Posts Tagged “new music”
Join American Composers Orchestra (ACO) for its 23rd annual Underwood New Music Readings and look behind the scenes at the process involved in bringing brand new orchestral music to life. The Readings will feature new, stylistically diverse music from seven composers at the early stages of their careers: Andy Akiho (Tarnished Mirrors), Melody Eötvös (Beetles, Dragons, and Dreamers), Robert Honstein (Rise), Jared Miller (Contrasted Perspectives – Two Surrealist Portraits), Kyle Rotolo (Apophis), Harry Stafylakis (Brittle Fracture), and Wang A-Mao (Characters in Theatre).
ACO Music Director George Manahan leads the Readings, along with mentor composers ACO Artistic Director Derek Bermel, Robert Beaser, Olly Wilson, and Julia Wolfe. One composer will be chosen to receive a $15,000 commission to write a new piece for ACO to be premiered during the orchestra’s 2015-2016 season. In addition, audience members will have the opportunity to vote for their favorite pieces, and the composer chosen as the “Audience Choice” winner will be commissioned to compose an original mobile phone ringtone, available for everyone who votes.
FREE and open to the public. Part of the inaugural NY PHIL BIENNIAL.
American Composers Orchestra’s 23rd Annual Underwood New Music Readings
The DiMenna Center for Classical Music
450 West 37th Street, NYC
Friday, June 6, 2014, 10am – Working Rehearsal
Saturday, June 7, 2014, 10am-4pm – Career Development Seminar
Saturday, June 7, 2014, 7:30pm – Run-Through
George Manahan, conductor
American Composers Orchestra
Andy Akiho: Tarnished Mirrors
Melody Eötvös: Beetles, Dragons, and Dreamers
Robert Honstein: Rise
Jared Miller: Contrasted Perspectives – Two Surrealist Portraits
Kyle Rotolo: Apophis
Harry Stafylakis: Brittle Fracture
Wang A-Mao: Characters in Theatre
ACO’s Underwood New Music Readings Ticket Information:
Admission to ACO’s Underwood New Music Readings is free, but reservations are required. The cost for the Career Development Seminar is $25, which includes lunch. Reservations for the Readings and the Seminar can be made at www.americancomposers.org/tickets.
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Meridian Project is pleased to announce the premiere of DARK MATTER, a multimedia performance exploring cutting edge research in dark matter detection. Dr. Jeremy Chapman, a recent graduate of Brown University’s Particle Astrophysics Group, will discuss the latest developments in dark matter research in combination with new music written and performed by Joshua Lantzy, Jacob Richman, Jamie Topper, and Kirsten Volness, and new video/projections by Caroline Doherty and Jacob Richman complemented by the planetarium’s Zeiss star projector.
Meridian Project presents DARK MATTER
April 25 and 26, 2014
2 pm and 7 pm (doors 6:30)
Museum of Natural History and Planetarium
Roger Williams Park, 1000 Elmwood Avenue, Providence, RI
Tickets: $3 | Donations accepted in support of the artists
Cash only at the door; first come, first served
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These performances are made possible in part by a grant from the Rhode Island State Council on the Arts, through an appropriation by the Rhode Island General Assembly and a grant from the National Endowment for the Arts.
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Fromm Players at Harvard with ENSEMBLE DAL NIENTE
Friday and Saturday, February 28 and March 1
John Knowles Paine Concert Hall, Harvard University campus, Cambridge, MA (GPS: 1 Oxford St)
The natural | The artificial
Carola Bauckholt Vollmond, unter null
Evan Johnson: die bewegung der augen
Erin Gee: Mouthpiece: Segment of the 4th Letter
Rick Burkhardt: Alban
Wolf Edwards: the road from Mutlaa to Basra (1991) (World Premiere)
Marianthi Papalexandri Yarn (US Premiere)
Aaron Einbond: Without Words
Hans Tutschku: Still Air (World Premiere)
Ming Tsao: Mozart Adagio from the Oboe Quartet in F., K.370/368b / The Book of Virtual Transcriptions (US Premiere)
Enno Poppe: Salz
The concerts are free and open to the public. No tickets are required.
Free parking in the Broadway garage, corner of Felton and Broadway, opposite Broadway Market in Cambridge.
