHS/YUM members with ID. Available at the door or online through http://www.cjh.org/event/2216.
The program, which features Momenta members in a range of collaborative capacities, underlines the quartet’s core tradition of championing living composers. “Sirius” (2012), a new piano quartet by Yeshiva faculty member David Glaser, will receive its New York premiere. Momenta members will be joined by pianist Molly Morkoski, whose playing has been critically hailed as “outstanding” by The Boston Globe and “exhilarating” by the American Record Guide. Momenta violist Stephanie Griffin will take the stage in “Malekhamoves” (2009), a solo work by the Cleveland-based composer Timothy Beyer.
The program also highlights an eclectic assortment of underrepresented 20th-century works. Momenta will draw from its unique personal repertoire for the evening’s featured string quartet selection, Stefan Wolpe’s aphoristic “Twelve Pieces for String Quartet” (1950). Seldom performed today, this ephemeral collection of character pieces totals less than 7 minutes. In contrast, Morkoski and Momenta violinist Emilie-Anne Gendron will present Aaron Copland’s lush and expansive Violin Sonata (1944), composed as a wartime memorial piece. Rounding out the program is Darius Milhaud’s jazz-infused piano-quintet suite “La création du monde,” op.81b (1922-23), a musical souvenir of the French composer’s trip to New York at the height of the Jazz Age.
This concert marks Momenta’s 5th concert appearance at the Center for Jewish History and its 4th year as the Bernice Diener Ensemble-in-Residence at Yeshiva University’s Stern College for Women.
For more information, contact Emilie-Anne Gendron at firstname.lastname@example.org.
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Posted by s21concerts in Concert Announcement, tags: adda kridler, Cello, chamber music, composition, contemporary, contemporary music, Emilie-Anne Gendron, gordon beeferman, Michael Haas, Momenta Quartet, Music, new music, new york city, NYU, quartet, Stephanie Griffin, viola, violin, world premiere
On Saturday, March 30, 2013 at 6:00 PM, the critically acclaimed Momenta Quartet–recently praised by the New York Times for their diligence, curiosity and excellence” and the Washington Post for “an extraordinary musical experience”–will present five new pieces by NYU graduate composers at New York University’s Silver Center For Arts and Science, Room 220 (31 Washington Place, New York, NY 10003; between Greene Street and Washington Square East). Admission is free.
The concert features works by Gordon Beeferman, Adele Fournet, Moon Young Ha, Friedrich Heinrich Kern, and Jue Wang, all current Ph.D. students at NYU’s Graduate School of Arts and Science. The pieces—four world premieres and one New York premiere, all written for Momenta—reflect each composer’s unique compositional interests, while exploring various unorthodox possibilities of staging, sonority, and collaboration.
The Momenta violinists will be highlighted in Friedrich Heinrich Kern’s duet “Les Adieux” (2013), and will be joined by their quartet colleagues in Moon Young Ha’s “…until that time I may…” (2013) and Jue Wang’s “Life in Stillness” (2013) for string quartet. Adele Fournet’s diptych “on death” (2013) will feature Momenta in collaboration with electric guitarist Felipe Wurst. Joined by guest dancer Stephanie Sleeper and composer Gordon Beeferman as pianist, Momenta will conclude with the New York premiere of “QUADRILLE” (2012) for string quartet, piano, and dancer: a theatrical work in which the musicians are fully integrated into Ms. Sleeper’s inventive choreography. This concert marks the continuation of Momenta and Beeferman’s longstanding collaboration, which originated in 2009 with the New York premiere of Beeferman’s String Quartet, followed by the world premiere of “QUADRILLE” at the Music at Gretna Festival in 2012.
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