Posts Tagged “new music”

The Manhattan Choral Ensemble will premiere three newly-commissioned works about New York City, followed by favorite folksongs, partsongs and madrigals. At intermission the audience will select its favorite piece, to receive the grand prize and an encore performance.

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May 8, 10, 11 2013 @7PM at Conrady Prebys Music Center – Experimental Theater
University of California, San Diego

A chamber opera addressing human trafficking along the San Diego border to premiere at University of California, San Diego at the Conrad Prebys Music Center.

Based on true events, Cuatro Corridos tells the story of four women whose lives are scarred by human trafficking and represents an unprecedented collaboration between internationally acclaimed creative artists.

Led by Grammy Award winning soprano Susan Narucki and noted Mexican author Jorge Volpi, the fully- staged production features original music by four distinguished composers. Each gives voice to one of the four female characters by presenting one act in the hour-long drama.

Cuatro Corridos received generous support from UC MEXUS, the MAP Fund for the Performing Arts (Doris Duke Charitable Foundation), Yellow Barn Music Festival, and the Department of Music at UCSD.


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The Pit Stop Players, a thirteen-member instrumental ensemble composed of veteran Broadway pit musicians, will conclude their fourth season with special guest Cynthia Nixon narrating a new work, plus a newly commissioned chamber arrangement of Igor Stravinsky’s towering masterpiece, “The Rite of Spring.” The concert will take place on Monday, May 6, 2013 at 8:00 pm at Peter Norton Symphony Space, 2537 Broadway at 95th Street, New York City. Tickets range from $20-$35 and can be purchased online at Symphony Space Events or (212) 864-5400.

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On Monday, April 22, 2013 at 7:30 PM, the critically acclaimed Momenta Quartet (Emilie-Anne Gendron and Adda Kridler, violins; Stephanie Griffin, viola; Michael Haas, cello) will join pianist Molly Morkoski in a concert celebrating a diverse array of works by Jewish composers at the Center for Jewish History (15 West 16th Street, New York, NY 10011;

Tickets: $15 general, $10 for seniors, students, and CJH/AJHS/YUM members with ID. Available at the door or online through

The program, which features Momenta members in a range of collaborative capacities, underlines the quartet’s core tradition of championing living composers. “Sirius” (2012), a new piano quartet by Yeshiva faculty member David Glaser, will receive its New York premiere. Momenta members will be joined by pianist Molly Morkoski, whose playing has been critically hailed as “outstanding” by The Boston Globe and “exhilarating” by the American Record Guide. Momenta violist Stephanie Griffin will take the stage in “Malekhamoves” (2009), a solo work by the ClevelaMomenta Quartetnd-based composer Timothy Beyer.

The program also highlights an eclectic assortment of underrepresented 20th-century works. Momenta will draw from its unique personal repertoire for the evening’s featured string quartet selection, Stefan Wolpe’s aphoristic “Twelve Pieces for String Quartet” (1950). Seldom performed today, this ephemeral collection of character pieces totals less than 7 minutes. In contrast, Morkoski and Momenta violinist Emilie-Anne Gendron will present Aaron Copland’s lush and expansive Violin Sonata (1944), composed as a wartime memorial piece. Rounding out the program is Darius Milhaud’s jazz-infused piano-quintet suite “La création du monde,” op.81b (1922-23), a musical souvenir of the French composer’s trip to New York at the height of the Jazz Age.

This concert marks Momenta’s 5th concert appearance at the Center for Jewish History and its 4th year as the Bernice Diener Ensemble-in-Residence at Yeshiva University’s Stern College for Women.

For more information, contact Emilie-Anne Gendron at

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Momenta Quartet

On Saturday, March 30, 2013 at 6:00 PM, the critically acclaimed Momenta Quartet–recently praised by the New York Times for their diligence, curiosity and excellence” and the Washington Post for “an extraordinary musical experience”–will present five new pieces by NYU graduate composers at New York University’s Silver Center For Arts and Science, Room 220 (31 Washington Place, New York, NY 10003; between Greene Street and Washington Square East). Admission is free.

The concert features works by Gordon Beeferman, Adele Fournet, Moon Young Ha, Friedrich Heinrich Kern, and Jue Wang, all current Ph.D. students at NYU’s Graduate School of Arts and Science. The pieces—four world premieres and one New York premiere, all written for Momenta—reflect each composer’s unique compositional interests, while exploring various unorthodox possibilities of staging, sonority, and collaboration.

The Momenta violinists will be highlighted in Friedrich Heinrich Kern’s duet “Les Adieux” (2013), and will be joined by their quartet colleagues in Moon Young Ha’s “…until that time I may…” (2013) and Jue Wang’s “Life in Stillness” (2013) for string quartet. Adele Fournet’s diptych “on death” (2013) will feature Momenta in collaboration with electric guitarist Felipe Wurst. Joined by guest dancer Stephanie Sleeper and composer Gordon Beeferman as pianist, Momenta will conclude with the New York premiere of “QUADRILLE” (2012) for string quartet, piano, and dancer: a theatrical work in which the musicians are fully integrated into Ms. Sleeper’s inventive choreography. This concert marks the continuation of Momenta and Beeferman’s longstanding collaboration, which originated in 2009 with the New York premiere of Beeferman’s String Quartet, followed by the world premiere of “QUADRILLE” at the Music at Gretna Festival in 2012.

