North/South Consonance’s 30th Anniversary Gala!

Chamber Orchestra Works by Composers from the Americas

featuring new and recent compositions by

Elizabeth Bell, Edward Green, Max Lifchitz
Hilary Tann & Stephen Yip

performers include

Arthur Campbell, clarinet
Megan Levin, harp
Helen Lin, piano
Max Lifchitz, conductor
The North/South Chamber Orchestra

Monday, March 8 at 8 PM

Merkin Concert Hall

129 West 67th St (bet Bway & Amsterdam), NYC
Free Admission.

First come first serve.
Tickets available at the Merkin Hall box office after 7 PM the evening of the concert

http://www.northsouthmusic.org

North/South Consonance, Inc. celebrates its 30th consecutive season of advocacy on behalf of music by living composers with a special chamber orchestra concert at New York City’s Merkin Concert Hall (129 West 67th St) on Monday, March 8, 2010 at 8 PM.

Distinguished guest artists including clarinetist Arthur Campbell; harpist Megan Levin; and pianist Helen Lin will join the GRAMMY nominated North/South Chamber Orchestra conducted by its founder Max Lifchitz for the special event. The program will include recent works especially written for the occasion by American composers  Elizabeth Bell, Edward Green, Max Lifchitz, Hilary Tann and Stephen Yip.

Admission is free. First come first serve. Tickets may be picked up at the Merkin Concert Hall box office after 7 PM the evening of the concert.

Music of the Spheres Society
“Sound Travels Through Vienna”
Friday, February 26, 2010 at 8:15 pm

Christ & St. Stephen’s Church
120 West 69th Street (between Broadway and Columbus)
New York, NY 10023

Admission at door: $30, $15 senior/student, requested contribution. Cash or check only.

Krenek: Sonata No. 2 for violin solo (1948)
Kreisler: Caprice Viennois (1910)
Webern: Four Pieces for violin and piano (1910)
Brahms: Sonata for clarinet and piano, Op. 120 in F Minor(1894)
Schubert: Klavierstücke No. 1, D 946 (1828)
Mozart: Sonata in A Major for piano and violin, K305 (1778)

Stephanie Chase, violin
Jon Manasse, clarinet
William Wolfram, piano

Through much of its history, Vienna has served as a music capitol – the Vienna Boys’ Choir dates back to 1498! – and home to many of classical music’s most influential and innovative composers. This concert is a journey through the music of six composers with pivotal ties to this city, starting in the mid-20th century and ending in the 1770’s.

Our listening tour begins with the Sonata No. 2 for Violin Solo, Op. 115 by Ernst Krenek, which he composed shortly after moving to the United States. A student of Franz Shreker – first in Vienna and then in Berlin – Krenek was later influenced by the music of Schoenberg, Webern and Berg, and after about 1933 he composed principally in the 12-tone system.We then travel back a few decades to 1910, where we encounter both the Caprice Viennois by Fritz Kreisler and Four Pieces for violin and piano, Op. 7 by Anton Webern.  Composed a mere sixteen years earlier (1894), the majestic Clarinet Sonata in F Minor, Op. 120 by Johannes Brahms forms the heart of the concert, followed by the mercurial Klavierstücke No. 1 (D 946) by Franz Schubert, which dates from 1828. The journey then ends with the delightful Sonata in A Major, K. 305 for piano and violin, composed in 1778 by Wolfgang Amadeus Mozart.

STEPHANIE CHASE played with “elegance, dexterity, rhythmic vitality and great imagination” - Boston Globe

“And there was a heavenly moment when clarinetist JON MANASSE fluttered above the duet like a cherub tumbling in the clouds of a Mannerist painting.”, Milwaukee Journal

“Pianist WILLIAM WOLFRAM combined elegance and clarity in his playing, with the virile, propulsive energy and mercurial shifts of mood needed to make this music come to life.” - San Francisco Classical Voice

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Pre-concert talk at 7:30 p.m. by Styra Avins, included in admission:

“I drink my wine where Beethoven drank his!”: Johannes Brahms in Vienna

Styra Avins is a cellist, musicologist, and the author of Johannes Brahms: Life and Letters (Oxford University Press).

Now in our ninth year, the Music of the Spheres Society is “dedicated to exploring the links between music, philosophy and the sciences” (The New Yorker) through our innovative concerts and and pre-concert talks.

For more information, please visit www.musicofthespheres.org