Posts Tagged “world premiere”

Resonances from East & West

Music from Asia and the Americas

Daniel-BlakeMay-HowlettCarleton-MacyWong-Chun-Wai

Program

DANIEL BLAKE    Resonances
MAY HOWLETT  The Invisible Lake

MAX LIFCHITZ    Yellow Ribbons No. 50
CARLETON MACY  Douce Dame
WONG CHUN WAI   Lament from the Forest

Laura-Nichols

Laura Nichols, mezzo-soprano
Max Lifchitz, conductor
The North/South Consonance Ensemble

Tuesday, June 10 at 8 PM
Christ and St Stephen’s Church
120 West 69th St (bet Bway & Columbus)
New York, NY 10023

Free Admission

http://www.northsouthmusic.org

 

On Tuesday evening June 10, the North/South Consonance Ensemble under the direction of Max Lifchitz will present a special concert featuring premieres of recent works for large mixed ensembles by composers hailing from Australia, China and the US.
The event – part of the 34th consecutive season of free-admission concerts sponsored by North/South Consonance, Inc –will start at 8 PM and end approximately at 9:30 PM. It will be held at the intimate but acoustically superior auditorium of Christ & St Stephen’s Church (120 West 69th St – between Broadway and Columbus) on Manhattan’s Upper West Side. The auditorium is ADA accessible. Admission is free – no tickets needed.

The exciting program will feature premieres of works by the Brooklyn-based saxophonist/composer Daniel Blake and the Minneapolis-based Carleton Macy the Carleton College faculty member.

It will also introduce New York audiences to the music of Australian composer May Howlett and Hong Kong based Wong Chun-Wai. A work by Max Lifchitz — the Mexican-born musician who is the ensemble’s director – will round off the program.

Soloist for the occasion will be Laura Nichols, the Minneapolis based mezzo-soprano and dedicatee of Macy’s work.

The composers will be present at the concert to introduce their works and meet with the audience.

Performers and composers are available for media events and interviews and may be contacted through the North/South Office at ns.concerts@att.net.

Since its inception in 1980, North/South Consonance has brought to the attention of the New York City public over 1,000 recent works by composers representing a wide spectrum of aesthetic views. It activities are made possible in part, with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs.

For the complete concert series schedule please visit
            To stream, download and/or purchase the more than 60 compact discs
released under the North/South Recordings label please go to

http://www.classicsonline.com/North_South_Recordings/

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Cinco de Mayo Celebration

100 Years of Piano Music by Mexican Composers

Lifchitz

Max Lifchitz

 

Max Lifchitz, piano

works by

Carlos Chavez, Manuel Enriquez, Max Lifchitz,
Manuel M. Ponce, Maria Teresa Prieto,
Silvestre Revueltas
& Brian Banks

Monday, May 5 at 8 PM
Christ and St Stephen’s Church
120 West 69th St (bet Bway & Columbus)
New York, NY 10023

Free Admission

http://www.northsouthmusic.org

 

Max Lifchitz celebrates the Cinco de Mayo Holiday

performing works by three generations of composers from Mexico.

       North/South Consonance, Inc. continues its 34th consecutive season of free-admission concerts on Monday evening May 5 when Max Lifchitz celebrates the Cinco de Mayo Holiday performing a recital devoted entirely to the piano music of composers from México.

The event will start at 8 PM and will take place at the intimate and acoustically superior auditorium of Christ & St. Stephen’s Church (120 West 69th St – bet. Broadway & Columbus Ave) on Manhattan’s Upper West Side. The auditorium is ADA accessible.

Admission is free (no tickets needed).

  Max Lifchitz – the Mexican-born pianist and long-time resident in New York, was described by The American Record Guide as ”a consummate musician …. one of America’s finest exponents of contemporary piano music.” The San Francisco Chronicle described him as “a stunning, ultra-sensitive pianist” while the New York Times praised him for his “clean, measured and sensitive performances. Active also as composer and conductor, Mr. Lifchitz has performed throughout Europe, Latin America and the US.

The program will feature music by 20th and 21st century Mexican composers including Carlos Chávez, Manuel Enríquez, Maria Teresa Prieto, Manuel M. Ponce and Silvestre Revueltas. The program will also feature Lifchitz’s recently completed Piano Silhouettes and the premiere of a new work by Brian Banks—the American composer who lives in the Mexican city of Puebla who will be on hand to introduce his music.

