Posts Tagged “piano”
On May 19, 2012 at 8 pm, the Garden State Philharmonic presents “Totally Tchaikovsky: the Sequel” at the Strand Theater in Lakewood, New Jersey. On stage will be renowned pianist Craig Ketter. Mass transit to Lakewood is available via NJ Transit bus service from New York Port Authority, #137 or 139.
Posted by s21concerts in Concert Announcement, tags: Ashley Wang, Carnegie Hall, classical, classical music, composition, contemporary music, Ear to Mind, Inhyun Kim, Jenny Q Chai, Marco Stroppa, new music, new york city, piano, world premiere, Zankel Hall
Performing works by Inhyun Kim, Ashley Fu-Tsun Wang, Marco Stroppa, Kurtag, Messaien, Ligeti, Debussy, and Schumann, pianist Jenny Q. Chai makes her Carnegie Hall debut at Zankel Hall on Thursday, April 19 at 7:30pm. Tickets are $30 ($15 for students) and are available at www.carnegiehall.org, at the Carnegie Hall Box office at 57th street and 7th avenue in New York City (which is also the location of the venue), or by calling 212 247 7800.
This concert, featuring two world premieres and one US premiere, is being presented by Ear to Mind (www.eartomind.com), a New York City based arts organization which strives to present innovative programs that allow the public to experience contemporary music in non-traditional contexts, as well as by producing publications that allow the public to gain intimate knowledge of the contemporary music field, simultaneously providing composers and performers with a platform for their work.
The Program includes:
- Inhyun Kim – Parallel Lines (World premiere)
- Ashley Fu-Tsun Wang – “Current”, a newly commissioned work from the Yvar Mikhashoff Trust’s 2011 Pianist/Composer Commissioning Project (World premiere)
- Marco Stroppa – “Innige Cavatina” from Miniature Estrose by (US premiere)
- Claude Debussy – Études No.3 ” pour les quartes” and No.6 “pour les huit doigts”
- György Ligeti – Études Book I No. 1 “Désordre” and No. 2 “Cordes à vide”
- Olivier Messiaen – Cantéyodjayâ
- György Kurtág – “Quiet talk with the Devil” and “Les Adieux” from Jatekok
- Robert Schumann – Kreisleriana
Hailed as a “brilliant and fearless young performer,” Jenny Q Chai is an active pianist specializing in contemporary music. Recipient of the Yvar Mikhashoff Trust’s 2011 Pianist/Composer Commissioning Project, first prize winner of the Keys to the Future Contemporary Solo Piano Festival, and recipient of the DAAD Arts and Performance award in 2010, Chai has premiered, most notably, Life Sketches by Nils Vigeland, Exercise in Deism by John Slover, Intimate Rejection by Ashley Fu-Tsun Wang, and Blue Inscription by Scott Wollschleger. Chai has also premiered “Marriage (Mile 58) Section F” from The Road by Frederick Rzewski in Ghent, Belgium, where she was given the Logos Award for the best performance of 2008. Recently, Chai had the privilege of introducing the concept of prepared piano to a Chinese audience, with the world premiere of Mallet Dance by John Slover, in Shanghai Concert Hall.
Chai has studied at the Shanghai Music Conservatory, Curtis Institute of Music, and has received two degrees from the Manhattan School of Music where she studied with Solomon Mikowsky, Nils Vigeland, and Anthony de Mare. In Germany, she studied with Pierre-Laurent Aimard, and performed in Ensemble 20/21, directed by David Smeyers, as well as the group Musikfabrik. In what is already an illustrious career, Chai’s performances have been covered in major media throughout the U.S., China, and Europe, including Time Out New York, Shanghai Culture, and Cologne Daily News, and her performances of contemporary music have been broadcast in Italy, Germany, China, and the U.S. Her talents have been showcased on recordings with Ensemble 20/21 on the Deutschlandfunk label (performing music by Hanns Eisler) and as solo pianist/vocalist on ArpaViva’s New York Love Songs.
