Posts Tagged “new music”
Concerts on the Slope presents the world premiere of Composer-in-Residence Robert Sirota’s Spindrift. Sandbox Percussion, the visually and aurally stunning percussion quartet that commissioned Spindrift, will be performing the piece, as well as works by ensemble members Jonathan Allen and Victor Caccesse, plus works by David Crowell, Thomas Kotcheff, Natalie Dieterrich, Jason Treuting, and Lukas Ligeti. Concerts on the Slope performances are open to the public and no tickets are required; a free will donation is suggested. Sandbox Percussion is Jonathan Allen, Victor Caccese, Ian Rosenbaum, and Terry Sweeney.
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Posted by s21concerts in Concert Announcement, tags: acoustic, ambient, chillout, dark matter, groove, installation, new music, physics, video, xenon
Saturday, Dec. 6, 2014 — 8 pm (doors 7:30)
Meridian Project DARK MATTER Multmedia Album Release Party
with special guests JPA Falzone & Musicians (through-composed new music) and TRUNK (psycho-pop funk)
Southside Cultural Center
393 Broad St., Providence, RI
$5 at the door
Meridian Project is pleased to announce a special performance celebrating the release of “Dark Matter,” a new multimedia album exploring cutting edge research in dark matter detection. Dr. Jeremy Chapman, a recent graduate of Brown University’s Particle Astrophysics Group, will discuss the latest developments in dark matter research in combination with music written and performed by Joshua Lantzy, Jacob Richman, Jamie Topper, and Kirsten Volness, video/projections by Caroline Doherty and Jacob Richman, and set design by Catherine Hood.
Discounted “Dark Matter” albums (multimedia or music EP) and posters will be available for purchase (cash only for admission, bar, and merch). Feel free to bring a pillow, blanket, or sleeping bag and get cozy under the “stars.” The album is also available for pre-order online (to be released December 6).
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Music of the Americas is thrilled to present São Paulo-based new music group Camerata Aberta for the third time in concert at Americas Society featuring new pieces by Brazilian composers. Their debut album Espelho D’Água (Reflecting Pool, SESC, 2012) won “Prêmio Bravo!” in the Best Classical Music CD category.
|Luis Afonso Montanha
About the ensemble
Made up of sixteen professors from the Escola de Música do Estado de São Paulo – Tom Jobim, Camerata Aberta is dedicated to twentieth- and twenty-first-century repertoire. They are committed to not only Brazilian contemporary music but also the perpetuation of newly composed works and the performance of standard contemporary repertoire. The ensemble has performed in major concert halls throughout the world, including the Amsterdam Concertgebouw, the Sala Cecilia Meireles (Rio de Janeiro, Brazil), and the Campos do Jordao Festival. In 2010, they were awarded the APCA prize for excellence in contemporary music.
Admission: FREE for Americas Society Members; $20 for non-members. No additional fees will be charged when purchasing online. $10 student tickets will be available for purchase at the door with ID on the night of the performance.
For more information, visit the event webpage: http://www.as-coa.org/events/concert-brazils-camerata-aberta
Image Courtesy of Heloísa Bortz
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Posted by s21concerts in Concert Announcement, tags: clarinet duo, Craig Ketter, DiMenna Center for Classical Music, Emiko Hayashi, Hubert Howe, Ismail Lumanovski, Jacob Goodman, Jonathan Howe, Kevin McCarter, Max Giteck Duykers, Nailah Nombeko, new music, New York Composers Circle, Peri Mauer, Raoul Pleskow, Vasko Dukovski
DiMenna Center for Classical Music, Benzaquen Hall
450 West 37th St., NYC
October 24, 2014
Jacob Goodman, Six Intermezzi
Craig Ketter, piano
Peri Mauer, Morning, Night & Noon
Vasko Dukovski and Ismail Lumanovski, clarinets
Nailah Nombeko, Three Preludes
Craig Ketter, piano
Kevin McCarter, Summer Souvenirs
Kevin McCarter, piano
Max Giteck Duykers, Theia
Christa Van Alstine, bass clarinet
Emiko Hayashi, Two Piano Pieces
Martha Locker, piano
Hubert Howe, Pentachordal Etudes #4 and 5
Jonathan Howe, piano
Raoul Pleskow, Four Piano Pieces
Suggested donation: $20; students free admission
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Posted by s21concerts in Concert Announcement, tags: Aleck Karis, ayano kataoka, border issues, chamber music, classical music, concert, contemporary music, Cuatro Corridos, Downtown Los Angeles, human rights, human trafficking, LAFLA, legal aid foundation, new music, Pablo Gomez, Pasadena, Santa Monica, Susan Narucki, UCSD, US Mexico border
On Friday, August 8, 2014, the Legal Aid Foundation of Los Angeles (LAFLA) will present Cuatro Corridos, a chamber opera addressing one of the most critical human rights issues of our time: human trafficking. Based on true events, the one-hour production tells the stories of women trapped in a cycle of prostitution and slavery in and around the San Diego/Tijuana border region and represents an unprecedented collaboration between internationally acclaimed Mexican and US-based creative artists.