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On Sunday, January 12 at 3 PM, the Grammy nominated North/South Chamber Orchestra under the direction of its founder composer/conductor Max Lifchitz welcomes the New Year with a free-admission concert featuring works by composers from Europe and the Americas
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Posted by s21concerts in Concert Announcement, tags: choral music, Chorale Concert, classical, classical music, concert, contemporary music, Holiday, new music, New York, new york city, New York City Master Chorale, nyc, Vocal Music
On Friday, December 13, 2013 at 8 pm, the New York City Master Chorale, under the direction of Artistic Director Thea Kano, opens its eighth season with a “Holiday Concert,” featuring Camille Saint-Saëns’ Christmas Oratorio and the New York City premiere of Paul Leavitt’s Magnificat. The concert, to be held at the Church of Saint Ignatius of Antioch (552 West End Avenue at 87th Street), features organist James Kennerley and phenomenal soloists from the Chorale. Tickets are $35 (general admission) or $25 (student/senior) and can be purchased atwww.nycmasterchorale.org or at the door, space permitting.
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Posted by s21concerts in Concert Announcement, Uncategorized, tags: choral music, christopher bono, classical, contemporary, contemporary music, harold rosenbaum, new choral music, new music, New York, new york city, new york virtuoso singers, silas brown
Digital Download & 7” Vinyl Release Date: October 15, 2013
Vinyl Available Exclusively at: www.christopherbono.com
VIDEO: The Inspiration Behind Unity & The Unexcelled Mantra
On October 15, 2013, composer Christopher Bono releases two new singles, Unity and The Unexcelled Mantra, performed by The New York Virtuoso Singers led by music director Harold Rosenbaum. These choral works will be available on Bono’s label Our Silent Canvas, distributed digitally by Naxos and released on limited edition 7” vinyl. The recordings were made at the American Academy of Arts and Letters in New York by Grammy-winning producer Silas Brown.
Visual artist DZO Olivier has created original illustrations for the cover art for Unity and The Unexcelled Mantra recordings, intimately influenced by Bono’s music and the concepts it explores. Videos inspired by these works created by film artists Tobias Stretch (Radiohead, Deftones) and Ingibjörg Birgisdóttir (Sigur Rós) will be released on November 5, 2013.
Bono describes Unity and The Unexcelled Mantra as contemplating the search for a modern form of spirituality. He says, “Both works explore a path to transcendence or ‘true being’ through union with the cosmos – The Unexcelled Mantra from a Mahayana Buddhist point of view and Unity from the Western philosophical tradition of Plato.”
Unity is a choral piece based on some of the musical and philosophical concepts of Plato’s Republic. The chosen text was taken from a section of the Republic in which Plato discusses the power of mathematics, but Bono immediately saw it could also be viewed as a metaphor for the phenomenon of meditation. He says, “This multi-dimensional observation was a key inspiration for me when writing the work, both considering the mathematical qualities of music and the esoteric concepts of achieving union with the All.” In addition, Bono experimented with the power Plato claimed existed in the Dorian and Phrygian modes. According to Plato, the Dorian would “fittingly imitate the utterances and accents of a brave man who is engaged in warfare,” while the Phrygian was suitable “for a man engaged in works of peace.”
The Unexcelled Mantra is a setting of text from the Heart Sutra, a sacred text in Mahayana Buddhism on understanding Shunyata, or Emptiness, in order to realize Nirvana. The mantra reads “gaté gaté paragaté parasamgaté bodhi svaha,” which can be translated as “Go, go, go beyond, go totally beyond, be rooted in the ground of enlightenment.”
The release of Unity and The Unexcelled Mantra follows Bono’s first classical album, Invocations, a chamber music collection released in fall 2012 and on vinyl in August 2013. The originality and inventiveness of Invocations was noted by composer and writer Frank Oteri in NewMusicBox, who wrote, “While much of 21st-century contemporary composition is not beholden to any rules, to the extent that I could probably claim everyone to be an ‘outsider’ in some ways, Bono’s music sounds as though everything he writes is something he is discovering for the very first time, even if there are clear reference points throughout to the sound worlds of other composers from both our own time and other eras.”
Christopher Bono entered the world of classical music much later than most of his contemporaries. He spent his childhood and teenage years devoted to baseball; in 1999 he was drafted by the Seattle Mariners but an injury kept him from playing. Filling the void left by the end of his athletic endeavors, Bono began playing the guitar when he was 21, and for several years he toured, recorded, and performed in an alternative roots-rock style. In his mid-20s, he made the choice to learn classical composition techniques in order to more fully realize his music. For seven years, in nearly hermetic isolation, he taught himself to read music, and studied composition independently with Juilliard professor Kendall Briggs and at La Scola Cantorum in Paris.
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Posted by s21concerts in Concert Announcement, tags: classical music, composition, concert, contemporary music, DiMenna Center, Free, Michael Hersch, new music, New York, The Sudden Pianist
A concert of works by renowned American composer Michael Hersch will be presented at the DiMenna Center for the Arts in New York City on the evening of October 19.
Photograph by Richard Anderson.