For Chai, near-total immersion in the contemporary music world has only enhanced her appreciation of the classical repertoire. “I feel a sense of contentment programming creative concerts, mixing and matching old and new works, so as to highlight what is most special in each piece. After all, nothing comes from nothing, and new music is very much connected to that which came before.” Now splitting her time between the U.S. and China, Chai co-directs the New York City-based contemporary music organization Ear to Mind, and is founder of FaceArt Music Association in Shanghai. In an Ear to Mind performance in April 2011, Chai premiered three new works, including Five Pieces (for Jenny Q Chai) by Nils Vigeland.
Ashley Fu-Tsun Wang is a Taiwanese composer whose work seeks to capture the individual beauty of the fleeting moment, revealing complexity within simplicity. Her music has been performed throughout North America, Europe, and Asia. She has collaborated with Brooklyn Rider String Quartet, MIVOS Quartet, members of Eighth Blackbird, pianists Eric Huebner, Vicky Chow, Jenny Q. Chai, conductors David Gilbert, Brad Lubman, Paul Chiang, and visual artists Alice Grassi and Takeshi Moro. Her music has been broadcast on WNYC and Taukay Edizioni Musicali, and has been released on the ArpaViva label. Ms. Wang is the winner of the Yvar Mikhashoff Trust for New Music competition and the Look and Listen Festival Composition Prize, and the recipient of grants from the American Composers Forum, the American Music Center, and the ASCAP Foundation. Ms. Wang has been a fellow at the MusicX Festival, Bowdoin International Music Festival, June in Buffalo, Pacific Music Festival, Bang on a Can Music Festival, an associate artist at the Atlantic Center for the Arts, and has worked with Robert Beaser, Matthias Pintscher, David Felder, David Lang, Michael Gordon, Julia Wolfe, and Lera Auerbach. She has recently studied with Nils Vigeland, Reynold Tharp, and Stephen Taylor.
As a frequent collaborator with choreographers, visual artists, and filmmakers, composer Inhyun Kim challenges her audience think in new and unconventional ways about music as a performing art. Ms. Kim has been commissioned by organizations such as White Wave Dance Company, The Actor’s Theatre, Hudson Saxophone Quartet and Brooklyn Independent television, and her works have been performed at the DUMBO dance festival, Wave Rising series, the Joyce Soho theatre, What We Want!!!, The Tompkins Square gallery at the New York Public Library, Dance New Amsterdam, Ceres Gallery as part of 2008 Make Music NY, the Museum of Modern Arthur as part of the 12th annual Art Under the Bridge festival, Galapagos Art Space, and Symphony Space. A graduate of the Manhattan School of Music, where she received her Bachelor’s and Master’s Music degrees and studied with Julia Wolfe, Susan Botti and Reiko Fueting. Ms. Kim’s music can be heard on her CD “Music =”, released in 2010 by Carrier Records. Ms. Kim is a recipient of the Jordan Berk Memorial Prize in composition, Manhattan School of Music president’s award, and was recently awarded a mentorship with composer Vivian Fung, as part of NYFA’s Mentoring program for Immigrant Artists. Ms. Kim is co-director of the contemporary music nonprofit organization, Ear To Mind.
Composer, researcher and professor, Marco Stroppa was born in Verona, Italy, and has composed for both acoustical instruments and new media. His repertoire includes works for concerts, one music drama, two radio operas and various special projects. He often groups several works around large cycles exploring specific compositional projects, such as a series of concertos for instrument and a spatialized orchestra or ensemble inspired by poems of W.B. Yeats, a book of Miniature Estrose, seven pieces for solo piano, a cycle of works for solo instrument and chamber electronic music inspired by poems of e. e. cummings, and two string quartets. He has worked as a composer and researcher, teacher at IRCAM, and he founded the composition and computer music workshop at the International Bartók Festival in Szombathély, Hungary. He taught composition at the Conservatoire National Supérieur de Musique in Paris and Lyon and since 1999 he has been full professor of composition and computer music at the University of Music and Performing Arts in Stuttgart. He studied at the Conservatories of Verona, Milan and Venice and at the Massachusetts Institute of Technology as the recipient of a Fulbright Scholarship.