The artist is available for interviews and media event and may be contacted through the North/South office at ns.concerts@att.net

Since its inception in 1980, North/South Consonance has brought to the attention of the New York City public over 1,000 recent works by composers representing a wide spectrum of aesthetic views. It activities are made possible in part, with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs.

Brian Banks

Brian Banks

CarlosChavez

Carlos Chavez

ManuelPonce

Manuel M. Ponce

Mara-Teresa-Prieto

Maria Teresa Prieto

Silvestre-Revueltas

Silvestre Revueltas

For the complete concert series schedule please visit

To stream, download and/or purchase the more than 60 compact discs released under the North/South Recordings label please go to

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Natasha Paremski

Natasha Paremski


Los Angeles Chamber Orchestra’s (LACO) Music Director Jeffrey Kahane conducts the world premiere of This Ease by composer Hannah Lash as well as the LACO debut of Natasha Paremski, proclaimed a “spectacular pianist” (American Record Guide), performing Chopin’s Piano Concerto No. 2 in F minor, Op. 21, on Saturday, April 26, 8 pm, at Glendale’s Alex Theatre, and Sunday, April 27, 2014, 7 pm, at UCLA’s Royce Hall. Also on the program is Haydn’s buoyant Symphony No. 102 in B-flat major. USC Thornton School of Music violin performance major Kenneth Liao, winner of the annual LACO-Thornton Strings Mentorship Audition, joins LACO’s violin section for these concerts.

Lash, whose work is hailed as “striking” and “handsomely brooding” (The New York Times), says, “This Ease is meant to suggest the feeling of familiarity with what we are hearing, yet invoke the underlying unease that allows for the piece’s forward motion and unique fingerprint. The musical material at its most elemental is comprised of major and minor thirds chained and stacked together in various ways, which gradually mutate to highlight different harmonic colors and create the piece’s dramatic formal shape.”

This Ease is presented as part of the LACO’s unique “Sound Investment” commissioning program, initiated 13 years ago to engage audiences in developing new works. The program gives members the rare opportunity to create a legacy in music and to observe first-hand the development of a new work from the composer’s earliest ideas to the finished composition. Participants invest $150 or more for a membership, which includes intimate salons throughout the season featuring in-depth discussions with the composer about his or her creative process and previews of the final work.

Paremski, praised for her “beautifully atmospheric interpretations” (The New York Times) is a 26-year-old Russian-born virtuoso who made her Los Angeles Philharmonic debut at age 15. Critics have hailed dynamic performances and flawless technique.

As part of the LACO-Thornton Strings Mentorship Program in a 2013 mock orchestral audition for strings, Thornton School strings undergraduate Kenneth Liao, a violinist, won the opportunity to play alongside LACO veterans at LACO’s April concerts. He will perform as part of LACO’s first violin section and is being mentored for this opportunity by LACO Concertmaster Margaret Batjer. The program, a unique collaboration now in its fourth year between USC’s Thornton School of Music and the Los Angeles Chamber Orchestra, underscores the importance of preparedness of strings students for professional auditions. Liao competed against violists, cellists, double bass players and fellow violinists before an esteemed panel of judges including LACO Concertmaster Margaret Batjer, LACO Principal Viola Roland Kato and LACO Associate Principal Cello Armen Ksajikian.

Concert Preludes, pre-concert talks held one hour before curtain and free for ticket holders, provide insights into the music and artists with Kahane interviewing Lash about her new piece.

Los Angeles Chamber Orchestra is considered one of the world’s premier chamber orchestras as well as a leader in presenting wide-ranging repertoire and adventurous commissions. Its 2013-14 season, the Orchestra’s 45th, features a compelling mix of beloved masterpieces and genre-defying premieres from firmly established as well as notable up-and-coming composers programmed by Jeffrey Kahane, one of the world’s foremost conductors and pianists, who marks his 17th season as LACO’s music director.

Tickets, starting at $25, are on sale now and may be purchased online at laco.org, by calling LACO at 213 622 7001. Discounted tickets are also available by phone for seniors 65 years of age and older and groups of 12 or more. College students may purchase student rush tickets ($10), based on availability, at the box office the day of the concert. Also available for college students is the $25 “Campus to Concert Hall All Access Pass” – good for all seven of LACO’s Orchestral series concerts, Discover Beethoven’s Eroica and three Westside Connections concerts.