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Ensemble Pamplemousse

Ensemble Pamplemousse

Ensemble Pamplemousse:
Through the Magnifying Glass
a surreal exploration of miniature and limitless aural possibilities

February 26, 2013 : 8:00 pm
509 Atlantic Ave, Brooklyn, NY



Seven works bring into focus the seemingly limitless aural possibilities of wood, plastic,
and metal combining in the percieved symbiosis of ‘instruments’. Not just an indexing
of microscopic sound, these aural materials are presented as concise musical objects,
critically demystifying what is often accepted as ‘other’ sounds. By combining the
stability of formal strategy with minutely instable sound material, the music is elevated
beyond the rhetoric of mere instrumental syntax, realizing a wider, more substantial

New and recent works by Alex Sigman, George Lewis, Andrew Greenwald, Natacha Diels, Ivan Naranjo, and Rama Gottfried.

Performed by:
Natacha Diels, flute; Kiku Enomoto, violin; Jessie Marino, cello; David Broome, keys, Maria Stankova, voice; Andrew Greenwald, percussion


“[Theirs is] a style and concept that bridges the gap between the earliest conscious sounds humans made together and the most up to the moment exploration of musical possibilities…the event horizon of each sound describ[es] a moment with infinite possibilities, including infinite duration.” (George Grella, THE BIG CITY)
Founded in 2002 by Natacha Diels and Rama Gottfried as a vehicle for musical exploration, Pamplemousse presents concerts of extraordinary focus and clarity. Comprised of virtuosic musicians trained in the classical, improvisational, and electronic realms, the group consistently delivers fresh, exhilarating new concepts in sound. The members’ eagerness for aural discovery has allowed for ample experimentation processes, where boundaries are non-existent, and from which a strong dialogue has emerged. Among the group’s vernacular resides formerly unfathomable sound landscapes formed by the acute relationships the performers have forged with each other, and as they alternate roles with the composers who are an intrinsic part of the ensemble.
The product, ceaselessly uncompromising and resolutely beautiful, is created by incredibly innovative, yet-to-be-named approaches to performance and composition.

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BNMI Calls for Scores

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On the heels of his Composer of the Year honor from Musical America, BAM presents the latest work from Pulitzer Prize-winning composer David Lang. love fail marries evocative new music with timeless storytelling to tell a tale of love found yet unfulfilled, performed by the ravishing voices of legendary early music group Anonymous 4.

Assembled from a stunning range of texts—including medieval courtly love narratives by Marie de France, Gottfried von Strassburg, Beroul, and Thomas
of Britain, excerpts from Wagner’s Tristan und Isolde, writings by Lang, and short stories by MacArthur Fellow Lydia Davis—the words and music distill a single, universal tale about desire’s discontent, made luminous by one of the premiere vocal ensembles of our time.

On the creation of love fail, Lang said, “the first idea for this piece came out of the sound world of Anonymous 4. Their medieval-tinged, pure-toned, close-harmony singing seemed perfect for telling an intimate, emotional story of the way love might work in our lives, and the way it so often doesn’t.” In his first-time as a director, Lang works with a range of collaborators to, as he notes, “heighten the music’s sense of intimacy.”

“From Jennifer Tipton’s warm, environmental glow, to Jim Findlay’s dramatically elemental sets and startling videos, to Jody Elff’s subtly evolving resonances, and Suzanne Bocanegra’s elegant, modern costumes, we have been careful to add just enough theatricality to focus all attention on the singers and their story,” said Lang, “The theater emerges from the music—it becomes a physical manifestation of the interior life of the text.”

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From Juventas’ Project Fusion comes “Expérience”. A unique and unforgettable classical performance event that incorporates a ballet set in Cyberspace, a movement-based instrumental work, a chamber opera, and more!

Two venues/nights!

Saturday, December 8 at 7pm, Museum of Modern Renaissance
115 College Ave, Somerville

Sunday, December 9 at 7pm, Center Makor
1845 Commonwealth Ave, Brighton

Tickets at

Juventas New Music Ensemble

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unMET – Opera for the 21st Century

Oct 31, 2012 8:00 pm | Wednesday

Leave your opera glasses at home and forget about that stodgy tenor in 18th-century garb!  Juventas New Music Ensemble invites you to experience opera of the future over an evening drink!  Scenes from new operas by emerging composers will explore ghosts, extinction, love and magic, all while placing you directly in the middle of the action.  This very special Halloween edition of unMET features a costume contest with rockin’ prizes!

$25 for Table Seats; $20 for Stool Seats; $15 for Standing Room.
Tickets available for purchase online here:

Oberon Theater
2 Arrow Street
Cambridge, MA 02138

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