This concert is sponsored by The Gurrand Group and FaceArt Music Association.
Posted by s21concerts in Concert Announcement, tags: Cello, clarinet, cross island, haren, harrington, kouguell, mueller, piano, saint peter's, sowash, Trio, warshauer, zayas
CROSS ISLAND's "Quiet Strength"
CROSS ISLAND - cellist Suzanne Mueller, pianist Elinor Abrams Zayas, clarinetist Joseph Rutkowski, Jr.
Join CROSS ISLAND – Suzanne Mueller, cello, and Elinor Abrams Zayas, piano – and clarinetist Joseph Rutkowski, Jr. as we celebrate the release of our new CD, Quiet Strength, in a concert on the Classical Concert Series at Saint Peters Church, renowned for its amazing acoustics.
The program is an eclectic one, spanning genres, styles, and centuries. Works by living composers are:
Roger Blanc – Saint Vitus Was Here (clarinet/cello)
Keri Degg – Fuerza Tranquila (cello/piano)
James Grant – To Become World (clarinet/cello)
Andreas van Haren – The Lost Child (cello/piano) and Nature Awakes (cello/piano)
Jeffrey Harrington – Nocturne (cello/piano)
Mark McCarron – The Big Picture(trio)
Paul Schoenfield – Andante (Mvt. 2, Cafe Music (trio)
Rick Sowash – Lullabye for Kara (cello/piano)
Meira Warshauer – In Memoriam, September 11, 2001 (clarinet/cello) and Bracha (cello/piano arrangement created collaboratively with teh composer; not on the album – a concert “bonus track”)
Other contemporary composers include Ruth Schonthal and Arkadie Kouguell. There will also be music by Cecile Chaminade and Frank Bridge.
Composers Roger Blanc, Mark McCarron, and Meira Warshauer will be in attendance, as will artist Rasisy Derzey, who provided the beautiful painting used on the CD and package, Giverny Revisited.
Suggested donation: $10, including a complimentary CD.
Saint Peter’s Church: 619 Lexington Avenue @ 54th Street, New York, NY
For more information, contact CROSS ISLAND or go to our website, http://crossisland.net.
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KALEIDOSCOPE 万華鏡 MANGEKYOU
Music of Japan 日本の音楽
CLARINETIST THOMAS PIERCY ~ PIANIST MIKA TANAKA
GUEST ARTIST, PIANIST CLAUDINE HICKMAN
Wednesday, October 19, 2011
Gershwin Hotel ~ 7 East 27th Street ~ New York, NY 10016
Tickets: $10 at the door.
Clarinetist Thomas Piercy and Pianist/Composer Mika Tanaka perform “KALEIDOSCOPE 万華鏡 MANGEKYOU” – a kaleidoscopically varied concert of music of Japan including traditional Japanese folk songs, contemporary Japanese popular music, and recent contemporary classical compositions. Pianist Claudine Hickman will appear as a special guest artist.
“KALEIDOSCOPE 万華鏡 MANGEKYOU” will feature a world premier by Jun Nagao (Your Kindness), pieces written for Mr. Piercy and Ms. Tanaka by Yohei Kurihara, and “Un nuage de tristesse” by composer/pianist Mika Tanaka. Other composers featured on the program include Kozaburo Hirai (Paraphrase on Sakura Sakura), Academy Award-nominated Joe Hisaishi (Summer/The Rain, Les Aventuriers, Okuribito), Amy Madoka Ito (Tsukiyo no Kojou), Yumi Kimura (Itsumo nando demo), Yoshinao Nakada (Sakura Yokocho), Yutaka Ozaki (I Love You), Academy Award-winner Ryuichi Sakamoto (Merry Christmas, Mr. Lawrence), and Ippo Tsuboi (Far Away In Time).