Also regarded as one of today’s more formidable pianists, Hersch is the subject of a new documentary film, The Sudden Pianist, which focuses on his life and his work for the piano. At the Oct 19 concert, Hersch will perform some of the music featured in the film: selections from his 2 and a half-hour solo piano work, The Vanishing Pavilions. (A screening of the film, which was released earlier in 2013 and has already garnered significant festival interest, will take place at the Producers’ Club on the morning of the concert; more information about the film can be found at thesuddenpianist.com.) This concert marks Hersch’s only second public appearance as a pianist in New York in the last ten years.
Also on the October 19 all-Hersch program will be “in the snowy margins” for unaccompanied violin; the New York premiere of “of ages manifest” for unaccompanied alto saxophone; Five Fragments for unaccompanied violin; and the New York premiere of How Far the Cradle for soprano and piano. Artists joining the composer on the program are violinist Miranda Cuckson, saxophonist Gary Louie, soprano Ah Young Hong, and pianist Michael Sheppard.
Saturday, October 19 at 8pm
The DiMenna Center for Classical Music
Mary Flagler Cary Hall
450 West 37th Street
New York, NY 10018
Free admission. No reservations required.
For more information, visit here.
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Posted by s21concerts in Concert Announcement, tags: Batterie-en-Valise, brooklyn, Duchamp, Eric Farber, found objects, Heidegger, kinetic art, new music, percussion, sonic sculpture, The Question Concerning Technology, Tigue Percussion Trio
Batterie-en-Valise — The Xylotrunk (shot by Dani Leventhal)
Kinetic Ontology presents an evening of original percussion works
Batterie-en-Valise: music for two percussionists and five suitcases
“…this performance is sure to astound and confound.” -Classicalite
Part found-object sonic sculpture, part new music performance, and part interactive conversation about human relationships with objects, Batterie-en-Valise is currently presenting a suite of five original compositions entitled, “The Question Concerning Technology.” Recent performances include HERE Arts Center and Barbès; coming soon to World Maker Faire, 2013.
Five gutted-out vintage suitcases – each housing a collection of carefully curated found objects – transform into a cacophonous jungle gym of repurposed harmonic assemblages and other dangling curiosities.
Created by Brooklyn-based found-percussionist Eric Farber, featuring Dylan Thurston, the music juxtaposes a long history of traditional rhythms with hyper-contemporary breakbeats and object-oriented “samples.”
TIGUE Percussion Trio
TIGUE Percussion Trio is the latest project from Matt Evans, Amy Garapic, and Carson Moody. Founded in early 2012, TIGUE presents contemporary music of friends, contemporaries, and themselves through a lens of percussion elements. TIGUE has recently presented at The Stone, The Color Field Festival and The Beethoven Festival.
Batterie-en-Valise — The Snakeskin Sample Case (shot by Dani Leventhal)
Saturday, October 5th, 2013, 7:30pm
The Great Room at South Oxford Space
138 S. Oxford St. (bet Fulton & Atlantic)
$10 suggested donation
(an evening of 100% UN-amplified percussion)
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The Manhattan Choral Ensemble will premiere three newly-commissioned works about New York City, followed by favorite folksongs, partsongs and madrigals. At intermission the audience will select its favorite piece, to receive the grand prize and an encore performance.
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Posted by s21concerts in Concert Announcement, tags: Aleck Karis, Arlene Sierra, California, Chamber Opera, collaboration, Doris Duke, Experimental Theater, Guitar, Hebert Vázquez, Hilda Paredes, human rights, human trafficking, International, Jorge Volpi, Lei Liang, MAP fund, Mexico, new music, Pablo Gomez, piano, San Diego, soprano, Steven Schick, Susan Narucki, UC MEXUS, UCSD, University of California, Voice, West Coast, woman, Yellow Barn
INTERNATIONAL NEW MUSIC COLLABORATION TO SHED LIGHT ON HUMAN SUFFERING
May 8, 10, 11 2013 @7PM at Conrady Prebys Music Center – Experimental Theater
University of California, San Diego
A chamber opera addressing human trafficking along the San Diego border to premiere at University of California, San Diego at the Conrad Prebys Music Center.
Based on true events, Cuatro Corridos tells the story of four women whose lives are scarred by human trafficking and represents an unprecedented collaboration between internationally acclaimed creative artists.
Led by Grammy Award winning soprano Susan Narucki and noted Mexican author Jorge Volpi, the fully- staged production features original music by four distinguished composers. Each gives voice to one of the four female characters by presenting one act in the hour-long drama.
Cuatro Corridos received generous support from UC MEXUS, the MAP Fund for the Performing Arts (Doris Duke Charitable Foundation), Yellow Barn Music Festival, and the Department of Music at UCSD.
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