Following up on Alex Ross’ post about the New York Philharmonic’s 2011-’12 season, which mentioned the lack of representation of American composers on the Contact! series and women composers throughout the schedule, we asked Sequenza 21 readers to share their lists of American women composers that the Philharmonic should consider programming.
Here’s my own take. I’ve compiled three chamber orchestra programs for the Contact! concerts and one for the regular subscription series: all consisting entirely of living women composers. One features American music and the other programs have a more diverse array of nationalities. I hasten to add that this just scratched the surface: one could do many, many more of these!
Program 1
Jennifer Higdon – Soliloquy
Sarah Kirkland Snider – newly commissioned work
Hannah Lash – A Matter of Truth
Amy Williams – Sala Luminosa
Program 2
Angélica Negrón – Fulano
Errolyn Wallen – Concerto Grosso
Du Yun – Impeccable Quake
Helen Grime – Clarinet Concerto
Program 3
Alexandra Gardner – Tamarack
Unsuk Chin – Akrostichon-wortspiel
Tansy Davies – Residuum (After Dowland)
Vivian Fung – newly commissioned work
Lera Auerbach
Subscription Series Program
Augusta Read Thomas – Ceremonial
Lera Auerbach – Concerto No. 2 for Violin and Orchestra
Kaija Saariaho – Orion




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Jennifer Higdon’s “Blue Cathedral” is a suggestion.
Or Higdon’s Violin Concerto. Just heard it at the Kimmel in Philadelphia on Monday and it was stunning!
Marga Richter has a number of works for orchestra: Blackberry Vines and Winter Fruit; Concerto for Piano and Violas, Cellos and Basses; Landscapes of the Mind II; or Lament.
Sharon,
Thanks so much for your comment. Yes, I think Jennifer’s Violin Concerto is wonderful!