For more information:
Posted by s21concerts in Concert Announcement, tags: "Integrated Practice: Coordination Rhythm & Sound", Alexander Technique, Brazilian Composers, Cello, Experimental Music, Improvisations, new music, Oxford University Press, Pedro de Alcantara, piano, Tenri Cultural Institute, Wine reception
Brazilian Composer, Performer, Writer & Educator Pedro de Alcantara
“Songs & Soundscapes: A Musical Exploration”
(voice, cello, piano, improvisations & compositions)
Tenri Cultural Institute of New York
Friday, September 23, 2011 at 7pm
Brazilian native and Parisian resident renaissance man Pedro de Alcantara visits New York this fall to present “Songs & Soundscapes: A Musical Exploration” at Tenri Cultural Institute of New York on Friday, September 23, 2011 at 7pm. This program of original compositions and improvisations explores the frontier between the ordinary and the sacred in music, a place where nothing is as you expect it to be. The voice becomes a trumpet and beacon, the cello becomes a harp and a lute, and the piano becomes a resonating chapel of vibrations and oscillations.
Immediately following the concert, Pedro will be hosting a reception for his latest book, Integrated Practice: Coordination, Rhythm & Sound, published by the Oxford University Press in June, 2011.
Location: Tenri Cultural Institute, 43A West 13th Street between 5th & 6th Avenues in New York
Tickets: $20 available at the door and via Brown Paper Tickets.
Directions to Tenri:
• F, V & L trains to 14th Street & 6th Avenue
• 1, 2, & 3 trains to 14th Street & 7th Avenue
• N, Q, R, W, 4, 5 & 6 trains to 14th Street-Union Square
About Pedro de Alcantara
Pedro de Alcantara has redefined the role of the creative artist for the 21st century, showing that music, literature, teaching, and healing all flow from a single source.
After growing up in São Paulo, Brazil, Pedro studied at the State University of New York’s Purchase College (BFA in Music, 1981) and the Yale School of Music (MM in Music Performance, 1983). In 1986, while living in London, Pedro became a certified teacher of the Alexander Technique, a problem-solving method based on the idea that good health is a creative act. In 1990 he moved to Paris, where he still lives.
Pedro’s first book, Indirect Procedures: A Musician’s Guide to the Alexander Technique, with a foreword by Sir Colin Davis, was published by the Oxford University Press (OUP) in 1997. Its French version came out in 2000, followed by a German translation in 2002 and a Japanese version in 2009. Also in 1997, the French publisher Editions Dangles published his second book, La Technique Alexander: Principes et Pratique, which he wrote in French (his third language, Portuguese being his mother tongue). Afterwards he rewrote the book in English. Titled The Alexander Technique: A Skill for Life, it was published by the Crowood Press in England in 1999. A translation of A Skill for Life was published in Japan in 2011.
In 2008, Pedro was named the editor of a new book series at the OUP. Titled THE INTEGRATED MUSICIAN, the series highlights the musical philosophy he has developed over the past twenty-five years and will include volumes for string players, singers, pianists, and other musicians. In the fall of 2008, AlumniVentures, a new initiative at the Yale School of Music, awarded Pedro a grant to support the series’ dedicated website. Pedro’s first volume for the series, Integrated Practice: Coordination, Rhythm & Sound was published in the summer of 2011 to wide acclaim.
In the process of preparing Indirect Procedures, Pedro discovered a passion for writing itself. From this passion poured a number of works including poems, short stories, and novels for young readers. Befiddled, his first novel, was published in 2005 by Delacorte Press – an imprint of Random House. It tells the story of 13-year-old violinist Becky Cohen and her struggles against a mean teacher, an overburdened mother, and really bad hair. Delacorte Press published Pedro’s second novel in 2009. Backtracked is a time-travel epic of New York City, in which the vessel of time travel is the city’s subway system. Currently, Pedro is working on The Divine Computer, a new novel for young readers, as well as a manual for writers titled Rhythm & Flow in a Writer’s Career.
