Posts Tagged “new york city”
Posted by s21concerts in Concert Announcement, tags: Ashley Wang, Carnegie Hall, classical, classical music, composition, contemporary music, Ear to Mind, Inhyun Kim, Jenny Q Chai, Marco Stroppa, new music, new york city, piano, world premiere, Zankel Hall
Performing works by Inhyun Kim, Ashley Fu-Tsun Wang, Marco Stroppa, Kurtag, Messaien, Ligeti, Debussy, and Schumann, pianist Jenny Q. Chai makes her Carnegie Hall debut at Zankel Hall on Thursday, April 19 at 7:30pm. Tickets are $30 ($15 for students) and are available at www.carnegiehall.org, at the Carnegie Hall Box office at 57th street and 7th avenue in New York City (which is also the location of the venue), or by calling 212 247 7800.
This concert, featuring two world premieres and one US premiere, is being presented by Ear to Mind (www.eartomind.com), a New York City based arts organization which strives to present innovative programs that allow the public to experience contemporary music in non-traditional contexts, as well as by producing publications that allow the public to gain intimate knowledge of the contemporary music field, simultaneously providing composers and performers with a platform for their work.
The Program includes:
- Inhyun Kim – Parallel Lines (World premiere)
- Ashley Fu-Tsun Wang – “Current”, a newly commissioned work from the Yvar Mikhashoff Trust’s 2011 Pianist/Composer Commissioning Project (World premiere)
- Marco Stroppa – “Innige Cavatina” from Miniature Estrose by (US premiere)
- Claude Debussy – Études No.3 ” pour les quartes” and No.6 “pour les huit doigts”
- György Ligeti – Études Book I No. 1 “Désordre” and No. 2 “Cordes à vide”
- Olivier Messiaen – Cantéyodjayâ
- György Kurtág – “Quiet talk with the Devil” and “Les Adieux” from Jatekok
- Robert Schumann – Kreisleriana
Hailed as a “brilliant and fearless young performer,” Jenny Q Chai is an active pianist specializing in contemporary music. Recipient of the Yvar Mikhashoff Trust’s 2011 Pianist/Composer Commissioning Project, first prize winner of the Keys to the Future Contemporary Solo Piano Festival, and recipient of the DAAD Arts and Performance award in 2010, Chai has premiered, most notably, Life Sketches by Nils Vigeland, Exercise in Deism by John Slover, Intimate Rejection by Ashley Fu-Tsun Wang, and Blue Inscription by Scott Wollschleger. Chai has also premiered “Marriage (Mile 58) Section F” from The Road by Frederick Rzewski in Ghent, Belgium, where she was given the Logos Award for the best performance of 2008. Recently, Chai had the privilege of introducing the concept of prepared piano to a Chinese audience, with the world premiere of Mallet Dance by John Slover, in Shanghai Concert Hall.
Chai has studied at the Shanghai Music Conservatory, Curtis Institute of Music, and has received two degrees from the Manhattan School of Music where she studied with Solomon Mikowsky, Nils Vigeland, and Anthony de Mare. In Germany, she studied with Pierre-Laurent Aimard, and performed in Ensemble 20/21, directed by David Smeyers, as well as the group Musikfabrik. In what is already an illustrious career, Chai’s performances have been covered in major media throughout the U.S., China, and Europe, including Time Out New York, Shanghai Culture, and Cologne Daily News, and her performances of contemporary music have been broadcast in Italy, Germany, China, and the U.S. Her talents have been showcased on recordings with Ensemble 20/21 on the Deutschlandfunk label (performing music by Hanns Eisler) and as solo pianist/vocalist on ArpaViva’s New York Love Songs.
For Chai, near-total immersion in the contemporary music world has only enhanced her appreciation of the classical repertoire. “I feel a sense of contentment programming creative concerts, mixing and matching old and new works, so as to highlight what is most special in each piece. After all, nothing comes from nothing, and new music is very much connected to that which came before.” Now splitting her time between the U.S. and China, Chai co-directs the New York City-based contemporary music organization Ear to Mind, and is founder of FaceArt Music Association in Shanghai. In an Ear to Mind performance in April 2011, Chai premiered three new works, including Five Pieces (for Jenny Q Chai) by Nils Vigeland.