The benefit event will take place at 7:30 p.m. at The Colburn School’s Zipper Hall in downtown Los Angeles. Ticket price for the benefit is $100 and includes general admission to the performance and to the post performance reception. $75 of the ticket price is a tax-deductible contribution to LAFLA and will help support its services to victims of human trafficking who are forced to work in the sex trade, sweatshops, fields and even private homes under exploitative and abusive conditions and for meager or non-existent wages.
Celebrating its 85th anniversary as Los Angeles’ frontline law firm for poor and low-income people and communities, LAFLA’s services include a range of specialized legal services to aid and empower human trafficking victims to escape exploitation and pursue their legal rights. LAFLA’s Executive Director Silvia R. Argueta says of the event, “We feel that Cuatro Corridos is a beautiful, engaging, and innovative way for LAFLA to draw attention to this critical issue and rally support to help fight against this form of modern-day slavery and a humanitarian crisis that affects those most vulnerable among us.”
Led by Grammy Award winning soprano Susan Narucki and noted Mexican author Jorge Volpi, Cuatro Corridos features original music by composers Hilda Paredes, Arlene Sierra, Lei Liang and Hebert Vázquez. Three distinguished performers of new music, percussionist Ayano Kataoka, pianist Aleck Karis, and guitarist Pablo Gomez, accompany Narucki in sharing the compelling stories of four women whose lives are scarred by human trafficking.
Cuatro Corridos had its first performance at the Conrad Prebys Music Center at the University of California, San Diego in May, 2013, with subsequent performances in Tijuana, Dallas, and Albuquerque. The innovative project seeks to heighten public awareness about human trafficking by offering public forums in conjunction with performances. Cuatro Corridos has been the recipient of support from the MAP Fund for the Performing Arts/Doris Duke Charitable Foundation, UC MEXUS, and most recently, by the National Endowment for the Arts.
Tickets are available through Eventbrite.com
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Join American Composers Orchestra (ACO) for its 23rd annual Underwood New Music Readings and look behind the scenes at the process involved in bringing brand new orchestral music to life. The Readings will feature new, stylistically diverse music from seven composers at the early stages of their careers: Andy Akiho (Tarnished Mirrors), Melody Eötvös (Beetles, Dragons, and Dreamers), Robert Honstein (Rise), Jared Miller (Contrasted Perspectives – Two Surrealist Portraits), Kyle Rotolo (Apophis), Harry Stafylakis (Brittle Fracture), and Wang A-Mao (Characters in Theatre).
ACO Music Director George Manahan leads the Readings, along with mentor composers ACO Artistic Director Derek Bermel, Robert Beaser, Olly Wilson, and Julia Wolfe. One composer will be chosen to receive a $15,000 commission to write a new piece for ACO to be premiered during the orchestra’s 2015-2016 season. In addition, audience members will have the opportunity to vote for their favorite pieces, and the composer chosen as the “Audience Choice” winner will be commissioned to compose an original mobile phone ringtone, available for everyone who votes.
FREE and open to the public. Part of the inaugural NY PHIL BIENNIAL.