Pedro has given seminars and presentations throughout Europe and the US, as well as Australia and New Zealand. His forthcoming visit to Japan will include a class at Nihon University, the country’s largest and most prestigious university. Pedro’s music students include the members of first-rate orchestras like the Orchestre National de Lille, the Concertgebouw Orchestra, and many others. His teaching practice is broad-based and includes writers, artists, dancers, actors, and creative individuals in all fields.
Pedro’s compositions and improvisations highlight the vibrational and metaphysical aspects of music. He is currently preparing a CD of his works, scheduled for release in November, 2011. More details at: www.pedrodealcantara.com.
Posted by s21concerts in Concert Announcement, tags: Cello, clarinet, cross island, dasilva, husa, mueller, piano, rutkowski, schoenfield, Trio, warshauer, zayas
Joseph Rutkowski, Jr., clarinet; Suzanne Mueller, cello; Elinor Abrams Zayas, piano
CROSS ISLAND – cellist Suzanne Mueller, and pianist Elinor Abrams Zayas – are joined by Joseph Rutkowski, Jr., clarinetist to finally play the concert postponed from August 14 due to severe weather – closing out the 2011 West Porch Beech Tree Concert Series at Old Westbury Gardens with a really special program of music they love from across the centuries, the world, and the musical spectrum.
Music by living composers will include:
The Big Picture, a jazz waltz by Mark McCarron, which will open the concert (and will be heard on CROSS ISLAND’s new CD, Quiet Strength, scheduled for a November 1 release)
Bracha, a breathtaking work by Meira Warshauer, in a new cello/piano transcription created in collaboration with the composer (also on Quiet Strength, scheduled for a November 1 release).
Funeral for a Ball, a new solo cello work by Douglas DaSilva.
Relentless Machine, the third of Karel Husa’s Three Studies for Solo Clarnet, performed in honor of the composer’s 90th birthday this summer.
The Andante of Paul Schoenfield’s Cafe Music (another Quiet Strength track) .
Other composers on the program will be Morton Gould, Arkadie Kouguell, Jacques Offenbach, George Gershwin, Cecile Chaminade, Enrique Granados, and Francisco Canaro, and there will also be a trio free improvisation.
Old Westbury Gardens is one of our favorite destinations on Long Island. With its historic mansion and incredibly gorgeous grounds (featured in movies from Love Story and North by Northwest to Hitch and American Gangster, and in television shows including Sex and the City and, most recently, Royal Pains), it’s a great place to spend the day.
Unless we have an Indian Summer day, the concert will be in the Red Ballroom, with it’s crystal clear acoustics and beautiful Steinway. If the weather cooperates, though, we’ll be under the majestic tree that gives the series its name. Regardless, while you’re there, take a tour of the house and/or gardens – the docents are both knowledgeable and welcoming.
The concert is free. Admission to the Gardens (including tours) is $10 for adults; $8 for mature adults (over 62); $5 for children 7-12; and free for children under 7.
For directions, and to learn more about Old Westbury Gardens, go to http://www.oldwestburygardens.org.
To keep up with CROSS ISLAND’s news, hear tracks, and watch performance videos, go to http://crossisland.net.
For information about the West Porch Beech Tree Concert Series or its performers, contact Suzanne Mueller at firstname.lastname@example.org.
Posted by s21concerts in Concert Announcement, tags: Atsushi Yoshinaka, Bargemusic, David Claman, Jessica Bowers, John McDonald, Karlheinz Essl, Kids free, Konrad Kaczmarek, Matthew Malsky, Nancy Newman, new music, Phyllis Chen, piano, The Extensible Toy Piano Festival, toy piano
Co-Directors David Claman and Matthew Malsky present The Extensible Toy Piano Festival, an avant-garde haven for connoisseurs and newcomers to this highly theatrical electroacoustic event. The festival features performances and works by Phyllis Chen (of ICE), John McDonald, and Konrad Kaczmarek; compositions by Karlheinz Essl, Atsushi Yoshinaka, Claman, and Malsky; and guest performers Nancy Newman and mezzo-soprano Jessica Bowers. Inspired by a toy piano composition contest at Clark University, Claman and Malsky are taking their treasured playthings (including computers) on the road to create bona fide musical instruments. This is a concert of serious fun: intriguing and irresistible.