Ashley Fu-Tsun Wang is a Taiwanese composer whose work seeks to capture the individual beauty of the fleeting moment, revealing complexity within simplicity. Her music has been performed throughout North America, Europe, and Asia. She has collaborated with Brooklyn Rider String Quartet, MIVOS Quartet, members of Eighth Blackbird, pianists Eric Huebner, Vicky Chow, Jenny Q. Chai, conductors David Gilbert, Brad Lubman, Paul Chiang, and visual artists Alice Grassi and Takeshi Moro. Her music has been broadcast on WNYC and Taukay Edizioni Musicali, and has been released on the ArpaViva label. Ms. Wang is the winner of the Yvar Mikhashoff Trust for New Music competition and the Look and Listen Festival Composition Prize, and the recipient of grants from the American Composers Forum, the American Music Center, and the ASCAP Foundation. Ms. Wang has been a fellow at the MusicX Festival, Bowdoin International Music Festival, June in Buffalo, Pacific Music Festival, Bang on a Can Music Festival, an associate artist at the Atlantic Center for the Arts, and has worked with Robert Beaser, Matthias Pintscher, David Felder, David Lang, Michael Gordon, Julia Wolfe, and Lera Auerbach. She has recently studied with Nils Vigeland, Reynold Tharp, and Stephen Taylor.
As a frequent collaborator with choreographers, visual artists, and filmmakers, composer Inhyun Kim challenges her audience think in new and unconventional ways about music as a performing art. Ms. Kim has been commissioned by organizations such as White Wave Dance Company, The Actor’s Theatre, Hudson Saxophone Quartet and Brooklyn Independent television, and her works have been performed at the DUMBO dance festival, Wave Rising series, the Joyce Soho theatre, What We Want!!!, The Tompkins Square gallery at the New York Public Library, Dance New Amsterdam, Ceres Gallery as part of 2008 Make Music NY, the Museum of Modern Arthur as part of the 12th annual Art Under the Bridge festival, Galapagos Art Space, and Symphony Space. A graduate of the Manhattan School of Music, where she received her Bachelor’s and Master’s Music degrees and studied with Julia Wolfe, Susan Botti and Reiko Fueting. Ms. Kim’s music can be heard on her CD “Music =”, released in 2010 by Carrier Records. Ms. Kim is a recipient of the Jordan Berk Memorial Prize in composition, Manhattan School of Music president’s award, and was recently awarded a mentorship with composer Vivian Fung, as part of NYFA’s Mentoring program for Immigrant Artists. Ms. Kim is co-director of the contemporary music nonprofit organization, Ear To Mind.
Composer, researcher and professor, Marco Stroppa was born in Verona, Italy, and has composed for both acoustical instruments and new media. His repertoire includes works for concerts, one music drama, two radio operas and various special projects. He often groups several works around large cycles exploring specific compositional projects, such as a series of concertos for instrument and a spatialized orchestra or ensemble inspired by poems of W.B. Yeats, a book of Miniature Estrose, seven pieces for solo piano, a cycle of works for solo instrument and chamber electronic music inspired by poems of e. e. cummings, and two string quartets. He has worked as a composer and researcher, teacher at IRCAM, and he founded the composition and computer music workshop at the International Bartók Festival in Szombathély, Hungary. He taught composition at the Conservatoire National Supérieur de Musique in Paris and Lyon and since 1999 he has been full professor of composition and computer music at the University of Music and Performing Arts in Stuttgart. He studied at the Conservatories of Verona, Milan and Venice and at the Massachusetts Institute of Technology as the recipient of a Fulbright Scholarship.
This concert is sponsored by The Gurrand Group and FaceArt Music Association.
The North/South Chamber Orchestra under the direction of its founder Max Lifchitz premieres works by Ada Gentile, Yalil Guerra, Victor Kioulaphides, Harold Schiffman and Aurelio de la Vega on Sunday, February 19 at 3 PM. Free admission!