American Composers Orchestra’s 23rd Annual Underwood New Music Readings
The DiMenna Center for Classical Music
450 West 37th Street, NYC
Friday, June 6, 2014, 10am – Working Rehearsal
Saturday, June 7, 2014, 10am-4pm – Career Development Seminar
Saturday, June 7, 2014, 7:30pm – Run-Through
George Manahan, conductor
American Composers Orchestra
Andy Akiho: Tarnished Mirrors
Melody Eötvös: Beetles, Dragons, and Dreamers
Robert Honstein: Rise
Jared Miller: Contrasted Perspectives – Two Surrealist Portraits
Kyle Rotolo: Apophis
Harry Stafylakis: Brittle Fracture
Wang A-Mao: Characters in Theatre
ACO’s Underwood New Music Readings Ticket Information:
Admission to ACO’s Underwood New Music Readings is free, but reservations are required. The cost for the Career Development Seminar is $25, which includes lunch. Reservations for the Readings and the Seminar can be made at www.americancomposers.org/tickets.
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Meridian Project is pleased to announce the premiere of DARK MATTER, a multimedia performance exploring cutting edge research in dark matter detection. Dr. Jeremy Chapman, a recent graduate of Brown University’s Particle Astrophysics Group, will discuss the latest developments in dark matter research in combination with new music written and performed by Joshua Lantzy, Jacob Richman, Jamie Topper, and Kirsten Volness, and new video/projections by Caroline Doherty and Jacob Richman complemented by the planetarium’s Zeiss star projector.
Meridian Project presents DARK MATTER
April 25 and 26, 2014
2 pm and 7 pm (doors 6:30)
Museum of Natural History and Planetarium
Roger Williams Park, 1000 Elmwood Avenue, Providence, RI
Tickets: $3 | Donations accepted in support of the artists
Cash only at the door; first come, first served
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These performances are made possible in part by a grant from the Rhode Island State Council on the Arts, through an appropriation by the Rhode Island General Assembly and a grant from the National Endowment for the Arts.
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Fromm Players at Harvard with ENSEMBLE DAL NIENTE
Friday and Saturday, February 28 and March 1
John Knowles Paine Concert Hall, Harvard University campus, Cambridge, MA (GPS: 1 Oxford St)
The natural | The artificial
Carola Bauckholt Vollmond, unter null
Evan Johnson: die bewegung der augen
Erin Gee: Mouthpiece: Segment of the 4th Letter
Rick Burkhardt: Alban
Wolf Edwards: the road from Mutlaa to Basra (1991) (World Premiere)
Marianthi Papalexandri Yarn (US Premiere)
Aaron Einbond: Without Words
Hans Tutschku: Still Air (World Premiere)
Ming Tsao: Mozart Adagio from the Oboe Quartet in F., K.370/368b / The Book of Virtual Transcriptions (US Premiere)
Enno Poppe: Salz
The concerts are free and open to the public. No tickets are required.
Free parking in the Broadway garage, corner of Felton and Broadway, opposite Broadway Market in Cambridge.
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On Sunday, January 12 at 3 PM, the Grammy nominated North/South Chamber Orchestra under the direction of its founder composer/conductor Max Lifchitz welcomes the New Year with a free-admission concert featuring works by composers from Europe and the Americas
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Posted by s21concerts in Concert Announcement, tags: choral music, Chorale Concert, classical, classical music, concert, contemporary music, Holiday, new music, New York, new york city, New York City Master Chorale, nyc, Vocal Music
On Friday, December 13, 2013 at 8 pm, the New York City Master Chorale, under the direction of Artistic Director Thea Kano, opens its eighth season with a “Holiday Concert,” featuring Camille Saint-Saëns’ Christmas Oratorio and the New York City premiere of Paul Leavitt’s Magnificat. The concert, to be held at the Church of Saint Ignatius of Antioch (552 West End Avenue at 87th Street), features organist James Kennerley and phenomenal soloists from the Chorale. Tickets are $35 (general admission) or $25 (student/senior) and can be purchased atwww.nycmasterchorale.org or at the door, space permitting.
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