The Extensible Toy Piano Festival
Sunday, June 12, 2011 3pm
Fulton Ferry Landing near the Brooklyn Bridge
Tickets: $25 ($20 Seniors; $15 Students)
Suggested Ages: 3 and up; kids are free!
Please make your reservations by emailing: email@example.com. You will receive an email confirmation.
Cash/Credit Cards accepted at the door.
About the Program
Carousels, for toy piano and music box
Colura, Double Helix and Hallucinate, for toy piano and bowls
Taroko Hypnos, for toy piano and music box
Munin Raven, for music box and electronics
Whatever Shall Be, toy piano and gadgets
32 Grains-Toy Piano, toy piano and electronics
Piece of Work, laptop
Two Formican Lullabies, toy piano, grand piano, and mezzo-soprano
Four Stand-ins, toy piano
heterogeneous, toy piano and electronics
Bokura no Ayumi, toy piano, Japanese speaker and English speaker
CROSS ISLAND - Elinor Abrams Zayas; Joseph Rutkowski, Jr.; Suzanne Mueller (photo by Tiffany Thomas 2009)
CROSS ISLAND – Clarinetist Joseph Rutkowski, Jr., cellist Suzanne Mueller, and pianist Elinor Abrams Zayas – present an evening of music by Jewish composers at Bnai Israel Reform Temple, 67 Oakdale-Bohemia Road, Oakdale, NY 11769.
This program covers a wide array of music, exploring the diversity of music in this category, and includes music by contemporary composers including Leo Kraft, Kalmen Opperman, Paul Schonfield, Alex Shapiro, and Mira Warshauer:
We open with Jacques Offenbach’s beloved barcarolle, O Belle Nuit, from Les Contes d’Hoffmann.
Then, Suzanne and Joe switch up the mood with Ruth Schonthal’s dramatic yet playful Tango for Two.
Then, Joe flies solo on Leo Kraft’s New Songs for Old.
Next, it’s Suzanne’s turn to solo – on Kalmen Opperman’s beautiful Un Seul, in a transcription by Thomas Piercy.
Then, Suzanne and Ellie join forces for Edwin Finckel’s Willow Variations (built upon Willow Weep for Me, by Ann Ronell) .
Then, the trio regroups for Alex Shapiro’s beautiful trio, Elegiac.
Next, Suzanne and Ellie play Suzanne’s cello transcription of the fourth movement of Erwin Schulhoff’s jazzy Hot Sonate.
We finish out the pre-intermission set with two works by George Gershwin: First, Ellie’s rendition of the moody, atmospheric Prelude No. 2; then, a trio setting of I Got Rhythm.
After intermission, things re-start with Suzanne’s trio arrangement of Ernest Bloch’s Prayer, from his collection,” Jewish Life.
Then, staying in the traditional vein, Joe and Ellie perform Gzregorz Fitelberg’s The Wedding, from his Four Pieces in Klezmer Style.
Then, the trio plays the slinky second movement of Paul Schonfield’s Cafe Music.
Next, Joe and Suzanne join forces again, for three selections from Morton Gould’s Benny’s Gig.
Then, Suzanne and Ellie perform Meira Warshauer’s breathtaking Bracha, in a cello/piano transcription created in collabration with the composer this year.
Then, for another taste of the familiar, Joe and Ellie play Leonard Bernstein’s One Hand, One Heart, from West Side Story.
And the program ends with Melodie et Danse Hebraique, a trio by Arkadie Kouguell
(We’ve got one more short, sweet “bonus track” waiting for the audience, if they’re so inclined, but we’ll keep that to ourselves for now. ;-D)
There will also be a drawing for a copy of CROSS ISLAND’s 2010 cd, EXPLORATIONS.