Two new operatic monodramas featuring two iconic mothers will receive their first public concert readings a day after Mother’s Day. Nora, In the Great Outdoors, music by Daniel Felsenfeld and libretto by Will Eno, continues the final scene of Henrik Ibsen’s A Doll’s House moments after Nora abandons her family; and The Wanton Sublime, music by Tarik O’Regan and libretto by Anna Rabinowitz, explores the mythic and human aspects of Mary, mother of Jesus. The evening will feature performances by soprano Caroline Worra (The Metropolitan Opera, New York City Opera, Boston Lyric, Glimmerglass) and Amy Shoremount-Obra with music direction by Mila Henry. Both one-act operas have been commissioned by the Brooklyn-based opera development company AMERICAN OPERA PROJECTS (AOP) and will be presented by the organization at The Players (16 Gramercy Park South) on Monday, May 9 at 8pm in New York City, and at South Oxford Space (138 South Oxford St.) on Thursday, May 12 at 8pm in Brooklyn. Both will feature a panel discussion with the artists. Tickets are $20; $10 for Players NYC members or Students/Seniors. Tickets and more info are available at www.operaprojects.org.
Music at First announces an evening of contemporary music featuring the talents of the “gorgeously subtle” (Time Out New York) janus and the “finely polished” (The New York Times) Mantra Percussion ensemble. Flute, viola and harp trio janus presents a range of older and brand new works by Sofia Gubaidulina, Kaija Saariaho, Michael Ippolito, Caleb Burhans and Ryan Brown, while Mantra brings a special preview performance of an excerpt from Michael Gordon’s new evening-length percussion sextet, Timber.
Bringing together both the old and the new, janus will perform two “older” works by two established composers: The Garden of Joys and Sorrows by Sofia Gubaidulina (which was written in 1980) and New Gates by Kaija Saariaho (written in 1996), as well as the world premiere of a newly commissioned work, Ballade by Michael Ippolito, which includes the composer on accordion. In support of their “beguiling new CD” (Time Out New York), the trio will perform two tracks from the release, Keymaster by Caleb Burhans and Under the Rug by Ryan Brown, both of which were written for janus.
In a special preview performance, Mantra will present an excerpt from Michael Gordon’s Timber, a new evening-length tour de force for six percussionists. Scored for six graduated wooden two-by-fours, the work brings the physicality, endurance and technique of percussion performance to a new level. Gordon shapes the music in both polyrhythmic and dynamic textures, such that the player’s hands are often in separate rhythmic worlds, each traversing a different dynamic contour. The piece was co-commissioned by the Dutch dance company, Club Guy and Roni, and the percussion ensembles Slagwerk den Haag and Mantra Percussion, with support from the Nief-Norf project.
WHAT: Music at First Series featuring janus and Mantra Percussion
WHEN: Friday, April 8, 2011, 7:30pm
WHERE: First Presbyterian Church (Brooklyn Heights)
124 Henry St, Brooklyn, NY
2/3 to Clark St.; A/C to High St.; R/4/5 to Borough Hall
About Music at First Series:
Music at First is an exciting new concert series that takes place at First Presbyterian Church in Brooklyn Heights curated by Brooklyn-based composer and FPC organist Wil Smith. It features a diverse mix of some of New York City’s top new music ensembles, performers, and composers, accessible to a wide audience of both community members and seasoned new music listeners. Concerts take place monthly at First Presbyterian Church and begin at 7:30pm with a $10 admission. www.musicatfirstsite.com
Mellissa Hughes and Lorna Krier
Brooklyn Heights-based Music at First Series announces its second concert of 2011, featuring sets from “dazzling diva” (Time Out New York) Mellissa Hughes and synthesizer player Lorna Krier. Mellissa Hughes, accompanied by pianist Timo Andres, will perform works that explore topics such as death, sexuality, and Craigslist, by Jacob Cooper, Corey Dargel, Ted Hearne, Gabriel Kahane, Matt Marks, and Eric Shanfield. Lorna Krier continues to “break down the boundary between new classical and indie rock” (Lukas Ligeti) with Selected Saccharine Songs Without Words featuring special guests Dream Massage (Peter Pearson, Derek Muro, Stephen Griesgraber) and bassist Eleonore Oppenheim. Videographer Jon Williams complements the new wave-meets-minimalism songs with video projections processed in real time.