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Fromm Players at Harvard with ENSEMBLE DAL NIENTE
Friday and Saturday, February 28 and March 1
8:00 pm
John Knowles Paine Concert Hall, Harvard University campus, Cambridge, MA (GPS: 1 Oxford St)
The natural | The artificial

2.28.14
Carola Bauckholt Vollmond, unter null
Evan Johnson: die bewegung der augen
Erin Gee: Mouthpiece: Segment of the 4th Letter
Rick Burkhardt: Alban
Wolf Edwards: the road from Mutlaa to Basra (1991) (World Premiere)

3.1.14
Marianthi Papalexandri Yarn (US Premiere)
Aaron Einbond: Without Words
Hans Tutschku: Still Air (World Premiere)
Ming Tsao: Mozart Adagio from the Oboe Quartet in F., K.370/368b / The Book of Virtual Transcriptions (US Premiere)
Enno Poppe: Salz

The concerts are free and open to the public. No tickets are required.
Free parking in the Broadway garage, corner of Felton and Broadway, opposite Broadway Market in Cambridge.

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On Sunday, January 12 at 3 PM, the Grammy nominated North/South Chamber Orchestra under the direction of its founder composer/conductor Max Lifchitz welcomes the New Year with a free-admission concert featuring works by composers from Europe and the Americas

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The Pit Stop Players, a fourteen-member instrumental ensemble composed of veteran Broadway pit musicians, presents great scary music from all genres, including daring re-imaginings and outrageous concert premieres by Danny Elfman, Stephen Schwartz, David Shire, Kenji Bunch, Nox Arcana, and music director Joshua Rosenblum. Be ready for some chills!

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The Pit Stop Players, a thirteen-member instrumental ensemble composed of veteran Broadway pit musicians, will conclude their fourth season with special guest Cynthia Nixon narrating a new work, plus a newly commissioned chamber arrangement of Igor Stravinsky’s towering masterpiece, “The Rite of Spring.” The concert will take place on Monday, May 6, 2013 at 8:00 pm at Peter Norton Symphony Space, 2537 Broadway at 95th Street, New York City. Tickets range from $20-$35 and can be purchased online at Symphony Space Events or (212) 864-5400.

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Momenta Quartet

On Saturday, March 30, 2013 at 6:00 PM, the critically acclaimed Momenta Quartet–recently praised by the New York Times for their diligence, curiosity and excellence” and the Washington Post for “an extraordinary musical experience”–will present five new pieces by NYU graduate composers at New York University’s Silver Center For Arts and Science, Room 220 (31 Washington Place, New York, NY 10003; between Greene Street and Washington Square East). Admission is free.

The concert features works by Gordon Beeferman, Adele Fournet, Moon Young Ha, Friedrich Heinrich Kern, and Jue Wang, all current Ph.D. students at NYU’s Graduate School of Arts and Science. The pieces—four world premieres and one New York premiere, all written for Momenta—reflect each composer’s unique compositional interests, while exploring various unorthodox possibilities of staging, sonority, and collaboration.

The Momenta violinists will be highlighted in Friedrich Heinrich Kern’s duet “Les Adieux” (2013), and will be joined by their quartet colleagues in Moon Young Ha’s “…until that time I may…” (2013) and Jue Wang’s “Life in Stillness” (2013) for string quartet. Adele Fournet’s diptych “on death” (2013) will feature Momenta in collaboration with electric guitarist Felipe Wurst. Joined by guest dancer Stephanie Sleeper and composer Gordon Beeferman as pianist, Momenta will conclude with the New York premiere of “QUADRILLE” (2012) for string quartet, piano, and dancer: a theatrical work in which the musicians are fully integrated into Ms. Sleeper’s inventive choreography. This concert marks the continuation of Momenta and Beeferman’s longstanding collaboration, which originated in 2009 with the New York premiere of Beeferman’s String Quartet, followed by the world premiere of “QUADRILLE” at the Music at Gretna Festival in 2012.

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BNMI Calls for Scores

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From Juventas’ Project Fusion comes “Expérience”. A unique and unforgettable classical performance event that incorporates a ballet set in Cyberspace, a movement-based instrumental work, a chamber opera, and more!

Two venues/nights!

Saturday, December 8 at 7pm, Museum of Modern Renaissance
115 College Ave, Somerville

http://mod-ren.com/

Sunday, December 9 at 7pm, Center Makor
1845 Commonwealth Ave, Brighton
www.centermakor.org

Tickets at www.juventasmusic.com

Juventas New Music Ensemble

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