Reception to follow.
Tickets are $15. For more information call 631/563-1660 or e-mail firstname.lastname@example.org.
Inquiries about CROSS ISLAND may be directed to email@example.com, and tracks and videos of them are available on MySpace and on Facebook.
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Le Poisson Rouge
158 Bleeker Street
New York, NY 10012
Subway: West 4th Street -Upper Level-Washington Square
on Tuesday, April 12, 2011 at doors: 6:30 PM / Concert 7:30
Admission is $15.00 at the door or
This performance will feature one of the works on his newest CD released by Eroica Classical: the “Wanderer Fantasy” by Franz Schubert. Other works to be performed will be Johann Sebastian Bach, Italian Concerto; and Feruccio Busoni, “All’ Italia”, “Turandot’s Boudoir”; and “Carmen Fantasy”.
Andreas Klein has established himself as a dynamic and compelling performer who captivates with a wide range of tonal colors and possesses a brilliant technique. “A fascinating artist with all the indispensable qualities: temperament, taste, touch, tone, the four Ts of pianism” and “A pianist who makes silences sound like music” – New York Times
Andreas Klein’s career as soloist has taken him to the world’s most prestigious venues: London’s Wigmore Hall, Berlin’s Philharmonic Hall, New York’s Carnegie Hall and Alice Tully Hall, the Kennedy Center in Washington DC, and to Berlin, Rome, Milan, Bern, Leipzig and Dresden. He has toured Europe, the Middle East and the US, appearing on major concert series in New York, Los Angeles, Chicago, Washington DC, Cleveland, Houston and Seattle to name a view. The Tagesspiegel wrote of his concert with the Berlin Philharmoniker playing Mozart’s Concerto KV459, “Humorous flamboyancy and impeccable technique, grace, melodious sound and plenty of brilliance.”
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Max Lifchitz – the Mexican-born composer and long-time New York City resident — will appear as pianist in a program devoted entirely to his music planned for Saturday afternoon March 12 2011.
The event will be held in the elegant Bruno Walter Auditorium at the recently refurbished NY Public Library for the Performing Arts (40 Lincoln Center Plaza – Amsterdam Ave at 65th St). It will start at 2:30 PM. Admission is free (no tickets required).
For further information about the event as well as directions please visit
A retrospective program, the concert will feature compositions written during the last four decades.
It will include Five Preludes for Piano (written in 1964); The Blood Orange (for narrator, violin and piano — written in 2006); Mosaico Latinoamericano (for flute and piano —written in 1991); Vignettes for woodwind quintet (written in 2005); as well as Yellow Ribbons No. 10 (for piano – written in 1981) and Yellow Ribbons No. 39 (for solo flute— written in 2005).
Mr. Lifchitz will be joined by several of the distinguished performers who have premiered and recorded his works. They include actress/narrator Norma Fire; flutist Lisa Hansen; violinist Claudia Schaer; and The Sylvan Winds.
Mr. Lifchitz will introduce his works to the public and meet with the audience during intermission and after the concert.
Lifchitz began his musical training in Mexico City under the direction of the Spanish composer Rodolfo Halffter. After moving to New York City in 1966 Lifchitz studied composition with Luciano Berio at Juilliard and Leon Kirchner at Harvard. His creative endeavors have been possible with grants from among others, the ASCAP, Ford and Guggenheim Foundations; the NYS Council on the Arts and the National Endowment on the Arts. He was awarded first prize in the 1976 Gaudeamus Competition for Performers of Contemporary Music held in Holland. Lifchitz has been active in the New York new music scene since the late 1960’s and has toured throughout Latin America and Europe with grants from the US Artists at International Festivals Fund. He was honored with the 2009 Zethus Fund Lifetime Achievement Award in recognition of his tireless efforts on behalf of the music by living composers.
Mr. Lifchitz’s compositions and performances are available for streaming and download through the web at