WHAT: Must at First Series featuring Mellissa Hughes & Lorna Krier
WHEN: Friday, March 25, 2011, 7:30pm
WHERE: First Presbyterian Church (Brooklyn Heights)
124 Henry St, Brooklyn, NY
2/3 to Clark St.; A/C to High St.; R/4/5 to Borough Hall
MUSIC AT FIRST is a monthly new music series at First Presbyterian Church in Brooklyn Heights. It features a diverse mix of some of New York City’s best new music ensembles, performers, and composers, accessible to a wide audience of both community members and seasoned new music listeners. All concerts begin at 7:30 with a $10 admission.
APR 8 – Janus Trio & Mantra Percussion
MAY 20 – Margaret Lancaster & The Deprivation Choir
Posted by s21concerts in Concert Announcement, tags: "Chiara String Quartet", brooklyn music, chamber music, classical, Daniel Ott, Lutoslawski, new music, New York, new york city, string quartets
Chiara String Quartet by Liz Linder
Thursday, March 31, 2011 at 8pm
Galapagos Art Space
16 Main Street
Brooklyn, New York
The Chiara Quartet has been called “truly breathtaking” by The Washington Post. Their Creator/Curator series commissions composers to write new works as well as curate the concert program. This final installment features Daniel Ott, who has recently written scores for ballet choreographer Benjamin Millepied. Ott’s new string quartet includes Odes to two composers who lost children – Liszt and Mahler – and he’s chosen to pair it with Polish composer Lutoslawski’s aleatoric string quartet.
Tickets are $10 in advance and $15 at the door. Call (718) 222-8500 or visit www.galapagosartspace.com.
On May 6th at 7 PM, TRANSIT will continue its popular DoubleBill series at the Nabi Gallery (137 W. 25th St. NYC) in a program co-curated by Samson Young. The program features work from a stellar roster of emerging composers including world premieres of Samson Young, Daniel Wohl, Fung Lam, and Lan-Chee Lam, as well as recent works by Ted Hearne and Matthew Welch.
The DoubleBill series focuses on bringing together new music from two different cities on the same program. The resulting snapshot of emerging composers from two diverse musical scenes ensures that the programming is always fresh, and that audiences enjoy a global cultural experience without incurring jetlag.
In the two seasons since its founding, the TRANSIT collective has already made a name for itself in the New York new music community. Aside from its own programming, it has performed at Issue Project Room, Le Poisson Rouge, and Galapagos Art Space, and has been invited to play on series including MATA Interval, Darmstadt- Classics of the Avant-Garde, and March is Music (Pregones Theater). Voice of America calls their concerts ‘…expertly played.’
Learning to Write Andante Cantabile * (2010)
Lan Chee Lam
Spiritual Rain * (2010)
A Pensive Moment * (2010)
Remembering Dowland * (2004/2010)
Untitled/Aorta * (2010)
One of us, One of them (2005)
Symphony of Drones #2 (2002)
TRANSIT DoubleBill: NYC vs. HKG
May 6, 2010
$15/12 student, senior
137 W. 25th St.
(btw. 5th and 6th Ave.)
1, C, E, to 23rd St.
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Existential Pilot New Music Collective
is presenting two concerts of contemporary chamber music by composers William Zuckerman
, Ezra Donner
, and Jonathan Lubin
on March 2-3
in New York City
. The concert will feature the performing talents of clarinetist Mark Dover
, soprano Claire DiVizio
, and violinist ZoÃ« Aqua
, as well as the featured composers.
The program represents an eclectic range of stylistic and literary influences, from traditional Jewish and American vernacular music, to avant-garde electronic music, to works inspired by the popular South Park television series.
Existential Pilot is a new music collective started by students and alumni of the University of Michigan, dedicated to the performance of dynamic and relevant contemporary music. The group is particularly committed to showcasing the talents of young and emerging composers and performers.
Tickets are $7 pre-sale and $9 at the door. To reserve yours, please click on the links below.
Tuesday March 2, 2010 8 PM
WMP Concert Hall
31-33 East 28th Street
New York, NY
Wednesday, March 3, 2010 8 PM
Ethical Society of Philadelphia
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